Planning and preparations are well under way for this year`s popular Southdowns Folk Festival which is happening in and around Bognor Regis between Thursday 21st and Sunday 24th September.
This year will see a lot more Town Centre activities with a bigger & even more spectacular dance programme, expanded delightful street markets, music workshops, sessions, singarounds, childrens’ fun & games, Sussex Young Folk Competition, Real Ale Festival and to cap it all, a very impressive line up of great headliners and superb support acts.
The Festival starts on Thursday evening 21 September in the Alexandra Theatre with the wonderful & hugely talented Steve Knightley from Show of Hands, supported by a knock-out British Americana Band, The Jigantics. Friday evening sees the welcome return after four years of one of the U.K`s very top Folk/Rock bands, Home Service with the brilliant and award-winning duo Megson providing support. On Saturday evening, one of the most exciting and dynamic bands around come to the Festival. These are the multi-award winning Scottish band Skerryvore with support from the excellent Alistair Goodwin Band. Finally, Sunday evening in the Regis Centre Studio will see the one and only Richard Digance taking the stage with support from BBC Folk Award nominated, Phillip Henry & Hannah Martin.
There`ll be loads of other great performers including a welcome back to the lovely Flossie Malavialle and for the first time at the Festival, the guitar virtuoso, Sarah McQuaid plus appearances from the Bath Young Folk Band, Steve Dan Mills, Celtic Simbel and many others.
Full Weekend Tickets for the Festival are on sale now, costing just £69 for six great evening & afternoon concerts, and if you book BY POST on or before end February, you`ll get a full 10% OFF this price! Ticket bookings and more information can be got by going to www.southdownsfolkfest.co.uk or Facebook page plus www.WeGotTickets.co.uk, and www.regiscentre.co.uk or Regis Centre Box Office (01243 861010 ) where individual evening & afternoon tickets can be booked.
Leading folk duos from both sides of the Atlantic will be among special guests for Show Of Hands’ 25th anniversary show at the Royal Albert Hall this Easter – their fifth Big Gig at the venue.
The phenomenally popular Devon band will mark their milestone year with a return to one of the world’s most famous stages on Easter Sunday 2017 (April 16).
Singer songwriter Steve Knightley and multi instrumentalist Phil Beer have forged one of the most successful ever partnerships in acoustic roots music and have already scored four sell-outs at the iconic London venue.
With Oscar fever rising to a climax it’s time to say “Welcome To The Folkies” – the 2016 Folking Awards. We’ve sifted through the albums and performances of 2015 – always a long and difficult task punctuated by bouts of thumb-wrestling to settle disputes. Adopting the pattern followed by everyone else, here, in no order of precedence, are our nominations. With the exception of one category we have restricted our choices to British acts.
All nominations are 2016 Folking Awards winners.
Soloist Of The Year
Phillip Henry & Hannah Martin
India Electric Co.
Show Of Hands
Kathryn Roberts & Sean Lakeman
Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Best Live Act
The Demon Barbers XL
Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Layers Of Ages – Peter Knight’s Gigspanner Head Heart Hand – Megan Henwood The Girl I Left Behind Me – India Electric Co. It’s Not Your Gold Shall Me Entice – Elle Osborne Disco At The Tavern – The Demon Barbers
Folking’s Rising Star
India Electric Co.
Best International Artist
Gandalf Murphy And The Slambovian Circus Of Dreams
Justin Townes Earle
To give the awards a further edge, we opened the vote to our visitors and run a public poll in all of the 8 categories (as listed above).
If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar below to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
Having walked away with the Best Duo gong at the 2014 BBC Radio 2 Folk Awards, there must have been a degree of pressure on Henry and Martin when it came to their third album. Which may or may not have had something to do with them taking a very deliberate departure from Mynd. Where that largely addressed historical figures, here they chose to draw on more personal experience as a means of filtering everyman stories as a sort of modern day folk tale about, as per the title’s implications (on which they sing about which side to go), the decisions made and paths taken that shape different destinies
Recorded over 10 days in Devon’s Blackdown Hills with Matt Downer on double bass and James Taylor providing percussion, it’s a less musically textured affair in the sense that Henry has mostly confined himself to guitar and Dobro rather than draw on his wide-ranging virtuoso talents (though he does still wield the trusty harmonica), with Martin tempering everything with her violin.
I should, at this point, declare that I’m not fully persuaded by her vocals, which, while undeniably clear and fine, I find to be, at times, slightly too considered and measured, in need of a little more warmth, looseness and emotional expression. As such, from a personal perspective, it’s taken a while to get inside the album and find a connection, but that’s in no way to deny the craftsmanship of either the playing or the material.
Following on from the titular opener, guitar and mandolin (courtesy Rex Preston) provide the bedrock for ‘Stones’ (as in let him who is without sin, etc) , a musically undulating song inspired by now ex-UKIP councillor David Silvester, who declared the storms of 2014 were God’s response to same sex marriage. Harmonica opens and buzzes around ‘Tonight’, a musically multi-coloured track that takes on a sort of mix of trip hop beats, folk blues shuffle and dreamy croon, Martin’s delivery having a hint of Middle Eastern sway.
‘Yarrow Mill’ strikes a personal note for Henry, who takes his only lead vocal on a song that , backed by Martin’s pizzicato violin, tenderly recalls his grandparents’ courtship in the cotton mill of the title. Family history is there too on the spooked bluegrass mood of the search for a better life tale of ‘Foundling’, which grows from a spare, Dobro-mottled intro into an earthier affair, its traditional colours splashed with double bass and vibes to conjure a jazz-folk sense redolent of early Pentangle. Gently bathed in understated banjo and Dobro. ‘Conkers’ too has a reflective eye, looking back at childhood innocence from an adult’s perspective.
The year turns with the five minute guitar, violin and vibes instrumental ‘December’, ushering in an a capella Martin for ‘January’, a performance that underscores her vocal prowess and has me reconsidering my opinion. On then to the heavy weight of loss that hangs over the minimally arranged ‘Letter (Unsent)’, a reverie of strings set against the slow march drum beat taking over from the vocals around the three minute mark.
The album moves to its close with melancholic Celtic-misted Dobro for the Irish instrumental ‘Lament’ providing a bridge to ‘London’, a more musically upbeat, driving and almost rocky eight-minute number that could be seen as a vision of the now grown foundlings from earlier in the album further on their journey in search of one of a million futures, “picking them like flowers, making your way home”, as the number erupts in fiery fiddle. After the storm comes the calm, for ‘Taxis’, a banjo rippling ambivalent celebration of the working musician’s life on the road, one of former travelling and hanging around. But, let us not forget, they set off by stepping out on the stage to perform songs such as these, and sending audiences home with a glow in the soul.
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
Celebrating a remarkable 21 year partnership, singer songwriter Steve Knightley and multi instrumentalist Phil Beer headed out on the 29-date “Hand in Hand” tour last month brandishing a brand new double-bill DVD.
Joined by musical chameleon Miranda Sykes on double bass and vocals, the tour takes in locations from Cambridge to Chesterfield, Worthing to the Wirral, debut performances at Portsmouth’s The Pyramids and Torquay’s Princess Theatre and a capital show at London’s Cadogan Hall (November 13).
Phillip and Hannah released their new album, MYND on September 2nd 2013
When it comes to a distinctive sound, exceptional duo Phillip Henry & Hannah Martin are in a league of their own.
“Mynd” (Old English): memory/remembrance/act of commemoration/thought/mind/intellect.
One of the most inventive and captivating rising acts on the acoustic roots scene unveiled their evocative second studio album last month.
From the West Country hotspot of musical talent, the harmonious Devon duo will follow up their acclaimed 2012 debut Singing the Bones with the moving and mystical Mynd – an exquisite 12-track album infused with Phil’s trademark instrumental virtuosity, Hannah’s clear vocals and the pair’s highly original thought-provoking songs often trawled from some of the less obvious moments in history.