REG MEUROSS – Reg Meuross (Stockfisch SFR 357.40922)

Reg MeurossI don’t often get to review a Reg Meuross album, usually because someone else gets to them first but this time that someone else wrote the sleeve notes which rather disqualifies him. This pleases me greatly because Reg Meuross is quite probably the best album I’ve heard this year. There is back-story to go into first. Reg was invited to Northheim, Germany to record a retrospective album with new arrangements of favourite songs. The twist is that the favourites were selected by Stockfisch founder and producer, Günter Pauler.

The first selection is the heart-wrenching ‘Good With His Hands’ in which a man calls up boyhood memories of his carpenter father. The band supporting Reg is guitarist and flautist Ian Melrose, Lutz Möller on keyboards and bassist Antoine Pütz and elsewhere you’ll find harp, cello, saxophone and autoharp but even with all these contributions you really hear Reg and his guitar. Second is ‘The Man In Edward Hopper’s Bar’, the bar in question being the one depicted in Nighthawks which I’m sure you all know. The song is a musical interpretation of the painting as Reg imagines the lives and conversations of the people behind the glass.

Next comes the summary of the country’s woes that is ‘England Green & England Grey’ and I could happily stop there – three exquisite songs is a good return for most albums. Of course, if it had ended there I would have missed ‘One Way Ticket To Louise’, a deceptively simple song about a man leaving town on the night bus and ‘For Sophie (This Beautiful Day)’ about an anti-Nazi activist guillotined in 1943. And I wouldn’t have heard ‘And Jesus Wept’ telling the familiar story of a soldier executed for “cowardice” by firing squad in the Great War.

I’ve talked about half the album but I’m sure you get the idea. I could describe ‘The Band Played ‘Sweet Marie’’ and ‘Looking For Johnnie Ray’ and the others but I’d rather let you discover them for yourself and I urge you to do so because, as I said, this is one of the best albums of the year.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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‘And Jesus Wept’ – live:

Folkeast announces its first guests for 2018


Growing in stature every year, East Anglia’s fast-rising FolkEast is back for the seventh time this August, proving why it is nothing like other music festivals. The three day festival will return to the glorious 300-acre Suffolk estate of 16th century Glemham Hall, the home of Major Philip Hope-Cobbold, between August 17-19.

And it will be packing a punch with probably its most impressive line-up to date led by two of the most enduring and legendary bands from the genre – Oysterband and Show of Hands who have an incredible eight BBC Radio 2 Folk Awards between them.

Oysterband, who will headline the Friday night, have been on the road with their high impact folk rock show for over 40 years, led by frontman John Jones, whilst Steve Knightley and Phil Beer of Show of Hands last year celebrated their 25th year with a fifth sell-out at the Royal Albert Hall. At FolkEast they will take to the Sunset stage as Saturday headliners, joined by their long-term third member – the acclaimed bassist and vocalist Miranda Sykes.

There will be a Scottish valedictory on Sunday night with Glasgow’s power trio The John Langan Band topping the bill. Award winners at the famous Celtic Connections Festival their music is rooted in Celtic folk but weaves in fascinating Balkan, Roma and flamenco threads.

One of the most exciting names in the line-up will be the phenomenal guitar and melodeon player Tim Edey, up for the coveted Musician of the Year title at next month’s 2018 BBC Radio 2 Folk Awards – a title he has already won, back in 2012.

“Tim Edey is brilliant – in every which way. As a guitarist he has few peers. As a box player he’s a magician. As a character he’s off the scale – Colin Irwin, fRoots

“Utterly fantastic. Sheer, wonderful ebullient music” – Mike Harding

“Tim Edey plays a host of different instruments to a standard us mere mortals can only dream of. Listen and weep”– The Living Tradition

FolkEast is also delighted to welcome the Irish-Canadian award-winning songwriter and force of nature that is Irish Mythen. County Wexford-born but now living in Canada’s Prince Edward Island she may be diminutive in stature but is one of the most fearless and powerful performers out there and has appeared with both Rod Stewart and Gordon Lightfoot.

The five brothers of Co Durham’s big noise acapella singers The Wilsons and the triple talents of master musicians John McCusker, Mike McGoldrick and John Doyle will also be making their mark and the Gigspanner Big Band will see Peter Knight’s celebrated Gigspanner trio joined by Phillip Henry and Hannah Martin, nominated for Best Duo for the third time at this year’s BBC Radio 2 Folk Awards (having won it in 2014).

FolkEast’s irrepressible patrons The Young’ uns (Sean Cooney, David Eagle and Michael Hughes), popular winners of the 2016 and 2015 Best Group title at the BBC Radio 2 Folk Awards – and nominated for Best Album (Strangers) and Best Original Song (Be The Man) this year promise another action-packed live podcast – one of the funniest, most enthralling highlights of last year’s festival.

Other confirmed artists include harmonica and melodeon wizard Will Pound, this time with his unique Through The Seasons Morris and folk dance show (with music performed by Pound, Benji Kirkpatrick and Ross Grant), ex Bellowhead cellist Rachael McShane with her new band The Cartographers and top young duo Greg Russell & Ciaran Algar, twice winners at the BBC Radio 2 Folk Awards and still only 24 and 22.

Texas-raised Londoner Rodney Branigan is bound to draw a crowd with his riveting songs and uncanny ability to play two guitars at once while other performers will include Somerset singer songwriter Reg Meuross, Wild Willy Barrett’s French Connection, The Magnificent AK47, Luke Daniels & His Amazing Polyphon, Winter Wilson and Norwich-based Alden Patterson and Dashwood.

One of the most singular events on the UK festival calendar, FolkEast was launched six years ago by husband and wife John and Becky Marshall-Potter.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock – from its locally sourced fare in The Imagined Suffolk Food Village to its suppliers, arts and crafts. This year festivalgoers will be able to see the Sae Wylfing – a half size replica of the famous Sutton Hoo Anglo Saxon ship discovered in 1939 near Woodbridge in Suffolk – an undisturbed ship burial considered one of the most important archaeological discoveries ever.

“Rather like a cross between Cambridge Folk Festival and a very large village fete – it feels like something that has been there since the Middle Ages. The mythical, magical land of the Eastfolk has materialised here in Suffolk’s big sky heartland” – Folkcast

The festival , with its mythical creature emblem The Jackalope, offers a refreshingly different line-up across six stages (including St Andrew’s Church, the open air Sunset Stage and the hidden woodland Soapbox Stage), with two authentic ‘village’ pubs serving competitively –priced festival ales plus possibly the smallest pub in the UK, The Halfway Inn.

Then there’s the FolkEast Art Arcade, packed dance programme, archery, donkey rides, a mini golf course, children’s activities (including den building, storybook making and a mud kitchen), yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

Early Bird tickets for the festival are now sold out. Advance weekend tickets are available price £120 (adult), £108 (full time students, senior citizens) and £80 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £360. A great offer sees free admission for children aged 11 and under; camping is £15 per tent with a £25 charge for campervans and caravans.

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station. More performers and a launch event will be announced soon.

Festival website:

Holywell Music & Folk – more 2018 concerts

Holywell Music
Photograph by Jo Elkington

Passionate music love and promotor Geoff Smith is keeping Holywell’s music tradition alive and singing in the heart of Oxford with a regular new concert series which is already off to a flying start: Holywell Music & Folk.

Holywell Music Room first opened its beautiful auditorium to the ears of the discerning music lover in 1748, and the room has hosted the best around for over 269 years now, from Handel to the Oxford Philharmonic. Now, thanks to lifelong music fan Geoff Smith, the driving force behind the exciting new live music venture Holywell Music & Folk, some of the best artists from the folk and singer-songwriter scene are now playing in this historic venue in the heart of Oxford.

Geoff has attracted some exciting support from Patron artists of this new venture, all of whom will be performing at the venue in 2018:

“I am thrilled to be joining the 2018 line up at Holywell Music and Folk myself and will bring real-life stories of inspirational and relatable people from the past including songs from my latest project No Petticoats Here” says Louise Jordan. Acclaimed Somerset singer-songwriter Reg Meuross is looking forward to performing in July “This is a fantastic initiative by Holywell Music & Folk and I’m proud to support it in every way I can.” Brilliant Folk Award nominees Ninebarrow are also excited: “The Holywell Music Room is stunning! There is an intangible, magical quality to the space. So, when you take a city as vibrant as Oxford, a concert programme of world class folk and roots music, and a venue the calibre of the Holywell Music Room, you really have got a recipe for something rather special – and we can’t wait for you to experience it!”

The programme in this unique U-shaped auditorium kicked off in January with a very special one off one-man show with Teddy Thompson, the son of Richard and Linda Thompson, described by the New York Times as “one of the most gifted singer-songwriters of his generation.  Next came a sell out show from Oxford based Anglo-Cymraeg-Galego four-piece folk band Xogara followed by an extraordinary performance from Russian born singer-songwriter Daria Kulesh.

2018 dates

Thursday April 5th Iona Fyfe Trio (support Owl Light Trio)

Saturday 12th May Kadia (support: Anne-Marie Sanderson)

Sunday 20th May Dan Walsh Trio (Support: White Horse Whispers)

Sunday 17 June Louise Jordan (Support: Elle Nelson)

Friday 13 July Reg Meuross (Support: Edd Donovan and The Wandering Moles)

​Sat 18th August Jess Vincent (Support Fearless Hearts)

September 2nd The Willows exclusive CD release launch –  first date of tour *tickets available soon

Saturday 20th October Ninebarrow  (Support Ben Cipolla)

Saturday 10th November Sera Louise Owen  ​(Support: Genevieve Miles)

Saturday 8th December Emily Mae Winters  (Support Three Pressed Men)

Saturday 14th December A Winter Tour Ben Savage & Hannah Sanders, Jade Rhiannon with Gilmore and Roberts *tickets available soon

Club website: and tickets are available online from

Tickets also available from Truck Store 101 Cowley Rd. £12.50 includes £1 handling fee and cash only please

Holywood Music & Folk gigs will all be held at the Holywell Music Room, Holywell Street, Oxford, OX1 3SD.

REG MEUROSS – Songs About A Train (Hatsongs HAT012)

Songs About A TrainA companion piece of sorts to 2011’s The Dreamed And The Drowned in that it’s another limited edition (1000) collection of previously unreleased material, the tracks here spanning 2013-2017 and, as with its predecessor, Songs About A Train while not conceived as a unified album, the quality of the writing and performance ensures they hang together perfectly.

Save for the opening track, the bucolic reflective love song ‘Letting Go’, which features Rabbit Bundrick on soulful keys, bassist Simon Edwards and Roy Dodds (who also engineered the album), it’s primarily all just Reg and a guitar with just a touch of banjo and harmonica here and there.

As with his other work, the songs range across themes of relationships, social commentary and history-based storytelling, the latter brilliantly illustrated in ‘The Angel Maker’, a gently fingerpicked harmonica coloured number that unfolds the tale of Amelia Dyer, a former Victorian nurse who, after she was widowed became a baby farmer, adopting unwanted infants in exchange for money. There’s an unexpected tender tone, the lyrics asking “did you wrap them up warm… did you rock her to sleep?”, which compounds the chilling facts that, although initially caring for those in her charge, some died and she was charged with neglect, going on to subsequently murder an estimated 400 babies before being executed in 1896, claims of her mental instability much disputed, the song a veiled commentary on the nation’s neglect of such children.

It’s preceded by a story of a different era and nature, ‘Martin’ based around the story of St. Martin of Tours, a young Roman soldier who, legend has it, became a conscientious objector working for those in need after seeing Christ wearing the same cloak he’d earlier given a beggar at the gates of the city of Amiens, the lines “I will wrap my coat around you, I will share with you my bread, you are safe and you’re protected” patently having a contemporary resonance.

A third, fiction-based, narrative is found in ‘Idaho’, the poignant tale of a small-town girl who became a singer and wrote a song for the mother that left hoping she’d one day hear it, heading for America in search of herself and a love to rely on.

Bruised and broken relationships, distance and absence provide the basis for several numbers, among them ‘We Haven’t Started Yet’ and the resonatingly strummed ‘I Understand’ with its sad acceptance of a lover’s need for space and reassessment (a song which, for those of an age, may call to mind the similarly-themed song of the same title by Freddie and the Dreamers)  ‘Little Acts of Vengeance’ also offers a nice break up genre spin about holding on to resentments and anger over things that can’t be changed and only end up consuming you.

Those looking for more upbeat notes are directed to ‘A Quiet Night’, Reg on Appalachian dulcimer, for a hymnal song about finding peace, tranquility and calm with the one you love, the balm for a restless mind, and ‘Ring The Living Bell’, not a Melanie-cover, but (I suspect once intended for December) an optimistic hope for a new year, a song about giving and receiving, New Year’s Eve resolutions and an invitation to “drink the season’s glass with me beside the fire”.

The track finds him on banjo for a gospel bluegrass number about the power of songs to carry message of truth and hope, revelations of the heart and catharsis or protests against war or social injustice, or maybe just girls and cars and trains. It ends on a similar audience rousing, inspirational and healing note with ‘The World Being The World’, a Dylanish strumalong about enduring supportive love and friendship and seeing the light rather than the darkness and how the road less travelled feels like the road home.

Dedicated to the late Stephen Jordan, former head of the Bodleian Music Library, who inspired him to stick his hand down the sofa and see what songs had been lost, this isn’t just a case of clearing the shelves, more a case of, as Jordan put it, finding the right shelf to file them on. Your musical bookcase will be empty without it.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website:

‘Ring The Living Bell’ – live with Phil Beer and Geoff Lakeman:

Reg Meuross announces new album and tour

Reg Meuross

In 2011 Stephen Jordan, the Head Librarian at The Bodleian Music Library in Oxford, approached Reg Meuross with the idea of commissioning a compilation of unreleased material. After a cursory search down the back of the sofa Reg managed to find 20 songs that he had recorded to various stages of completion between 2006 and 2011 but which had failed to make the final cut onto albums. Stephen reduced the list to 13 and the result was the signed limited edition album The Dreamed And The Drowned.

Surprisingly to Reg that collection of songs which he had considered unsuitable for the various designated albums at the time of release attracted some of the best reviews of his career: “There is no doubt after listening to this selection of Reg’s unreleased songs that my view of him being one of our best singer/songwriters of our time is reinforced still further.” Alex Gallagher, Folk Radio UK. Anyone who is lucky enough to own a copy of The Dreamed And The Drowned will know very well that a rejected Reg Meuross song is in no way a reflection of its quality – but more a question of its suitability to the collection, or as (the now late) Stephen Jordan said himself “some songs are right books put on the wrong shelves.”

Now, with two successful solo albums under his belt (December and Faraway People) and a third on the way to complete the trilogy and as a nod in honour and appreciation of Stephen, who died in 2015, we felt it would be a good time to have a scratch around and see what else may have been overlooked. The resulting album Songs About A Train is a limited, signed release comprising eleven songs recorded by Reg between 2013 and 2017. Release date February 2nd 2018 (via Proper Records).

Reg will be touring with this album, plus previous release Faraway People, throughout the first half of 2018 in a Two Albums Tour.

“Some songs don’t stay still long enough and scamper off, some are dazzled by the dragonfly’s gleam. Some songs are right books put on the wrong shelves.” Stephen Jordan (1957-2015)

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website:

‘Letting Go’:

Tour Dates


3 House concert, North Devon
6 Americana Fest 2018, Kelham Hall Notts
7 New Forest Folk Festival, Hampshire
12 Frome Festival + The Portraits Somerset
13 Holywell Music & Folk, Oxford
21 House party, Portsmouth, Hampshire
26 Orpington Folk Club, Kent
27 Coastal Connections, Brighton, East Sussex

REG MEUROSS – Faraway People (Hatsongs HAT011)

Faraway PeopleI enjoyed Reg’s previous album, December, and Faraway People is more of the same and even better than its predecessor. Once again Reg has stripped himself back to the basics of voice and guitar – plus a bit of banjo and harmonica – with only engineer Roy Dodds in the studio for company. And for all its soft reflectiveness it hits as hard as anything you’ll hear this year.

The opening title track attacks government cruelty through the stories of its victims, driven to despair and suicide and ‘Angel In A Blue Dress’ takes a specific case of a nurse in the resource-starved NHS. ‘The Lonesome Death Of Michael Brown’ contains several nods to Bob Dylan in both its title and lyrics and ‘Cicero’ is oddly reminiscent of ‘A Hard Rain’s Gonna Fall’. The former tells the story of the Afro-American boy shot by a white policeman in Ferguson, Missouri which gave rise to a wave of protests but I’m uncertain about the link to the Roman senator in the latter, unless it is his life-long struggle against corruption. The song has a modern setting with some righteous finger-pointing at the rich, and particularly bankers and lawyers, but more empathy for the ordinary people.

There is tenderness here, too. ‘New Brighton Girl’ and ‘In Your Arms’ are both love songs and ‘Refugee’ sees the western world through the story of one such, trying to settle into a new life. Its anger is buried in regret and a sense of helplessness but it’s there. Reg is not without humour, either. ‘Leavin’ Alabama’ tells of an imagined meeting between Hank Williams and Dylan Thomas – in a bar, of course – and ‘Phil Ochs & Elvis Eating Lunch In Morrison’s Café’ is pure Michael Marra. Note the apostrophe, this café is in the south-eastern USA although Reg also places it, somewhat confusingly, just off the M18 and it imagines two of his heroes together with him trying to eavesdrop.

Faraway People is destined to be one of the albums of the year. It will be released on July 28th but you really should be queuing up already.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website:

‘Faraway People’ – in the studio: