MARY ANN KENNEDY – An Dàn (Arc Music EUCD2737)

An Dàn Mary Ann Kennedy describes this album as Gaelic songs for a modern world. An Dàn means…well, dàn means song but it also means destiny, which may be Gaelic humour. Mary Ann is from Skye and is, of course a Campbell. She is well-known as a broadcaster and producer as well as singer and is an authority on Gaelic language and culture.

We are used to albums of Gaelic songs being firmly traditional but An Dàn is rather different. Mary Ann has written all the music and some of the lyrics, the rest coming from various poets and writers. Mary Ann’s family album, Fonn, recorded as The Campbells was all traditional but sounded remarkably modern. By contrast, An Dàn is modern but sounds, not traditional, but a little old-fashioned. The songs are underpinned by Mary Ann’s piano and features four string players and what is virtually a choir of backing singers which makes some of it a bit sweet for my taste.

The album is often very beautiful. Mary Ann’s voice is exquisite and Finlay Wells’ guitars add so much – just listen to that sublime lead on ‘Grioglachan’ – but it is the digressions that create the most interest. ‘Òran do dh’Iain Dòmhnallach’, for example, features old field recordings of Tswana singers. It all makes perfect sense in context but it also makes you pay attention. ‘Taigh An Uillt’ features some almost jazzy guitar with Nick Turner’s bass and an uncredited drummer and is, for me, the most beguiling track.

‘Dàn Ùr do Fhlòraidh NicNìll’ begins with a marvellous cacophony and Jarlath Henderson features here on Uilleann pipes but doesn’t get many opportunities to cut loose. For the Gaelic speaker this is undoubtedly a fascinating blend of old and new but for a Sassenach like me it won’t feature among my favourite Gaelic albums.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the MARY ANN KENNEDY – An Dàn link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: http://www.maryannkennedy.co.uk/

‘Mother Glasgow’ isn’t on the album but you can see why we have chosen it:

The Young’uns announce new album – tour dates to follow

The Young'uns
Photograph by Elly Lucas

Teesside trio The Young’uns have always had the human touch. In the space of little more than a decade – and just three years after giving up their day jobs – they have become one of UK folk music’s hottest properties and best-loved acts.

Stockton Folk Club’s star graduates clinched the BBC Radio 2 Folk Awards ‘Best Group’ title two years running (2015 and 2016) and last year saw them spreading the net, taking their unique act and instant audience rapport to Canada, America and Australia.

With their strong songs, spellbinding harmonies and rapid fire humour, they have achieved one of the trickiest balancing acts – an ability to truly ‘make them laugh and make them cry’, while cutting straight to the heart of some of our most topical issues.

On September 29 they will unveil their fourth studio album Strangers – playing their strongest suit to date.  Bold, profound and resonant it showcases the growing talents of Sean Cooney, fast becoming one of folk’s finest songwriters.

Together with Michael Hughes and David Eagle, Cooney has come up with a collection of folk songs for our time, all sensitively arranged by the 30-something trio – looking back at wartime heroes here, offering a news report for the 21st century there, turning the spotlight on injustice and ultimately celebrating the indomitable human spirit.

Setting the scene with a cover of Maggie Holland’s ‘A Place Called England’ (Best Song at 2000 BBC Radio 2 Folk Awards) , the remaining songs on the 10-track album all come from the prolific pen of Cooney who manages to combine unflinching, sharply observed but compassionate, heartfelt lyrics.

With its ocean blue cover, Strangers looks at the stories of those that have crossed the seas to British shores and soldiers that have voyaged from here to the warfields of Europe. Paeans for the underdog have been inspired by the courage of Syrian refugees, have-a-go heroes and Gay Rights campaigners which sit seamlessly alongside narrative songs of First World War soldiers, Caribbean and Jewish immigrants, including the founder of one of our best known British High Street stores.

Not forgetting their native North East heroes, The Young’uns inspiration also comes from further afield – the banks of Spain’s River Ebro (Bob Cooney’s ‘Miracle’) and the Thalys train terrorist attack in France. (‘Carriage 12’). There are constant changes of tempo and mood, from the jaunty sing-a-long ‘Ghafoor’s Bus’, celebrating their fellow Teessider who reached out to refugees across Europe to the slow, soaring beauty of ‘Lapwings’ (as performed on BBC-TV’s Springwatch), inspired by a First World War diary entry from a soldier homesick for English fields and skies and the sublime, poetic ‘Dark Water’ where they are backed by Aldeburgh Young Musicians and Radio 3’s Mary Ann Kennedy on harp.

Stand-out song ‘Be The Man’ was inspired by the incredibly moving story of Matthew Ogston and his fiancé Nazim Mahmood – its poignancy elevated by ex Bellowhead musician Rachael McShane on cello and fiddle and Chumbawamba’s Jude Abbott on melancholic flugelhorn. Matthew reacted to Sean’s lyrics saying: “I do not have the right words to even begin to explain how your words have touched my soul and heart”.

Sean’s songs have reached some of the people who inspired them including Syrian refugee Hesham Modamani, now living in Germany and Paris-based American-Frenchman Mark Moogalian, injured in the Thalys train attack, who heard Carriage 12 and wrote to say: “Many thanks for this wonderful song – the only thing that has ever brought tears to my eyes regarding what happened that day.”

These are powerful songs prompted by remarkable stories – making for an ultimately upbeat album full of hope, echoing the lyric from ‘Ghafoor’s Bus’: “There’s a friendly face, a better place and a future for us all”

Striking a chord wherever they go, the emphatic Strangers marks a milestone chapter in The Young’uns brilliant story.

Recorded at The Chairworks in Castleford and Loft Studios in Newcastle, Strangers is produced by Neil Ferguson, released on Hereteu Records label and distributed by Proper Music.

Strangers will be showcased on an extensive UK tour (October 4-27) including a debut at London’s Union Chapel and dates at Sage Gateshead (Hall 1), Glasgow’s Oran Mor and The Sugar Club in Dublin – their first headline gig in Ireland. Support for most dates comes from The Hut People, with singer songwriter Greg Russell opening for the trio in Nottingham and Lincoln.

Artists’ website: http://www.theyounguns.co.uk/

‘Be The Man’ – radio edit: