Fairport’s Cropredy Convention – tickets on sale now

Fairport's Cropredy Convention

Fairport’s Cropredy Convention three-day open-air music festival will celebrate its fortieth anniversary in 2019.

The organisers have announced many of the acts booked for next summer’s event which will take place on Thursday 8, Friday 9 and Saturday 10 August. The remaining acts will be announced in January 2019.

Tickets went on sale from 3 December 2018.

Host band Fairport Convention will open the festival on Thursday 8 August with an acoustic performance then take the stage again on Saturday to play a two-hour headline set. Thursday’s headline act will be The Waterboys whose potent performance makes them one of the UK’s most exciting live acts.

Former Fairport member Richard Thompson will appear with his erstwhile bandmates Dave Mattacks, Dave Pegg and Simon Nicol. Award-winning Martin Simpson, one of Britain’s greatest acoustic guitarists, makes his first appearance at Cropredy. Fresh from a world tour with Robert Plant, Seth Lakeman returns to Cropredy after a ten year absence.

Celebrating 50 years of Jethro Tull’s music, Martin Barre’s band includes the original Tull drummer Clive Bunker and long-time bassist, Jonathan Noyce. Pioneers of Canterbury’s prog rock scene, Caravan will be making their Cropredy debut. Scottish singer-guitarist Zal Cleminson’s /sin’dogs/ are a new high-octane prog-metal band.

Daphne’s Flight features five female singer-songwriters; Christine Collister, Melanie Harrold, Julie Matthews, Helen Watson and Chris While. BAFTA nominee Richard Digance returns to his traditional Cropredy Saturday lunchtime slot. Will Pound and Eddy Jay are, respectively, among the UK’s finest harmonica and accordion players. Award-winning female trio Wildwood Kin play contemporary indie-folk characterised by spellbinding family harmonies. Multi-instrumentalist Lil Jim combines guitar, harmonica and accordion with foot percussion and vocals. Four-piece Tide Lines are shaped by the culture and music of the Scottish Highlands.

Cropredy tickets on sale for Christmas

Cropredy tickets went on sale on 3 December 2018 in time for Christmas.

Three-day festival tickets cost £140. Camping tickets cost £45 for three nights.

The first 1,000 orders will receive a Christmas card signed by all five members of Fairport Convention.

For box office details visit Fairport Convention’s website: www.fairportconvention.com

Reno Nevada – Cropredy 2017:

FolkEast announces 2019 line-up

FolkEast

It’s ‘lucky seven’ time for East Anglia’s unique, fast-rising FolkEast – England’s most easterly folk music festival. Not only is it the seventh year the event has been held in the glorious grounds of Suffolk’s 16th century festival but this year it will offer diverse performances on no less than seven stages.

The 2019 festival will be staged between August 16-18 and has all the promise of being the best yet with an enviable line-up of artists from England, Scotland, Ireland, Wales, Poland, Canada and USA.

Keeping to the Seven theme, FolkEast is delighted to announce seven confirmed top level acts from its highly anticipated line-up as Early Bird tickets go on sale with a special festive season offer. https://folkeast.co.uk/tickets-3/

Leading the way will be formidable folk legend Richard Thompson – a revered singer songwriter and jaw dropping guitarist– who takes to the main Sunset stage as Sunday night headliner. A co-founder of trailblazing folk rockers Fairport Convention, Thompson has carved himself a high class career bringing iconic international status, with anthemic songs like ‘Persuasion,’ ‘Beeswing’ and ‘1952 Vincent Black Lightning’ becoming classics. Named as one of Rolling Stone Magazine’s “100 Greatest Guitarists of All Time” he has been honoured with Lifetime Achievement Awards on both sides of the Atlantic – from the Americana Music Association in Nashville, and the BBC Radio 2 Folk Awards – as well as garnering an OBE (personally bestowed upon him by the Queen at Buckingham Palace)

FolkEast will also field some of folk’s finest female artists – opening night headliner will be the brilliantly inspired Scottish singer songwriter and hot property Karine Polwart performing with her Trio (Stephen Polwart and Inge Thomson). Karine (2018 BBC Radio 2 Folk Awards Folk Singer of the Year) is on a roll having released two hugely successful albums in quick succession – A Pocket Of Wind Resistance and Laws Of Motion and also migrated into the acting world including a role in Radio 4’s drama ‘A Faraway Back Of Beyond Place’, a two hander with Bill Paterson. A songwriter with heart and soul, Stirlingshire-born Karine is a wonderful wordsmith and captivating performer sure to get the festival off to a grand start.

Cara DillonSaturday night at FolkEast will see a very special headline event as the peerless Irish songstress Cara Dillon (“quite possibly the world’s most beautiful female voice” – Mojo) takes to the stage with ‘Cara Dillon and Friends’ celebrating the 10th anniversary of her landmark album Hill Of Thieves which won the coveted Album Of The Year at the 2008 BBC Radio 2 Folk Awards. Derry-born Cara will be joined by the class line-up of husband Sam Lakeman (piano, guitar), Jarlath Henderson (uillean pipes, whistle), Ed Boyd (guitar). James Fagan (bouzouki), Toby Shaer (fiddle, whistles) and Ben Nicholls (bass).

Also from Ireland, the mighty Sharon Shannon Band will be heading to Suffolk. Born in County Clare, Sharon is a show stopping accordionist whose career is soaked in the Irish tradition but takes so many more influences on board. Sharon has played for Presidents Clinton and Obama in The White House, received a Lifetime Achievement Meteor award in 2009, and was honoured for ‘outstanding contributions in music’ at the Irish Books, Arts and Music (IBAM) awards in Chicago to say nothing of her 1991 self-titled debut CD being the best-selling album ever of instrumental traditional Irish music.

Keeping up the Celtic connection, the line-up will be enhanced by Scots-Irish trio Ross Ainslie (Scottish bagpipes, whistles), Jarlath Henderson (uilleann pipes, whistles) and Perthshire’s Ali Hutton whose combined talents create a sound that pushes the boundaries of what Scottish and Irish instruments normally achieve. Dubbed “the new stars of Celtic music,” they’ve crafted music that bursts with fresh energy.

Photograph by Warren Orchard

FolkEast is also thrilled to announce that the eloquent and exquisite English singer-songwriter/guitarist John Smith will join the 2019 line up. Born in Essex, raised by the Devon seaside, and kicking off in the bars and clubs of Liverpool, John has released six albums including his most recent Hummingbird, with over 10 million Spotify streams. His distinctive, gravelly voice has been heard by audiences all over the world in living rooms, festival tents and sold-out concert halls. Steeped in the lineage of British folk, taking his cue from Richard Thompson and John Martyn, Smith has evolved a transatlantic blend of fingerstyle and slide guitar techniques and a repertoire of up close, no hiding place songs of life and love. He has opened for folk greats including John Martyn, Davy Graham and John Renbourn, who called Smith “the future of folk music”.

CalanFlying the flag for Wales will be the effervescent five-piece revivalist traditional band Calan, who sing in both Welsh and English. The band formed in early 2006 when its members ages ranged from just 13 to 22. In 2008, they created great excitement at the Inter Celtic Festival, becoming the only Welsh band to win the coveted international folk band award. They also won best group at the Festival Interceltique de Lorient, Brittany. Playing accordion, harp, guitar, fiddle and Welsh bagpipes, they also have their own champion step dancer.

One of the most singular events on the UK festival calendar, FolkEast was launched six years ago by husband and wife John and Becky Marshall-Potter.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock – from its locally sourced fare to its suppliers, arts and crafts.

The festival, with its ever present mythical emblem The Jackalope, offers a refreshingly different line-up across its seven stages (including the ‘Sanctuary’ stage at St Andrew’s Church, the open air Sunset Stage and the hidden woodland solar-powered Soapbox Stage), with two authentic ‘village’ pubs serving competitively-priced ales (including Suffolk-based Green Jack Brewery’s festival ale Green Jackalope) plus possibly the smallest pub in the UK, the 6 x 4’ Halfway Inn.

Then there’s the FolkEast Art Arcade, packed dance programme, archery, donkey rides, children’s activities (including den building, storybook making and a mud kitchen linked together in a special new children’s trail) yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by estate owner Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

The Early Bird Festive Ticket offer is now open until January 6, 2019.

Advance weekend tickets are available price £110 (adult), £99 (full time students, 65+ ) and £75 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £340. A great offer sees free admission for children aged 11 and under; camping under canvas is £20 and camping on wheels £30. More information: info@folkeast.co.uk

As a seasonal bonus those buying tickets by December 16 will be entered into a Santa’s Folk Stocking competition with two goody-filled FolkEast stockings up for grabs.

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station.

Festival website: www.folkeast.co.uk

“In a world where there are hundreds of festivals, FolkEast prospers by doing something unique and doing it brilliantly” – RnR Magazine

RICHARD THOMPSON – 13 Rivers (Proper Records PRPCD150)

13 RiversFollowing three excursions into his back catalogue in a solo acoustic format, Richard Thompson is back doing the other thing he does best. Electric guitar in hand and backed by the other two members of his trio, Michael Jerome and Taras Prodaniuk, plus guitarist Bobby Eichorn he returns with 13 Rivers, a set of dark, intense songs sequenced, as Richard puts it, with the “weird stuff” at the beginning.

The first of the weird stuff is ‘The Storm Won’t Come’. As with most Richard Thompson songs it will take me a while to get to the bottom of this. Ostensibly, it is about the desire to clear away the rot of modern civilisation, but it also seems to be about the despair of someone looking at the mess we’ve made of things. Of course, I could be wrong on both counts. Jerome’s drums pound and Thompson’s guitar rides spikily over the verses – you can almost see the dark clouds gather. ‘The Rattle Within’ is again built on Jerome’s percussion and is a vehicle for one of Richard’s angrier solos.

‘Her Love Was Meant For Me’ features Eichorn’s guitar as a counterpoint and seems to hark back to the style of some of Richard’s earlier songs. ”Like a razor to a scarecrow, her love was meant for me” – what a line! ‘Bones Of Gilead’ starts with bass and choppy guitar and, one again with this song, I need more time with it. Does the mention of London Pride refer to the plant or the beer? The bluesy ‘The Dog In You’ may be the first of the tracks described by Richard as designed to “grind your soul into submission” and boasts another superb but restrained solo to play it out.

Richard works his band with great skill with Prodaniuk’s bass throbbing underneath the songs and the drums powering them forward.  Although 13 Rivers is stripped back to its rock basics the sound is full and Richard’s production is as varied as his lyrical ideas. The chiming guitar that introduces ‘My Rock, My Rope’ and all of ‘O Cinderella’ both stopped me in my tracks when I reached them.

Whether I count this as one of Richard’s greatest albums will take me a while to decide – it always does. I do know that I find it more and more absorbing as it goes on

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.richardthompson-music.com

‘Bones Of Gilead’:

Richard Thompson: new album in September

Richard Thompson

Richard Thompson is set to return with 13 Rivers on September 14, via Proper Records. The thirteen-song set is the Grammy nominated artist’s first self-produced album in over a decade and was recorded 100% analogue in just ten days.  It was engineered by Clay Blair (The War On Drugs) and features Thompson’s regular accompanists Michael Jerome (drums, percussion), Taras Prodaniuk (bass), and Bobby Eichorn (guitar).

13 Rivers is a bare-bones, emotionally direct album that speaks from the heart with no filters.  “There are 13 songs on the record, and each one is like a river,” Thompson explains. “Some flow faster than others.  Some follow a slow and winding current. They all culminate on this one body of work.”

A high water mark in an overwhelmingly impressive career, 13 Rivers was recorded at the famed Boulevard Recording Studio in Los Angeles.  Previously known as The Production Workshop, which was owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and hosted the mixing sessions for Pink Floyd’s legendary The Wall.

Of the album, Thompson says, “The songs are a surprise in a good way.  They came to me as a surprise in a dark time. They reflected my emotions in an oblique manner that I’ll never truly understand.  It’s as if they’d been channelled from somewhere else. You find deeper meaning in the best records as time goes on. The reward comes later.”  He continues, “I don’t know how the creative process works. I suppose it is some kind of bizarre parallel existence to my own life. I often look at a finished song and wonder what the hell is going on inside me.  We sequenced the weird stuff at the front of the record, and the tracks to grind your soul into submission at the back.”

13 Rivers commences on the tribal percussion and guitar rustle of ‘The Storm Won’t Come’ as the artist bellows, “I’m looking for a storm to blow through town”. The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding from the guitar virtuoso. NPR Music has premiered ‘The Storm Won’t Come’ alongside an additional new album track, ‘Bones of Gilead’.

Richard Thompson’s musical influence cannot be overstated.  Having co-founded the ground-breaking group Fairport Convention as a teenager in the 60s, he and his bandmates invented a distinctive strain of British folk rock.  He left the group by the age of 21, followed by a decade long musical partnership with his then-wife Linda, to over 30 years as a highly successful solo artist.  In 2011, Thompson received an OBE from the Queen. The Los Angeles Times called him the finest rock songwriter after Dylan and the best electric guitarist since Hendrix and Rolling Stone has named him one of the Top 100 Guitarists of All Time.  He has received lifetime achievement awards for songwriting from the BBC Radio 2 Folk Awards, the Americana Music Association, and the prestigious Ivor Novello Award.  His song ‘1952 Vincent Black Lightning’ was named one of TIME Magazine’s “100 Greatest Songs Since 1923.”  A wide range of musicians have recorded Thompson’s songs including Robert Plant, Elvis Costello, R.E.M., Sleater-Kinney, Del McCoury, Bonnie Raitt, Tom Jones, David Byrne, Don Henley, Los Lobos, and many more.  His massive body of work includes many Grammy nominated albums as well as numerous soundtracks, including Werner Herzog’s Grizzly Man.  Thompson’s genre defying mastery of both acoustic and electric guitar along with engaging energy and onstage wit continue to earn him new fans and a place as one of the most distinctive virtuosos and writers in folk rock history.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.richardthompson-music.com/

‘The Storm Won’t Come’:

FAIRPORT CONVENTION – What We Did On Our Saturday (Matty Grooves MG2CD055)

Our SaturdayIf you’ve ever been to a Cropredy Festival you’ll know exactly what they do on Saturday. They gather together a bunch of former band-mates and old friends and play a mammoth set long into the darkness (subject to health and safety restrictions, of course). These days, Fairport Convention don’t need an excuse to mount a celebration but 2017 marked the band’s fiftieth anniversary and so this was the perfect opportunity to tell the band’s story in music – although not strictly in the right order. Thus we have What We Did On Our Saturday, packaged in an homage to their second album.

The album begins with their first album and (almost) their first line-up. For younger readers that was Ashley Hutchings, Simon Nicol, Richard Thompson, Iain Matthews and Judy Dyble now with Dave Mattacks on drums. They kick off with ‘Time Will Show The Wiser’ and ‘Reno Nevada’ and I was impressed at the way Richard played the sort of guitar lead appropriate to 1967. He couldn’t help himself, of course, and went off on one but I don’t suppose that anyone complained.

Chris While took over on lead vocals for ‘Suzanne’, a slightly less off-the-wall arrangement than the original. Chris does a very good Sandy Denny particularly on the rockier numbers but she’s her own woman and the grace notes and decorations are all her own. Judy and Iain get time off and the others take it in turns so the current line-up doesn’t actually appear until ‘Crazy Man Michael’ when Gerry Conway briefly wrestles the drum stool away from DM. The remainder of the first disc is taken up with selections from Liege & Lief and Full House and they keep ‘Sloth’ to under ten minutes.

The second disc opens with ‘Now Be Thankful’, a song which Chris Leslie is rapidly making his own, even though Richard elbows him off the mic on this occasion. It’s worth noting that Chris doesn’t get a break after the third track until the Fotheringay homage of ‘Ned Kelly’ and ‘Rising For The Moon’ which feature Sally Barker and PJ Wright and introduce Maartin Allcock to the stage. The latter is a feature of the revamped Fotheringay’s set but sadly, of course, Jerry Donahue isn’t available. I have to say, in passing, that Simon does a wonderful job with ‘Fotheringay’. Maart gets to lead ‘A Surfeit Of Lampreys’ and Ralph McTell takes centre stage for ‘White Dress’ but Simon keeps ‘The Hiring Fair’ for himself.

There is only one song that originates with the current line-up and that’s Chris Leslie’s ‘Our Bus Rolls On’ and now we’re on the downhill run. You know how it ends: ‘Matty Groves’ – with both drummers – and ‘Meet On The Ledge’ with everyone back on stage.

As you might imagine, I own a lot of Cropredy recordings and all have their own attractions. For me the 25th anniversary set stands out while the earlier ones: A.T.2 and The Boot have the particular ramshackle charm that we used to associate with Fairport Convention thirty-odd years ago. What We Did On Our Saturday is tight and slick without much in the way of stage chatter – an appropriately serious set to go with such a milestone in Fairport’s history. Exemplary performances as we’ve come to expect, of course, but sometimes I do miss Simon playing rhythm viola!

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.fairportconvention.com

‘Meet On The Ledge’ – what else?

Mock Tudor to be re-released as double LP and book

Mock Tudor

Bong Load Records announces a re-visit to one of its classic pressings, Richard Thompson – Mock Tudor. A decked out hard cover coffee table art book and double LP hybrid, second in the Bong Load Book series. This Bong Load Book edition features beautiful spreads of newly uncovered and unseen photos from the original Mock Tudor era photo sessions. Some other upgrades in this enhanced time capsule include a high quality 12”X12” wall art picture print, production notes from producer and mixer Tom Rothrock, an era-correct backstage satin sticky pass from the 1999-2000 world tour and a new old-stock Bong Load Records sticker from 1999. Until now, the only other version of Mock Tudor is a standard double vinyl LP, originally released by Bong Load Records nearly 20 years ago.

Named by Rolling Stone Magazine as one of the Top 20 Guitarists of All Time, Richard Thompson is also one of the world’s most critically acclaimed and prolific songwriters. He has received Lifetime Achievement Awards for Songwriting on both sides of the Atlantic – from the Americana Music Association in Nashville to Britain’s BBC Awards as well as the prestigious Ivor Novello. In 2011, Thompson received an OBE (Order of The British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. In the USA Thompson has been nominated at the Americanas for both “Artist of the Year” and “Song of the Year”. His recently released CD, Still was produced by Wilco’s Jeff Tweedy which reached #6 in the UK charts (just ahead of Taylor Swift)!

Having co-founded the groundbreaking group Fairport Convention as a teenager in the 60’s, Richard Thompson and his mates virtually invented British Folk Rock. By the age of 21 he left Fairport to pursue his own career, followed by a decade long musical partnership with his then-wife Linda, to over 30 years as a highly successful solo artist who tours both solo acoustic and with his electric trio.

A wide range of musicians have recorded Thompson’s songs including Robert Plant, Elvis Costello, REM, Del McCoury, Bonnie Raitt, Patty Lovelace, Los Lobos, Tom Jones, David Byrne, Don Henley, Robert Earl Keen and many others. Thompson’s massive body of work includes over 40 albums, many Grammy nominations, as well as numerous soundtracks, including Werner Hertzog’s Grizzy Man. As an in-demand live performer, the past two years saw Richard Thompson headlining dates around the world as well as co-headlining shows with Emmylou Harris & Rodney Crowell as well as the Americanarama Tour with Bob Dylan, Wilco, and My Morning Jacket – which culminated with Dylan himself performing RT’s classic song  ‘1952 Vincent Black Lightning’. Thompson’s genre defying mastery of both acoustic and electric guitar along with dizzying energy and onstage wit continue to earn Richard Thompson massive new fans and a place as one of the most distinctive virtuosos in Folk Rock history.“Genius appears early. Legends are earned. But history’s greatest never stand on their laurels. This is the artistic arc for Richard Thompson!”

Pre-order from https://www.bongloadrecords.com/