Folkeast announces its first guests for 2018

FolkEast

Growing in stature every year, East Anglia’s fast-rising FolkEast is back for the seventh time this August, proving why it is nothing like other music festivals. The three day festival will return to the glorious 300-acre Suffolk estate of 16th century Glemham Hall, the home of Major Philip Hope-Cobbold, between August 17-19.

And it will be packing a punch with probably its most impressive line-up to date led by two of the most enduring and legendary bands from the genre – Oysterband and Show of Hands who have an incredible eight BBC Radio 2 Folk Awards between them.

Oysterband, who will headline the Friday night, have been on the road with their high impact folk rock show for over 40 years, led by frontman John Jones, whilst Steve Knightley and Phil Beer of Show of Hands last year celebrated their 25th year with a fifth sell-out at the Royal Albert Hall. At FolkEast they will take to the Sunset stage as Saturday headliners, joined by their long-term third member – the acclaimed bassist and vocalist Miranda Sykes.

There will be a Scottish valedictory on Sunday night with Glasgow’s power trio The John Langan Band topping the bill. Award winners at the famous Celtic Connections Festival their music is rooted in Celtic folk but weaves in fascinating Balkan, Roma and flamenco threads.

One of the most exciting names in the line-up will be the phenomenal guitar and melodeon player Tim Edey, up for the coveted Musician of the Year title at next month’s 2018 BBC Radio 2 Folk Awards – a title he has already won, back in 2012.

“Tim Edey is brilliant – in every which way. As a guitarist he has few peers. As a box player he’s a magician. As a character he’s off the scale – Colin Irwin, fRoots

“Utterly fantastic. Sheer, wonderful ebullient music” – Mike Harding

“Tim Edey plays a host of different instruments to a standard us mere mortals can only dream of. Listen and weep”– The Living Tradition

FolkEast is also delighted to welcome the Irish-Canadian award-winning songwriter and force of nature that is Irish Mythen. County Wexford-born but now living in Canada’s Prince Edward Island she may be diminutive in stature but is one of the most fearless and powerful performers out there and has appeared with both Rod Stewart and Gordon Lightfoot.

The five brothers of Co Durham’s big noise acapella singers The Wilsons and the triple talents of master musicians John McCusker, Mike McGoldrick and John Doyle will also be making their mark and the Gigspanner Big Band will see Peter Knight’s celebrated Gigspanner trio joined by Phillip Henry and Hannah Martin, nominated for Best Duo for the third time at this year’s BBC Radio 2 Folk Awards (having won it in 2014).

FolkEast’s irrepressible patrons The Young’ uns (Sean Cooney, David Eagle and Michael Hughes), popular winners of the 2016 and 2015 Best Group title at the BBC Radio 2 Folk Awards – and nominated for Best Album (Strangers) and Best Original Song (Be The Man) this year promise another action-packed live podcast – one of the funniest, most enthralling highlights of last year’s festival.

Other confirmed artists include harmonica and melodeon wizard Will Pound, this time with his unique Through The Seasons Morris and folk dance show (with music performed by Pound, Benji Kirkpatrick and Ross Grant), ex Bellowhead cellist Rachael McShane with her new band The Cartographers and top young duo Greg Russell & Ciaran Algar, twice winners at the BBC Radio 2 Folk Awards and still only 24 and 22.

Texas-raised Londoner Rodney Branigan is bound to draw a crowd with his riveting songs and uncanny ability to play two guitars at once while other performers will include Somerset singer songwriter Reg Meuross, Wild Willy Barrett’s French Connection, The Magnificent AK47, Luke Daniels & His Amazing Polyphon, Winter Wilson and Norwich-based Alden Patterson and Dashwood.

One of the most singular events on the UK festival calendar, FolkEast was launched six years ago by husband and wife John and Becky Marshall-Potter.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock – from its locally sourced fare in The Imagined Suffolk Food Village to its suppliers, arts and crafts. This year festivalgoers will be able to see the Sae Wylfing – a half size replica of the famous Sutton Hoo Anglo Saxon ship discovered in 1939 near Woodbridge in Suffolk – an undisturbed ship burial considered one of the most important archaeological discoveries ever. www.woodbridgeriversidetrust.org/sae-wylfing

“Rather like a cross between Cambridge Folk Festival and a very large village fete – it feels like something that has been there since the Middle Ages. The mythical, magical land of the Eastfolk has materialised here in Suffolk’s big sky heartland” – Folkcast

The festival , with its mythical creature emblem The Jackalope, offers a refreshingly different line-up across six stages (including St Andrew’s Church, the open air Sunset Stage and the hidden woodland Soapbox Stage), with two authentic ‘village’ pubs serving competitively –priced festival ales plus possibly the smallest pub in the UK, The Halfway Inn.

Then there’s the FolkEast Art Arcade, packed dance programme, archery, donkey rides, a mini golf course, children’s activities (including den building, storybook making and a mud kitchen), yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

Early Bird tickets for the festival are now sold out. Advance weekend tickets are available price £120 (adult), £108 (full time students, senior citizens) and £80 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £360. A great offer sees free admission for children aged 11 and under; camping is £15 per tent with a £25 charge for campervans and caravans.

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station. More performers and a launch event will be announced soon.

Festival website: www.folkeast.co.uk

SAM KELLY & THE LOST BOYS – Pretty Peggy (Navigator NAVIGATOR 102)

Pretty PeggyBased in Bristol, but born in Norfolk, Kelly stakes a claim for a Best Album nomination in next year’s Radio 2 Folk Awards to add to this year’s Horizon win. Backed by his six-piece live band, comprising Jamie Francis on banjo, fiddler/guitarist Ciaran Algar, percussionist Evan Carson, Graham Coe on cello with Toby Shaer and Archie Churchill-Moss providing woodwind and melodeon, respectively, Pretty Peggy their first album together, also features contributions from folk stalwarts Cara Dillon, Damien O’Kane, Mike McGoldrick and Geoff Lakeman.

Save for three numbers, all the material is traditional, refashioned and refurbished, opening with a rousing haul away tempo take of the whaling shanty ‘Greenland Whale’ that can’t help but bring Seth Lakeman to mind. Dillon and McGoldrick’s Uillean pipes complement ‘Bonnie Lass Of Fyvie’, the pretty Peggy-o of the title, a jaunty Celtic-hued version that successfully avoids sounding like any of the many previous recordings.

A tale of lost childhood love regret, the equally lively, thigh-slapping, fiddle-driven ‘Angeline The Baker’ has Appalachian roots and then comes the first of the original numbers, ‘When The Rievers Call’, a Jamie Francis song about the raids on the Scottish borders during the middle ages featuring, unsurprisingly, some fiery banjo work and again recalling that Seth Lakeman sound.

Returning to the traditional repertoire and featuring O’Kane on electric tenor guitar with a melodeon solo, ‘If I Were A Blackbird’ is a lovely, lilting and gently ripping take on the Irish love song, reversing the lyric’s genders and set to a tune based around Chris Wood’s ‘Ville De Quebec’. This is followed by the darkly menacing ‘The Shining Ship’, a suitably spooked and nervy six minute tale, sung in low, at times whispery tones with swirling sonics, of a woman lured aboard a ghost ship by her long lost lover and based on the 17th century Scottish ballad ‘Demon Lover’.

Featuring himself on piano and Shaer on fiddle, the only Kelly original is ‘Chasing Shadows’, another lively tune about understanding that “the deepest dark comes just before the dawn”, and one of the more contemporary sounding tracks. Then comes the comic relief, ‘The Close Shave’ being New Zealand singer Bob Bickerton’s variation of the traditional romp, ‘Barrack Street’, about a gold miner relieved of his treasure by a man posing as a woman.

The obligatory instrumental track comes with ‘Shy Guy’s Serve’, a jaunty fiddle medley of Shaer’s ‘Josh’s Slip’ and Algar’s ‘Rookery Lane’, before they dig into the more obscure pages of the Dylan songbook and turn up the volume for ‘Crash On The Levee’, a punchy and driving version of ‘Down In The Flood’ off The Basement Tapes. The penultimate number is another traditional English folk song, drums, fiddles and flutes pumping along sexually euphemistic ‘The Keeper’ with its call and response derry derry down chorus, the album ending with the intitially subdued but gradually gatheringly strident strains of The Rose, Kelly’s translation of the French song ‘Le Beau Rosier’, originally by Belgian outfit Naragonia with whom he played mandolin last year.

Having practised his art as a youngster singing to the family’s cows, in 2012 Kelly was a finalist for Britain’s Got Talent (the one won by Pudsey), at which time he said “I don’t want to make a mediocre album of covers just to sell as many as possible on the back of BGT…musical integrity is really important to me.” He’s clearly lived up to his words.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the SAM KELLY & THE LOST BOYS – Pretty Peggy link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.samkelly.org

‘Angeline The Baker’:

MALCOLM HOLCOMBE – Pretty Little Troubles (Gypsy Eyes Music )

Pretty Little TroublesHis voice croakier and gummier than ever, sounding as one review put it, like he’s wearing someone else’s teeth, even so Holcombe continues to deliver the goods when it comes to coal dust coated Appalachian blues. Pretty Little Troubles a quick follow-up to last year’s Another Black Hole.

Joined by Dennis Crouch on bass, Jared Tyler on mandolin and dobro, Verlon Thompson on acoustic and Resonator slide with producer Darrell Scott on pretty much everything else save percussion (Kenny Laone/Marco Giovio), as well as contributions by Jelly Roll Johnson on harmonica, Joel Miskulin on accordion, strings-player Jonathan Yudkin (who comes into his own on the stomping ‘The Sky Stood Still’) and Uillean piper Mike McGoldrick, it’s essentially an album about either troubled times or women.

It’s the former that leads off with the bluesy, swampy ‘Crippled Point O’View’ with its clanky junkyard percussion, leading on to ‘Yours No More’, a slide guitar-backed song about America no longer extending its welcome hand to immigrants and refugees, the mood extending to more musically lively banjo picked ‘Good Ole Days’ with its call and response chorus and a reminder that rose coloured reflection often forgets things were not necessarily better back then.

As you might imagine, the pedal steel laced blues ‘Outta Luck’ with its line about how “poison lives in my blood” and talk of hot women, cold cash and drugs doesn’t exactly up the positivism ante. However, the gypsy flavoured ‘South Hampton Street’, a reminiscence of a girl with long black hair and a gypsy concertina busking on the street, has a more upbeat note, though the same cannot be said for another touring memory, ‘Bury, England’, a Dylanesque talking blues with Tyler on dobro about a gig where the venue “smelled like an old folks home inside”, he had “the worst cup o’ coffee” ever and the audience couldn’t give a damn.

The song mentions Guy Clark and there’s a definite echo of him to be heard on ‘Rocky Ground’ while other highlights include the title track’s Waits-like walking blues, the fingerpicked ‘Damn Weeds’, a wry state of the nation comment, and the McGoldrick-featuring Gaelic-hued talking blues ‘The Eyes O’ Josephine’ with its line about having “a pint or two in Belfast” and “an Irish girl forever curls around your heart o’ glass.” Another spin on “the hard times we been going;’ thru”, it’s no huge departure from what he’s been doing for years, but if you liked that, you’ll want a copy of this too. Unless you’re from Bury, of course.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.malcolmholcombe.com

‘Pretty Little Troubles’ – lyric video:

TIM EDEY TO RELEASE SOLO GUITAR ALBUM – with special Scottish guest musician Patsy Reid

TIM EDEY 2013Tim Edey has announced that he will be releasing a solo album of guitar music this Augustaugmented by a string quartet led by popular Scottish fiddler Patsy Reid (you may remember Patsy from Breabach).  The album will be officially launched at Kent’s Broadstairs Folk Week in Tim’s home town and he will be closing the festival on Friday, August 16 with support from Devon duo Phillip Henry & Hannah Martin (recently featured on folking).

Tim’s hot property in the contemporary worldwide Celtic music scene, his melodeon and guitar playing is featured prominently on Christy Moore’s 2011 album, and his touring and recording credits read like a who’s who of the Celtic scene: Capercaillie, Sharon Shannon, Lunasa, Michael McGoldrick, Seamus Begley, Altan and Mary Black. Tim has also recorded an album with guest musicians Tim Edey: The Collective.

Tim has been in demand since his wins at the RADIO 2 FOLK AWARDS in 2012 where he picked up both BBC  “MUSICIAN OF THE YEAR” and the BEST DUO award (with Brendan Power). He has guested on BBC Radio 2’s Good Morning Sunday, Mike Harding and Simon Mayo  shows, BBC Radio 3’s “World on 3” and Radio 4’s Midweek and been seen on BBC South-East, Ireland’s RTE1 John Murray show and, with The Chieftains on Later with Jools Holland

Dividing his time between Scotland and Kent, he also released the eclectic The Best of Tim Edey – a superb 18-track album that charts the course of his career to date and showcases his collaborations with luminaries from the Celtic music world including Sharon Shannon, Ross Ainslie, Seamus Begley and Mike McGoldrick. It includes the track “Why”? which evolved into a tune questioning the condition OCD to which Tim is no stranger and with which he feels music has helped him cope.

Tim will be making several key appearances across the Atlantic this year. In July, he will perform at one of Canada’s biggest festivals – Stanfest – before appearing with top international fiddler Natalie MacMaster and Donnell Leahy in Ontario and, in October, returning to Cape Breton’s world famous  Celtic Colours festival followed by a Canadian tour with multi award-winning JP Cormier, the Canadian bluegrass/folk/Celtic singer songwriter and multi-instrumentalist.

Back in the UK, Tim will appear at Derbyshire’s Edale Folk Festival in May and in August, Towersey Festival and Broadstairs Folk Week where he will launch his guitar album and do a CD signing. Then in November, he has been invited to return to Dougie Maclean’s Perthshire Amber Festival.

Artist web link: www.timedey.co.uk

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

MCGOLDRICK MCCUSKER DOYLE – Live (Vertical Records)

MCGOLDRICK MCCUSKER DOYLELike your draw dropping open when you first saw Mo Farah or Usane Bolt at the Olympics you know you are witnessing something special given the combined talents of Mike McGoldrick, John McCusker & John Doyle taking to the stage and this CD magnificently captures that moment for posterity. Make no mistake, when this personable three-piece start playing they intend to take no
prisoners and in spreading their Celtic passion and passing it amongst their audience like a sprinkling of fairy dust the end result is ‘magic’. Doyle injects a funky, rhythmic style in his guitar playing that would ignite the Olympic cauldron (Danny Boyle missed an opportunity there) whilst the fiddle/flute/pipes interplay from McGoldrick and McCusker assail your audio pleasure with exclamations of disbelief at the mastery of their chosen weapons. Like a shot of adrenaline individually and collectively the trio invigorate the listener with their mixture of traditional and self composed melodies and coupled with John’s assured vocals (joined by guest Heidi Talbot on Nic Jones “Boys Of Bedlam”) the lads combine in a musical camaraderie that just has to be experienced once in your lifetime. With the album coming in at a total of 1 hour 10 minutes I still (selfishly) want more.

PETE FYFE


If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

VARIOUS ARTISTS – Transatlantic Sessions 4 (Whirlie Records DVD03)

You can tell from the photo on the sleeve of “Transatlantic Sessions 4” that this DVD is going to be something special. It depicts Aly Bain and Jerry Douglas broadly grinning at each other as if they were the cats that had got the cream and who could blame them? In the illustrious company of amongst others; Karan Casey, Rosanne Cash, Phil Cunningham, Julie Fowlis, Donal Lunny, Mike McGoldrick, Donald Shaw, Emily Smith and James Taylor it’s enough to make any real ‘folk’ enthusiast salivate at the very thought of what lies in the little black box. As a musician myself, there’s a feeling of jealousy but then again, who wouldn’t want to be part of such an astonishing gathering. To coin the vernacular, “…they must have been freezing their nuts off!” wouldn’t I suspect be too far from the truth but the musicians collective warmth for each other would be enough to power a small sun. Onto the content itself and really it’s a case of where to begin? The title credits encapsulate everything by bringing a sense of wonder with stunning views of chilly rivers and a beautiful Scottish vista all within 28 seconds (and yes, I did set my stop-watch to time it) utilising Douglas trademark dobro, gently brushed snare drum, Uilleann pipes and fiddle. This in itself is enough to draw the listener/viewer in and get your feet tapping with the expectant thought of what is about to emerge phoenix like (this is the 4th series) from this box of treasures. The glue that holds everything together is of course the chemistry between the musicians and the main protagonists in this respect are fiddler Ali Bain and the astonishing accompaniment from Jerry “We are not worthy” Douglas. The camaraderie of everyone involved is a welcoming sight/sound and the collaborative juices flow without any sense of awkwardness just a mutual respect for each other and the obvious delight of working in such exalted company. The songs and tunes are painstakingly crafted and so too are the contributions of all the technical staff. In particular I’d like to point out the professional integrity of all involved (something you don’t see too often in the ‘folk world’) in providing such a banquet of audio and visual delights directed by Mike Alexander and produced by Douglas Eadie. Particular mention in despatches must go to the splendid eye for photography of Mark Littlewood, Derek Ritchie’s lighting and Allan Young’s superb mastery of capturing the sound so well. I’d also like to extend a round of applause to George Brown for making this four-hour extravaganza available via the Whirlie Records catalogue. If you can’t tell from this short review how blown away I am with this double disc DVD then do yourselves a favour, rifle through your bank account (I know how difficult that is in the present climate) and treat yourself to some tangible ‘magic’.

PETE FYFE

If you would like to order a copy of the DVD then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist website: http://www.whirlierecords.co.uk/