CROPREDY 2017 – Campie’s Highlights Of An Amazing Few Days

Cropredy 2017
All photographs by Jean Camp

Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!

Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!

Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!

Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.

I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……

We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.

We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!

4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!

Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.

Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.

Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!

Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.

Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.

Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.

Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…

Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.

Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.

A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!

Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.

Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.

To order the EP or to find out more details about Quill visit: http://www.quilluk.com/

Click the play button below to listen…

Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.

CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.

Darren Beech and Paul Johnson caught up with Chris on the Friday. 

The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.

Click the play button below to take a listen.

The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.

The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.

Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.

I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.

Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.

Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.

Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.

Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.

I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!

Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.

Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.

Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!

Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.

Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand and Iain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!

Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.

You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.

Jean Camp

Festival website: http://www.fairportconvention.com/

All Jean Camp’s Cropredy 2017 photos can be viewed HERE

Wickham 2017 Reviewed

Click on the photo below to see the full set…

Wickham 2017

‪Squelch… Wickham Festival finally kicked off to a great start with sets from ‪Low, Barker, Morris & Tunstall which sounds like a firm of solicitors instead of musical, dance and poetry partners in festival law; Andy Fairweather Low, Les Barker, the Wickham Morris Sides and KT Tunstall.

Now tell me… where are you going to get a “bend me, shake me, a sermon from the church of the holy undecided, a strip the willow and a black horse and a cherry tree all the the same place!

Here is the moment when the sun came out and everyone forgot about the thirteen days of rain that fell on the site the day before it opened which caused the “elf and safety” three hours delayed start.

The main Thursday night event on the All Time Grates Stage was 10CC, who played all their hits, which they performed as a masterclass in song-writing. They even offered us the following words of wisdom from their extensive mantra…

Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze …

Friday afternoon had a definite garden party feel that went off with a Wizz, bang and Spooky side-splitting Tickell. It all started with the legendary Wizz Jones who rolled out all his hits including ‘When I Leave Berlin’ which Bruce Springsteen covered.

The Spooky Men’s Chorale followed, the Antipodean Blue Mountain settlers, that worry local livestock to such a degree that the local farmers club together to pay for their international tours (so long as they agree to do reworked Abba and Bee Gees choral arrangements). Luckily, Kathryn Tickell was there to restore order, Northumbrian Pipe Style, who together with The Side brought Wickham back into the hear and now with evocative slow airs that could break your heart one minute and then fling you seamlessly into life-affirming jigs and reels the next.

In between Tickell and the Spookies (great idea for a band name!) I managed to dash across to the Hapi Stage to catch a bit of the fab Portsmouth based band Bemis. I also managed to grab a copy of their excellent new album A World of Difference that I encourage you all to go and check out for free here

There was barely enough time for a quick change over before it was pedal to metal down the West Country highway in search of Fishy Friends, Seth Lakeman and Show of Hands.  All three did the West Country proud and I think its was a great bit of programming to put Port Isaac’s Fisherman’s Friends, Seth Lakeman and Show of Hands all on the same stage and evening bill.

Here is my favourite moment of Friday night, when Show of Hands treated us to a slowed down version of the Don Henley classic “Boys of Summer” . Hope you enjoy it as much as I did.

Saturday opened with more Wickham Festival goodies… Alas, Tim Brooke-Taylor, Graeme Garden, and Bill Oddie didn’t make it for the reunion but folk legends, Steve Tilston & Jez Lowe turned up on the All Time Grates Stage in the afternoon. Then it was a quick hop and skip across to the Hapi Stage for a blistering set from Gilmore & Roberts with festival energy in a bakers bun-dance. Then back again to the All Time Grates Stage as master Dhol drummer, Johnny Kalsi fired up the furnaces of the drums of the mighty Dhol Foundation to create a high-energy, pulsating folking brilliant musical soundscape of Punjabi beat, rhythm and intensity. ‬

‪If that was not enough excitement for one day, there was a just enough time to sponge down before the main evening event of the big punk-folk-rock 3. I’m sure you will all know who they all are, as the Saturday evening, three in a row line-up, for many, was one of the dream festival programming highlights of this year (dreamt up by the mind of that festival organising genius, Mr Peter Chegwyn) which even included a returning Chopper as part of the Oysterband mix. For those who have not worked it out, it was of course The Men They Couldn’t Hang, Oysterband and The Levellers. I also legged it across to the Hapi Stage to see some of my old mates Chris Sherburn & Denny Bartley set with the lovely Emily.

Time had flown by and before anyone knew it, it was “Sunday folk fun-day” and the fourth day of Wickham.

I’ll start with Ray “Chopper” Cooper who opened on the Hapi stage…

Fay Hield then blew in with the Hurricane Party on the All Time Grates Stage and Glasgow boys Imar followed and got the main stage dancing. Wickham festival favourite Duncan Chisholm followed with his Gathering before the afternoon slot was brought to a riotous close with Tankus The Henge (a great festival band).

LAU opened the Sunday evening slot which felt like a kaleidoscope of colour washing over the All Time Grates Stage. The power went off at one point so we even got a couple of un-amped numbers.

‪The finale for me was the crowned Queen of the Wickham Festival crowd, Eliza Carthy with Sam Sweeney & the rest of her merry Wayward Band.‬ Unfortunately, I had to leave early so missed the Peatbog Faeries set but Eliza said that they tore the place apart, so I have been lamenting the early departure ever since.

I was bitten by a Ferocious Dog on the way out and am looking forward to repeating the experience at one of their other gigs soon.

Darren Beech

Festival website: www.wickhamfestival.co.uk

Derby Folk Festival announces its final line-up

Derby Folk Festival
Oysterband

The 11th Derby Folk Festival takes place from Friday 6 to Sunday 8 October 2017 and is jointly produced by Derby City Council’s Derby LIVE and Derbyshire-based PR Promotions.

This year Derby LIVE are proud to welcome a wide variety of performers, including the multi-award-winning Friday headline act, Oysterband, who will be appearing at Derby Folk Festival as part of their 40th Celebration Special. They will perform in the City Marquee, on the Market Place at 9.30pm on Friday 6 October as part of a concert starting at 7 pm, also featuring The Hut People and Martin Simpson.

Oysterband still play with that spirit of the punk ceilidh band that roared through people’s lives all those years ago. But the growing depth and sensitivity of their songwriting, coupled with the strength of John Jones’ voice and their remarkable musicianship, have lifted their music into a richer, more acoustic era. Their occasional collaboration with folk diva June Tabor has produced two cult-classic award-winning albums, Freedom & Rain and Ragged Kingdom. The latter and their hugely influential album Holy Bandits were voted nos. 4 and 5 among the Ten Best Albums of the last 30 years by the public in a poll by fRoots Magazine in 2016.

False Lights

This year’s festival line-up is already a who’s who from the broad spectrum of folk music, with many exciting artists confirmed for a variety of venues in Derby’s Cathedral Quarter. Show of Hands will return, three years after their last amazing appearance in the festival marquee, to headline Saturday evening. Folk rock group, False Lights will also perform their vibrant headline set on Sunday evening from 6pm-8.30pm in the City Marquee, closing the festival with folk music you can really jump to.

From 2.45 pm-4.15 pm, on Saturday 7 October, Derbyshire’s own Barry Coope and Lester Simpson will be on stage with Jim Boyes as Coope Boyes and Simpson in the City Marquee. Joined by special guests, they will be giving their ‘Last Ever Performance’ in a show that is sure to invoke both tears and laughter from the audience. Formed in 1993 their first album Funny Old World was named Roots Album of the Year by Q Magazine. Twenty three years later, with a career that has encompassed at least a dozen albums, numerous tours and festival appearances, as well as a Folk Awards nomination, Coope Boyes and Simpson released what will be their final studio album, Coda. Their last ever performance will mark a celebration of their career and will feature material from across their entire repertoire.

Getting the festival started from 7 pm on Friday night, with a quirky celebration of our rich musical heritage are The Hut People. This English instrumental duo (Sam Pirt and Gary Hammond) have firmly established themselves as one of the most unique, entertaining and best-loved acts on the UK folk scene today.

Also appearing in the City Marquee on Sunday from 11.30am are multi-instrumentalists Narthen (Barry Coope, Lester Simpson, Jo Freya and Fi Fraser) who will be playing and singing often in four part harmony, a capella and accompanied, demonstrating they are all extremely talented, and well-loved. From 2pm-4.15pm, introduced by festival patron, John Tams, popular solo folk artist Bob Fox will be performing the songs from War Horse. This will be followed by Leveret, which features three of England’s finest folk musicians in an exciting new collaboration. Andy Cutting, Sam Sweeney and Rob Harbron are each regarded as masters of their instrument and together their performances combine consummate musicianship, compelling delivery and captivating spontaneity.

Derby LIVE are delighted to announce that Derby born folk singer and songwriter Dave Sudbury, will also be performing during this year’s Festival. Dave is possibly best known for his song The King of Rome (a true story about a racing pigeon, bred in the West End of Derby) which was brought to the attention of an international audience by folk singer June Tabor and her own recording of the song. Dave will be joining the Village Folk Clubrooms line-up, which already includes award-winning folk and roots musicians, Oka Vanga, and is curated by the team who organise Village Folk concerts in the Lawns Hotel, Chellaston.

Derby Cathedral will be hosting two concerts entitled Folk Reflections by virtuoso ensemble, Sinfonia Viva who will return to bring a different angle to the festival programme. The Orchestra of the East Midlands will be performing on Friday 6 October at 5.45 pm-6.45 pm and 7.30 pm-8.30 pm. One of the longest running folk groups, Travelling People will be performing a wide variety of music from traditional to contemporary on Saturday 7 October from 12.30 pm-2.30 pm at Derby Cathedral. One of the trio, Dave Perkins was Canon Precentor of Derby Cathedral for four years from 2009, so it will be great to see him back there, joined by his musical partners Pete and Richard Stevenson. Also appearing on Saturday at Derby Cathedral will be Marc Block, a Nottingham-based folk singer and songwriter, who’s just released his new CD, Brisk & Breezy.

Derby Folk Festival will also be featuring new talent, Robyn Wallis Johnson at the Clubrooms on Saturday 7 October from 1pm-2.20pm. She will be performing a selection of self-penned songs in her own unique style, more often than not, reflecting on the ups and downs of human existence. On Sunday 8 October fiddle-singers The Rheingans Sisters will perform alongside Bob Fox from 4.15pm-6pm at the Guildhall Theatre. Rowan and Anna grew up in the Peak District, surrounded by traditional music and were encouraged to pick up the fiddle by their violin-maker father from an early age. Their debut album, Glad Gold Hearts, was released in June 2013 to wide critical acclaim and they have been described as having “vocal harmonies to die for” by fRoots who pronounced their first album as “a subtle gem”.

A fantastic set of venues throughout the Cathedral Quarter will continue to provide the perfect backdrop for the festival, including the enlightenment era Derby Cathedral, the rustic Old Bell Hotel, the City Marquee on the Market Place and the Guildhall Theatre. The festival will also include a host of free fringe events, dance acts, workshops and sessions, as well as an Arts and Craft Fair and food stalls on the Market Place. These free events will be taking place in Derby City Centre, spreading the festival’s intoxicating atmosphere throughout the city and making sure the festival is available to everyone.

For the last few years, Friday night in the Guildhall Theatre has been taken over by Adverse Camber from Cromford in Derbyshire and one of their great storytelling productions. This year is no exception; the festival will be showcasing Dreaming the Night Field: A Legend of Wales – weaving live music with Welsh and English to create a thrilling, funny, powerful and poetic show. This spellbinding new storytelling and music performance will take place on 6 October from 7.30 pm-9.10 pm. Tickets are available as a stand-alone show for £12 from the Derby LIVE Box Office on 01332 255800 or online at derbylive.co.uk they can also be purchased at the Sales and Information Centre, on the Market Place, Derby, DE1 3AH.

With the whole festival programme taking place in and around the city, it is perfectly placed for those arriving by either bus or train. Weekend tickets are on sale now at £88, and Friday Evening Tickets are priced at £24 for adults. Concessions are available. Festival tickets can be purchased through the Derby LIVE Box Office on 01332 255800 or online at derbylive.co.uk they can also be purchased at the Sales and Information Centre, on the Market Place, Derby, DE1 3AH.

Find out more at derbyfolkfestival.co.uk where you can download a copy of the festival flyer and keep up to date with the latest news on twitter and facebook.

A full list of confirmed acts can be found on the Derby LIVE website along with details about the artists and full programme on the Derby Folk Festival website.

Festival attenders can find the latest accommodation information at visitderby.co.uk where a range of hotels are available for all budgets and group sizes.

Wickham Festival 2017 Interview

Wickham Festival site

Darren Beech caught up with Peter Chegwyn just before the festival and had a chat about what we could expect from Wickham this year.

Many of the UK’s finest traditional singers and musicians appeared at the Wickham Festival near Fareham which took place between Thursday 3rd and Sunday 6th August.

They included Seth Lakeman; Show of Hands; Oysterband: Eliza Carthy & The Wayward Band; Kathryn Tickell; The Peatbog Faeries; The Fisherman’s Friends; Lau; Edward II; Boo Hewerdine; The Dhol Foundation; The Spooky Mens Chorale; Steve Tilston & Jez Lowe; Wizz Jones; Talisk; Fay Hield & The Hurricane Party; Les Barker; TradArr plus many more.

Also appearing at Wickham 2017 were the 70s chart-toppers 10cc; top Scottish singer-songwriter KT Tunstall; Festival favourites The Levellers; plus Andy Fairweather-Low & The Low Riders; John Otway; The Selecter plus many more well-known names.

The Wickham Festival was voted the UK’s Best Small Festival at the Live UK Music Awards in 2015 and has also been described as one of Britain’s top boutique and family-friendly festivals by The Guardian newspaper.

The festival featured live music on four stages plus a host of other attractions including storytelling, street theatre, dance displays, childrens entertainers, a digital funfair, laser arena, traditional crafts fayre, exotic foods fayre, real ale & cider festival and a late night festival club.

Festival organiser Peter Chegwyn says it’s “a real coup for a small village festival like Wickham to attract so many top artistes who have performed at major music festivals throughout the world.

“The Wickham Festival is known for its relaxed, friendly atmosphere and the high quality of the music on offer. People travel from all over the UK and abroad to attend. This year’s ticket sales are running at a record level and we are confident that our 10th birthday festival at Wickham will be our best yet.”

I couldn’t finish without putting up one of Peters favourite videos from the Gosport and Fareham Easter festival back in 2010 when Alan Burke dedicating “I will go” to the man himself.

Wickham Podcast link: https://www.wickhamfestival.co.uk/gallery/audio/

Festival website: www.wickhamfestival.co.uk

The Folking Awards – the 2017 Winners

Folking Award winners

So here they are: the Folking Award winners of 2017.

First of all, a big thank you to everyone who voted – more than 20,000 votes were cast. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the writers who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the public vote winners and now, may I have the first envelope please… no, not that one!

Soloist of the Year – Ralph McTell

Folking Award winners

Listen to the Darren Beech/ Paul Johnson interview with Ralph at Cropredy 2016 here

Best Duo – Show Of Hands

Read all about Show Of Hands’ Big Gig at the Royal Albert Hall here

Best Band – Harp And A Monkey

This was a very close vote but we’re delighted that Harp And A Monkey triumphed in the Best Band category even though they narrowly beat another of our favourites.

Harp And A Monkey bio

Best Live Act – Mad Dog Mcrea

In contrast, this was a runaway victory for the band from Plymouth.

Read Su O’Brien’s review of Mad Dog Mcrea live at Cambridge City Festival here

Best Album – Ballads Of The Broken Few by Seth Lakeman with Wildwood Kin

Read Mike Davies’ review of Ballads Of The Broken Few here

Best Musician – Phil Beer

Phil Beer bio

Folking’s Rising Star Act – Said The Maiden

Said The Maiden bio

Best International Act – Applewood Road

Applewood Road bio

As before, there are no actual trophies to present (but if anyone would like to tender for making some in the future please let us know). However, everyone on the long lists and on the short lists as well as the winners can rejoice that they made an impression on a lot of people during 2016.

Have another great musical year!

The Folking team


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Standing ovations for Show Of Hands’ Big Gig

Big Gig
Photograph by Darren Beech

England’s premier folk duo Show of Hands, once described as “the most famous unknown band in Britain”, brought the house down at the Royal Albert Hall on Easter Sunday with a ‘pull all the stops out’ show marking their milestone 25th year.

Singer songwriter Steve Knightley and multi instrumental wizard Phil Beer took to the stage of the iconic London venue for the fifth time with a memorable milestone gig which prompted two standing ovations.

Some 5,000 fans descended on the capital not just from all over the UK but also from Canada, France, Holland, Belgium and Germany.

The first band to ever hold a raffle at the Albert Hall maintained the tradition, raising £4,355 – the most ever – for chosen charities MIND and Great Ormond Street Hospital & Children’s Charity, the main prize being a beautifully crafted cello mandolin made by SoH’s Devon-based instrument makers Oddy Luthiers.

One of British folk music’s most popular acts – and two of the most active ambassadors in the acoustic arena – Knightley and Beer were joined by long-term guest Miranda Sykes on double bass and vocals.
A dramatic opening saw the performance of Knightley’s spellbinding song ‘Widecombe Fair’ with Beer appearing high in the organ loft playing an eerie fiddle.

They were soon joined by the Devon’s 30-strong Lost Sound Chorus for the moving ‘The Old Lych Way’ about the ancient Dartmoor trackway along which coffins were carried. The choir returned throughout the evening to swell the sound on some of the band’s best known songs and numbers from most recent albums Centenary and The Long Way Home.

Also taking to the “Kensington village hall” stage were top mandolin player Rex Preston, 2014 BBC Radio 2 Folk Awards ‘Best Duo’ winners Phillip Henry and Hannah Martin and Canada’s hugely entertaining Matt Gordon & Leonard Podolak, their fiddle and banjo music punctuated by outbreaks of clog dancing (joined by Mr Knightley!) and “hamboning” (traditional African American body percussion).

Long-time collaborator, composer and keyboards player Matt Clifford, who famously worked with The Rolling Stones, added to the sound as did Devon teacher Chris Hoban, who has penned some of Show of Hands’ more recent songs including the epic ‘Katrina’ (also performed on the night).

Towards the end of the first set, there was a surprise appearance by renowned Downton Abbey actor Jim Carter who read Siegfried Sassoon’s To Victory in his inimitable way before a performance of the WW1 song ‘Hanging On The Old Barbed Wire’ while Alice Jones was a solo Morris dancer in ‘Twas on One’s April Morning’.

Steve Knightley also announced a £150,000 crowdfunding appeal to bring an extensive Shrouds Of The Somme art installation to the capital.

Last year Somerset artist Rob Heard painstakingly hand stitched calico shrouds onto 19240 12 inch figures representing every Allied soldier who died on the first day of the Battle of the Somme – making a powerful artwork that was seen in Exeter and Bristol. Knightley was closely involved in the unique project, serving on the committee.

Now Heard has embarked on making more than 70,000 shrouds to mark the 100th anniversary of the end of WW1 in 2018 – commemorating every soldier who died at The Somme with no known grave. It is hoped to display the new work in London for Armistice Day (November 11) next year. The crowdfunding campaign will launch on May 10. shroudsofthesomme.com

Show of Hands’ “anthems” ‘Country Life’, ‘Roots’, and banker-baiting ‘Arrogance Ignorance And Greed’ were all on the set list as well as the traditional favourite ‘The Blue Cockade’. Their trademark ‘Cousin Jack’, about emigrating Cornish miners, was the rousing finale before they stepped back on stage for Knightley’s “hard to believe it’s not traditional” number ‘The Galway Farmer’ and a rousing ‘Santiago’ with the whole company on stage.

A lavishly illustrated 224-page hard-backed souvenir book marking the band’s 25th year went on sale on the night, entitled No Secrets –A Visual History of Show of Hands.

Tying in with this, the Knightley-penned single ‘No Secrets’ was released on Friday (April 21) via Amazon and iTunes. Says Steve: “This started live as a piece of advice for a friend getting married but it is also apt as the ethos of our business and it became the backdrop to the book.”

Show of Hands 25th year continues with a busy UK festival schedule (including Folk by the Oak, Underneath The Stars, Wickham, Sidmouth, Cropredy, Towersey) before a newly announced tour of English cathedrals this autumn (Oct 4-Nov 8), from Chichester to Carlisle, supported by young singer songwriter Kirsty Merryn.

Big Gig
Photograph by Judith Burrows

Artists’ website: www.showofhands.co.uk