Standing ovations for Show Of Hands’ Big Gig

Big Gig
Photograph by Darren Beech

England’s premier folk duo Show of Hands, once described as “the most famous unknown band in Britain”, brought the house down at the Royal Albert Hall on Easter Sunday with a ‘pull all the stops out’ show marking their milestone 25th year.

Singer songwriter Steve Knightley and multi instrumental wizard Phil Beer took to the stage of the iconic London venue for the fifth time with a memorable milestone gig which prompted two standing ovations.

Some 5,000 fans descended on the capital not just from all over the UK but also from Canada, France, Holland, Belgium and Germany.

The first band to ever hold a raffle at the Albert Hall maintained the tradition, raising £4,355 – the most ever – for chosen charities MIND and Great Ormond Street Hospital & Children’s Charity, the main prize being a beautifully crafted cello mandolin made by SoH’s Devon-based instrument makers Oddy Luthiers.

One of British folk music’s most popular acts – and two of the most active ambassadors in the acoustic arena – Knightley and Beer were joined by long-term guest Miranda Sykes on double bass and vocals.
A dramatic opening saw the performance of Knightley’s spellbinding song ‘Widecombe Fair’ with Beer appearing high in the organ loft playing an eerie fiddle.

They were soon joined by the Devon’s 30-strong Lost Sound Chorus for the moving ‘The Old Lych Way’ about the ancient Dartmoor trackway along which coffins were carried. The choir returned throughout the evening to swell the sound on some of the band’s best known songs and numbers from most recent albums Centenary and The Long Way Home.

Also taking to the “Kensington village hall” stage were top mandolin player Rex Preston, 2014 BBC Radio 2 Folk Awards ‘Best Duo’ winners Phillip Henry and Hannah Martin and Canada’s hugely entertaining Matt Gordon & Leonard Podolak, their fiddle and banjo music punctuated by outbreaks of clog dancing (joined by Mr Knightley!) and “hamboning” (traditional African American body percussion).

Long-time collaborator, composer and keyboards player Matt Clifford, who famously worked with The Rolling Stones, added to the sound as did Devon teacher Chris Hoban, who has penned some of Show of Hands’ more recent songs including the epic ‘Katrina’ (also performed on the night).

Towards the end of the first set, there was a surprise appearance by renowned Downton Abbey actor Jim Carter who read Siegfried Sassoon’s To Victory in his inimitable way before a performance of the WW1 song ‘Hanging On The Old Barbed Wire’ while Alice Jones was a solo Morris dancer in ‘Twas on One’s April Morning’.

Steve Knightley also announced a £150,000 crowdfunding appeal to bring an extensive Shrouds Of The Somme art installation to the capital.

Last year Somerset artist Rob Heard painstakingly hand stitched calico shrouds onto 19240 12 inch figures representing every Allied soldier who died on the first day of the Battle of the Somme – making a powerful artwork that was seen in Exeter and Bristol. Knightley was closely involved in the unique project, serving on the committee.

Now Heard has embarked on making more than 70,000 shrouds to mark the 100th anniversary of the end of WW1 in 2018 – commemorating every soldier who died at The Somme with no known grave. It is hoped to display the new work in London for Armistice Day (November 11) next year. The crowdfunding campaign will launch on May 10. shroudsofthesomme.com

Show of Hands’ “anthems” ‘Country Life’, ‘Roots’, and banker-baiting ‘Arrogance Ignorance And Greed’ were all on the set list as well as the traditional favourite ‘The Blue Cockade’. Their trademark ‘Cousin Jack’, about emigrating Cornish miners, was the rousing finale before they stepped back on stage for Knightley’s “hard to believe it’s not traditional” number ‘The Galway Farmer’ and a rousing ‘Santiago’ with the whole company on stage.

A lavishly illustrated 224-page hard-backed souvenir book marking the band’s 25th year went on sale on the night, entitled No Secrets –A Visual History of Show of Hands.

Tying in with this, the Knightley-penned single ‘No Secrets’ was released on Friday (April 21) via Amazon and iTunes. Says Steve: “This started live as a piece of advice for a friend getting married but it is also apt as the ethos of our business and it became the backdrop to the book.”

Show of Hands 25th year continues with a busy UK festival schedule (including Folk by the Oak, Underneath The Stars, Wickham, Sidmouth, Cropredy, Towersey) before a newly announced tour of English cathedrals this autumn (Oct 4-Nov 8), from Chichester to Carlisle, supported by young singer songwriter Kirsty Merryn.

Big Gig
Photograph by Judith Burrows

Artists’ website: www.showofhands.co.uk

Welcome To The Folkies

With Oscar fever rising to a climax it’s time to say “Welcome To The Folkies” – the 2016 Folking Awards. We’ve sifted through the albums and performances of 2015 – always a long and difficult task punctuated by bouts of thumb-wrestling to settle disputes. Adopting the pattern followed by everyone else, here, in no order of precedence, are our nominations. With the exception of one category we have restricted our choices to British acts.

All nominations are 2016 Folking Awards winners.

Welcome To The Folkies

Soloist Of The Year

Steve Tilston
Sam Carter
Kathryn Roberts
Steve Knightley
Ange Hardy

Best Duo

Phillip Henry & Hannah Martin
India Electric Co.
Show Of Hands
Kathryn Roberts & Sean Lakeman
Clype

Best Band

Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarrr
False Lights
Merry Hell

Best Live Act

The Demon Barbers XL
Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarr
CC Smugglers

Best Album

Layers Of Ages – Peter Knight’s Gigspanner
Head Heart Hand – Megan Henwood
The Girl I Left Behind Me – India Electric Co.
It’s Not Your Gold Shall Me Entice – Elle Osborne
Disco At The Tavern – The Demon Barbers

Best Musician

Dan Walsh
Peter Knight
P.J. Wright
Chris Leslie
Kris Drever

Folking’s Rising Star

Will Varley
Sam Kelly
Wes Finch
India Electric Co.
Chris Cleverley

Best International Artist

Gretchen Peters
Tom Russell
Gandalf Murphy And The Slambovian Circus Of Dreams
Justin Townes Earle
Los Lobos

To give the awards a further edge, we opened the vote to our visitors and run a public poll in all of the 8 categories (as listed above).

The Public Vote closed Sunday 28 February at 20.00 hours and “The Folking Winners” have now been announced here at: http://folking.com/the-folking-winners/


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

PHILLIP HENRY & HANNAH MARTIN – Watershed (Dragonfly Roots DRCD003)

PHILLIP HENRY & HANNAH MARTIN WatershedHaving walked away with the Best Duo gong at the 2014 BBC Radio 2 Folk Awards, there must have been a degree of pressure on Henry and Martin when it came to their third album. Which may or may not have had something to do with them taking a very deliberate departure from Mynd. Where that largely addressed historical figures, here they chose to draw on more personal experience as a means of filtering everyman stories as a sort of modern day folk tale about, as per the title’s implications (on which they sing about which side to go), the decisions made and paths taken that shape different destinies

Recorded over 10 days in Devon’s Blackdown Hills with Matt Downer on double bass and James Taylor providing percussion, it’s a less musically textured affair in the sense that Henry has mostly confined himself to guitar and Dobro rather than draw on his wide-ranging virtuoso talents (though he does still wield the trusty harmonica), with Martin tempering everything with her violin.

I should, at this point, declare that I’m not fully persuaded by her vocals, which, while undeniably clear and fine, I find to be, at times, slightly too considered and measured, in need of a little more warmth, looseness and emotional expression. As such, from a personal perspective, it’s taken a while to get inside the album and find a connection, but that’s in no way to deny the craftsmanship of either the playing or the material.

Following on from the titular opener, guitar and mandolin (courtesy Rex Preston) provide the bedrock for ‘Stones’ (as in let him who is without sin, etc) , a musically undulating song inspired by now ex-UKIP councillor David Silvester, who declared the storms of 2014 were God’s response to same sex marriage. Harmonica opens and buzzes around ‘Tonight’, a musically multi-coloured track that takes on a sort of mix of trip hop beats, folk blues shuffle and dreamy croon, Martin’s delivery having a hint of Middle Eastern sway.

‘Yarrow Mill’ strikes a personal note for Henry, who takes his only lead vocal on a song that , backed by Martin’s pizzicato violin, tenderly recalls his grandparents’ courtship in the cotton mill of the title. Family history is there too on the spooked bluegrass mood of the search for a better life tale of ‘Foundling’, which grows from a spare, Dobro-mottled intro into an earthier affair, its traditional colours splashed with double bass and vibes to conjure a jazz-folk sense redolent of early Pentangle. Gently bathed in understated banjo and Dobro. ‘Conkers’ too has a reflective eye, looking back at childhood innocence from an adult’s perspective.

The year turns with the five minute guitar, violin and vibes instrumental ‘December’, ushering in an a capella Martin for ‘January’, a performance that underscores her vocal prowess and has me reconsidering my opinion. On then to the heavy weight of loss that hangs over the minimally arranged ‘Letter (Unsent), a reverie of strings set against the slow march drum beat taking over from the vocals around the three minute mark.

The album moves to its close with melancholic Celtic-misted Dobro for the Irish instrumental ‘Lament’ providing a bridge to ‘London’, a more musically upbeat, driving and almost rocky eight-minute number that could be seen as a vision of the now grown foundlings from earlier in the album further on their journey in search of one of a million futures, “picking them like flowers, making your way home”, as the number erupts in fiery fiddle. After the storm comes the calm, for ‘Taxis’, a banjo rippling ambivalent celebration of the working musician’s life on the road, one of former travelling and hanging around. But, let us not forget, they set off by stepping out on the stage to perform songs such as these, and sending audiences home with a glow in the soul.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.philliphenryandhannahmartin.co.uk/

‘Stones’ live at Calstock Arts Centre:

SHOW OF HANDS UNVEIL RARE “BEHIND THE SCENES” DOUBLE BILL DVD AS THEY SET OFF ON 21ST ANNIVERSARY AUTUMN TOUR

Making The WakingCelebrating a remarkable 21 year partnership, singer songwriter Steve Knightley and multi instrumentalist Phil Beer headed out on the 29-date “Hand in Hand” tour last month brandishing a brand new double-bill DVD.

Joined by musical chameleon Miranda Sykes on double bass and vocals, the tour takes in locations from Cambridge to Chesterfield, Worthing to the Wirral, debut performances at Portsmouth’s The Pyramids and Torquay’s Princess Theatre and a capital show at London’s Cadogan Hall (November 13).

Coinciding with the tour will be the release of the DVD – Live at Shrewsbury Folk Festival and Making the Waking – a unique behind-the-scenes look into the recording of Show of Hands’ 14th studio album, Wake the Union. Continue reading SHOW OF HANDS UNVEIL RARE “BEHIND THE SCENES” DOUBLE BILL DVD AS THEY SET OFF ON 21ST ANNIVERSARY AUTUMN TOUR

PHILLIP HENRY & HANNAH MARTIN – New Album

MyndPhillip and Hannah released their new album, MYND on September 2nd 2013

When it comes to a distinctive sound, exceptional duo Phillip Henry & Hannah Martin are in a league of their own.

“Mynd” (Old English): memory/remembrance/act of commemoration/thought/mind/intellect.

One of the most inventive and captivating rising acts on the acoustic roots scene unveiled their evocative second studio album last month.

From the West Country hotspot of musical talent, the harmonious Devon duo will follow up their acclaimed 2012 debut Singing the Bones with the moving and mystical Mynd  – an exquisite 12-track album infused with Phil’s trademark instrumental virtuosity, Hannah’s clear vocals and the pair’s highly original thought-provoking songs often trawled from some of the less obvious moments in history.

Continue reading PHILLIP HENRY & HANNAH MARTIN – New Album

TIM EDEY TO RELEASE SOLO GUITAR ALBUM – with special Scottish guest musician Patsy Reid

TIM EDEY 2013Tim Edey has announced that he will be releasing a solo album of guitar music this Augustaugmented by a string quartet led by popular Scottish fiddler Patsy Reid (you may remember Patsy from Breabach).  The album will be officially launched at Kent’s Broadstairs Folk Week in Tim’s home town and he will be closing the festival on Friday, August 16 with support from Devon duo Phillip Henry & Hannah Martin (recently featured on folking).

Tim’s hot property in the contemporary worldwide Celtic music scene, his melodeon and guitar playing is featured prominently on Christy Moore’s 2011 album, and his touring and recording credits read like a who’s who of the Celtic scene: Capercaillie, Sharon Shannon, Lunasa, Michael McGoldrick, Seamus Begley, Altan and Mary Black. Tim has also recorded an album with guest musicians Tim Edey: The Collective.

Tim has been in demand since his wins at the RADIO 2 FOLK AWARDS in 2012 where he picked up both BBC  “MUSICIAN OF THE YEAR” and the BEST DUO award (with Brendan Power). He has guested on BBC Radio 2’s Good Morning Sunday, Mike Harding and Simon Mayo  shows, BBC Radio 3’s “World on 3” and Radio 4’s Midweek and been seen on BBC South-East, Ireland’s RTE1 John Murray show and, with The Chieftains on Later with Jools Holland

Dividing his time between Scotland and Kent, he also released the eclectic The Best of Tim Edey – a superb 18-track album that charts the course of his career to date and showcases his collaborations with luminaries from the Celtic music world including Sharon Shannon, Ross Ainslie, Seamus Begley and Mike McGoldrick. It includes the track “Why”? which evolved into a tune questioning the condition OCD to which Tim is no stranger and with which he feels music has helped him cope.

Tim will be making several key appearances across the Atlantic this year. In July, he will perform at one of Canada’s biggest festivals – Stanfest – before appearing with top international fiddler Natalie MacMaster and Donnell Leahy in Ontario and, in October, returning to Cape Breton’s world famous  Celtic Colours festival followed by a Canadian tour with multi award-winning JP Cormier, the Canadian bluegrass/folk/Celtic singer songwriter and multi-instrumentalist.

Back in the UK, Tim will appear at Derbyshire’s Edale Folk Festival in May and in August, Towersey Festival and Broadstairs Folk Week where he will launch his guitar album and do a CD signing. Then in November, he has been invited to return to Dougie Maclean’s Perthshire Amber Festival.

Artist web link: www.timedey.co.uk

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.