When RALPH McTELL wrote ‘Streets Of London’ it was a song of its time. Everyone, but everyone, sang it. In the intervening decades it became a song that we heard but didn’t really listen to and, of course, Ralph had to sing it everywhere he went. The thing is, nothing has improved in the last fifty years and Ralph has returned to the song with a new version featuring ANNIE LENNOX and THE CRISIS CHOIR released as a single for the benefit of the homeless charity Crisis. If that doesn’t convince you to spend 99p on it, there’s Richard Thompson on guitar, too. Download from: smarturl.it/streetsoflondon
‘A White Cliffs Christmas’ is the new single by folk collective 51:13. It was written by Nick Esson who says that “my hope was to ameliorate the vibe of the 1970s Christmas song with the contemporary experience of being a parent and grandparent at this time of the year”. You might expect a measure of cynicism but no, this a genuinely joyful song even though “the turkey’s frozen and I don’t like greens”. It’s really uplifting and half the profits will go to the Dover Soup Kitchen. Buy from: https://store.cdbaby.com/cd/51132
If you’re looking for cynicism look no further than PROSECCO SOCIALIST, a new trio featuring a gravely Dave Rotheray, Eleanor McEvoy at her hard-bitten best and Hull’s “living legend”, Mike Greaves. ‘This Dog’s Just For Christmas (Not For Life)’ attempts to answer John Lennon’s famous question: “And so this is Christmas, and what have we done?” and Dave’s list involves seventeen Guinness extra-cold and a Jaegerbomb, not to mention a jaffa cake vodka shot. It’s a great song with the witty, acid lyrics you expect from Eleanor and it really is our sort of Christmas! https://www.facebook.com/proseccosocialist/
JARROD DICKENSON is mellow and nostalgic on ‘Christmas Time In The City’. It’s a country song topped off with steel guitar and packed full of Bing Crosby, coloured lights, freshly fallen snow and couples in love. American audiences will love it but it’s only just on the right side of parody. The bluesy, piano driven, ‘Please Come Home For Christmas’, written by Charles Brown more than fifty years ago is more like our idea of nostalgia. https://www.jarroddickenson.com/
ALEX HEDLEY’s new single is ‘Let It Roll On’ and it has nothing to do with Christmas. Alex is the frontman of Dorset band Saturday Sun and the single comes as a taster for his solo EP, This Life, released next month. The single is built on acoustic guitar and harmonica and you might label it Americana except that it has a decidedly British feel of existential misery. Alex has been likened to many other artists but you might be hard put to find the common ground – he really is an original. www.alex-hedley.com
Sky Arts is to broadcast a major television documentary to mark the fiftieth anniversary of legendary folk rock band Fairport Convention. Titled Fairport Convention: Folk Heroes, the 70-minute film will be transmitted at 9pm on Saturday 25 November 2017.
The film tells how five young musicians in North London formed Fairport Convention during 1967’s ‘summer of love’. The band went on to shake English folk music to its roots by fusing it with rock, an approach which outraged some purists but delighted a new and devoted audience.
In the subsequent five decades, Fairport Convention has attracted widespread critical acclaim, won a coveted BBC Lifetime Achievement Award, and Radio 2 listeners voted Fairport’s groundbreaking album Liege & Lief ‘The Most Influential Folk Album of All Time’.
The documentary has been made by London-based independent producer Special Treats Productions. The company’s previous television music documentaries include XTC: This Is Pop, I’m Not In Love: The Story Of 10cc and the award-winning film UB40: Promises And Lies.
The film features rare archive interviews and footage as well as newly-filmed interviews with the current Fairport members and, among others, Ashley Hutchings, Richard Thompson, Iain Matthews, Judy Dyble, Joe Boyd, Ralph McTell, Maddy Prior, Bob Harris, Suggs, Rick Wakeman, Steve Winwood, and Ian Anderson of Jethro Tull.
Through these interviews, the film examines Fairport’s first five years in detail, including the tragic motorway crash which killed drummer Martin Lamble. It goes on to explain Fairport’s pivotal role in the evolution of British folk-rock; how the band fostered major talents such as Sandy Denny, Richard Thompson and Dave Swarbrick and spawned other notable bands including Matthews Southern Comfort, Steeleye Span, and Fotheringay.
The story is brought up to date with contemporary material filmed at Fairport’s annual ‘own brand’ music festival held at Cropredy in Oxfordshire. The closing sequence features the band’s 2017 festival performance when virtually all the surviving former members joined the current line-up on stage.
Producer/Director Charlie Thomas has been working closely with Fairport for over a year. He says: “Our aim is to explain how important Fairport’s influence has been and continues to be – in other words, why the band matters.
“We have not set out to make a comprehensive, year-by-year history of Fairport; that has been done before. The film concentrates on two periods – the first five years and the band today. The result is a celebration of a very British institution and an assertion of Fairport’s continuing relevance.”
Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!
Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!
Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!
Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.
I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……
We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.
We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!
4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!
Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.
Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.
Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!
Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.
Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.
Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.
Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…
Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.
Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.
A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!
Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.
Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.
Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.
CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.
Darren Beech and Paul Johnson caught up with Chris on the Friday.
The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.
Click the play button below to take a listen.
The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.
The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.
Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.
I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.
Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.
Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.
Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.
Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.
I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!
Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.
Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.
Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!
Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.
Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand andIain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!
Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.
You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.
All Jean Camp’s Cropredy 2017 photos can be viewed HERE
If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).
So here they are: the Folking Award winners of 2017.
First of all, a big thank you to everyone who voted – more than 20,000 votes were cast. Congratulations to the winners and commiserations to the runners-up, although all our nominees are winners to the writers who enjoyed their music, either live or on record, over the last year and placed them on the short list. Here are the public vote winners and now, may I have the first envelope please… no, not that one!
Soloist of the Year – Ralph McTell
Listen to the Darren Beech/ Paul Johnson interview with Ralph at Cropredy 2016 here
Best Duo – Show Of Hands
Read all about Show Of Hands’ Big Gig at the Royal Albert Hall here
Best Band – Harp And A Monkey
This was a very close vote but we’re delighted that Harp And A Monkey triumphed in the Best Band category even though they narrowly beat another of our favourites.
As before, there are no actual trophies to present (but if anyone would like to tender for making some in the future please let us know). However, everyone on the long lists and on the short lists as well as the winners can rejoice that they made an impression on a lot of people during 2016.
Have another great musical year!
The Folking team
If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.
There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.
As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.
Soloist Of The Year
Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Show Of Hands
Afro Celt Sound System
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Best Live Act
The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Tall Tales & Rumours – Luke Jackson Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin Preternatural – Moulettes Somewhere Between – Steve Pledger Dodgy Bastards – Steeleye Span
Rising Star Act
The Brewer’s Daughter
Said The Maiden
Emily Mae Winters
Best International Act
The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE
If you would like to consider ordering a copy of an album for any of our award winners (in CD or Vinyl), download an album or track or just listen to snippets of selected songs (track previews are usually on the download page) then type what you are looking for in the search bar above.
Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us
It is that time of year again and I had an invite to join the lads from folking.com and ‘do’ the 2016 Cropredy Festival. As a Cropredy virgin and non-camper, three days before the event I was filled with trepidation and angst, although the music beckoned! How could you not with such a line up?! This is what kept me going.
I arrived at Folkmaster Towers the day before, to be greeted by camping equipment and God knows what else – strewn all over the front lawn. Were we packing for the army? Decisions of which tent to take, go wash this, do that, but it kept my mind off sleeping in a cow field the next night! I announced I had bought a pop up tent for the occasion as it was quick and easy to put it up, I confidently said, I was told they are a nightmare to put down……..that’s another story!!! A visit to Waitrose followed the front lawn episode.
The day dawned. We were to meet the rest of the team at the ungodly hour of 7am at a service station over an hour and a half away. Everyone turned up at the appointed time, and we sped off in convoy to all arrive at the same time, to be in the same field and set up the Folking.com camp. Paul turned up with a transit van, complete with proper bed, fairy lights, toilet but no kitchen implements or the food and cooking equipment he was supposed to be bringing.
Great start but we had a laugh! We ended up in Field 4, full of cow pats but no cows thankfully. My tent went up a breeze with the help of the wonderful Chris, but our Beloved Leader was hampered by a slight drizzle and size of his tent, and then fluffed about filling it with comfy mattress and everything including the kitchen sink. Jon, Chris myself and Paul just amused ourselves while we were waiting the two and a half hours it took him to create the classic boudoir experience for himself which was only marred by the forgotten sarong which was meant to have provided some sort of Bedouin shade.
Onwards to The Field…. The Festival was opened by Fairport MC – Anthony John Clarke and Thursday kicked off with a Fairport Acoustic set, lots of people already in attendance and we had a good view from where we were, and two huge screens were either side the stage for those further back.
I was on photo duty, so could get to the stage area easily to capture the artists. One of the acts – Coco And The Butterfields were a new name to me and were suggested by Debs Earle and her daughter Rosie from Folk In The Barn, to the Fairport Team, and a good choice. Energetic vocals from these Canterbury buskers.
These were ably followed by Hayseed Dixie, whom I have wanted to see for ages. A rip-roaring Bluegrass Rock with attitude!
Madness with front man Suggs, completed the first day as Headliners. They certainly didn’t disappoint and belted out their hits and more with gusto.
We returned to our tents. I discovered a hill where my head was going to be and managed 4 hours sleep!
Friday dawned very hot, not normal Cropredy weather I’m told , went off for a shower to find the Cricket Pavilion showers blocked. I was the last one and was told I couldn’t have a shower there. Darren suggested that I should have used the excellent Fairport free ones (which he promised to point out to me, but never actually got round to doing). This advice was provided after he paid his two pounds fifty at the Cricket Pavilion, had queued, showered and dressed within ten minutes… Well, if it was going to happen to someone… It was going to happen to me! By this time the acts had started and I missed A J Clarke and Peggy, also BBC R2 YFA winner Brighde Chaimbeul, although I could hear them. Thankfully I surfaced for the female rock duo – Sound Of The Sirens who I had seen earlier this year supporting Rick Astley, they are a favourite of R2 presenter Chris Evans, have performed at Glastonbury, and are so energetic and a joy to watch and listen to. Definitely ones to watch out for.
I had to visit the medical tent… again… it could only happen to me… went in to get some different tablets for a water infection as the ones I had were not working and came back out having being wired up to an ECG machine for an irregular heartbeat. I said I had a Festival to go to, was a first time camper, had a shower disaster, had lost my tooth brush, so what did they expect!? If my ticker was dicky it would last until Sunday! (No alcohol had been consumed by the way).
Another band I enjoyed but had heard before were Willie And The Bandits who are labelled as a classic blues rock band, but they are so much more. They have played Glastonbury and all over Europe. The Cropredy crowd loved them.
Next came festival favourites Steeleye Span with Maddy Prior, who had everyone on the field eating out of their hands. Performing a mixture of songs including their latest album – The Wintersmith and of course – All Around My Hat! In 47 years, the band has notched up a family tree of member changes and like Fairport, have been one of the bands responsible for putting folk-rock on the map. They still sound great!
Friday ended with Headliners – The Bootleg Beatles – who have appeared some years ago at Cropredy. As expected, they belted out a variety of Beatle Hits and a couple of dress changes denoted different eras the Beatles went through. “George” wowed the audience with a fantastic rendition of “While My Guitar Gently Weeps.” I think Cropredy were lucky to get them as they are touring all over the world shortly. Apparently they are the most successful Beatles Tribute act ever. I’m not surprised. Fabulous!
After the main act finished, the rest of the crew (all bar Chis and me) headed off to see the other Paul, Mr. Johnson who was camped near the bottom of the disabled field to listen to him do a couple of his own songs as well as meeting up with his daughter and daughters partner “Dave Longboat’ who had lost his way on the Thursday night back to campsite 4, misplaced his footing and ended up in the Canal. Dave asked me to extend his thanks to the Cropredy villagers, who were having a party at the time and came to the rescue with towels. My camping buddy Paul said, “there are only two things that go in a canal, one a longboat and the other is Dave”, hence the name. I believe that the folkmaster penned a poem to mark the occasion and Paul Johnson is rumoured to be writing a tune for it for next year.
Saturday – main day and another hot one in more ways than one – early start for getting a decent spot on The Field. Richard Digance kicked off the day’s proceedings and was so funny. He can sing well too and play a mean old rag! We ended up with 20,000 people plus doing a Morris dance with hankies! Had to be seen to be believed! Good fun.
Other highlights for me were Maia, who call themselves sci-fi folk genre. Certainly different and very watchable. Then we had Gilmore & Roberts who were a duo I had wanted to catch up with and they didn’t disappoint. They played as a four piece band and I enjoyed them very much.
The Pierce Brothers from Australia brought the house down! The brothers were overwhelmed as they had not played such a big crowd before, and seem very humbled by the response they got from the enthusiastic crowd. Fairport’s Simon Nicol said later that The Pierce Brothers had been knocked for six by the audience reaction to their music. Hope to see them back in the UK soon.
Damien Barber and his Demon Barbers was something else! An energetic fusion of song, dancing, hip hop, trad folk, everything all rolled into one. Very visual and entertaining.
Highlight of the Festival for me was the legend who is Ralph McTell. A classic gifted wordsmith, prolific guitarist and a truly genuine guy. The set included, amongst others, Barges, Pepper and Tomatoes and a rousing rendition of From Clare to Here and he had the audience eating out of his hand and rightly so. A truly fabulous performance from our National Treasure. Of course, Streets of London was there as well, and hearing 20,000 or more people singing it, was a joy in itself. You could tell by the huge smile on Ralph’s face when he finally said goodnight that the love was following in both directions with abundance! Lovely that Paul Johnson and Darren (aka Folkmaster) had done such an amazing interview with Ralph the previous day (listen again below).
Fairport Convention ended the evening and the weekend. They opened with some very funny Olympic themed visuals which you can watch again on the “Fairporters” Facebook group if you missed it. Simon Nicol made a superb speech to the memory of Fairport founder virtuoso fiddler Dave Swarbrick, who sadly died a few months ago, but who has left a fantastic musical legacy and will not be forgotten. Dave has inspired so many people to take up the fiddle over the years and will also be remembered for his song writing, sense of humour and character. The compilation of Swarb photos from across the years was also a lovely touch as well.
An outstanding set from Fairport followed which included a guest appearance from 11-year-old blues guitar wonder-boy Toby Lee, who played the lead on ‘Mr. Lacey’ (I think). Plus the traditional ‘Matty Groves’ and of course, ‘Meet On The Ledge’ ending, the point where the field, all twenty thousand of us, unify around the song that examplifies the reason we all go. My team mates and I all linked up together to sing this and felt myself welling up. I had so enjoyed my first Cropredy, been introduced to some new and amazing artists and their music, and was sorry to have to say goodbye for another year. Yes, I will be going next year for Fairport’s 50th year celebration!