BBC Radio 2 Folk Awards 2017 Winners Announced

The winners of the Radio 2 Folk Awards 2017 have been announced in a ceremony broadcast live from the Royal Albert Hall, London.

Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.

American roots-rock musician and songwriter, Ry Cooder, took to the stage for a rare UK performance, singing Jesus On The Mainline. A career-long champion of folk music, he is renowned for his inspired slide guitar playing, and through his own work and collaborations with others, from The Rolling Stones to The Chieftains and Buena Vista Social Club.

British singer-songwriter Al Stewart also took to the stage for a performance of his 1977 song, On The Border. Al started his career on the 1960s London folk scene, and has worked alongside Bert Jansch, Jimmy Page, John Renbourn, Rick Wakeman, Tori Amos, Roy Harper and many more. Appearing at the first Glastonbury Festival in 1970, he became known for his brand of folk-rock, which he combined with tales of characters and events from history. He’s best known for his 1970s hits Year of the Cat and Time Passages.

Tony Blackburn presented Al Stewart with his award and regaled the audience with his own personal story of Al. He explained that in the early 1960s, he had in fact been the lead guitarist in Tony’s own group, ‘Tony Blackburn and the Swinging Bells’.

Tony said: “We used to practice at my parents’ house and, as good as he was, he always played his electric guitar far too loud as it always drowned out my vocals… The fact I’m here tonight will do Al’s credibility a lot of damage but I don’t care as I’ve enjoyed playing ‘Year of the Cat’ very much over the years and I haven’t seen him in a long time. It really is an honour to present this Lifetime Achievement Award to such a talented musician.”

The evening opened with a rousing performance by Afro Celt Sound System. And across the night there were spectacular performances from Shirley Collins MBE (performing Washed Ashore), Daoirí Farrell (Van Diemen’s Land), Jim Moray (Fair Margaret And Sweet William), Billy Bragg (I Ain’t Got No Home), and Fara (Three Fishers).

There was a powerful and moving performance taken from the Ballads of Child Migration, which tells the story of the enforced migration of over 100,000 children to Australia and Canada between 1863 and 1970. The specially-curated performance was narrated by Barbara Dickson with original songs performed by Kris Drever, Jez Lowe, While & Matthews, Boo Hewerdine, O’Hooley & Tidow, John McCusker, Andy Cutting and Michael McGoldrick.

Folk icon Woody Guthrie was inducted into the Radio 2 Folk Awards Hall of Fame, to celebrate his lasting influence. Billy Bragg performed a special tribute with a rendition of Guthrie’s I Ain’t Got No Home. The celebration marked 50 years since Guthrie’s death in 1967, aged 55. The musician wrote some of the most enduring standards in the genre with his life and work dedicated to supporting and documenting the rights of workers and the downtrodden. His songs have been covered by countless singers from Bruce Springsteen to Lady Gaga and he was a mentor to a young Bob Dylan and Ramblin’ Jack Elliott.

Lewis Carnie, Head of Radio 2 said: “Huge congratulations to all the winners of the Radio 2 Folk Awards 2017 – the calibre of all the nominees was outstanding. This annual event is a wonderful celebration of the vibrant folk music scene and tonight’s show was spectacular, featuring some of folk’s most long standing, biggest and newest stars which Radio 2 is committed to supporting throughout the year.”

The Folk Awards will be broadcast on BBC Four on Sunday 9 April at 10pm as an hour-long highlights programme which will include all the performances.

Alternatively, click on any of the links below to see the individual performances:










The full list of winners:

FOLK SINGER OF THE YEAR presented by Sharleen Spiteri
Kris Drever

BEST DUO presented by Peter Lord of Aardman Animations
Ross Ainslie & Ali Hutton

BEST GROUP presented by Sir Ray Davies
The Furrow Collective

BEST ALBUM presented by Mark Kermode
Songs of Separation – Songs of Separation

HORIZON AWARD presented by Rachel and Becky Unthank (of The Unthanks)
Daoirí Farrell

MUSICIAN OF THE YEAR presented by Gus Unger-Hamilton from Alt-J
Rachel Newton

BEST ORIGINAL TRACK presented by Susie Dent
If Wishes Were Horses by Kris Drever

BEST TRADITIONAL TRACK presented by Pauline Black of The Selecter
Van Diemen’s Land by Daoirí Farrell

BBC RADIO 2 YOUNG FOLK AWARD presented by Simon Nicol of Fairport Convention
Josie Duncan & Pablo Lafuente

LIFETIME ACHIEVEMENT AWARD presented by Tony Blackburn
Al Stewart

LIFETIME ACHIEVEMENT AWARD presented by Nick Lowe
Ry Cooder

HALL OF FAME INDUCTEE
Woody Guthrie

Building up to the Awards, Simon Mayo’s Radio 2 Drivetime programme was broadcast live from the Royal Albert Hall. In the show, Simon counted down the Top 10 Most Played Folk Songs on Radio 2. Compiled by PPL, the Number 1 track was Yusuf/Cat Stevens’ Wild World – released in 1970, which featured on his fourth album, Tea for the Tillerman. It wasn’t released as a single in the UK, but reached No 11 on the US Billboard chart. Jimmy Cliff released his recording of Wild World in 1970 – produced by Cat Stevens – reaching No 8 in the UK; with Maxi Priest hitting No 5 with his version in 1988. Cat was presented with the Lifetime Achievement honours at the Radio 2 Folk Awards in 2015. Number 2 of the Top 10 Most Played Folk Songs on Radio 2 was Fleet Foxes’ White Winter Hymnal; at No 3 was Bellowhead’s Roll the Woodpile Down; at No 4 was Meet Me On The Corner by Lindisfarne; No 5 was Underneath The Stars by Kate Rusby; at No 6 was River Man by Nick Drake; No 7 was Fisherman’s Blues by The Waterboys; No 8 was Thea Gilmore & Sandy Denny’s London; at No 9 was Streets of London by Ralph McTell and at No 10 was Roll Away Your Stone by Mumford and Sons.

Yusuf/Cat Stevens said: “I’m surprised that we actually pipped to the post all these great folk singers and that it’s still being played. That makes me feel very satisfied and it shows that the song and the meaning is still relevant. Of course it is relevant because wild world is exactly what it is and exactly what we’re living in right now and it’s getting wilder perhaps.”

The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

THE SHEE – Continuum (Shee Records SHEE4)

ContinuumThe concept behind Continuum, supported by Celtic Connections, was to celebrate their tenth anniversary by having each of them commission a musician of their choice to write a piece of music for the album. That’s only half the story, of course, for the band had then to arrange the music for six players and write some pieces to bind the whole thing together.

The opening song is ‘From The Shadows’ by Laura-Beth Salter. It’s a powerful call to arms to … ah, well. It could be a feminist piece, the logical first thought, but it could be a warning to the rich and powerful that the poor and oppressed aren’t going to take it any more. Next come two atmospheric pieces by Kathryn Tickell; one evoking the borders and the other with a Scandinavian feel. The playing, needless to say, is exquisite.

Rachel Newton commissioned Karine Polwart and the result is ‘Song For Mary’. The Mary in question is Mary Brooksbank, composer of ‘The Jute Mill Song’ and an archive recording of one verse forms the introduction. We’re not told that it’s Mary herself but I’d like to think it is. Amy Thatcher naturally turned to a box-player and who better than Andy Cutting? Olivia Ross’ choice was Chris Wood who shares the credit for ‘Cradle Song’ with lyricist Hugh Lupton. The Shee turns what could be a pretty little song into something quite strange so you’re not sure whether this a mother singing to her baby from the safety of a warm fireside or struggling home from the storm outside.

Laura-Beth, Amy and Shona Mooney provide the next two tune sets with Shona responsible for the wonderfully titled ‘The Vampire Rabbit Of Newcastle’. Olivia wrote ‘Precious Tears’, a song for children – possibly the band members’ own – and Brian Finnegan wrote a trio of tunes with Lillias- Kinsman-Blake’s flute and a journey through India in mind. Finally, we have Martin Simpson’s song for his mother. ‘Dance With Me’ might be seen as the companion-piece to ‘Never Any Good’. Laura-Beth sings it and plays mandolin where Martin would use guitar and the band play what is almost an orchestral accompaniment.

Continuum is a monument to musical collaboration and the exchange of ideas but more than that, it is a tribute to six exceptionally talented musicians.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the THE SHEE – Continuum link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: https://theshee.com/

‘Ower Late For The Lasses/Sheepolska’ and more with Kathryn Tickell live at Celtic Connections 2016:

TANNARA – Trig (Braw Sailin’ Records CD001BSR)

TrigHere is yet another fine young band coming out of Scotland with a song on their lips and a tune in their hearts. We think this album is called Trig – that little symbol on the cover, see. Actually it’s written on the spine but I don’t believe anything I read these days and that little tease seems typical of their approach. Rooted in the tradition but not in thrall to it.

At the heart of the band are the traditional instruments you would expect but it’s the other instruments and how they are used that strikes you first. In ‘Two Birds, No Stones’, for example, there is the juxtaposition of  Becca Skeoch’s harp with a grungy electric guitar from Owen Sinclair who also wrote the tune which is paired here with Andy Cutting’s ‘Archie The Flying Beast’. Owen is also the band’s vocalist and they have put together a strange and haunting version of ‘Three Ravens’, not at text I’ve heard before and one in which the doe is replaced by a lady. The other two songs, ‘When First I Came To Caledonia’ and ‘Queen Jane’ are also given imaginative treatments in which Joseph Peach’s piano and Fender Rhodes feature.

Cameron Ross’ fiddle is the mainstay of the instrumental sound and he contributes one tune ‘Deid Fish’ (yes, there is a story there) but it’s the interplay between the instruments that’s crucial – a tribute to the recording skills of Mattie Foulds and the production of Rachel Newton who, I’m sure, ensured that the harp was never swamped even with everything else that’s going on around it.

I never cease to be astonished by the young talent emerging from Scotland – perhaps I should take it for granted by now – but Trig merely confirms that the process is ongoing. And I always find something new to enjoy.

Dai Jeffries

If you would like to download a copy of the album or just listen to snippets of selected tracks then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Trig

Artists’ website: www.tannaramusic.com

Tannara live in Antwerp – a compilation:

RACHEL NEWTON – Here’s My Heart Come Take It (Shadowside SHADOW02)

Here's My Heart Come Take ItRachel Newton’s third solo album, Here’s My Heart Come Take It, is a gorgeous, sophisticated work for which great credit must go to co-producer and engineer Mattie Foulds who also added percussion to the vocals, harps and keyboards of the initial recording sessions.

The set opens with the title track; traditional words with Rachel’s own tune. It’s a warning about the fickleness of young women, or perhaps a warning to fickle young women as she is the loser in this case. ‘Gura Mise Tha Fo Mhulad’ then provides the opposite viewpoint – that it doesn’t do to be too trusting for fear of ending up spurned with a babe in arms. ‘The Bloody Gardener’ is a classic murder tale and a warning to young men not to be late on a date while ‘Proud Maisrie’ proves that the women usually get the upper hand.

Rachel’s electroharp rings bell-like on the title track and I presume that’s some sort of oscillator tone in the background. Then the piano (also Rachel) and drums come in and Lauren MacColl’s strings swell over the top and her solo violin soars plaintively over the second track. Doomy piano features heavily but ‘Proud Maisrie’ is as close to folk-rock as you can get. I don’t believe Pentangle recorded it but this arrangement would have suited them perfectly. Foulds does enjoy panning across the soundscape and lets himself go a bit on this track which is really the record’s big production number.

As you may know, Rachel has a love of country and western but doesn’t indulge it on record. But here’s ‘Don’t Go Out Tonight My Darling’ from the Max Hunter collection which is C&W in everything except execution decorated as it is by Michael Owers lonely flugelhorn. Later comes another Max Hunter song. ‘Poor Lost Babe, first recorded in Arkansas and it would be a short step from an Ozark ballad to a country standard.

As I said, this a beautiful album and with everything else that’s going on Rachel is still front and centre where she should be.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.rachelnewtonmusic.com

There are no videos from the album yet but here is the title track:

Rachel Newton – new album

Rachel Newton

Rachel Newton’s third solo album, Here’s My Heart Come Take It, is named after the opening track on this exciting new album; a bold combination of traditional folk songs and Rachel’s own compositions.

Recorded in December 2015 at the recently opened Caribou Recording studio near Edinburgh, Rachel and co-producer/drummer Mattie Foulds took time to build up a unique sound using voice, harps, piano, keyboards and percussion before inviting fiddle player Lauren MacColl and trombonist Michael Owers to complete the picture. Keen to try something different and to bring out the personality of each musician involved, Rachel deliberately chose a more experimental approach for this recording than she has with her earlier albums. Developing ideas, playing with sounds and improvising in the studio, combined with a considered choice of material has resulted in a very personal and heartfelt piece of work.

Founder member of The Furrow Collective, The Emily Portman Trio and The Shee, Rachel released solo albums The Shadow Side in 2012 and Changeling in 2014. As well as voice and harp, Rachel also plays piano, fiddle and viola and has worked across a range of performance platforms including theatre and storytelling. A skilled collaborator, Rachel also recently started working with Scottish/Norwegian band Boreas and was one of the eight musicians to work on The Elizabethan Session project.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.rachelnewtonmusic.com/

Not on the new album, but what the hell – ‘Jolene’: