Fairport’s Cropredy Convention – tickets on sale now

Fairport's Cropredy Convention

Fairport’s Cropredy Convention three-day open-air music festival will celebrate its fortieth anniversary in 2019.

The organisers have announced many of the acts booked for next summer’s event which will take place on Thursday 8, Friday 9 and Saturday 10 August. The remaining acts will be announced in January 2019.

Tickets went on sale from 3 December 2018.

Host band Fairport Convention will open the festival on Thursday 8 August with an acoustic performance then take the stage again on Saturday to play a two-hour headline set. Thursday’s headline act will be The Waterboys whose potent performance makes them one of the UK’s most exciting live acts.

Former Fairport member Richard Thompson will appear with his erstwhile bandmates Dave Mattacks, Dave Pegg and Simon Nicol. Award-winning Martin Simpson, one of Britain’s greatest acoustic guitarists, makes his first appearance at Cropredy. Fresh from a world tour with Robert Plant, Seth Lakeman returns to Cropredy after a ten year absence.

Celebrating 50 years of Jethro Tull’s music, Martin Barre’s band includes the original Tull drummer Clive Bunker and long-time bassist, Jonathan Noyce. Pioneers of Canterbury’s prog rock scene, Caravan will be making their Cropredy debut. Scottish singer-guitarist Zal Cleminson’s /sin’dogs/ are a new high-octane prog-metal band.

Daphne’s Flight features five female singer-songwriters; Christine Collister, Melanie Harrold, Julie Matthews, Helen Watson and Chris While. BAFTA nominee Richard Digance returns to his traditional Cropredy Saturday lunchtime slot. Will Pound and Eddy Jay are, respectively, among the UK’s finest harmonica and accordion players. Award-winning female trio Wildwood Kin play contemporary indie-folk characterised by spellbinding family harmonies. Multi-instrumentalist Lil Jim combines guitar, harmonica and accordion with foot percussion and vocals. Four-piece Tide Lines are shaped by the culture and music of the Scottish Highlands.

Cropredy tickets on sale for Christmas

Cropredy tickets went on sale on 3 December 2018 in time for Christmas.

Three-day festival tickets cost £140. Camping tickets cost £45 for three nights.

The first 1,000 orders will receive a Christmas card signed by all five members of Fairport Convention.

For box office details visit Fairport Convention’s website: www.fairportconvention.com

Reno Nevada – Cropredy 2017:

SHERBURN – BARTLEY – SANDERS – be.guile (own label SBS001)

be.guileIf like me, you tend to dig out the old Last Night’s Fun CD’s and wonder what would have happened if Nick Scott had been woven into a Fairy Queen folk tale, whilst being held in the arms of Chris Sherburn and turned three times into a snake, a lion and finally a suitably clothed, rather attractive and talented female fiddle playing singer in black leggings and floral dress, then you are in for a treat!

LNF always gave you a great night out, got you lost in those beautiful meandering tales such as ‘The Tinkerman’s Daughter’ and played raucous sets at the speed of a stream train. You always looked forward to Chris introducing the songs which would usually involve something Nick Scott related. From a scrapheap challenge reference as Nick assembled his pipes before a tune to Chris inviting the ladies in the audience to take Nick out on a date. In fact, the way Sherburn held the audience with his unique blend of impromptu observational banter made them much loved by festival audiences far and wide.

After the band split, Chris Sherburn and Denny Bartley did a few festival and gig appearances as a duo and recorded a CD but it always left me wondering if another trio project was ever going to be on the cards again and if so, who it was going to be with.

Well even a pair of rough old diamonds like Chris and Denny sometimes need smoothing out and polishing up a little and what better way of buffing them up than introducing the lovely and talented Emily Sanders on vocals, fiddle and viola to the fold.

It’s really thanks to Terry Oliver that this project ever came together at all. It happened back in 2016 when the new trio played a Thursday afternoon concert at the Whitby Folk Festival and it was Terry’s suggestion that they record a CD.

be.guile is a fine record, it keeps that tried and tested Sherburn – Bartley formula of vocal, guitar and Wheatsone concertina and marries it together with Emily’s lead/ vocal harmonies and fiddle. The album also has some great guests, Andy Seward, Martin Simpson and Chris Miley together with Phil Beer in control of mastering.

The track selection and placing also works really well and is listed as follows:

  1. William Taylor (feat. Andy Seward on Double Bass).
  2. Next Market Day.
  3. Sammy’s Bar.
  4. Seven Curses (Feat. Martin Simpson on Slide Guitar).
  5. Adieu Lovely Nancy.
  6. New Railroad (Feat. Martin Simpson on Slide Guitar and Andy Seward on Double Bass).
  7. The Tinkerman’s Daughter/ The Holly Bush (Andy Seward on Double Bass).
  8. Bright Blue Rose.
  9. Bantry Girtls Lament/ Bulgarian Red/The Fisherman’s Lilt (feat. Chris Miley on Snare Drum).

Like the definition, the album sets out to charm and enchant, it may deceive you in to thinking about Last Night’s Fun but its actually a new day, spent in pleasant company.

Darren Beech

Artists’ website: http://www.chrisanddenny.co.uk

Here is a performance from 2017 of Emily singing ‘Adieu Sweet Lovely Nancy’ from the Downend Folk Club

MARTIN SIMPSON – Trails & Tribulations (Topic TSCD593)

Trails & TribulationsMartin Simpson never disappoints, whether live or on record, but rarely does he surprise. Rather he evolves over time and emerges with something new and different as he has here. Trails & Tribulations is his 20th solo album in a career going back to the early seventies. You sort of know what to expect – Martin is equally drawn to the English and American traditions; he will have borrowed a song or two and written a couple more; there will be a variety of guitars plus banjo and ukulele and it will probably all come together with a fine group of musicians supporting him. And, of course, you’ll be absolutely right.

What’s new is a richness to the music which I suspect comes from working with The Full English and Simpson Cutting Kerr. Both Andy Cutting and Nancy Kerr feature here as does percussionist Toby Kearney, guitarist John Smith, Ben Nicholls on bass and Martin’s daughter Molly on vocals. Toby is generally restrained but the percussion is more noticeable than I remember. Take the first track, Jackson C Frank’s ‘Blues Run The Game’. It’s a short song but Martin takes his time over it, warming up his fingers as he does on stage as the introduction emerges. Bass and percussion provide an unobtrusive foundation and Martin tops everything off with Weissenborn decoration. Next is Emily Portman’s ‘Bones And Feathers’, which he has been singing for a year or so now, and which features banjo – not one of Emily’s chosen instruments. Martin owns it now.

From the Americas we have ‘Thomas Drew’, which would appear to be a distant cousin of ‘John Hardy’, ‘East Kentucky’ and ‘St. James Hospital’ but the first two are written by Martin and perfectly match the period feel – he had me fooled. From the English tradition come ‘Rufford Park Poachers’ and ‘Reynardine’. That leaves four others. Charles Causley’s ‘A Ballad For Katherine Of Aragon’ – music by Alex Atterson – has also been in Martin’s live repertoire for a while and it sounds like a song he would have written if someone hadn’t already done so. ‘Maps’, ‘Jasper’s/Dancing Shoes’ and Ridgeway are three more of Martin’s songs, continuing the semi-autobiographical style that began with ‘Never Any Good’.

Trails & Tribulations will be available in multiple formats including a deluxe double CD with six extra tracks including my all-time Simpson favourite, ‘Joshua Gone Barbados’. I’m holding out for that!

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – live:

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Martin Simpson announces his 20th solo album

Martin Simpson
Photograph by Elly Lucas

World renowned guitarist, singer and songwriter Martin Simpson releases his 20th solo album in 40 years Trails & Tribulations on September 1st 2017 via Topic Records. The brand-new studio album, his first new solo work since 2013’s widely praised Vagrant Stanzas, will be available in standard and deluxe CD, digital download and standard vinyl (the latter through Vinyl 180).


Trails & Tribulations
is a collection of songs about nature, about travels and about real life stories. There are traditional songs, poems and contemporary songs by great writers, and songs that I had to write because nobody else knew what I wanted to say. I travel, I learn songs, I write and try to get better at the skills required for me to do my job. I look at the world as I pass by, on the road, out of the train window, or as I stop and pay close attention to the square foot under my nose. There is so much to see and to hear and to inspire and to try and understand. I had a huge amount of fun playing and recording these songs, using different instruments, different noises, old friends and new ones, all of whom brought so much to the mix. Martin Simpson, April 2017.

Produced and engineered by Andy Bell, Trails & Tribulations features some of Martin’s most inventive playing yet, showcasing his virtuosity on a variety of instruments including acoustic guitars, resonator guitars, Weissenborn lap steel guitar, electric guitars, 5 string banjo, ukulele – and voice.

Guest musicians on the new album are: Ben Nicholls (string bass and electric bass guitars), Toby Kearney (drums and percussion), Nancy Kerr (fiddle and viola), Andy Cutting (diatonic accordion and melodeon), John Smith (electric guitar and backing vocals), Helen Bell (strings), Amy Newhouse-Smith (backing vocals) and his daughter Molly Simpson on vocals.

Martin will tour extensively this year, including a headline set at Cambridge Folk Festival in the summer and London’s Kings Place in autumn, following the release of Trails & Tribulations.

Hand in hand with his long and storied solo career, Martin has been central to seminal collaborations like The Full English, The Elizabethan Sessions and Simpson Cutting Kerr. He has worked with a dazzling array of artists from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons, to mention a few. He is consistently named as one of the very finest acoustic, fingerstyle and slide guitar players in the world and is the most nominated musician in the history of the BBC Folk Awards, with a remarkable 31 nods. A true master of his art.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – audio stream:

Roy Bailey announces first ever live album

Roy Bailey

Six years on from his acclaimed album of children’s songs, Tomorrow, singer and activist Roy Bailey returns with Live At Towersey Festival 2015.

As the title suggests, the 11-track collection was recorded live at the long-running Oxfordshire festival, and will be officially launched at the 2016 event, on Monday 29 August.

Roy’s relationship with Towersey stretches back over 50 years. Friends with the festival founders, he was present at early planning discussions and appeared at the very first festival, in 1965. He’s been a much-loved regular visitor ever since, with his firmly established Monday afternoon concerts drawing capacity crowds.

Live At Towersey 2015 finds Roy interpreting songs by Bob Dylan (‘With God On Our Side’), Tom Waits (‘In The Neighborhood’) and John Tams (‘Rolling Home’), along with three compositions by American singer-songwriter Si Khan. Among them is Si’s ‘What You Do With What You’ve Got’, which opens the album.

“’What You Do With What You’ve Got’, as I understand, was written on behalf of disabled people,” says Roy, who first met Si at a Canadian folk festival during the early 1980’s. “For me it has almost become my signature tune, as I invariably sing it at the beginning of my concerts and have done so since about 1984/85! It has a central theme that applies to us all.”

Joining Roy on several tracks are guitarist Martin Simpson and melodeon player Andy Cutting, plus Marc Block (bodhrán) and Ian Brown (guitar), as well as Roy’s daughter and grand-daughter, Kit Bailey and Molly Simpson.

The 2015 show was recorded in secret by Roy and co-producer/ engineer ‘Ich’ Mowatt, who then edited the 90 minute concert down to 11 tracks. Expertly capturing the intimacy and warmth of a live performance, it’s remarkably Roy’s first live album.

“I wanted to do one … but never go around to it,” says Roy simply.

Roy Bailey is one of the UK folk and acoustic scene’s most admired and accomplished performers. He began his long career performing skiffle in student union bars in the late 1950s before falling in love with traditional songs and the stories they tell. Quickly developing a unique repertoire of songs of dissent and hope, he’s gone on to perform on stages, TV and radio all over the world. En route, he’s been joined by such artists as Leon Rosselson, Martin Carthy, Chumbawamba and MP Tony Benn (a collaboration which won them a BBC Radio 2 Folk Award).

Today, he remains as committed as ever to his life-long principles of Equality, Liberty, Justice and Internationalism.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://roybailey.net/

‘I Thought I Had No Voice’ – live with Martin Simpson:

 

THE SHEE – Continuum (Shee Records SHEE4)

ContinuumThe concept behind Continuum, supported by Celtic Connections, was to celebrate their tenth anniversary by having each of them commission a musician of their choice to write a piece of music for the album. That’s only half the story, of course, for the band had then to arrange the music for six players and write some pieces to bind the whole thing together.

The opening song is ‘From The Shadows’ by Laura-Beth Salter. It’s a powerful call to arms to … ah, well. It could be a feminist piece, the logical first thought, but it could be a warning to the rich and powerful that the poor and oppressed aren’t going to take it any more. Next come two atmospheric pieces by Kathryn Tickell; one evoking the borders and the other with a Scandinavian feel. The playing, needless to say, is exquisite.

Rachel Newton commissioned Karine Polwart and the result is ‘Song For Mary’. The Mary in question is Mary Brooksbank, composer of ‘The Jute Mill Song’ and an archive recording of one verse forms the introduction. We’re not told that it’s Mary herself but I’d like to think it is. Amy Thatcher naturally turned to a box-player and who better than Andy Cutting? Olivia Ross’ choice was Chris Wood who shares the credit for ‘Cradle Song’ with lyricist Hugh Lupton. The Shee turns what could be a pretty little song into something quite strange so you’re not sure whether this a mother singing to her baby from the safety of a warm fireside or struggling home from the storm outside.

Laura-Beth, Amy and Shona Mooney provide the next two tune sets with Shona responsible for the wonderfully titled ‘The Vampire Rabbit Of Newcastle’. Olivia wrote ‘Precious Tears’, a song for children – possibly the band members’ own – and Brian Finnegan wrote a trio of tunes with Lillias- Kinsman-Blake’s flute and a journey through India in mind. Finally, we have Martin Simpson’s song for his mother. ‘Dance With Me’ might be seen as the companion-piece to ‘Never Any Good’. Laura-Beth sings it and plays mandolin where Martin would use guitar and the band play what is almost an orchestral accompaniment.

Continuum is a monument to musical collaboration and the exchange of ideas but more than that, it is a tribute to six exceptionally talented musicians.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: https://theshee.com/

‘Ower Late For The Lasses/Sheepolska’ and more with Kathryn Tickell live at Celtic Connections 2016: