MARTIN SIMPSON – Trails & Tribulations (Topic TSCD593)

Trails & TribulationsMartin Simpson never disappoints, whether live or on record, but rarely does he surprise. Rather he evolves over time and emerges with something new and different as he has here. Trails & Tribulations is his 20th solo album in a career going back to the early seventies. You sort of know what to expect – Martin is equally drawn to the English and American traditions; he will have borrowed a song or two and written a couple more; there will be a variety of guitars plus banjo and ukulele and it will probably all come together with a fine group of musicians supporting him. And, of course, you’ll be absolutely right.

What’s new is a richness to the music which I suspect comes from working with The Full English and Simpson Cutting Kerr. Both Andy Cutting and Nancy Kerr feature here as does percussionist Toby Kearney, guitarist John Smith, Ben Nicholls on bass and Martin’s daughter Molly on vocals. Toby is generally restrained but the percussion is more noticeable than I remember. Take the first track, Jackson C Frank’s ‘Blues Run The Game’. It’s a short song but Martin takes his time over it, warming up his fingers as he does on stage as the introduction emerges. Bass and percussion provide an unobtrusive foundation and Martin tops everything off with Weissenborn decoration. Next is Emily Portman’s ‘Bones And Feathers’, which he has been singing for a year or so now, and which features banjo – not one of Emily’s chosen instruments. Martin owns it now.

From the Americas we have ‘Thomas Drew’, which would appear to be a distant cousin of ‘John Hardy’, ‘East Kentucky’ and ‘St. James Hospital’ but the first two are written by Martin and perfectly match the period feel – he had me fooled. From the English tradition come ‘Rufford Park Poachers’ and ‘Reynardine’. That leaves four others. Charles Causley’s ‘A Ballad For Katherine Of Aragon’ – music by Alex Atterson – has also been in Martin’s live repertoire for a while and it sounds like a song he would have written if someone hadn’t already done so. ‘Maps’, ‘Jasper’s/Dancing Shoes’ and Ridgeway are three more of Martin’s songs, continuing the semi-autobiographical style that began with ‘Never Any Good’.

Trails & Tribulations will be available in multiple formats including a deluxe double CD with six extra tracks including my all-time Simpson favourite, ‘Joshua Gone Barbados’. I’m holding out for that!

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – live:

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Martin Simpson announces his 20th solo album

Martin Simpson
Photograph by Elly Lucas

World renowned guitarist, singer and songwriter Martin Simpson releases his 20th solo album in 40 years Trails & Tribulations on September 1st 2017 via Topic Records. The brand-new studio album, his first new solo work since 2013’s widely praised Vagrant Stanzas, will be available in standard and deluxe CD, digital download and standard vinyl (the latter through Vinyl 180).


Trails & Tribulations
is a collection of songs about nature, about travels and about real life stories. There are traditional songs, poems and contemporary songs by great writers, and songs that I had to write because nobody else knew what I wanted to say. I travel, I learn songs, I write and try to get better at the skills required for me to do my job. I look at the world as I pass by, on the road, out of the train window, or as I stop and pay close attention to the square foot under my nose. There is so much to see and to hear and to inspire and to try and understand. I had a huge amount of fun playing and recording these songs, using different instruments, different noises, old friends and new ones, all of whom brought so much to the mix. Martin Simpson, April 2017.

Produced and engineered by Andy Bell, Trails & Tribulations features some of Martin’s most inventive playing yet, showcasing his virtuosity on a variety of instruments including acoustic guitars, resonator guitars, Weissenborn lap steel guitar, electric guitars, 5 string banjo, ukulele – and voice.

Guest musicians on the new album are: Ben Nicholls (string bass and electric bass guitars), Toby Kearney (drums and percussion), Nancy Kerr (fiddle and viola), Andy Cutting (diatonic accordion and melodeon), John Smith (electric guitar and backing vocals), Helen Bell (strings), Amy Newhouse-Smith (backing vocals) and his daughter Molly Simpson on vocals.

Martin will tour extensively this year, including a headline set at Cambridge Folk Festival in the summer and London’s Kings Place in autumn, following the release of Trails & Tribulations.

Hand in hand with his long and storied solo career, Martin has been central to seminal collaborations like The Full English, The Elizabethan Sessions and Simpson Cutting Kerr. He has worked with a dazzling array of artists from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons, to mention a few. He is consistently named as one of the very finest acoustic, fingerstyle and slide guitar players in the world and is the most nominated musician in the history of the BBC Folk Awards, with a remarkable 31 nods. A true master of his art.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – audio stream:

FAY HIELD – Old Adam (Soundpost Records SOPO 5003)

FAY HIELD - Old Adam (Soundpost Records SOPO 5003)Fay Hield’s third solo album is all traditional except when it isn’t. That is, except when the tune is by Hield herself and/or Jon Boden or the song is written by Rudyard Kipling and Peter Bellamy or Tom Waits. Although not given full billing on the front cover, The Hurricane Party – Sam Sweeney, Rob Harbron, Roger Wilson, Ben Nicholls and Toby Kearney – are back alongside the aforementioned Mr Boden and Martin Simpson. Fay is scrupulous about crediting her sources and I do worry when those sources are singers I grew up listening to.

The opening track, ‘Green Gravel’, is described as a playground song although there is a misery about it that isn’t very childish but that mood is quickly dispelled by the jolly ‘Raggle Taggle Gypsy’ and ‘Katie Catch’. The title track is a non-Biblical account of the life of the first man, told as though the expulsion from Eden didn’t happen – it is said of Eve that “her neighbours she ne’er scandalised” and she is described as “the jewel of woman found”. Yeah, right.

The best version of ‘Queen Eleanor’s Confession’ I ever heard was by Rosemary Hardman and the version by Tim Hart and Maddy Prior, which Fay uses here, ignored the melodrama and inherent comedy of the song. Rosemary recorded the song nearly fifty years ago and perhaps sensibilities have changed but I always found Tim and Maddy a bit po-faced about the story as is Fay. ‘The Hornet And The Beetle’ makes a serious point and ‘Jack Orion’ is a famous tale of what? – not quite cuckolding although we can suppose that the countess is married so it’s probably adultery. Whatever, it’s a ribald tale but with murder in the final verse. Tom Waits’ ‘The Briar And The Rose’ seems an odd choice at first glance coming, as it does, from one his more difficult albums, The Black Rider, but strip away the preconceptions and you can see the traditional themes woven into the story.

Needless to say the arrangements are beautifully judged often casting a new light on a song and ‘Go From My Window’ is a perfect example. It can be a real dirge but the banjo and up-front percussion give it pace and the key changes in ‘Anchor Song’ seem to enable Fay to get through it in record time. Leaving aside personal preferences this is an excellent album by any standards.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.fayhield.com/

‘Raggle Taggle Gypsy’ live at well-known north London venue:

Fay Hield Announces Details of New Album

Fay Hield Announces Details of New Album

Following the considerable success of The Full English album and touring band, which she assembled, singer Fay Hield is due to release her 3rd solo album, Old Adam on Soundpost Records on 12th February 2016 and will tour in February and March too. Meanwhile, a digital single, taken from the album, featuring ‘Willow Glen’ and ‘Green Gravel’ is now available.

Old Adam is a fresh and original exploration of how we use stories and music to understand what it means to be human and combines not only Fay’s gift for unearthing striking material but also her distinctive and naturalistic delivery of it. These qualities have won her critical acclaim for her previous solo albums (Looking Glass in 2010 and Orfeo in 2012, both on Topic Records) including several BBC Radio 2 Folk Awards and a nomination for Folk Singer of the Year.

Old Adam contains 14 tracks, ranging from ‘The Hag In The Beck’ from the 1600s to ‘The Briar and the Rose’, a version of a Tom Waits song. The title track explores the oldest story in the book: the fantasy of a purity of life, before corruption and sin. “Perhaps it was a result of the developing sins that we have these songs to help us make sense of it all”, says Fay.

‘Willow Glen’ is taken from the Lucy Broadwood collection, while ‘Green Gravel’ (from Alice Gomme’ s Traditional Games of England, Scotland and Ireland) is an interpretation of a playground song. ‘Raggle Taggle Gypsy’ moves into the realms of fantasy, with an enticing glimpse of a world we could inhabit, if only we would follow our hearts. Themes of justice (and injustice) are explored in ‘Queen Eleanor’s Confession’ (from a version by Tim Hart and Maddy Prior) and ‘The Hornet and the Beetle’ is from the collection of Ralph Vaughan Williams. Many of the lyrics are adapted by Fay and she has written several tunes as has her partner, Jon Boden. The arrangements on the album are all by Fay Hield and The Hurricane Party.

Fay is accompanied on Old Adam by her stellar band, The Hurricane Party, which consists of some of the finest folk musicians working today; Rob Harbron (English concertina, fiddle, vocals), Sam Sweeney (fiddle, viola, cello, nyckelharpa, vocals), Roger Wilson (fiddle, guitar, mandolin and vocals), expanded to include Ben Nicholls (bass) and Toby Kearney (percussion) and including special guests Jon Boden and guitar maestro, Martin Simpson.

As well as enjoying a blossoming recording and performing career, Yorkshire born and bred Fay is also an academic, lecturing in Music at the University of Sheffield where she specialises in the role folk music plays in the construction of communities. With her unique combination of performance and academic talents, it was perhaps inevitable that she would be invited by the English Folk Dance & Song Society to head their ground-breaking Full English project. For the first time many of the finest early 20th century folksong collections can be found in the most comprehensive searchable database of British folk songs, tunes, dances and customs in the world.

Fay assembled The Full English Band, pulling together half a dozen of the top talents on the English folk music circuit, including Seth Lakeman, Martin Simpson, Nancy Kerr, Sam Sweeney, Rob Harbron and double bassist Ben Nicholls. This “supergroup” toured for two years and released a self-titled album, again on Topic Records, winning Best Group and Best Album at the 2014 BBC Radio 2 Folk Awards. Fay Hield continues in her passionate and engaging exploration of the repertoire of the English tradition. At times sparse and contemplative, at others, fired-up with a spirit lifting rhythm and plenty of rousing choruses, the music on Old Adam is both captivating and thought-provoking.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.fayhield.com/

‘The Poor Old Weaver’s Daughter’ live :

Fay Hield Announces New Single

Fay Hield Announces New Single

Taken from her forthcoming album, Old Adam (out 12th February 2016), traditional singer and folklorist Fay Hield has selected the many versions of ‘Green Gravel’ recorded by Alice Bertha Gomme in The Traditional Games of England Scotland and Ireland and woven them together in a moving, atmospheric and affecting way.  The song has links to burial ceremonies, with green gravel representing the newly turned grave, though there is no suggestion this rhyme was performed at burials, more that children took the ideas of life, love and death into their own sphere.

Fay’s third solo album, Old Adam, contains 14 tracks and is a fresh and original exploration of how we use stories and music to understand what it means to be human. Fay’s distinctive and naturalistic singing style has won her critical acclaim for her previous solo albums (Looking Glass and Orfeo both Topic Records) including several BBC Radio 2 Folk Awards and a nomination for Folk Singer of the Year.

Fay is accompanied by her stellar band, The Hurricane Party; Rob Harbron (English Concertina, fiddle, vocals), Sam Sweeney (fiddle, viola, cello, nyckelharpa, vocals), Roger Wilson (fiddle, guitar, mandolin and vocals), expanded to include Ben Nicholls (Bass) and Toby Kearney (Percussion) and special guests (Fay’s partner) Jon Boden and guitar maestro, Martin Simpson. Fay Hield will tour with The Hurricane Party in February and March 2016.

Artist’s website: www.fayhield.com

‘Green Gravel’ – the official video: