Between their first and second albums Mark Jolley left has Tradarrr to be replaced by Tim Harries (more serious folk-rock credentials) and Phil Bond has moved on with his place taken by singer, fiddler and pianist Gemma Shirley. Thus Further Tales Of Love! Death! And Treachery! sees a seven-piece band plundering the English folk tradition even further.
This is straight down-the-line folk-rock – no Ralph Vaughn Williams or Oliver Goldsmith this time and individual members of the band have taken songs and done their own thing with them rather like Steeleye Span in their pomp. Some of the songs are perhaps not very well-known. Greg Cave reworks ‘The Bonny Lass Of Anglesey’ as Martin Carthy did forty years ago. ‘Dream Not Of Love’ was collected by John Clare and adapted by Cave and Guy Stevens as was ‘The Crafty Lover’. Similarly, Cave amalgamates several variants of ‘The Bailiff’s Daughter Of Islington’ and throws in a Stones’ riff for good measure.
The material that is more familiar can come as bit of a surprise. ‘Rap Her To Bank’ is now almost pretty – just don’t let the Wilson Family hear it – and if I didn’t know better I’d say that Pete Scrowther and PJ Wright didn’t really understand what the song was about but the final verse is a protest at the closure of the mines so I know that’s wrong. Instead of a song of anger at a tragedy it is here presented as something like a lament but with Mark Stevens’ cornet and Wright’s electric guitar giving it an edge. It took me a couple of plays to get into it but I think I understand what they’re doing now. Marion Fleetwood’s interpretation of ‘The Cuckoo’s Nest’ is quite sensuous – we all know that it’s about sex but it’s not always presented quite so blatantly.
‘Lowlands Of Holland’ and ‘Spencer The Rover’ are pretty faithful adaptations but the instrumental set ‘Madame Bonaparte/The Golden Eagle’ gives the rock part of the band free rein. PJ describes Further Tales Of Love! Death! And Treachery! as “still with the silly name but a serious bid, musically” – he knows that I really don’t like the band’s name – and I can’t argue with any of that.
If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the TRADARRR – Further Tales Of Love! Death! And Treachery! link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
With a career that has taken in an astounding six decades, Steeleye Span is not just a legendary name in British music but also a link to the classic days of rock and folk music. Contemporaries of the likes of Led Zeppelin and Fairport Convention, they have gone on to change the face of folk music forever, taking it from small clubs and festivals into the world of chart topping albums and international tours.
Part of that incredible story has been the individuals that have contributed to the band’s history. Steeleye Span has provided a home for a long list of some of the world’s finest musicians. The current line up of Maddy Prior, Rick Kemp, Liam Genockey, Julian Littman, Pete Zorn and Jessie May Smart along with older names such as Martin Carthy, John Kirkpatrick, Tim Harries, Bob Johnson and most recently Peter Knight have all woven their heraldry into the historical fabric of the folk-rock tapestry.
Paul Johnson and I recently caught up with current band members Maddy Prior, Julian Littman, Peter Zorn and Jessie May Smart during the 45th Anniversary Tour at G-Live in Guildford to celebrate this 45 year landmark. Click the play button below to listen to the interview.
The video below celebrates the bands most recent album Wintersmith which was recorded in collaboration with Sir Terry Pratchett at the end of 2013. The album is based on Pratchett’s Wintersmith novel, which subject matter is completely appropriate for Steeleye, in its tales of ancient rituals and secret folk dances that perfectly complement their previous work whilst taking the band off again in a new and exciting prog-rock direction.
Darren Beech – email@example.com
If you would like to order a copy of the Wintersmith, download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website.
Perhaps its Moray’s numerous tales of brushes with death on previous recordings that inspired him to use the collective noun for foxes ‘Skulk’ as the title of his latest CD. Or maybe you’ve just seen the series “Whitechapel” on TV? Whatever the reason, his opening choice of song “The Captain’s Apprentice” is a brooding piece of work that would settle comfortably alongside any recording by June Tabor and I certainly applaud the unsettling choice of piano chords on a stark background of saxophone used for its texture rather than as a melody. This really is an unpretentious, Gothic piece of dramatic theatre that wouldn’t sound out of place as the soundtrack to a David Lynch or David Cronenberg movie Continue reading JIM MORAY – Skulk (NIBL013)