Seth Lakeman – album reissue with bonus tracks and tour dates

Seth

Seth Lakeman has re-released his Top 20 album Ballads Of The Broken Few, with five added bonus tracks via Cooking Vinyl. Recorded during the original album sessions, with producer Ethan Johns, the previously unreleased bonus tracks are: ‘Gambling Man’, ‘Everything’, ‘Days Are Longer’, ‘Wake Up’ and ‘Bury Me Deep’. The new album will be available on CD and digital.

This November, Seth will tour the UK as special guest with Robert Plant & the Sensational Space Shifters, where he will play as part of Robert’s band and also open the shows with his own set.

Looking forward to the dates, Seth commented: “‘I’m honoured to be touring and performing with such a fantastic band and one of the world’s greatest music legends.”

Widely-praised on its release last year, Ballads Of The Broken Few showcases Seth’s dynamic song writing and playing; his soaring vocals perfectly matched by the sublime harmonies of Wildwood Kin. An epic, soulful album of compelling songs, stripped back to their essence.

Since the Mercury Prize nominated Kitty Jay (recorded in his kitchen for £300), the follow-up gold selling Freedom Fields and his last, highly acclaimed offering, Word Of Mouth, a deft collection of mini musical biographies of colourful West Country characters, Seth Lakeman has relentlessly pushed his musical boundaries and those of folk and roots music. His innovative approach, ground-breaking albums and powerful live performances have put him at the forefront of the re-emergence of British folk and successfully steered it into the mainstream. With Ballads Of The Broken Few Seth demonstrated yet again that, far from being complacent, he is constantly exploring new and bold musical paths.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Seth Lakeman – Ballads Of The Broken Few link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

‘Meet Me In The Twilight’:

Seth tours with Robert Plant & the Sensational Space Shifters in November and December:

Thursday 16 Nov       PLYMOUTH  Pavilions

Friday 17 Nov           BRISTOL  Colston Hall

Monday 20 Nov       WOLVERHAMPTON  Civic Hall

Wednesday 22 Nov       LLANDUDNO  Venue Cymru

Friday 24 Nov            NEWCASTLE  City Hall

Saturday 25 Nov          LIVERPOOL  Olympia

Monday 27 Nov       GLASGOW  SEC Armadillo

Tuesday 28 Nov       PERTH  Concert Hall

Thursday 30 Nov       MANCHESTER  02 Apollo

Wednesday 06 Dec        SHEFFIELD  City Hall

Friday 08 Dec            LONDON  Royal Albert Hall

Monday 11 Dec        PORTSMOUTH  Guildhall

Tuesday 12 Dec        BIRMINGHAM  Symphony Hall

Tickets: http://gigst.rs/RP

FAIRPORT CONVENTION – 50:50@50 (Matty Grooves MGCD054)

50:50@50Opportunities for celebration come round with increasing frequency when you’ve been in the business as long as Fairport Convention has. The current line-up has been together for almost twenty years and before that they have a back catalogue so large that they can never hope to play it all. This year sees the band’s fiftieth birthday and the title of 50:50@50 describes its contents: seven new recordings and seven live tracks. Fairport haven’t done anything obvious, though. You’ll look in vain for the old favourites that their audiences demand they play every gig – no ‘Matty Groves’ and no ‘Meet On The Ledge’.

The album opens with the first of Chris Leslie’s new songs, a return to his favourite maritime themes. ‘Eleanor’s Dream’ feels like a sequel to ‘Lord Franklin’ and indeed it mentions Lancaster Sound, part of the fabled Northwest Passage. But Lady Franklin was Jane so Chris has given us a puzzle. The first live track is ‘Ye Mariners All’, originally from Tippler’s Tales, recorded at The Mill in Banbury, venue for the famous Cropredy warm-ups. In fact the band returns to the tradition on this album more than they have done in recent years.

‘Step By Step’ is a pretty but rather slight song and it’s followed by ‘The Naked Highwayman’ also live and a real vocal tour de force by Simon Nicol. So far so not unexpected but don’t sit back and relax just yet. Ric Sanders has re-recorded his ‘Danny Jack’s Reward’ subtitled “expensive version!” with a host of friends, woodwinds and brass and a guest appearance from Joe Broughton. It’s a superb reading of the piece but the surprises aren’t over yet. Next is another live track, ‘Jesus On The Mainline’, with Fairport taking on the role of Robert Plant’s backing group!

I’m not sure if Chris Leslie’s ‘Devil’s Work’ is autobiographical – I can’t see a professional musician doing manual work any more hazardous than fettling a fiddle. That’s another puzzle he’s set us. The next live track, ‘Mercy Bay’, is another of his epic sea songs and that’s followed by ‘Our Bus Rolls On’, a song in praise of the band. It’s a bit twee for my taste but if you can’t blow your own trumpet when you’re fifty when can you? A rewrite of ‘Angel Delight’ would have been great fun – Simon and Peggy remain from the original but I expect that their tastes have matured over the years.

Next is a superb live version of ‘Portmeirion’, possibly the best I’ve heard, and then another surprise. Fairport Convention don’t really do traditional songs like they used to but here is a new addition, ‘The Lady Of Carlisle’, with lead vocal by Jacqui McShee followed by a live version of ‘Lord Marlborough’, originally recorded a mere forty-six years ago. Unexpectedly, PJ Wright contributes ‘Summer By The Cherwell’ – self-referential, of course, but I can see it being a live hit at every Cropredy from now on.

The final live track and the album’s closer is another surprise. Guess what it might be and I bet you won’t say ‘John Condon’. This is a sensitive, thoughtful reading of the song as befits its subject matter with Gerry Conway’s brushes holding the rhythm but not intruding on Ric’s fiddle or Simon’s vocals. One second thoughts, a song of reflection is an appropriate way to send this set. We all have more to look back on than look forward to.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the FAIRPORT CONVENTION link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.fairportconvention.com

‘Mercy Bay’ – live at The Union Chapel:

A Newbie Cropredy Review (2014)

Fairport's Cropredy Convention 2014 Fairport’s Cropredy Convention 2014[/caption]

I had heard of the Cropredy Festival before, and had even heard of Fairport Convention, but as I had grown up with British Heavy Metal and Rock, listening to such bands as Led Zeppelin, Black Sabbath, Judas Priest, AC/DC and the like, my experience of Folk music was limited. I remember taking a guitar to a chap in the Medway Towns for rewiring, and him telling me he would be travelling to Cropredy that summer as he always did and always had.

Chis&Johno_Croppers_14However, it was several years before I attended the festival at the village of Cropredy, near Banbury in Oxfordshire. I went with my wife Sue and a couple of friends; Paul Johnson of Folking.com and his partner Yvonne.

Paul had a press pass, and was kind enough to organise a guest pass for me before the event so I could help with the photos for the backstage interviews that Paul and Darren Beech, of Folking.com had arranged to do with Chris Leslie (of Fairport Convention) and Edwina Hayes.

Edwina Hayes
Edwina Hayes
Marillion
Marillion

I saw some famous people backstage (including Robert Plant of Led Zeppelin, who attends Cropredy regularly and Steve Hogarth of Marillion) which added to the excitement of the weekend.  My wife was particularly taken with Edwina Hayes, purchasing her CD, and I passed her message on to Edwina herself, who told me she would be spending time with friends near the bar that  evening and would be happy to sign the CD.

Cropredy 2014 Blackbeards Tea Party1Unfortunately, Hurricane Bertha had decided to visit Cropredy too, spoiling that plan and sending pretty much everybody, artists included, back to their tents and campers to dry out. I have been to festivals before, including Download in 2012, and was no stranger to camping in the wet, but despite the storm our field (the newly added Field 8, to cater for the sold out show’s additional camping) did not flood, although Bertha did her best to make striking camp as unpleasant as possible on the Sunday morning.

The concert area (Field 9) has a single stage and around the perimeter are the various food stalls and other emporia. The food prices were a little on the high side, but this was expected; the quality was good, although a pizza we bought could have been passed through the machine another time, and queues got longer as the time went on (which was not surprising due to the festival selling out). We sampled the very tasty Cropredy Hop ale too.

Chas & Dave
Chas & Dave
The Waterboys
The Waterboys

As for the music, it was mostly very good, and I enjoyed the Chas and Dave and Marillion sets, and the Australian Pink Floyd Experience (who I have seen before in Rochester in Kent). The Waterboys were excellent, as were Edwina Hayes and Blackbeard’s Tea Party.

 

Fairport Convention
Fairport Convention

Fairport Convention concluded the show, and theirs was a polished performance, ending with the traditional Meet On The Ledge, their second single, released in 1968.

I didn’t see every artist, but the general atmosphere was very pleasant. The place was secure, and despite warnings of thieves operating we saw nothing to trouble us. This festival is a family event, with plenty of young people and dogs too. We took Jack, the Giant Chihuahua, who enjoyed it as much as the rest of us.

Although Bertha did her best, we all had a great time and look forward to going there again.

Roger Sutton – 11th August 2014

Links

Fairport Convention’s website – http://www.fairportconvention.com/
The Chris Leslie Interview Cropredy 2014 – http://folking.com/the-chris-leslie-interview-cropredy-2014/
Cropredy 2014 Photo Gallery – http://folking.com/cropredy-2014-photo-gallery/

Beverley Martyn: NEW ALBUM ANNOUNCED + TRACK STREAM

Beverley MartynBeverley Martyn started her musical career at just 16 with the jug band The Levee Breakers and recorded her first single “Babe I’m Leaving You” in 1965. In 1966 she was chosen to launch Deram Records and released a single, “Happy New Year” written by Randy Newman. She contributed to the Simon & Garfunkel album Bookends, toured America with the duo and later appeared at the Monterey Pop Festival on 16 June 1967.

In 1969 she met John Martyn, whom she later married. As a duo they issued two albums, Stormbringer! and The Road to Ruin. Although she was spending more time with her children, Beverley continued to contribute to John’s solo projects until the breakdown of their marriage.

At various times, Martyn has worked with Levon Helm, Jimmy Page, Dave Pegg, Richard Thompson, John Renbourn, Ralph McTell, Davy Graham, and Sandy Denny. She appeared in the photograph on the album sleeve of Bert Jansch’s 1965 album It Don’t Bother Me; where she can be seen lounging in the background.  In December 2013, Beverley appeared at the Royal Festival Hall as part of a celebration of Bert Jansch, alongside friends and contemporaries such as Donovan, Martin Carthy, Pentangle and Robert Plant. Her powerhouse performance of “” was described by Mojo as ‘sounding almost Janis Joplin-esque’.  A film of the event is due to be shown by the BBC in the spring. Continue reading Beverley Martyn: NEW ALBUM ANNOUNCED + TRACK STREAM

ONE MILE AN HOUR – One Mile An Hour (Snowbird Records)

OMAHThis debut album by London band One Mile An Hour has a magical quality that deserves the listener’s attention. The opener ‘Sunken Ships’ starts with a light touch on guitar and Jeff Kightly‘s voice dreamily floats through the melody. The song builds with the addition of drums and distorted guitars giving body to the song.

The wistful ‘Troubled Roots’ has more of a blues feel to it, but with the added harmonies that lace all the tracks on the album, making it less stereotypical. If comparisons can be made to the feel of the album it would be a cross between early The Pretty Things and the later works of Robert Plant. Indeed Kightly’s voice has more than a passing resemblance to a young Robert Plant. Continue reading ONE MILE AN HOUR – One Mile An Hour (Snowbird Records)

Folking at Cambridge Folk Festival 2013 – Day 2

Foxy Fri 300x400Blimey, its 6.00am and I’m in the shower… what the folking heck is going on. It’s not what your thinking… unless you are talking about it being “probably the best festival shower block in the world“… hot water at daybreak – on a campsite – who’d have though it, but after all, this is the 49th Cambridge Folk Festival, so they have had plenty of practice getting it right.

Due to the time it takes putting these things together, I didn’t actually get to see yesterdays opening act on the main stage as I was working on the folking day 1 review, but could hear, from the press office that it was lively set by a band called Korrontzi.

So my first visual act of the day was Finland’s frigging brilliant Frigg. A blend of Nordic folk and American bluegrass dubbed “Nordgrass”. See them in action below.

I then needed to head off and sort out the accommodation arrangements for the folking new resident photographer, who had finally turned up… the son of Clicker… for those old enough to remember the intensely focused original, he has got a lot to live up to.

LAPD 300x224Got back just in time to see the final number from Patty Griffin and then rushed down the front to wait in anticipation for one of the highlights of my weekend, LAPD, which for those of you in the know, are three quarters of Planxty (Liam O’Flynn, Andy Irvine & Donal Lunny) and the original Bothy Band fiddler (Paddy Glackin). We were treated to the Sweeney’s Men’s classic, My Heart’s Tonight In Ireland  and the Planxty standard, The Blacksmith. What a set, from one of the original Irish boy bands!

Now with son of clicker joining the folking team we raced round for the next hour or so and managed to catch Amadou & Mariam, for a bit African electric blues and then SOC (Son of Clicker) made it over to see Darrell Scott, of Robert Plant’s Band of Joy fame doing his own improvisational set. SOC thought it was brilliant and I was folking pissed I missed it!

Ross Couper & Tom OakesSOC headed for the club tent and shot some great footage of Ross Couper and Tom Oakes, a dynamic young, fiddle player and guitarist duo, adding a modern touch to the Scottish and Irish tradition.

Then we plunged into the double whammy of the Levellers followed by Bellowhead, two headliners in one night!

Levs1 300x225The Levellers played a storming set of old favorites and newer numbers, finishing with the unique experience of a stage full of Levs and Bellowhead for ‘The Recruiting Sergeant‘. How they get them all on the stage I don’t know!

Bellowhead followed with their own set with tracks from their latest ‘Broadside‘ release and Jon Boden’s ever natty suit jacket!

Emily Barker 300x225 Cams FFWe also managed to get over to Stage 2 to see the angelic Emily Barker , a compelling singer-songwriter and mesmerising live artist, who along with her band The Red Clay Halo blend classical, rock, country and folk influences to stunning effect. Emily’s appearance recently on the BBC Radio 2 Dermot O’leary show and performance with Frank Turner at the London 2012 Olympics in front of a global televised audience is certainly moving her and the band up the musical genre food chain.

Roving Crows 300x224Then over to the Club Tent to see the Roving Crows, we covered the last album Bacchanalia back in May last year and I had been itching to see them ever since.

Here is the link If you missed NANCY DUNHAM’s review: http://folking.com/the-roving-crows-bacchanalia/

They gave a great closing performance to the Friday night in the club tent and any festival organiser reading this, I urge you to book them as soon as possible as they are a folking brilliant live act!

The queue to the bus back to Coldham’s Common campsite was huge so we decided to reenact the Richard Thompson song and walk those long miles home. The temptation of bed was calling but the lure of another beer and the campsite stage was too strong and as we watched the current act finish, we found a seat and a beautiful young girl took to the stage, with a solitary guitar and opened her mouth, and wow, what came out made my night, a sound somewhere between Janis Joplin and Sandy Denny. Sue Marchant, from BBC Radio Cambridge had arranged the last minute slot and boy am I glad she did! We’ll feature one of her own compositions called “Fall across the sea” as a later feature, but to wet your appetite now, here is her version of Robert Johnson’s “Me and the devil blues”… Ladies and gentlemen and general reprobates, I give you Leila Jane… The end to what Lou Reed would describe as “a perfect day”.

The folkmaster