MAEVE MACKINNON – Strì (Own Label, MM003)

Launched this weekend as part of Celtic Connections 2018, comes Maeve Mackinnon’s third studio album, Strì (meaning “strive”). After a couple of years of touring with Stepcrew and others, Mackinnon returns to home turf with an album of songs with a distinctly female perspective.

Inspired by Mackinnon’s love of waulking songs, this collection bears all the hallmark strong rhythms of work songs, like opener ‘Iomaraibh Eutrom’ (“Row Lightly”) with its hypnotic rowing pace. There’s also an evident relish in playing with assonance and alliteration in the language.

The lyrics (in translation) form a brutal poetry. Often these little hunks of plain-spoken, stark phrases hang together with a dark twist involving betrayal, or a loss of love or life. But it’s as repeated, sung phrases that they come alive with their own musicality.

Knowing Gaelic may help comprehension, but it’s certainly not essential to appreciating the vocal skill and dexterity in pieces like ‘Puirt-a-Beul’ (“Mouth Music”) – a “hidden” track that runs on from ‘Moch An-Diugh A Rinn Mi Eirigh’ (“Early Today I Rose”). Then there’s the not-quite-rapping, tongue-twisting ‘Bodachan a’Ghàrraidh’ (“Little Old Man In The Garden”) with its loose, funky guitar undercarriage. (And this song even fades out, like some contemporary radio playlister).

What the Scots generally do seem to have is a sound grasp of how to respect and refresh their traditions with judicious use of the studio toolbox, and Strì is no exception. So, occasional processed vocals, industrial metallic sounds, scratchy electronics and even an almost club-like rhythmic regularity on can be found here, all of which help to keep these songs feeling right up to date.

Producer/arranger Duncan Lyall successfully marshalls an array of top musicians including Jarlath Henderson, Ali Hutton, Martin O’Neill, Patsy Reid and Kathleen MacInnes, amongst others, whilst keeping a firm hold on the balance of instrumentation and sympathetically fleshing out Mackinnon’s warm tones.

Most of the songs here may be from the Gaelic tradition, but Mackinnon does include one of her own compositions. Following a crackly announcement in Spanish, it’s quite startling to hear English lyrics again. ‘We’re Not Staying’ is a complex tale of flight and persecution, nicely told with an emphasis on the disruption of migration and the wistful sense of temporariness.

In short, Maeve Mackinnon has made, in Strì, an album that is a real pleasure to listen to, relishing in all its rhythmic twists and turns. She has taken traditional forms and given them a contemporary edge, and the women’s stories that she sings are just as relevant as they ever have been.

Su O’Brien

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Artist’s website: www.maevemackinnon.com

‘Iomaraibh Eutrom’:

Maeve Mackinnon – new album and spring tour

Maeve Mackinnon

Contemporary Gaelic Singer Maeve Mackinnon releases her third studio album in February, 2018. Strì is a collection of songs in Gaelic and English, based on the themes of work, exile and struggle, from a woman’s perspective.

Strì means to strive or struggle in Gaelic. My original idea was to revisit the songs I love, particularly Gaelic Waulking songs. Waulking songs are work songs traditionally sung by women in the Highlands and Islands of Scotland. They were hardy, tough women and they sang of battles, tragedies, breakups and romance. I realised midway through recording that nearly all the songs are from a female perspective, and the messages within them are so current today on many levels”.

The album is produced by multiple award-winning producer and bassist Duncan Lyall (producer of Scots Trad Music Awards’ Album of the Year 2015 for Treacherous Orchestra’s Grind along with many others!).

Strì features guest contributions from musical luminaries such as Kathleen MacInnes, Martin O’Neill, Patsy Reid, Ali Hutton, Duncan Lyall, and Jarlath Henderson alongside longtime collaborators Ross Martin and Brian McAlpine.

“The stories, melodies and rhythms convey so much. Whether you speak Gaelic or not, I think people can hear the power of feeling in these songs”.

Strì is launched on Sunday 4 February at Glasgow Royal Concert Hall as part of  Celtic Connections 2018.

Artist’s website: https://www.maevemackinnon.com/

Tour Dates so far:

Friday 23 March: Rutherglen Town Hall

Saturday 24 March: Milnathort Town Hall, Kinross

Tuesday 3 April: Aros Centre, Isle of Skye

Claire Hastings announces debut album

Claire Hastings

Since winning the BBC Young Traditional Musician of theYear title in 2015, folk singer Claire Hastings’ debut album Between River And Railway has been hotly anticipated. The album features exciting arrangements of traditional folk songs alongside Claire’s self-penned material, including the stunning ‘The House at Rosehill’. This song features the album title in the lyrics, and is a reference to Claire’s childhood home near Dumfries. Songs are brought to life with band members Jenn Butterworth (guitar & vocals), Laura Wilkie (fiddle) and Andrew Waite (accordion) as well as guests Martin O’Neill (percussion) and Duncan Lyall (bass).

Recorded at Carrier Waves Studio (Glasgow) and produced by Ali Hutton (Treacherous Orchestra, Old Blind Dogs) one of Scotland’s foremost multi-instrumentalists, the album showcases Claire’s beautifully clear voice in the Scots and English languages.

The album includes Claire’s alternative melody to Robert Burns’ ‘The Posie’, which has been controversially deemed superior to the original. A lively rendition of ‘Let Ramensky Go’ also features, which Claire has performed twice with BBC Scottish Symphony Orchestra at Proms in the Park and at BBC Music Day, where she also sang alongside Lulu, Jamie Cullum and Deacon Blue. ‘The Gretna Girls’ was written after a visit to the Devil’s Porridge Museum near Gretna, once the site of what during the First World War was the UK’s largest munitions factory.

Claire will be touring the album with her band in May and June this year following a solo tour of New Zealand in April.

Artist’s website: http://www.clairehastings.com/

‘The Posie’: