RICHARD THOMPSON – Acoustic Rarities (Beeswing Records BSW016P)

Acoustic RaritiesOctober 6th will see the third instalment of Richard Thompson’s Acoustic series, and having seen two instalments of Classics, our attention is now turned to some of the more obscure works in Thompson’s catalogue, with Acoustic Rarities due for release on the singer’s Beeswing label. Like Classics, Rarities is made up of brand new recordings, but mainly those which have previously been unavailable or only available as cover versions.

Among the previously covered works, there is the beautiful ‘Rainbow Over the Hill’ recorded by The Albion Band for their late ‘70s Long-Player, Rise Up Like The Sun (but included only on the 1992 CD reissue) and the unsettling narrative, ‘Seven Brothers’, covered by Derbyshire-born singer songwriter, Blair Dunlop on his Blight And Blossom debut. It is likely no coincidence that the song crossed Dunlop’s path; he’s the son of Fairport Convention’s Ashley Hutchings, active in the early days of the group alongside Thompson. Indeed, Thompson-authored selections of the Fairport discography also make the cut; ‘Sloth’ and ‘Poor Will And The Jolly Hangman’, both recorded for the 1970 album, Full House. ‘Sloth’ is half the length of the Fairport version and although missing the brilliance of the late Dave Swarbrick’s violin virtuosity, it is a fantastic take which is most welcome on the collection; as is ‘Poor Will…’ – a song deleted from Full House at the request of Thompson.

Works composed during his bittersweet marriage to Linda are represented on the collection too, with new (solo) recordings of ‘Never Again’ and ‘The End Of The Rainbow’, as well as a re-working of ‘Poor Ditching Boy’ taken from Thompson’s 1972 solo debut. Although the track is not a million miles away from the Henry The Human Fly version, the vocal take is superior and sits very nicely in the mix, successfully carrying the song’s narrative. While re-workings are interesting to say the least, for some, the album’s appeal may lie in the previously unreleased content. Highlights here include the record’s bookends, ‘What If’ and ‘She Played Right Into My Hands’, not to overlook a newly-penned personal favourite, ‘They Tore The Hippodrome Down’.

As British folk royalty, one has come to associate brilliance with most of Thompson’s work and it is absolutely no surprise to say that this new recording of hard to find, unreleased and revisited rarities lives up to the benchmark.

Christopher James Sheridan

Artist’s website: www.richardthompson-music.com

‘The Poor Ditching Boy’ – the way it used to be:

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Richard Thompson – Acoustic Rarities link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

 

Richard Thompson announces Acoustic Rarities

Richard Thompson
Photograph courtesy of Mojo magazine

Following the release of Acoustic Classics Vol. II to great reviews in August, Richard Thompson will release Acoustic Rarities (Beeswing via Proper Distribution) on October 6, just ahead of his UK tour that month. Acoustic Rarities is new recordings of some of the more obscure songs in the Thompson catalogue, some previously existing only as cover versions.

Richard Thompson was recently named by Rolling Stone as one of the Top 20 Guitarists of All Time and is one of the world’s most critically acclaimed and prolific songwriters. He has received multiple awards, including Lifetime Achievement Awards at the BBC Folk Awards and the US and UK Americana Music Association Awards, as well as Mojo’s Les Paul Award and an Ivor Novello Award for song writing. Thompson was appointed OBE in the 2011 New Year Honours List. Robert Plant, REM, Elvis Costello, Bonnie Raitt and many others have recorded his songs.

In addition to releasing Acoustic Classics Vol. II in August, Richard played a glorious Cropredy Festival, celebrating the 50th anniversary of ground-breaking group Fairport Convention, which he co-founded as a teenager in the ‘60s. A hugely popular live performer, Richard looks forward to hitting the road in October for his solo shows.

Tracklisting

1.What If (unreleased)
2.They Tore The Hippodrome Down (unreleased)
3.Seven Brothers (covered by Blair Dunlop)
4.Rainbow Over The Hill (covered by the Albion Band)
5.Never Again (released in 1975 on Richard & Linda Thompson album Hokey Pokey)
6.I Must Have A March (unreleased)
7.I’ll Take All My Sorrows To The Sea (from the orchestral song suite Interviews With Ghosts)
8.Poor Ditching Boy (released in 1972 on Richard Thompson album Henry The Human Fly)
9.Alexander Graham Bell (unreleased)
10.Sloth (released in 1970 on Fairport Convention album Full House)
11.Push And Shove (unreleased)
12.End Of The Rainbow (released in 1974 on Richard & Linda Thompson album I Want To See The Bright Lights Tonight)
13.Poor Will And The Jolly Hangman (released in 1970 on Fairport Convention album Full House)
14.She Played Right Into My Hands (unreleased)

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Richard Thompson – Acoustic Rarities link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

As close as we’ll get to a representative video: ‘Sloth’ – live with Dave Swarbrick:

Tour Dates

Sunday 15 October Cardiff Wales Millennium Centre
Tuesday 17 October Edinburgh Usher Hall
Wednesday 18 October Gateshead Sage
Thursday 19 October Salford Lowry  SOLD OUT
Saturday 21 October Saffron Walden Saffron Hall
Sunday 22 October Coventry Warwick Arts Centre
Monday 23 October London Cadogan Hall *EXTRA DATE*
Wednesday 25 October Sheffield City Hall
Thursday 26 October Leicester de Mondaytfort Hall
Friday 27 October Basingstoke Anvil
Saturday 28 October Norwich Theatre Royal
Monday 30 October London Bridge Theatre  SOLD OUT

Artist’s website: http://www.richardthompson-music.com/

CROPREDY 2017 – Campie’s Highlights Of An Amazing Few Days

Cropredy 2017
All photographs by Jean Camp

Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!

Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!

Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!

Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.

I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……

We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.

We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!

4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!

Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.

Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.

Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!

Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.

Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.

Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.

Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…

Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.

Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.

A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!

Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.

Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.

To order the EP or to find out more details about Quill visit: http://www.quilluk.com/

Click the play button below to listen…

Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.

CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.

Darren Beech and Paul Johnson caught up with Chris on the Friday. 

The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.

Click the play button below to take a listen.

The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.

The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.

Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.

I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.

Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.

Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.

Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.

Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.

I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!

Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.

Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.

Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!

Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.

Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand and Iain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!

Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.

You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.

Jean Camp

Festival website: http://www.fairportconvention.com/

All Jean Camp’s Cropredy 2017 photos can be viewed HERE

RICHARD THOMPSON – Acoustic Classics II (Beeswing BSW015P)

Acoustic Classics IIThe latest batch of new solo, stripped back acoustic recordings from the Thompson songbook brings together material previously only available in band format or not on his solo releases. Fairport devotees will be particularly enthused by a version of the song that launched it all, ‘Meet On The Ledge’, a number that has lost none of its power or mystique over the years. He also visits 1969’s Liege &  Lief for the traditional-styled ‘Crazy Man Michael’, while, originally played on dulcimer and released as the B-side of ‘Si Tu Dois Partir’ before resurfacing on Unhalfbricking, ‘Genesis Hall’ continues to feature regularly in his solo shows.

The Richard and Linda years are represented by an achingly plaintive ‘A Heart Needs A Home’ from Hokey Pokey and the catchy folk pop sensibilities of ‘Jet Plane In A Rocking Chair’ off Pour Down Like Silver. Moving on to his second solo album, 1983’s Hand of Kindness, there’s a particularly striking and to the musical point revisiting of ‘Devonside’. The follow-up, Across A Crowded Room provides this collection’s opening track, the barbed ‘She Twists The Knife Again’, here in a brittle bluesy arrangement sung with an almost venomous pent-up intensity.

Moving to 1988’s Amnesia, there’s a resonant, brooding reading of the socioeconomics-themed ‘Pharaoh’ while 1991’s Rumor And Sigh, has one from each side; the almost hymnal-like fingerpicked ‘Keep Your Distance’ (a song the Byrds would have done brilliantly) and, closing proceedings here, ‘Why Must I Plead?’ A double album came along in 1996 with You? Me? Us?, the material split between the electric Voltage Enhanced and the acoustic Nude. From that first disc, ‘The Ghost Of You Walks’ now gets the bare bones treatment, allowing the lyrics greater prominence.

His last for Capitol, Mock Tudor was a thematic album divided into three sections, Metroland, Heroes In The Suburbs and Street Cries And Stage Whispers and it’s from the first of the three that comes the intricately picked troubadour styled ballad ‘Bathsheba Smiles’. For his tenth solo album, 2002’s self-financed The Old Kit Bag, Thompson signed to Cooking Vinyl and the resurrection in sales it brought is appropriately represented by ‘Gethsemane’. The final track to be reworked from a solo album comes with a powerfully delivered ‘Guns Are The Tongues’ from the conflict-themed Sweet Warrior.

A third volume, Acoustic Rarities, is planned for later in the year, presumably around the October tour, featuring some songs only existing as cover versions, in the meantime, this is another welcome opportunity to remind yourself of arguably the finest musician British folk rock has produced.

Mike Davies

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the RICHARD THOMPSON – Acoustic Classics II link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.richardthompson-music.com

‘Meet On The Ledge’ – live and acoustic:

Richard Thompson to release Acoustic Classics II

Richard Thompson

Celebrated guitarist and songwriter Richard Thompson will release Acoustic Classics Vol. II on his own Beeswing record label, distributed via Proper, on August 11. Richard will play Cropredy Festival in August, celebrating the 50th Anniversary of Fairport Convention and tour the UK in October.

On the heels of the success of Acoustic Classics in 2014, Acoustic Classics Vol. II will feature acoustic renderings of classic songs from the Richard Thompson catalogue, some previously recorded by other singers, some previously available only in a band format. A second album Acoustic Rarities will be released later in the year featuring new recordings of some of the more obscure songs in the Thompson catalogue, some previously existing only as cover versions.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Richard Thompson – Acoustic Classics II link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Track Listing

  1. She Twists The Knife Again – 2:49
  2. The Ghost Of You Walks – 4:41
  3. Genesis Hall – 3:30
  4. Jet Plane In A Rocking Chair – 2:29
  5. A Heart Needs A Home – 3:27
  6. Pharaoh – 4:26
  7. Gethsemane – 5:13
  8. Devonside – 3:06
  9. Meet On The Ledge – 3:06
  10. Keep Your Distance – 3:35
  11. Bathsheba Smiles – 3:33
  12. Crazy Man Michael – 4:24
  13. Guns Are The Tongues – 6:06
  14. Why Must I Plead? – 4:09

Special three-disc vinyl LP and double CD versions of both albums together will be released exclusively via Pledge Music:

http://www.pledgemusic.com/projects/richardthompson

‘Gethsemane’ – live on TV:

A hugely popular live performer, Thompson will tour the UK in October 2017, including the very first concert at the newly-established London Bridge Theatre, which is now sold out and a second London show at Cadogan Hall. Dates are as follows:

RICHARD THOMPSON Plus support Josienne Clarke & Ben Walker

Wednesday 11 October Brighton Dome
Thursday 12 October Guildford G-Live
Friday 13 October Poole Lighthouse
Saturday 14 October Bristol Colston Hall
Sunday 15 October Cardiff Wales Millennium Centre
Tuesday 17 October Edinburgh Usher Hall
Wednesday 18 October Gateshead Sage
Thursday 19 October Salford Lowry
Saturday 21 October Saffron Walden Saffron Hall
Sunday 22 October Coventry Warwick Arts Centre
Monday 23 October London Cadogan Hall  *EXTRA DATE on sale Friday
Wednesday 25 October Sheffield City Hall
Thursday 26 October Leicester de Mondaytfort Hall
Friday 27 October Basingstoke Anvil
Saturday 28 October Norwich Theatre Royal
Monday 30 October London Bridge Theatre  SOLD OUT

Bookings: www.serious.org.uk/Thompson

 

 

Fairport Convention – 50th anniversary box set

Fairport Convention

July 28th sees the release of this lavish Fairport Convention CD box set, Come All Ye – The First 10 Years. Compiled by Andrew Batt, the curator of the very successful show, The Lady – A Tribute To Sandy Denny, which toured the UK in 2012, this collection celebrates Fairport’s first 10 years, beginning with their eponymous debut for Polydor in 1968, through all of their seminal albums for Island Records and finishing with tracks from their two albums for Vertigo, The Bonny Bunch of Roses and Tipplers Tales.

Of the 121 tracks featured here, fifty-five are previously unreleased. Highlights include key tracks from all of their classic albums, single B-sides, BBC Radio Sessions, five songs from the French TV programme, Pop 2 (December 1970), five songs from the television show, The Man They Couldn’t Hang (1971) and the audio for an entire concert at The Fairfield Halls, Croydon (December 16th 1973) plus two songs recorded live for the Scottish Television programme, Anne Lorne Gillies – The World of Music (1976). The set comes complete with liner notes by respected English writer, Patrick Humphries, author of many highly regarded books including,  ‘Nick Drake – The Biography’ (Bloomsbury 1998 ), ‘Richard Thompson – The Biography’  ( Music Sales Ltd 1997 ) and ‘The Many Lives of Tom Waits’ (Omnibus Press 1989).

Since 1979 the band have been hosting their very own yearly festival, Cropredy, the annual highlight of which is the Saturday night headlining performance by the current incarnation of Fairport Convention plus past members and guests. This year’s festival promises to be very special as it marks the band 50th anniversary.
http://www.efestivals.co.uk/festivals/cropredy/2017/

Formed in London in 1967, Fairport Convention are the hardy perennials of the British Folk scene and are credited with inventing the genre known as folk rock on the release of their influential album Liege And Lief in 1969. Over the years they have enjoyed a shifting line-up, which has helped to launch the successful solo careers of founder members Richard Thompson, Judy Dyble, Ashley Hutchings and Simon Nicol and subsequently the careers of Sandy Denny, Dave Swarbrick and Dave Pegg.

If you would like to order a copy of the “box set” then click on the Fairport Convention – Come All Ye – The First 10 Years link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: http://www.fairportconvention.com/

Not the best quality but a real piece of Fairport Convention history – rehearsing at The Angel and live on stage in 1970: