Fairport’s Cropredy Convention announces Brian Wilson as headliner

Brian Wilson at Fairport's Cropredy Convention
Photograph courtesy of CNN

Fairport’s Cropredy Convention music festival have announced that Brian Wilson will perform the legendary Beach Boys album Pet Sounds at Cropredy on Thursday 9 August 2018.

Acclaimed for its ambition and sophistication, Pet Sounds is widely acknowledged as one of the most influential albums of all time. Released in 1966, Wilson’s masterpiece is number 2 in the Rolling Stone ‘500 Greatest Albums Of All Time’ list, only beaten to the top spot by The Beatles’ Sgt Pepper.

The festival will be held over three days (Thursday 9, Friday 10 and Saturday 11 August 2018) at Cropredy near Banbury, Oxfordshire.

Thursday opens with host band Fairport Convention who will play a short welcome set. Fairport are followed by Smith & Brewer, a talented Americana guitar duo featuring close harmony vocals. Police Dog Hogan deliver their own brand of exhilarating Country-tinged rock. Ever-popular folkrockers Oysterband will make their first appearance at Cropredy since 2004 and they will be followed by Thursday’s headliner, Brian Wilson.

On Friday,Cropredy will open with a set by the BBC Young Folk Award winner followed by newcomers Midnight Skyracer who describe their music as ‘Anglo-Irish girl-power Bluegrass’. Favourites of the Cropredy crowd The Travelling Band make a welcome return with their blend of Mancunian Americana and indie folkrock. Cregan & Co features Jim Cregan, best known for his associations with Family, Cockney Rebel and Rod Stewart. Le Vent du Nord will perform traditional Québécois music with infectious enthusiasm before former frontman of Marillion, Fish makes his second appearance at Cropredy. Mercury-nominee Kate Rusby (Folk Singer of the Year and Best Live Act winner at the BBC Folk Awards) makes her Cropredy debut before Friday’s headline act Levellers celebrate their thirtieth anniversary with a welcome return to Cropredy.

Saturday sees BAFTA nominee Richard Digance getting the day off to a flying start. Sets from Eric Sedge and The Bar-Steward Sons of Val Doonican precede singer-songwriter Will Varley who makes his first appearance at Cropredy with his band.  Folk Award winner Sam Kelly & The Lost Boys are newcomers to the festival and so are Afro Celt Sound System who fuse traditional Irish and West African music in a thrilling mix. They will be followed by a solo set from Scottish singer-songwriter Al Stewart before Fairport Convention and guests take the stage for their traditional two-hour-plus Saturday headline show.

Festival website: http://www.fairportconvention.com/

‘God Only Knows’ – live:

The 2018 Folking Awards

Welcome to the 2018 Folking Awards and thank you again to everyone who participated last year. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with considered argument and arm-wrestling by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have impressed our writers during 2017.

As with the format last year, all are winners in our eyes, as are quite a few who didn’t make the short list. However, it’s not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

*The Public Vote for each category will close at 9.00pm on Sunday 1st April (GMT+1).


Soloist Of The Year

 Jon Boden
Ange Hardy
Daria Kulesh
Richard Thompson
Chris Wood


Public Vote

*And the winner is: Open envelope!

 


Best Duo

Kate & Raphael
O’Hooley & Tidow
Kathryn Roberts & Sean Lakeman
Laura Smyth & Ted Kemp
Winter Wilson


Public Vote

*And the winner is: Open envelope!

 


Best Band

Sam Kelly & The Lost Boys
Merry Hell
Peter Knight’s Gigspanner
Police Dog Hogan
The Unthanks


Public Vote

*And the winner is: Open envelope!

 


Best Live Act

CC Smugglers
Eliza Carthy & The Wayward Band
Fairport Convention
Lau
Merry Hell


Public Vote

*And the winner is: Open envelope!

 


Best Album

Bring Back Home – Ange Hardy
Pretty Peggy – Sam Kelly & The Lost Boys
Long Lost Home – Daria Kulesh
A Pocket Of Wind Resistance – Karine Polwart/Pippa Murphy
Strangers – The Young ‘Uns


Public Vote

*And the winner is: Open envelope!

 


Best Musician

Kevin Crawford
Seth Lakeman
Richard Thompson
Karen Tweed
Ryan Young


Public Vote

*And the winner is: Open envelope!

 


Rising Star

Sam Brothers
Siobhan Miller
Jack Rutter
Sound Of The Sirens
The Trials Of Cato


Public Vote

*And the winner is: Open envelope!!

 


Best International Artist

Rodney Crowell
Anna Coogan
Michael McDermott
Le Vent Du Nord
The Wailin’ Jennys


Public Vote

*And the winner is: Open envelope!

 


If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website. Use the left and right arrows to scroll.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Folkies 2018

SAM KELLY & THE LOST BOYS – Live at Cambridge Junction, City Roots Festival, 5 March 2018

Sam Kelly & The Lost Boys
Photograph by Philip O’Brien

Battling snow and ice on tour for the past week has clearly taken a toll on this group of musicians (amongst many others no doubt), but that won’t stop them putting on a storming show this evening.

Support act, Honey And The Bear (aka Jon Hart & Lucy Sampson) deliver a half-hour set of earwormy, catchy songs, culminating in ‘William’ from their 2016 EP, About Time Too and the galloping, riffling ‘Wristburner’. Their slightly low-key stage presence belies their lively, well-crafted and perfectly performed music. And it turns out that there’s so much more to this versatile duo: manning the merch stall, driving the van and even providing the evening’s sound tech. Headliners, book them now, while you can.

A short while later, the seven-piece line-up of Sam Kelly & The Lost Boys fills the stage as percussionist Evan Carson sets a grinding groove for the first song, ‘Hickathrift’, the tale of a legendary Norfolk giant-killer.

With so many big, sing-along tunes on both the band’s albums to date, from ‘The Golden Vanity’ via the deceptively jolly ‘Angeline The Baker’, the call-and-response of ‘The Keeper’ or the barrelling ‘Jolly Waggoners’, featuring a frenzied banjo part from Jamie Francis, it’s blindingly obvious why this band is such a festival success.

Then there’s the dry, irreverent and often charmingly unfiltered humour that allows them to respect what they do without being in thrall to it. If you’re after reverential folk that won’t poke fun at the often ludicrous and/or plain old sexist scenarios of some songs, this might not be the band for you. If you want a solid, tight set of superb musicians who know how to have a good time, then they’re a must-see.

Still, it’s not all wall-to-wall party. The well-paced set contains many quieter moments, such as the tender rendition of ‘If I Were A Blackbird’, and Cornish ballad ‘Grwello Glaw’ (‘Let It Rain’). Originating from Kelly’s time with The Changing Room, it’s an appropriate choice for a St Piran’s Day gig. (Also, we’re told, it will be the first dance the band plays for Hart and Sampson’s wedding in June. Altogether now: aaahhh!).

A rather different sound comes with ‘The Shiny Ship’, an effect-laden track from the Pretty Peggy album that has been reworked for the live environment. Carson’s shimmering cymbals and hard rapping drum offset Graham Coe’s shoulder-slung, psychedelic, droning cello to create an atmosphere of moody mystery.

For the family members present in the audience, Kelly dedicates a cover of Dire Straits’ ‘Sultans Of Swing’ which starts leisurely before building into a floorshaker. Finishing with Archie Moss’s melodeon leading the mischievous cross-dressing tale, ‘The Close Shave’ and buffered by tunes from Ciaran Algar and Toby Shaer, the set ends on a whirling high.

As the audience erupts in appreciation, the band returns in typically self-deprecating fashion. “The dressing room was locked” deadpans Algar. Meanwhile, there are two clear contenders for an encore among the crowd. Carson holds a vote, defying Algar’s sardonic, “This is not a democracy”. 48% want ‘The Chain’, but 52% are pro ‘Greenland Whale’, so there it is. Luckily, this is one vote that doesn’t cause deep or lasting division, as we all sing happily together before going our separate ways home.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.samkelly.org/

‘Sultans Of Swing’ – live at the other Cambridge Festival:

First news of this year’s Tønder Festival

Tønder FestivalFor 44 years now the European folk, country and Americana scene has been meeting in Tønder – a tranquil Danish city just a few kilometres behind the German border. In these 44 years, the originally small folk festival has become one of the biggest genre events in Europe. Year after year, about 70 acts mainly from America, Canada, Ireland, England and Scandinavia define the status quo of the folk, Americana country and traditional music scene. An average of 10,000 visitors attend the festival every year.

“70 percent of our guests are regulars. They come back every year,” says Maria Theessink, responsible for press relations and the programme at the Tønder Festival. Besides the quality of the musical contributions, it’s the fantastic ambience of the festival which keeps the crowds returning year on year. We do everything we can to make our visitors feel at home with us,” she says,” we don’t let stress and hectic pace arise. We want to celebrate a relaxed festival feeling with beautiful music and idyllic surroundings. We seem to be succeeding.”

This mix of high-quality acts, relaxed atmosphere and good sea air – the North Sea is only a few kilometres away – makes Tønder unique in the annual festival calendar. No wonder that the FlightNetwork website ranked the traditional event among the 34 best music festivals in Europe (one of two folk festivals in the cross-genre list).

On the four festival days from 23 to 26 August, Tønder visitors can look forward to a programme that is as varied as it is top-class. Among the most sonorous names that have already been confirmed are the following:

David Ramirez (the upcoming Americana star from Austin, Texas)

The Secret Sisters (Grammy-nominated Folk-Duo from Alabama)

Tyler Childers (the country musician/singer-songwriter from Kentucky is about to make a big breakthrough)

Oysterband (legendary folk band from GB)

Sharon Shannon (Ireland’s folk queen)

Guests with a special interest for British festival-goers include Sam Kelly & The Lost Boys, Skipinnish and Allan Taylor.

More details at the festival website: www.tf.dk

Cambridge City Roots Festival – the line-up

Cambridge City

The spirit of the world-famous Cambridge Folk Festival will inject the city with winter cheer in February and March, when Cambridge’s second city-wide winter folk and roots festival opens for two weeks of exceptional music and events.

An all-encompassing Corn Exchange line-up includes: the soaring, Gambian sun-drenched chords of stunning Kora virtuoso and opening Festival headliner, Sona Jobarteh performing alongside Cameroon’s blues and jazz artist Muntu Valdo; the Americana-tinged sound of Wildwood Kin – crowned this year as legendary broadcaster Bob Harris’s ‘Emerging Artist of the Year’ –  supporting Cambridge Folk Festival summer headliner, Ward Thomas; award-winning comic Rich Hall performing Hoedown – a withering dissection of Trump’s America which finishes as a celebration of Americana with stand-up, improvised ballads, and amazing musicianship…’Blissfully funny’ (The Guardian) and Cambridge born Tom Robinson with the 2-4-6-8 Motorway 40th Anniversary show. Tom is one of the founding team for BBC Radio 6, where he hosts three shows a week and has become known as a champion of new emerging artists via BBC Introducing.

At Cambridge Junction, an array of City Roots music is on offer: Chouk Bwa Libète bring drums, poetry and trance from Haiti’s vodou heartland; BBC Radio 2 Folk Awards winners Sam Kelly & The Lost Boys rediscover and renew the music of Sam’s gaelic heritage, transcending boundaries of trad and popular music; Cambridge Folk Festival favourites and three of the world’s finest folk musicians, Michael McGoldrick, John McCusker and John Doyle set the stage alight playing material from their latest album, The Wishing Tree and legendary ex-Steeleye Span fiddle player, Peter Knight joins forces with John Spiers, one of the leading melodeon players of his generation for an unmissable gig. Cambridge Junction also presents a very special evening at St Barnabas Church featuring BBC 2 Radio 2 Folk Award nominees Megson.

Appearing at renowned city music venue, The Portland Arms will be folk festival Club Tent sensation, Darren Eedens & The Slim Pickin’s – whether they’re held spellbound by a poignant ballad or jumping up and down as one to a stomping groove, Darren’s command of an audience is absolute!

Following the success of last year’s Creative Roots, the festival’s valuable professional development day will be held at The Portland Arms. Music industry professionals will once again gather to offer a career development day of workshops, talks and sessions, offering gems of advice and a wealth of experience.

Drop-in music sessions around the city; a special City Roots Family Day with free attractions including craft workshops, face-painting, storytelling, Come And Try’ ukulele workshop and fun walkabout characters; plus what promises to be a sell-out City Roots highlight – a fascinating live interview, in association with the Cambridge Union Society, with charismatic Canvey Island rocker Wilko Johnson – and it’s safe to say City Roots will be one of the most anticipated events in Cambridge in 2018!

Festival website: click here

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)

Pretty PeggyBased in Bristol, but born in Norfolk, Kelly stakes a claim for a Best Album nomination in next year’s Radio 2 Folk Awards to add to this year’s Horizon win. Backed by his six-piece live band, comprising Jamie Francis on banjo, fiddler/guitarist Ciaran Algar, percussionist Evan Carson, Graham Coe on cello with Toby Shaer and Archie Churchill-Moss providing woodwind and melodeon, respectively, Pretty Peggy their first album together, also features contributions from folk stalwarts Cara Dillon, Damien O’Kane, Mike McGoldrick and Geoff Lakeman.

Save for three numbers, all the material is traditional, refashioned and refurbished, opening with a rousing haul away tempo take of the whaling shanty ‘Greenland Whale’ that can’t help but bring Seth Lakeman to mind. Dillon and McGoldrick’s Uillean pipes complement ‘Bonnie Lass Of Fyvie’, the pretty Peggy-o of the title, a jaunty Celtic-hued version that successfully avoids sounding like any of the many previous recordings.

A tale of lost childhood love regret, the equally lively, thigh-slapping, fiddle-driven ‘Angeline The Baker’ has Appalachian roots and then comes the first of the original numbers, ‘When The Rievers Call’, a Jamie Francis song about the raids on the Scottish borders during the middle ages featuring, unsurprisingly, some fiery banjo work and again recalling that Seth Lakeman sound.

Returning to the traditional repertoire and featuring O’Kane on electric tenor guitar with a melodeon solo, ‘If I Were A Blackbird’ is a lovely, lilting and gently ripping take on the Irish love song, reversing the lyric’s genders and set to a tune based around Chris Wood’s ‘Ville De Quebec’. This is followed by the darkly menacing ‘The Shining Ship’, a suitably spooked and nervy six minute tale, sung in low, at times whispery tones with swirling sonics, of a woman lured aboard a ghost ship by her long lost lover and based on the 17th century Scottish ballad ‘Demon Lover’.

Featuring himself on piano and Shaer on fiddle, the only Kelly original is ‘Chasing Shadows’, another lively tune about understanding that “the deepest dark comes just before the dawn”, and one of the more contemporary sounding tracks. Then comes the comic relief, ‘The Close Shave’ being New Zealand singer Bob Bickerton’s variation of the traditional romp, ‘Barrack Street’, about a gold miner relieved of his treasure by a man posing as a woman.

The obligatory instrumental track comes with ‘Shy Guy’s Serve’, a jaunty fiddle medley of Shaer’s ‘Josh’s Slip’ and Algar’s ‘Rookery Lane’, before they dig into the more obscure pages of the Dylan songbook and turn up the volume for ‘Crash On The Levee’, a punchy and driving version of ‘Down In The Flood’ off The Basement Tapes. The penultimate number is another traditional English folk song, drums, fiddles and flutes pumping along sexually euphemistic ‘The Keeper’ with its call and response derry derry down chorus, the album ending with the intitially subdued but gradually gatheringly strident strains of The Rose, Kelly’s translation of the French song ‘Le Beau Rosier’, originally by Belgian outfit Naragonia with whom he played mandolin last year.

Having practised his art as a youngster singing to the family’s cows, in 2012 Kelly was a finalist for Britain’s Got Talent (the one won by Pudsey), at which time he said “I don’t want to make a mediocre album of covers just to sell as many as possible on the back of BGT…musical integrity is really important to me.” He’s clearly lived up to his words.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the SAM KELLY & THE LOST BOYS – Pretty Peggy link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.samkelly.org

‘Angeline The Baker’: