SWEET LIBERTIES – Sweet Liberties (Quercus QRCD002)

Sweet LibertiesSweet Liberties, originally a commission by the EFDSS and Folk at the Oak, in partnership with the House of Commons, to mark the 2015: Anniversaries: Parliament in the Making, this has now expanded to become a 14-track album featuring a varied line up of folk musicians in celebration of 800 years in the pursuit of democracy.

Some of the names will be familiar, others less so, but all contribute thoughtful and relevant songs touching on various aspects of the overall topic. I am assuming that everyone listed in the credits (which includes Nancy Kerr and Patsy Reid on violin, Nick Cooke on melodeon) played on all (or most) of the songs, the writers themselves handling the vocals, perhaps the best known being Martyn Joseph who contributes three of his own numbers, the first, featuring fingerpicked guitar and violin, a revisiting of ‘Dic Penderyn’ from his Evolved album, the story of the 1831 Merthyr Riots and the man hung for a crime he could not have committed. The second, a duet with Sam Carter, is also one from the back catalogue, ‘Twelve Years Old’, from Songs For The Coming Home, inspired by the 1833 Factory Act and framed as a conversation between two children a hundred years apart. His third, ‘Nye’, is a new song written for the project, a fingerpicked, violin-accompanied tribute to those who work in the NHS and to its founder, fellow Welshman, Aneurin Bevan.

The album opens with ‘Kingdom’, the first of four songs by 2015’s BBC Folk Singer of the Year, Nancy Kerr, a traditional styled solo acoustic number that takes Magna Carta as a springboard to address the ownership and management of land for profit and the subsequent loss of habitat. Coloured by violin, ‘Seven Notes’ is another traditional framed track, one which uses the image of the migrating cuckoo as a poetic metaphor for colonialist history, setting it in an experiment in musical patterns to represent multicultural Britain.

Rather more jaunty, the waltzing, melodeon-led Music Hall-like ‘Lila’ (the only song not to also feature on her new Instar album) connects the suffragette movement with the abolition of slavery through its twin subjects, Adelaide-born Muriel Lila Matters, who took to a hot air balloon to scatter Votes for Women leaflets over Parliament, and Mary Prince, an eighteenth century Bermudian whose autobiography offered a narrative of slavery. Her fourth contribution, the spare, melodeon, violin and guitar accompanied ‘Written On My Skin’, again draws on metaphor and nature imagery (here a hunted fox) on a song in memory of women forced to resort to the Human Rights Act to have their sexual assault cases justly tried.

A relatively new voice on the British contemporary folk scene, Maz O’Connor also has four credits, all new recordings, kicking off with the violin-backed ‘Rich Man’s Hill’ which, inspired by the 1601 Poor Law and concerning the widening gap between the haves and have nots,, tells of a homeless man in London who believes that, if he works hard enough, he too can get himself a mansion. The one track to address democracy directly, ‘This Old House’ (a nod the Palace of Westminster) is a playful take on democracy and compromise framed in the context of a couple redecorating and patching up their shared house, pizzicato violin driving along the chorus.

Featuring nimble fingerpicked guitar and violin, ‘Broad Waters’, as the title suggests, concerns the 1985 killing of PC Keith Blakelock on the Broadwater Farm estate and the subsequent police fitting up of three innocent men for his murder, and is set as a dialogue between a police officer pressuring a young boy into testifying against Winston Silcott. Her last track, backed by just acoustic guitar, the plaintive ‘Broken Things’, also concerns social justice, here, borrowing the opening of Wilfred Owen’s Anthem For Doomed Youth, a lament for the decline of the trade union movement, focusing on the Miners’ Strikes of 1984 and, in particular, the death of David Jones during violence on a picket line.

Which leaves Sam Carter who, like Joseph, provides three numbers. Echoing Kerr, ‘Am I Not A Man?’ also addresses slavery a waltzing number inspired by freed slaves organisation Sons of Africa whose campaigning contributed to the Abolition of Slavery Act, drawing for its details on the slave autobiography Interesting Narrative Of The Life Of Olaudah Equiano.

His two other songs come at the back end of the album, the first being the lurching cabaret-styled ‘Dark Days’, a straightforward state of the nation comment with gyspy violin accompaniment, proceedings closing with the folksy salvationist hymn ‘One More River’, a return to the theme of slavery that sounds a personal note in that his great great aunt married the son of a fugitive Virginian slave, sun in his voice as he contemplates fleeing to England, ending in an unaccompanied chorus by Carter and, presumably, his three female associates.

Featuring none of the bombast or flagwaving that would likely characterise an American equivalent, this is both a damn fine album and a salient reminder of the liberties we so often fail to hold dear.

Mike Davies

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‘John Ball’ live at the launch event:

MAZ O’CONNOR – The Longing Kind (Restless Head RHCD 101)

MAZ O’CONNOR The Longing KindHer third album in four years, this is also the Barrow-in-Furness singer-songwriter’s first to comprise solely of self-penned, non-traditional material. It’s also a concept album of sorts in that, exploring the tensions and conflicts of a young woman living in London, it’s ordered like a three-act play, opening with songs of the uncertainty, confusion and displacement that ensue from being cut loose from the safe havens of education and family, continuing through imagined stories based on particular paintings and the way in which the subjects’ identities have been fixed by the artists, finally returning to reality with a newfound clarity and redefined sense of self.

Produced by Jim Moray, who also contributes an assortment of instruments, and featuring Beth Porter on cello, Matt Downer on double bass and Byrds legend Chris Hillman on pedal steel, the fingerpicked title track follows a brief instrumental intro, clearly nodding to such influences as Jackson C Frank, moving on to the leafy folk of ‘A Winter’s Blues’ which, with its circling guitar pattern, sounds like a sort of upbeat Nick Drake. Hillman is to the fore on ‘Crook of his Arm’, a lovely reminiscence of her father and his inability to keep her safe from the ways of the world in her determination to carve her path, while protective parent/ restless daughter themes also concern the frisky, percussion-driven ‘Mother Make My Bed’ featuring Nick Malcolm on trumpet.

Things slow down on the medieval hints of ‘Greenwood Side’, Millais’ Ophelia providing the impetus for the first of the painting songs, moving on to the piano-backed ‘Emma’ (other than the lyrical mention of being painted in blue, there’s no indication, on either the album or website, as to the source of the inspiration) and the cello accompanied ‘Jane Grey’, sung in the voice of the ill-fated Lady Jane Grey, who reigned as Queen for just nine days, and inspired by the picture of her execution by Paul Delaroche. By contrast to these tragic heroines, the subject of the livelier strummed ‘Billy Waters’ (guessingly based on the painting by David Wilkie), again featuring Malcolm, is a one-legged black busker, who used to play violin to theatre-goers in the streets of London in the nineteenth century and, shortly before he died, was elected King of the Beggars in the parish of St. Giles.

Opening with the simple fingerpicked ‘Coming Back Around’, the third act rounds up proceedings with ‘A Quiet Word’ (a brass burnished restlessness/parting song which borrows its opening line from Macbeth), the traditional-hued ‘A Rose’ which highlights her soaring vocal range and, finally, returning home in the banjo-flecked ‘When The Whisky Runs Dry’, older and wiser with a bruised, but not regretful heart. Being honest, I don’t think this is the album to bring any major breakout success into the folk mainstream, but it will certainly delight her existing following and surely encourage curious newcomers to stay around to see where her journey takes her next.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.mazoconnor.com/

‘A Winter’s Blues’ – official video:

The F Spot Femmes Fatales

Femmes

Strong, sensuous, fascinating and feminine, this compilation of ten compelling self penned songs from women is being released on Folkstock Records on International Womens’ Day on March 8th. Performed by some of the talented female singers we have had the pleasure of working with in the past year and spanning four generations, this distinctive selection hopes to enlighten and inspire with its diversity and be distinguishable from other compilations by its raw honesty and emotion. We thank all the singers for laying bare their soul in this stripped back showcase of their undeniable talent.
This is not just any album full to the brim with female singer songwriting talent.

The F Spot Femmes Fatales has been lovingly conceived, curated and produced to show many different aspects of the feminine psyche.

Lose yourself in the songs and let this album challenge your assumptions about women, whether as musicians, producers of music or consumers of music.

Have you considered how sultry a singer in her 80th year can sound ? track one on this stunning selection will make your jaw drop. Delivered with panache and humour this track was the one which stood out for us on Peggy Seeger’s recent album Everything Changes, and it was our mission to entice Peggy to let us use it to open this compilation ! so you can imagine how thrilled we are to have ‘You Don’t Know How Lucky You Are’ as the first track on the album. Lyrics such as “I am not just any woman, looking for any man, and I don’t intend to change me to fit into your plans. I’m a hell of an angel and you’d better give a damn, you don’t know how lucky you are

Have you ever heard the story of the Mississippi woman ? this strong and wryly observed alternative creation story by Maz O’Connor is the penultimate track on the album and delivered with purity which belies the message, Maz’s beautiful voice captures your heart and lyrics such as these capture your mind.

“She made clothes from the rushes and a bed down by the willow
And when darkness came the riverbank made for her a pillow
Then the angel of the lord came down and said “now you are free”
And she said “lord, make a man out of me, lord, make a man out of me”.

WHO IS ON THE ALBUM ?

Here are the contributors in order. With the information which is presented in the 4 page booklet of the jewel cased CD.

Peggy Seeger – A free thinking pioneer, Peggy Seeger has paved the way for generations of female singer songwriters the world over. Peggy was awarded ‘Most Inspirational Female’ by Music Week in 2014 and we are honoured to have permission to release a song from her recent much acclaimed album Everything Changes thanks to Red Grape Music Ltd.

Roxanne de Bastion tours throughout the UK, Europe and the US, all on trains and busses. The young troubadour self-released her debut album in 2013 and has since then been championed by Tom Robinson on BBC6, John Kennedy on XFM, Ruth Barnes on Amazing Radio. Roxanne’s compositions are routed in the 1960’s, but the tone of voice is very much her own.

Zoe Wren is studying music at Cambridge University and having released her debut EP Pandora’s Box with us in the middle of last year is now working on her debut album. Picked to perform on Stage  2 at Cambridge Folk Festival last year, Zoe is certainly attracting attention and we hope you enjoy this track which is also available on her EP, which can be found on Folkstock Records bandcamp.

Marina Florance is a prolific and revered singer songwriter based in Norfolk. A darling of the East Anglian BBC Stations, Marina has also had her music chosen by Soundcloud as Track of the Day ! Coming to performance of her own material later in life than most, Marina’s sultry ‘chocolate’ voice wins hearts the world over and captivates from the first note.

Minnie Birch  has been played on BBC Radio 1 and has caught the eye of that legend that is Joan Armatrading, supporting her on four gigs over the last two years. Her debut album is due for release this year and will no doubt build on the success of her beautiful EP Settled and consolidate her reputation and take her career to the next level.

Kaity Rae is our youngest contributor and is studying songwriting at The Institute in N. London. Recently awarded ‘Student of the year’, Kaity is on the prestigious resident artist RoundHouse programme, was a finalist in the GIGS: Big Busk song awards, won her category of Love Folk Live & has released her debut EP Spark Nov 2014. This is an acoustic version of one of her EP tracks.

Kelly Oliver  gained a 4* review from The Telegraph for her debut album This Land, which was funded by an Emerging Excellence Award from Help Musicians UK. It also won best female album from FolkWords and was shortlisted by FATEA. With BBC Radio 2 airplay and a video session with Whispering Bob Harris helping to sell out headline gigs, the future is looking bright.

Daria Kulesh’s cut glass vocals conjure an exotic elegance which is prevalent in her songs. Aided by her Russian heritage and ruthless lyrics, her dramatic delivery excites and entices you to carry on listening. This track is from her debut album Eternal Child which is gaining exultant reviews and looks set to provide her with the showcase needed to establish her musical career on a firm footing.

Maz O’Connor is one of Folk’s rising stars and attracted a BBC Radio2 Folk Award nomination as well as a Creative Fellowship from the BBC Performing Arts Fund. 2014 brought a rapturous reception for her acclaimed second album This Willowed Light and we are thrilled that Wild Sound Recordings kindly gave permission for us to re-record a stripped back version of this stunning ‘alternative creation’ story.

Fay Brotherhood  is an enigmatic artist in many senses of the word. Her creative outpourings are at their most visceral in her live performance and her distinctive voice and almost paganistic delivery has attracted much interest and acclaim. Her music transports to the heady, trippy days of the 60’s and brings you bang up to date with a modern twist in the tale.

Label website:  http://www.folkstockartsfoundation.com/

MAZ O’CONNOR – Upon A Stranger Shore – Album review by Pete Fyfe

What a lovely voice! I just knew I was going to enjoy this album from the moment I played the first track “South Australia” which I’m more used to hearing being bellowed at volume eleven by burly shanty ‘men’. Instead, Maz’s controlled and never forced vocals blends so well with her accompanying musicians Matthew Jones (guitar/double bass), Joe O’Connor (melodeon), Nicola Lyons (fiddle), Jim Molyneux (percussion) and Sam Sweeney (cello) that her maturity belies her obvious youth. When you can also roll out that hoary chestnut “Leaving Of Liverpool” without it sounding clichéd then you know you’ve done a good job and in the process seriously impressed your dad. Personally speaking I’m really  pleased that Maz has opened her solo recording career by using a majority of well established traditional songs including “Red Red Rose”, “Constant Lovers” and “Caw The Yowes” because if, for some reason she chooses to rely more heavily on her own (not inconsiderable) song-writing talents (“Rambling Free” and “Songs Of Old” etc) we, the listener can at least be comfortable in the knowledge that we know where her ‘roots’ lay. This recording is a very impressive debut and I look forward to the next one.

PETE FYFE

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist web link: http://www.mazoconnor.com/

Catalog number: Demon Barber Sounds DBS005