Folk legend Richard Thompson is set to make an electrifying return to this year’s Shrewsbury Folk Festival after organisers announced a rare appearance by the musician with his Electric Trio.
The former Fairport Convention musician, named by Rolling Stone magazine as one of the top 100 guitarists of all time, will headline the festival’s Bellstone stage on Saturday August 25.
More than half of adult weekend tickets have already been sold with over six months to go to the event that attracts around 7,000 people to the West Mid Showground.
Other names added to the programme include the new duo of Peter Knight (ex Steeleye Span) and John Spiers (Bellowhead) and singer songwriters James Riley and Edwina Hayes.
Already announced are American singer songwriter Gretchen Peters, Steeleye Span, Irish super group Usher’s Island, Show of Hands, Jon Boden and The Remnant Kings, Gigspanner, BBC Folk Award winner Daoirí Farrell and Scottish folk rockers Skerryvore.
Chinese flautist Guo Yue and Japanese drummer Joji Hirota will reunite for the festival with the London Taiko Drummers and Canadian band The Fitzgeralds – one of the hit groups of last year’s festival – will also make a welcome return.
Other performers include Welsh indie roots band Rusty Shackle, State of the Union – the duo of Boo Hewerdine and Brooks Williams, O’Hooley & Tidow, Megson, Blowzabella, Banter, Alden, Patterson & Dashwood, The Rogues Shanty Crew, Emma Morton & The Graces, Midnight Skyracer, FOS Brothers, Inlay, and Foreign Affairs.
Dance bands will be Blowzabella, Bedlam, Committee Band, Vertical Expression, Kirkophany and Out of Hand.
The festival, which will run from August 24 to 27, has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, more than 100 workshops, a craft fair, food village, real ale, prosecco and cocktail bars and on-site camping.
There are also fringe events at town pubs with dance displays in the centre of Shrewsbury and a parade through the streets.
Director Sandra Surtees said: “We are delighted to have secured this rare appearance by the Richard Thompson Electric Trio for Shrewsbury. Richard is a folk legend but he doesn’t often perform in this format so it’ll be a real treat for our audience.
“The line up contains a wide variety of traditional and contemporary folk alongside singer songwriters and north American and Canadian acts so there is something to appeal to all tastes.
“That’s echoed in the strong ticket sales we’re experiencing with many of our visitors coming back year after year as they love the festival so much!”
Wickham have just announced that The South and Steve Harley & Cockney Rebel are among the latest acts confirmed for this year’s Festival.
Also recently confirmed are singer-songwriters Reg Meuross and Jim Malcolm; Scottish duo Saltfishforty; the wonderful Mary Coughlan from Ireland; and great live bands Police Dog Hogan, The Outcast Band and Merry Hell.
They join a top-class line-up already announced including Squeeze; John Illsley of Dire Straits; The Richard Thompson Trio; Kate Rusby; Show of Hands; Tom Robinson + Band; The Undertones; The Red Hot Chilli Pipers; Jon Boden & The Remnant Kings; The Blues Band; Martyn Joseph; Flook; Drever McCusker Woomble; Tankus The Henge; The Dhol Foundation; Ferocious Dog; Skipinnish; The Pierce Brothers; Mad Dog McCrea; Daori Farrell; Imar; Talisk; Boo Hewerdine; Gaz Brookfield; Roy Bailey; Maggie Bell & Dave Kelly; and many more.
Richard Thompson Trio
Steve Harley & Cockney Rebel
Show Of Hands
John Illsley of Dire Straits
Tom Robinson & Band
The Blues Band
The Dhol Foundation
The Red Hot Chilli Pipers
Jon Boden & The Remnant Kings
Tankus the Henge
Mad Dog Mcrea
Gaz Brookfield & The Company of Thieves
Gordie MacKeeman & his Rhythm Boys
The Electric Swing Circus
Drever McCusker Woomble
Maggie Bell & Dave Kelly
The East Pointers
The Gerry Colvin Band
The Emily Askew Band
More artists T.B.C
Above and below are a couple of special moments captured from last years festival courtesy of the folking video archive:
Shrewsbury Folk Festival has revealed the first acts in its 2018 line up as tickets go on sale for next year’s event.
American singer songwriter Gretchen Peters, Irish super group Usher’s Island, festival favourites Show of Hands and former Bellowhead frontman Jon Boden with his band The Remnant Kings will join Steeleye Span, Peter Knight’s Gigspanner Big Band, BBC Folk Award winner Daoirí Farrell and Scottish folk rockers Skerryvore at the festival next August.
Chinese flautist Guo Yue and Japanese drummer Joji Hirota will reunite for the festival with the London Taiko Drummers and one of the hit groups of the 2017 festival – Canadian band The Fitzgeralds – have been invited back due to popular demand.
Other performers already signed up include Welsh indie roots band Rusty Shackle, The Rails, State Of The Union – the duo of Boo Hewerdine and Brooks Williams, O’Hooley & Tidow, Megson, Blowzabella, Banter, Alden, Patterson & Dashwood, The Rogues Shanty Chorus, Emma Morton & The Graces, Midnight Skyracer, FOS Brothers, Inlay, and Foreign Affairs.
Dance bands will be Blowzabella, Bedlam, Committee Band, Vertical Expression, Kirkophany and Out of Hand.
The festival will take place at the West Mid Showground from August 24 to 27 with more artists to be revealed in 2018.
Director Sandra Surtees said: “The line up is shaping up to be as eclectic as ever with something for everyone. We pride ourselves on catering for a wide range of musical tastes from traditional folk music to more contemporary performers with some world music bringing a global element to the festival.
“There will be bands from all four corners of the UK, showcasing some of the best acts in today’s folk and acoustic scene, with some of the North American flavour for which the festival is renowned.
“We will be adding more great acts to our 2018 line up and will revealing more early next year.”
The festival is now one of the leading folk events in the UK with more than 7,000 people heading to Shrewsbury and has a reputation for its relaxed and friendly environment.
Sandra added: “Our committee works year round to plan and programme the festival, supported by an incredible army of 500 plus volunteers which creates the festival village each August.
“Shrewsbury has a reputation for its unique atmosphere and the majority of our visitors come back time and time again.”
The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, more than 100 workshops, a craft fair, food village, real ale, prosecco and cocktail bars and on-site camping.
There are also fringe events at local pubs with dance displays across the town and a parade through the streets.
Almost exactly seven years have passed since Show of Hands last appeared before an audience at Wells Cathedral; an interval of time that many would conclude has seen the world become an ever-more uncertain and unpredictable place. In these days when the news amounts to a cavalcade of increasingly unsettling events its reassuring that some cherished institutions remain steadfast and dependable, enshrining values that continues to inspire. As part of the fittingly titled ‘Sanctuary’ tour it was a joy to see two much revered institutions reunite – musical act and sacred building – each casting the other in new and unexpected light.
The first member of Show of Hands to appear before tonight’s audience – a congregation comprising the band’s staunchly loyal audience and the cathedral’s parishioners – was Phil Beer. Illuminated at the altar, Beer introduced the evenings supporting artist, Kirsty Merryn. His warm words of praise were swiftly borne out by a distinctive set, most notable for Merryn’s liquid clear voice cascading over the deft piano runs of her original compositions. Many of the songs, drawn from Merryn’s debut album, ‘She and I‘ provided a fresh perspective on the achievements of esteemed female figures from history including Jane Austen and Grace Darling. As ever, Show of Hands had picked an artist to accompany them on this tour of cathedrals who genuinely was the ‘special guest’ of the evening rather than a mere supporting artist.
When, after the interval, the band appeared it was, as is so often the case, without any grand gesture or musical fanfare. Instead the performance began with the solitary figure of Steve Knightley walking down the cathedral’s central aisle as he gently intoned the words of ‘The Old Lych Way’, a composition by Topsham songwriter and musician, Chris Hoban. The song focuses on a longer and yet more ancient route that traverses a remote stretch of Dartmoor along which the faithful would bear the deceased to a final resting place at Lydford Church. A suitably contemplative and mystic atmosphere was conjured beneath the Cathedral’s hallowed arches, setting the tone for much of what was to follow. Next came ‘The Preacher’ from 1995 album ‘The Lie of the Land’, a song in which the prayers of a lonesome island-dwelling cleric lead to guilt and self-recrimination.
While some of Show of Hands best loved numbers were absent from this evening’s performance – there was to be no regaling of ‘Cousin Jack’ – this was entirely fitting since the set list had clearly been compiled to highlight the spiritual questing evident in so much of Show of Hands’ material. Phil Beer, a more vocal presence during this evening’s show than is often the case, offered an exquisite rendition of Sydney Carter’s masterpiece ‘The Crow on the Cradle’, a song that focuses on the power of mankind to avoid the horrors of war.
Throughout the evening Show of Hands’ stunning music was complemented by equally impressive lighting effects. The St. Andrew’s Cross, an enormous arched structure that occupies the east end of the nave was often spectacularly lit while the carved stone work that lies immediately behind it was frequently illuminated to produce a striking contrast. As Steve Knightley himself pointed out, the band’s music became in this context just one element of the experience. Perhaps the lighting was at its most dramatic during a rendition of ‘Innocent’s Song’, the words of Cornish poet, Charles Causley set to music. As the song was performed the massive stone backdrop was bathed in red – powerfully representing the blood of the innocents murdered by the biblical King Herod. Another highlight was Phil Beer’s tune ‘Gwithian’, the music’s urgent fiddle-driven rhythm increasingly intensified by the hand claps of an enraptured audience.
At intervals throughout the evening Show of Hands were joined by the Dartmoor Folk Choir whose contributions highlighted the anthemic quality of many of the songs while providing an apt accompaniment for performance in a cathedral. Also present at times to further embellish the music with accordion was Chris Hoban, who Knightley commended as a songwriter who “sometimes writes better songs than me”. When at an earlier point in the evening Show of Hands double-bassist Miranda Sykes, sang a captivating version of Hoban’s song ‘The Lilly and the Rose’ it was difficult not to agree.
The great care evident in the content of this evening’s show in terms of the songs chosen, guest musicians and lighting design all served to elevate Show of Hands’ performance far beyond the ordinary infamous while reconfirming the outstanding quality of so much of their material. An inspiring evening indeed.
Kirsty Merryn is one of the most arresting new young singer songwriters on the UK folk roots scene, with a style uniquely her own.
London-based and New Forest-born Kirsty will launch her debut album She And I at London’s Union Chapel on November 9 whilst supporting Show of Hands on their UK Cathedrals tour (Oct 4-Nov 31).
Produced by in-demand Gerry Diver, the album focuses on the diverse stories of inspirational women in history – from Emma Hamilton to Annie Edson Taylor – the first person to survive going over Niagara Falls in a barrel! The sharply observed piano-based narrative songs include the beguiling Forfarshire about lighthouse keeper’s daughter Grace Darling and her heroic rescue of shipwrecked mariners. She is joined on the haunting song by Steve Knightley on guest vocals while BBC Folk Awards double nominee Luke Jackson also guests on the album on the song Delilah and Samson.
Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!
Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!
Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!
Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.
I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……
We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.
We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!
4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!
Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.
Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.
Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!
Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.
Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.
Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.
Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…
Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.
Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.
A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!
Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.
Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.
Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.
CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.
Darren Beech and Paul Johnson caught up with Chris on the Friday.
The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.
Click the play button below to take a listen.
The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.
The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.
Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.
I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.
Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.
Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.
Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.
Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.
I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!
Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.
Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.
Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!
Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.
Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand andIain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!
Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.
You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.
All Jean Camp’s Cropredy 2017 photos can be viewed HERE
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