Some of you might be asking ‘What’s Mark Nevin got to do with folk music? Folk music should be traditional or nothing’. Others might say ‘No. Folk music should be expressing new ideas and challenging the establishment view’. And that, in microcosm, is the point of the title track of Mark’s new album, My Unfashionable Opinion, although unfashionable is perhaps a euphemism as anyone who has expressed a contentious point of view on Facebook or Twitter knows.
Mark Nevin is a fine songwriter who is unlikely to hit the charts any time soon, nor will he appear in your local folk club. He inhabits that twilight zone between commercial success and cult adoration. He is accompanied by a core band of Simon Edwards, Richard Marcangelo, Roger Beaujolais and James Hallawell with guests including a brass section.
He returns to the absurdities of the internet with ‘Forgotify’ and I tried to imagine what I’d feel if I heard it on acoustic guitar by a club floor singer. I know I’d hate it and that’s why Mark has to be where he is. ‘Don’t Be My Echo’ is essentially acoustic with some decoration but ‘Curly Wurly Boy’ – about both careers advice in schools and the drudgery of factory work – could be but isn’t. His songs about relationships: ‘Uncertainty’, ‘Cold War’ and ‘I Can Hear You’, for example, need the rock backing to avoid mawkishness but it’s the autobiographical pieces such as ‘Punching Above My Weight’ that I enjoy most.
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the MARK NEVIN – My Unfashionable Opinion link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
We’ve all done it, or know someone who has: gazed longingly in the window or gone inside for a closer look; maybe even asked to try a Strat or a Firebird (insert guitar of choice). That’s the premise of the title track of this album in which the writer portrays himself as a man with family responsibilities that keep him from the road and now teaches his son. But still he haunts Denmark Street looking wistfully in shop windows. How can you not love Mark E Nevin after a song like this?
‘Beautiful Guitars’ is not so much a song as a series of observations linked by a chorus and it’s this quirky way of writing that makes Mark so fascinating. Take ‘The Old Wound’ for example: all the way through it sounds as though he’s writing about a physical wound and he doesn’t deviate from that line. But you’re left with the feeling that this is really a psychological wound that “will never heal”. ‘Dangerous’ is a bit of soul-baring that comes out of a dream – real or imagined, who knows?
There is everything here from the fragile acoustic guitar of ‘Kiteflyer’s Hill’ to the glorious celebration of ‘Let’s Make Hay’ with The Kick Horns in full cry. It’s one of the album’s top tracks and is set against ‘Just In Time (To Be Too Late)’ which is Mark’s ‘Positively Fourth Street’ – soulful and vicious. Others in the supporting cast include fellow ex-Fairground Attraction Simon Edwards on bass, drummer Martyn Barker, pedal steel maestro B J Cole and Folk Award winner, Tim Edey.
Beautiful Guitars is fabulous album, full of original ideas and equally original execution. What more do you want?
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.