Folking at Cambridge Folk Festival 2013 – Day 2

Foxy Fri 300x400Blimey, its 6.00am and I’m in the shower… what the folking heck is going on. It’s not what your thinking… unless you are talking about it being “probably the best festival shower block in the world“… hot water at daybreak – on a campsite – who’d have though it, but after all, this is the 49th Cambridge Folk Festival, so they have had plenty of practice getting it right.

Due to the time it takes putting these things together, I didn’t actually get to see yesterdays opening act on the main stage as I was working on the folking day 1 review, but could hear, from the press office that it was lively set by a band called Korrontzi.

So my first visual act of the day was Finland’s frigging brilliant Frigg. A blend of Nordic folk and American bluegrass dubbed “Nordgrass”. See them in action below.

I then needed to head off and sort out the accommodation arrangements for the folking new resident photographer, who had finally turned up… the son of Clicker… for those old enough to remember the intensely focused original, he has got a lot to live up to.

LAPD 300x224Got back just in time to see the final number from Patty Griffin and then rushed down the front to wait in anticipation for one of the highlights of my weekend, LAPD, which for those of you in the know, are three quarters of Planxty (Liam O’Flynn, Andy Irvine & Donal Lunny) and the original Bothy Band fiddler (Paddy Glackin). We were treated to the Sweeney’s Men’s classic, My Heart’s Tonight In Ireland  and the Planxty standard, The Blacksmith. What a set, from one of the original Irish boy bands!

Now with son of clicker joining the folking team we raced round for the next hour or so and managed to catch Amadou & Mariam, for a bit African electric blues and then SOC (Son of Clicker) made it over to see Darrell Scott, of Robert Plant’s Band of Joy fame doing his own improvisational set. SOC thought it was brilliant and I was folking pissed I missed it!

Ross Couper & Tom OakesSOC headed for the club tent and shot some great footage of Ross Couper and Tom Oakes, a dynamic young, fiddle player and guitarist duo, adding a modern touch to the Scottish and Irish tradition.

Then we plunged into the double whammy of the Levellers followed by Bellowhead, two headliners in one night!

Levs1 300x225The Levellers played a storming set of old favorites and newer numbers, finishing with the unique experience of a stage full of Levs and Bellowhead for ‘The Recruiting Sergeant‘. How they get them all on the stage I don’t know!

Bellowhead followed with their own set with tracks from their latest ‘Broadside‘ release and Jon Boden’s ever natty suit jacket!

Emily Barker 300x225 Cams FFWe also managed to get over to Stage 2 to see the angelic Emily Barker , a compelling singer-songwriter and mesmerising live artist, who along with her band The Red Clay Halo blend classical, rock, country and folk influences to stunning effect. Emily’s appearance recently on the BBC Radio 2 Dermot O’leary show and performance with Frank Turner at the London 2012 Olympics in front of a global televised audience is certainly moving her and the band up the musical genre food chain.

Roving Crows 300x224Then over to the Club Tent to see the Roving Crows, we covered the last album Bacchanalia back in May last year and I had been itching to see them ever since.

Here is the link If you missed NANCY DUNHAM’s review: http://folking.com/the-roving-crows-bacchanalia/

They gave a great closing performance to the Friday night in the club tent and any festival organiser reading this, I urge you to book them as soon as possible as they are a folking brilliant live act!

The queue to the bus back to Coldham’s Common campsite was huge so we decided to reenact the Richard Thompson song and walk those long miles home. The temptation of bed was calling but the lure of another beer and the campsite stage was too strong and as we watched the current act finish, we found a seat and a beautiful young girl took to the stage, with a solitary guitar and opened her mouth, and wow, what came out made my night, a sound somewhere between Janis Joplin and Sandy Denny. Sue Marchant, from BBC Radio Cambridge had arranged the last minute slot and boy am I glad she did! We’ll feature one of her own compositions called “Fall across the sea” as a later feature, but to wet your appetite now, here is her version of Robert Johnson’s “Me and the devil blues”… Ladies and gentlemen and general reprobates, I give you Leila Jane… The end to what Lou Reed would describe as “a perfect day”.

The folkmaster

Electric Eden now out on Universal Music…

Presenting the soundtrack to Rob Young’s ground-breaking survey of music making in the British Isles.

Universal Music Catalogue has now released Electric Eden, a new compilation, hand-picked by author and journalist Rob Young. The two disc set is designed to serve as a companion to Young’s highly acclaimed book Electric Eden: Unearthing Britain’s Visionary Music which was published by Faber & Faber in 2010.

Just as the book mapped out a native British musical voice that reflected the complex relationships between town and country, progress and nostalgia, radicalism and conservatism, so too does this compilation.

It’s a veritable connoisseur’s choice of folk music which collects together such diverse artists as Archie Fisher, Meic Stevens, Bill Fay, Comus, and Mick Softley, even David Bowie – alongside the more expected names such as Bert Jansch, Richard Thompson, John Martyn, The Incredible String Band and Nick Drake.

The two disc set is divided into an Acoustic Eden and an Electric Eden and comes with comprehensive, track-by-track notes by Rob Young.

Comments Rob young: ‘This compilation is designed to follow the flow from acoustic to electric folk in the late 60s and early 70s, a magical time in British music. I’ve tried to include a mixture of rarities, unheard versions, familiar names and unjustly neglected heroes and heroines. I’m particularly proud of including a rare original version of ‘A Sailor’s Life’ by Fairport Convention, literally the first time a rock drum kit was ever used on a traditional folk song. History in the making!’

CD1

ACOUSTIC EDEN

1. Peter Bellamy – ‘Oak, Ash and Thorn’

2. Traffic – ‘John Barleycorn Must Die’

3. Bert Jansch – ‘The Waggoner’s Lad’

4. Fairport Convention – ‘Stranger to Himself’

5. Archie Fisher – ‘Reynardine’

6. Bread, Love and Dreams – ‘Brother John’

7. Bill Fay – ‘Garden Song’

8. Water Into Wine Band – ‘Stranger in the World’

9. Tudor Lodge – ‘Willow Tree’

10. Comus – ‘Diana’

11. Meic Stevens – ‘Yorric’

12. Magic Carpet – ‘The Dream’

13. Sweeney’s Men – ‘The Pipe on the Hob’

14. Tim Hart & Maddy Prior – ‘False Knight on the Road’

15. Dr Strangely Strange – ‘Dark-Haired Lady’

16. Albion Country Band – ‘I Was a Young Man’

17. COB – ‘Music of the Ages’

18. Roger Nicholson – ‘The Carman’s Whistle’

19. Bridget St John – ‘Fly High’

20. John Martyn – ‘She Moves Through the Fair’

 

CD 2

ELECTRIC ALBION

1. Richard Thompson – ‘Roll over Vaughn Williams’

2. Steeleye Span – ‘The Lark in the Morning’

3. Unicorn – ‘Country Road’

4. Fairport Convention – ‘A Sailor’s Life’

5. Trees – ‘Glasgerion’

6. Fotheringay – ‘Gypsy Davey’

7. David Bowie – ‘Black Country Rock’

8. John Martyn – ‘Glistening Glyndebourne’

9. Mike Cooper – ‘Paper and Smoke’

10. Shelagh McDonald – ‘Mirage’

11. Spirogyra – ‘Disraeli’s Problem’

12. Mick Softley – ‘Time Machine’

13. Shirley Collins & The Albion Country Band – ‘Murder of Maria Marten’

14. Pentangle – ‘Jack Orion’

15. Incredible String Band – ‘Painted Chariot’

16. Nick Drake – ‘Voices’

Listen to tracks or order/ download from the links below: