Wickham Festival 2017 Interview

Wickham Festival site

Darren Beech caught up with Peter Chegwyn just before the festival and had a chat about what we could expect from Wickham this year.

Many of the UK’s finest traditional singers and musicians appeared at the Wickham Festival near Fareham which took place between Thursday 3rd and Sunday 6th August.

They included Seth Lakeman; Show of Hands; Oysterband: Eliza Carthy & The Wayward Band; Kathryn Tickell; The Peatbog Faeries; The Fisherman’s Friends; Lau; Edward II; Boo Hewerdine; The Dhol Foundation; The Spooky Mens Chorale; Steve Tilston & Jez Lowe; Wizz Jones; Talisk; Fay Hield & The Hurricane Party; Les Barker; TradArr plus many more.

Also appearing at Wickham 2017 were the 70s chart-toppers 10cc; top Scottish singer-songwriter KT Tunstall; Festival favourites The Levellers; plus Andy Fairweather-Low & The Low Riders; John Otway; The Selecter plus many more well-known names.

The Wickham Festival was voted the UK’s Best Small Festival at the Live UK Music Awards in 2015 and has also been described as one of Britain’s top boutique and family-friendly festivals by The Guardian newspaper.

The festival featured live music on four stages plus a host of other attractions including storytelling, street theatre, dance displays, childrens entertainers, a digital funfair, laser arena, traditional crafts fayre, exotic foods fayre, real ale & cider festival and a late night festival club.

Festival organiser Peter Chegwyn says it’s “a real coup for a small village festival like Wickham to attract so many top artistes who have performed at major music festivals throughout the world.

“The Wickham Festival is known for its relaxed, friendly atmosphere and the high quality of the music on offer. People travel from all over the UK and abroad to attend. This year’s ticket sales are running at a record level and we are confident that our 10th birthday festival at Wickham will be our best yet.”

I couldn’t finish without putting up one of Peters favourite videos from the Gosport and Fareham Easter festival back in 2010 when Alan Burke dedicating “I will go” to the man himself.

Wickham Podcast link: https://www.wickhamfestival.co.uk/gallery/audio/

Festival website: www.wickhamfestival.co.uk

AFRO CELT SOUND SYSTEM – The Source (ECC Records)

The SourceThe Source is the first new album from Afro Celt Sound System for ten years as they celebrate their twentieth anniversary and I wasn’t sure what to expect. Not, perhaps, a record that sounds as indefinably spiritual as this.

There are a huge number of musicians of this album in addition to the six core members of the band led by Simon Emmerson and the first voices we hear are those of Les Griottes, the female African group who appear on eight of the thirteen tracks. The opening track, ‘Calling In the Horses’ is a gentle sweeping piece that evokes the open land of West Africa with an accompaniment and is admirably restrained and features the Uilleann pipes and whistles of Davy Spillane and leads into ‘Beware Soul Brother’ which builds with the addition of Seaná Davey’s harp and the keyboards and bass of Richard Evans.

I like the way these two tracks morph into ‘The Magnificent Seven’ changing the mood into a decidedly Irish feel. ‘The Cascade’ finally blends the afro and the celt elements of the band completely with the modern electronica and beats for which they are probably best known. Four members of Shooglenifty appear on the track, as do The Dhol Foundation, and Griogair Labhruidh takes the lead vocal part while Les Griottes provide the African vibe. Kick Horns also join the company for this track and the next, ‘A Higher Love’, which includes the tune ‘Monkswell Road’ borrowed from Shooglenifty.

By now the styles and influences are thoroughly mixed. ‘Where Two Rivers Meet’ and ‘Mansani Cissé’ gives us a break from the excitement and N’Faly Kouyaté’s kora features here while Griogair’s pipes take the high road of the lead melody on the former. Pál Ó Siadhail reads an excerpt from his forthcoming book, Wonder And The Medicine Wheels on the Gaelic ‘Child Of Wonder’ which sounds like a waulking song and Johnny Kalsi lends his name to the final track, ‘Kalsi Breakbeat’.

The Source is a superb album and the implication of going back to the roots of the music is totally justified. This is Afro Celt Sound System, however, and there are always surprises.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.afroceltsoundsystem.org.uk

‘The Magnificent Seven’ – live at Celtic Connections:

Wickham Festival 2015 – Reviewed by Simon Burch

Click on the photo below to see the full set…

Wickham 2015

Staged in a corn field and with three stages linked by alleyways of food and crafts stalls, Wickham proved to be a good nursery slope for my family of first-time festival goers: no intimidating vast crowds and a relaxed atmosphere which built steadily through what turned out to be some swelteringly hot days.

showofhands_wickham15Musically, in the main All Time Grates big top stage it was folk with a twist of vintage pop and rock: from crowd-pleasing sets by folk stars such as Seth Lakeman, Show of Hands, Eliza Carthy, Lisbee Stainton and Martin Carthy to The South – Beautiful South survivors Dave Hemmingway and Alison Wheeler – 10CC, Billy Bragg, Cockney Rebel, Wilko Johnson and The Proclaimers.

Crowd_Wickham15The crowd was an eclectic mix of folk devotees and commuter belt families, but overall the demographic was mature and knowledgeable so that at times the main stage had the contented air of a cricket match, with festival goers seated sensibly underneath sun-hats on folding chairs, sipping real ale and completing sudokus to the sound of music.

Giants@WickhamI soon found out that for a parent festivals have to be enjoyed in the round. My children weren’t there for the music, but found instead joy in the laser quest – a shoot-‘em-up inside a series of sweaty, dark inflatable tunnels – the solar-powered Groovy Movie cinema and the digital funfair, a quirky installation where gamers played Space Invaders while sitting on a stationary bike or racked up high scores by slapping two headless mannequins on their plastic buttocks in time to music.

Playbus_Wickham15After a while it became possible to enjoy the music while waiting for them to complete their activities or resisting their pleas to spend the GDP of a small country in the various food and craft stalls, simply via the proximity to the three stages, especially the acoustic stage, where a varied line-up of young up-and-comers and older veterans strummed, picked and twanged their way skilfully through a mixture of their own material and interpretations of popular classics, finding favour with a sprinkling of punters lounging back on the straw-coated ground.

At the top of the festival was the sweatier and rockier Bowman Ales Stage 2 tent – which hosted performances from Edward II, headlining prog rockers Stone Cold and Damn Beats – but I confess that, as a first-timer wanting to immerse myself in folk my visits there were fleeting so I concentrated on the main stage, where a succession of acts filled the afternoons and evenings with musical stories from every corner of Britain and beyond.

SpookyMen_Wickham15From the lilting Northumberland romance of Kathryn Tickell and the Side, to the seasoned yarns of Huw Williams and Maartin Allcock and the acapella oddness of the Spooky Men’s Chorale, it is fair to say there was something for everyone’s tastes, but the big top came into its own later on as the sun dipped behind the food stalls and the headliners took to the stage.

BillyBragg_Wickham15Among the highlights was the life-affirming return to action of Wilko Johnson, the welcome familiarity of The (Beautiful) South’s hits and the appearance of Billy Bragg, whose wit and political zeal brought Friday night to a close. The next night, Seth Lakeman gave a rollicking masterclass of modern folk rock, sweeping the audience along and raising the temperature in the big top.

Proclaimers2_Wickham15Despite the passing of years, festival headliners The Proclaimers hadn’t seemingly aged that much and their set was a polished resounding collection of love songs, devoted to Scotland as much as to the objects of their desire. The large TV screens showed that the Reid twins had their committed fans who knew all of Proclaimers1_Wickham15the words, but as the night continued, you did get the feeling that most people in the tent were waiting for their signature tune – I Would Walk 500 Mile – like a seashore full of surfers all readying themselves for the big wave that would take them right to shore.

And, duly, at about five to 11, it arrived: cueing a joyous outburst of jigs and a singalong in affected Scottish accents. This provided the most exuberant moment of the weekend, before it drew to a close with a thank you and good night, and the boys left the stage.

The third night was over, but the next day the sun again rose hot and strong. Family holiday commitments meant I had to slip away early, but in my absence the crowds returned with their chairs and sun hats, eager for more.

Simon Burch – 23 August 2015