Martin Simpson announces his 20th solo album

Martin Simpson
Photograph by Elly Lucas

World renowned guitarist, singer and songwriter Martin Simpson releases his 20th solo album in 40 years Trails & Tribulations on September 1st 2017 via Topic Records. The brand-new studio album, his first new solo work since 2013’s widely praised Vagrant Stanzas, will be available in standard and deluxe CD, digital download and standard vinyl (the latter through Vinyl 180).


Trails & Tribulations
is a collection of songs about nature, about travels and about real life stories. There are traditional songs, poems and contemporary songs by great writers, and songs that I had to write because nobody else knew what I wanted to say. I travel, I learn songs, I write and try to get better at the skills required for me to do my job. I look at the world as I pass by, on the road, out of the train window, or as I stop and pay close attention to the square foot under my nose. There is so much to see and to hear and to inspire and to try and understand. I had a huge amount of fun playing and recording these songs, using different instruments, different noises, old friends and new ones, all of whom brought so much to the mix. Martin Simpson, April 2017.

Produced and engineered by Andy Bell, Trails & Tribulations features some of Martin’s most inventive playing yet, showcasing his virtuosity on a variety of instruments including acoustic guitars, resonator guitars, Weissenborn lap steel guitar, electric guitars, 5 string banjo, ukulele – and voice.

Guest musicians on the new album are: Ben Nicholls (string bass and electric bass guitars), Toby Kearney (drums and percussion), Nancy Kerr (fiddle and viola), Andy Cutting (diatonic accordion and melodeon), John Smith (electric guitar and backing vocals), Helen Bell (strings), Amy Newhouse-Smith (backing vocals) and his daughter Molly Simpson on vocals.

Martin will tour extensively this year, including a headline set at Cambridge Folk Festival in the summer and London’s Kings Place in autumn, following the release of Trails & Tribulations.

Hand in hand with his long and storied solo career, Martin has been central to seminal collaborations like The Full English, The Elizabethan Sessions and Simpson Cutting Kerr. He has worked with a dazzling array of artists from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons, to mention a few. He is consistently named as one of the very finest acoustic, fingerstyle and slide guitar players in the world and is the most nominated musician in the history of the BBC Folk Awards, with a remarkable 31 nods. A true master of his art.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Martin Simpson – Trails & Tribulation link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – audio stream:

Peter Knight and John Spiers return to FolkEast

Peter Knight and John Spiers

A unique collaboration between folk legends Peter Knight and John Spiers, seen for the first time at FolkEast 2016, will return to the fast-rising East Anglian festival this August.

The three day festival at the glorious 300-acre Suffolk estate of 16th century Glemham Hall witnessed the debut performance of the pair on the Broad Roots stage on opening night last year – an undisputed highlight of the event.

In its sixth year, FolkEast will be packing a punch with an eclectic line up of folk and world music acts including BBC award-winning headliners Jon Boden and Sam Kelly and The Lost Boys, 2017 BBC Radio 2 Folk Awards nominees Nancy Kerr, Kris Drever and Dorset duo Ninebarrow and of course FolkEast’s irrepressible patrons The Young’uns.

New names announced include the mighty Martin Simpson, the ace guitarist and songwriter who skilfully melds British and American roots music and has been nominated an astounding 23 times in the Radio 2 Folk Awards as well as top traditional English folk singer Fay Hield, India Electric Co, Ben Savage & Hannah Sanders, popular Cambridge-based band The Willows, Basque folk music band Korrontzi and many more.

Peter Knight and John Spiers live at FolkEast 2016:

TICKETS: Advance weekend tickets are available price £115 (adult), £100 (full time students, senior citizens) and £70 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £342. A great offer sees free admission for children aged 11 and under; camping is £12 per tent with a £24 charge for campervans and caravans.

Festival website: www.folkeast.co.uk

Roy Bailey announces first ever live album

Roy Bailey

Six years on from his acclaimed album of children’s songs, Tomorrow, singer and activist Roy Bailey returns with Live At Towersey Festival 2015.

As the title suggests, the 11-track collection was recorded live at the long-running Oxfordshire festival, and will be officially launched at the 2016 event, on Monday 29 August.

Roy’s relationship with Towersey stretches back over 50 years. Friends with the festival founders, he was present at early planning discussions and appeared at the very first festival, in 1965. He’s been a much-loved regular visitor ever since, with his firmly established Monday afternoon concerts drawing capacity crowds.

Live At Towersey 2015 finds Roy interpreting songs by Bob Dylan (‘With God On Our Side’), Tom Waits (‘In The Neighborhood’) and John Tams (‘Rolling Home’), along with three compositions by American singer-songwriter Si Khan. Among them is Si’s ‘What You Do With What You’ve Got’, which opens the album.

“’What You Do With What You’ve Got’, as I understand, was written on behalf of disabled people,” says Roy, who first met Si at a Canadian folk festival during the early 1980’s. “For me it has almost become my signature tune, as I invariably sing it at the beginning of my concerts and have done so since about 1984/85! It has a central theme that applies to us all.”

Joining Roy on several tracks are guitarist Martin Simpson and melodeon player Andy Cutting, plus Marc Block (bodhrán) and Ian Brown (guitar), as well as Roy’s daughter and grand-daughter, Kit Bailey and Molly Simpson.

The 2015 show was recorded in secret by Roy and co-producer/ engineer ‘Ich’ Mowatt, who then edited the 90 minute concert down to 11 tracks. Expertly capturing the intimacy and warmth of a live performance, it’s remarkably Roy’s first live album.

“I wanted to do one … but never go around to it,” says Roy simply.

Roy Bailey is one of the UK folk and acoustic scene’s most admired and accomplished performers. He began his long career performing skiffle in student union bars in the late 1950s before falling in love with traditional songs and the stories they tell. Quickly developing a unique repertoire of songs of dissent and hope, he’s gone on to perform on stages, TV and radio all over the world. En route, he’s been joined by such artists as Leon Rosselson, Martin Carthy, Chumbawamba and MP Tony Benn (a collaboration which won them a BBC Radio 2 Folk Award).

Today, he remains as committed as ever to his life-long principles of Equality, Liberty, Justice and Internationalism.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Roy Bailey – Live At Towersey Festival link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://roybailey.net/

‘I Thought I Had No Voice’ – live with Martin Simpson:

 

THE SHEE – Continuum (Shee Records SHEE4)

ContinuumThe concept behind Continuum, supported by Celtic Connections, was to celebrate their tenth anniversary by having each of them commission a musician of their choice to write a piece of music for the album. That’s only half the story, of course, for the band had then to arrange the music for six players and write some pieces to bind the whole thing together.

The opening song is ‘From The Shadows’ by Laura-Beth Salter. It’s a powerful call to arms to … ah, well. It could be a feminist piece, the logical first thought, but it could be a warning to the rich and powerful that the poor and oppressed aren’t going to take it any more. Next come two atmospheric pieces by Kathryn Tickell; one evoking the borders and the other with a Scandinavian feel. The playing, needless to say, is exquisite.

Rachel Newton commissioned Karine Polwart and the result is ‘Song For Mary’. The Mary in question is Mary Brooksbank, composer of ‘The Jute Mill Song’ and an archive recording of one verse forms the introduction. We’re not told that it’s Mary herself but I’d like to think it is. Amy Thatcher naturally turned to a box-player and who better than Andy Cutting? Olivia Ross’ choice was Chris Wood who shares the credit for ‘Cradle Song’ with lyricist Hugh Lupton. The Shee turns what could be a pretty little song into something quite strange so you’re not sure whether this a mother singing to her baby from the safety of a warm fireside or struggling home from the storm outside.

Laura-Beth, Amy and Shona Mooney provide the next two tune sets with Shona responsible for the wonderfully titled ‘The Vampire Rabbit Of Newcastle’. Olivia wrote ‘Precious Tears’, a song for children – possibly the band members’ own – and Brian Finnegan wrote a trio of tunes with Lillias- Kinsman-Blake’s flute and a journey through India in mind. Finally, we have Martin Simpson’s song for his mother. ‘Dance With Me’ might be seen as the companion-piece to ‘Never Any Good’. Laura-Beth sings it and plays mandolin where Martin would use guitar and the band play what is almost an orchestral accompaniment.

Continuum is a monument to musical collaboration and the exchange of ideas but more than that, it is a tribute to six exceptionally talented musicians.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the THE SHEE – Continuum link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: https://theshee.com/

‘Ower Late For The Lasses/Sheepolska’ and more with Kathryn Tickell live at Celtic Connections 2016:

SINGLES BAR

A round-up of recent EPs and singles

Latest WaxingHis first new material since 2012 album Seven Songs, HENRY SPARKS releases the aptly titled Latest Waxing, an EP of five acoustic tracks sung in his distinctive swallowed vocals style. Incorporating lines from Blake’s poem, the tumbling ‘While We Were Building Jerusalem’, accompanied by Catriona Bryce on cello, sings of striving for a better life while, enveloped by fiddles, ‘If She Falls’ is a hymnal-sounding song of love and devotion. Again accompanied by cello, ‘So Like A Child’ is a slow waltzer lament for things lost, giving way to the unrequited love themes of ‘The Cowboy Song’ which, despite the title and featuring Alan Cook on pedal steel, sound quintessentially English in a Lilac Time sort of way. Accompanied by just sparse acoustic guitar, the last number is the moody, dark and leafy folk of ‘Migrant’, a timely musing on the hopes and fears of refugee in transit. He waxes eloquently.
http://henrysparksmusic.co.uk/

Of Maids And MarinersThe idea of singing Dolly Parton’s ‘Jolene’ a capella, slowed down with handclaps and percussion is just so far out but that is what SAID THE MAIDEN have done on their debut EP, Of Maids And Mariners. It is just such a great idea and it works. The lead track is an up-tempo version of ‘The Soldier And The Maid’ showing off Hannah Elizabeth’s fiddle playing and after ‘Jolene’ comes the Davenports’ ‘Spring Tide Rising’ featuring Kathy Pilkinton’s whistle and Jess Distill’s shruti. The first two tracks were produced by Stu Hanna and the latter two were recorded live. Said The Maiden will be huge before too long.
www.saidthemaiden.co.uk

Green OnionsIn celebration of Record Store Day 2016 Topic release a unique double A-side vinyl single. On top is a version of Booker T’s ‘Green Onions’ by MARTIN SIMPSON, ANDY CUTTING and TOM WRIGHT. Cutting takes the lead with Wright drumming and playing guitar lead. There’s a bass in there, too, although there is no indication who might be playing it. Underneath is SIMPSON CUTTING KERR with a specially recorded version of ‘Willie Taylor’ with Simpson on lead vocal and banjo. There is a distinctly transatlantic feel about this variant with a chorus that isn’t heard in English versions. Hedy West claimed it as an Anglo-American ballad but everyone seems to agree with enjoying the fact that the heroine was rewarded rather than punished for her action.
www.topicrecords.co.uk

English Songs 2In support of the same event Fledg’ling release the latest of their replica EPs. English Songs Volume 2 features SHIRLEY COLLINS accompanied by Robin Hall. ‘Dance To Your Daddy’ carries none of the baggage that the last fifty-something years have added to it and doesn’t sound anywhere near as naive as you might expect. The version of ‘The Sperm Fishery’ is different from that on False True Lovers – no banjo, which only appears on ‘The Foolish Boy’. That track, together with ‘My Bonny Miner Lad’ seems rather slight by modern standards and the chorus of ‘The Foolish Boy’ is rather silly but all four tracks were recorded with a simple dignity that sometimes seems lost these days. The inner sleeve includes a vintage photograph of Alan Lomax And The Ramblers.
www.fledglingrecords.co.uk

FAY HIELD – Old Adam (Soundpost Records SOPO 5003)

FAY HIELD - Old Adam (Soundpost Records SOPO 5003)Fay Hield’s third solo album is all traditional except when it isn’t. That is, except when the tune is by Hield herself and/or Jon Boden or the song is written by Rudyard Kipling and Peter Bellamy or Tom Waits. Although not given full billing on the front cover, The Hurricane Party – Sam Sweeney, Rob Harbron, Roger Wilson, Ben Nicholls and Toby Kearney – are back alongside the aforementioned Mr Boden and Martin Simpson. Fay is scrupulous about crediting her sources and I do worry when those sources are singers I grew up listening to.

The opening track, ‘Green Gravel’, is described as a playground song although there is a misery about it that isn’t very childish but that mood is quickly dispelled by the jolly ‘Raggle Taggle Gypsy’ and ‘Katie Catch’. The title track is a non-Biblical account of the life of the first man, told as though the expulsion from Eden didn’t happen – it is said of Eve that “her neighbours she ne’er scandalised” and she is described as “the jewel of woman found”. Yeah, right.

The best version of ‘Queen Eleanor’s Confession’ I ever heard was by Rosemary Hardman and the version by Tim Hart and Maddy Prior, which Fay uses here, ignored the melodrama and inherent comedy of the song. Rosemary recorded the song nearly fifty years ago and perhaps sensibilities have changed but I always found Tim and Maddy a bit po-faced about the story as is Fay. ‘The Hornet And The Beetle’ makes a serious point and ‘Jack Orion’ is a famous tale of what? – not quite cuckolding although we can suppose that the countess is married so it’s probably adultery. Whatever, it’s a ribald tale but with murder in the final verse. Tom Waits’ ‘The Briar And The Rose’ seems an odd choice at first glance coming, as it does, from one his more difficult albums, The Black Rider, but strip away the preconceptions and you can see the traditional themes woven into the story.

Needless to say the arrangements are beautifully judged often casting a new light on a song and ‘Go From My Window’ is a perfect example. It can be a real dirge but the banjo and up-front percussion give it pace and the key changes in ‘Anchor Song’ seem to enable Fay to get through it in record time. Leaving aside personal preferences this is an excellent album by any standards.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.fayhield.com/

‘Raggle Taggle Gypsy’ live at well-known north London venue: