May highlights at Cecil Sharp House

May

Luke Jackson with special guest Rebecca Loebe
Wednesday 3 May, 7.30pm
Tickets:  £14 | £10 under 26s

Luke jacksonA meeting in Kansas, USA led to a transatlantic partnership of two exceptional charismatic young songwriters.

Luke Jackson is a rising young Roots singer/songwriter from Canterbury in Kent.  2013 saw him nominated for both the Horizon Award for Best Emerging Talent and the BBC Radio 2 Young Folk Award and in 2014 he was named Fatea’s Male Artist of the Year.

Rebecca Loebe is a young singer-songwriter known for her distinct voice, well-crafted songs and ability to bring an audience to her journeys, introducing them to the characters she meets and observations she makes as she travels.

Jon Boden
Thursday 18 May, 7.30pm
Tickets:    £20 | £10 under 26s

Jon BodenJon Boden has become the stand out performer of his generation of traditional folk artists, but one whose repertoire extends far beyond the boundaries of the genre.

As a total contrast to the eleven-piece Bellowhead, autumn 2016 saw Jon launch his first ever solo tour. The show promises to incorporate elements from the wide creative span of his career to date – from the self-penned pop songs of Painted Lady, to the funked-up power-pop arrangements of folk songs that characterised Bellowhead and Spiers & Boden, to the post-Apocalyptic song-world of Songs From The Floodplain, to unaccompanied ballads as featured on his mammoth A Folk Song A Day project in which he recorded and released 365 folk songs in one year across 2010-2011.

Through his solo work and his work with Bellowhead and Spiers & Boden Jon has won eleven BBC Radio 2 Folk Awards – more than any other artist. His solo shows will provide an intimate insight into a man of many and various talents and promises to take the audience deeper into the song worlds of traditional music and of his own song writing.

Rosie Hodgson
Wednesday 24 May, 7.30pm
Tickets: £12 | £10 under 26s

Rosie HodgsonAs a rising star of the English folk scene, Rosie Hodgson will present an evening of songs from her new album Rise Aurora, accompanied by fiddle-singer Rowan Piggott. Expect an eclectic mix of original and traditional material; beautiful inventive songs overlaid with delicate harmonies, driving fiddle, spell-binding guitar lullabies and maybe even some clog stepping! There is a very long and bright future dawning for this young duo.

Heg & The Wolf Chorus
Wednesday 31 May, 7.30pm
Tickets: £12 | £10 under 26s

Heg & The Wolf ChorusFollowing the hugely successful UK tour throughout the Autumn, Bristol four-piece Heg & The Wolf Chorus are back on the road in the spring 2017 performing their acclaimed debut album Raising The Fires.

The band performs the album’s enchanting story of a witch who was wrongfully burnt at the stake. The scorned woman casts a spell, ending the world as we know it and conjuring all the mythological creatures back to roam the Earth. Inspired by traditional Scottish folklore and written at the foothills of the Cuillin mountains on the Isle of Skye, the vivid imagery and magnificent landscapes can be heard in every spine-tingling song. This release presents the band’s distinctive sound and Heg’s visionary songwriting on a scale unlike anything they have released before, bringing theatrical elements to their performance with a strong story-telling theme throughout.

Folk Sounds Best at Cecil Sharp House

Folk Sounds Best
The English Folk Dance and Song Society has unveiled its line up for the 2017 summer music and performance season at England’s national folk arts centre, Cecil Sharp House in London.

Elliott Morris
Wednesday 21 June, 7.30pm
Tickets: £12 | £10 under 26s

Elliott MorrisWith hundreds of gigs behind him Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after young artists on the acoustic scene.  The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, taps the strings and beats the guitar’s body to create an intricate spectacle, together with an original and unique sound integral to his songs.

Elliott’s original compositions marry intricate guitar lines with heartfelt, honest vocals and clever wordplay, combining elements of folk, roots, jazz and country. Embracing the traditional and the contemporary – this is folk music for the 21st century.  Elliott’s versatile blend of folk, pop and rock has complemented a range of major artists he has supported including Frank Turner, Seth Lakeman, Lau, Big Country, and The Three Degrees, and revered folk veterans Martin Carthy and Dave Swarbrick. He has also supported Paul Carrack (Squeeze, Mike + The Mechanics, Eric Clapton) on many of his UK tour dates.

“One of the most impressive guitarists to grace our studio for a very long time…a compelling listen – and mesmerising to watch!”  Dean Jackson – The Beat / BBC Introducing

The Takeover
Sunday 9 July, 7pm
​Tickets: £6

Showcasing talented young folk bands and musicians, this concert wraps up an evening of activities for young people, including ceilidh dancing and a jam session. The Takeover is curated, organised and hosted by EFDSS ‘​ Youth Forum and EFDSS’ resident folk collective, London Youth Folk Ensemble.

Venue website: www.cecilsharphouse.org/csh-whats-on.

The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

AMY WADGE AND LUKE JACKSON live at Cambridge Junction

Cambridge City Roots Festival, 7 February 2017

Amy Wadge and Luke Jackson

What comes across so strikingly from an evening with Amy Wadge and Luke Jackson is their natural rapport. Both are hugely talented songwriters, singers and musicians with a constant drive to create new music. They work effortlessly well together and although they like to pass the occasional comment on their age gap, it’s plainly not all that relevant to them.

Wadge and Jackson are near the end of this year’s two-hander tour, cramming 15 dates into 3 weeks. No surprise that Wadge, taking the stage first, admits to feeling rather exhausted – although you’d never know it from the gusto and attack of her performance. She ploughs straight in with ‘Always’, ‘Scream’ and ‘Free Fall’, accompanying herself on guitar or on keyboards.

Luke Jackson joins Wadge for the first of the evening’s duets, ‘Thinking Out Loud’, the 2016 Grammy-award winner, co-written by Wadge with Ed Sheeran. It’s the song that made her an overnight success after 20-odd years of striving. Wadge appears to wear success lightly and with unaffected charm. Her between-songs chat is hugely entertaining, with a seemingly bottomless well of anecdotes that feel cosy and intimate, even when dropping stellar music business names.

The other thing of note is Wadge’s songs themselves, often with threads of personal experience woven throughout them. It’s this that really elevates them, making an emotional connection with the listener. She presents a new song, a kind of working-parent blues: a touching apology to her children, acknowledging that the need to follow one’s dreams is not always compatible with the demands of parenthood. Then there’s ‘One Last Dance’, a beautiful song with an equally inspirational source in her remarkable grandparents. There was definitely something in my eye during this one. The final song of her set is rooted in her mother’s illness, whilst also being a tribute to the strength of anyone struggling with life’s obstacles.

Having followed Luke Jackson’s musical progress for a few years, somehow tonight is the first time I’ve managed to see him live. His voice has matured, becoming richer and, thankfully, losing a few youthful quirks. His quiet confidence and talent simply shine out: he’s so firmly in control of his vocals and his guitar, changing pacing and volume with enviably fluid ease. An a capella verse of ‘Ain’t No Trouble’ builds into a bluesy roll. Slowing down only slightly, he segues straight into ‘Sister’, plucking effortlessly at his guitar with his right hand whilst his left-hand finger-clicks to mark the rhythm.

Amy Wadge returns, duetting with Jackson on ‘Finding Home’, a song written during their last tour, followed by the choppy ‘Is It Me?’ and ‘Better Man’. Finally, the pair move on to ‘Lucy And Her Camera’, an older Jackson song which he’s only recently recorded.

Back on his own again, Jackson runs through ‘Aunt Sally’ and ‘Kansas’, each song prefaced with funny, self-deprecating tales about how they came to be written. Jackson also somehow breathes freshness and meaning into Simon & Garfunkel’s ‘Bridge Over Troubled Water’ – no mean feat with such a very well-worn song. The set closes with Jackson stepping out front of stage to encourage a bit of crowd participation in the chorus of ‘On The Road’.

Wadge, who earlier provided a spiky piano accompaniment to expose the raw beauty of the Manic Street Preachers’ ‘Design For Life’ stripped of its rock bombast, joins Jackson one last time as the pair encore with a country-tinged take on Prince’s ‘Purple Rain’.

At time of writing, the tour is over and the pair are off to different destinations in the USA, but their social media suggests they’re keen to do it all again next year. With such a dynamic, creative and yet thoroughly level-headed and likeable duo, that’s got to be a fixture for the diary.

Su O’Brien

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the AMY WADGE link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER Tall Tales And Rumours, Luke Jackson’s latest [CD]

Artists’ websites: https://amywadge.com
http://lukepauljackson.com

CAMBRIDGE CITY ROOTS FESTIVAL – Various artists and venues, 3-11 February 2017

City Roots Festival
Photographs by Su O’Brien

The 2017 inaugural City Roots Festival is kind of like an expansion pack for the Cambridge Folk Festival: a winter top-up with lots of bonus features. Aiming to expand the relationship between folk/roots music and the city, the Folk Festival organisers lined up a diverse roster of artists over one week at assorted venues across the city.

Home-grown talent Steven James Adams opened the week with his new band The French Drops, providing witty and lively songs with a conscience. Then there was a choice between Mary Chapin Carpenter (with Edale’s finest, Bella Hardy, in support) with her classic country-infused songs or the edgier sounds of Jim Moray.

A day of workshops on working in the music industry, hosted by Anglia Ruskin University’s music department, was considered, by one attendee at least, to have been very useful. The evening could be rounded off in the evening by some folk club sessions in the Cambridge University Union Bar, or at The Transatlantic Sessions, a melting pot of Celtic and Americana sounds. Or, like me, you might choose to take in an entertaining evening in the company of singer-songwriters Amy Wadge and Luke Jackson.

Replicating the Folk Festival’s “up & coming” stage, The Den, at local venue CB2, was a two-night showcase including Janet Devlin, SJ Mortimer, Honey and the Bear, Mortal Tides, Ben Smith and Jimmy Brewer, and Kerry Devine.

The riotous Mad Dog McCrea returned as headliners, following their support slot for New Model Army just a few months ago. Noble Jacks, their support act, look like being a band worth watching, too. On a completely different tack, skilful guitar playing with a twist was provided by Paolo Angelli & Derek Gripper.

On the final day, the bitter sleet was braved by a staunch group of great musicians who’d rashly agreed to busk around the city, including five-piece band Morganway, Pat Crilly & Greg Camburn, Ben Smith & Jimmy Brewer (whose delicious harmonies almost made it feel like summertime: almost) and guitarist Matt Hammond. And these were just the ones I managed to see, so my apologies to those I missed out. Luckily, there was a warm welcome from the folk clubs inside the Union Bar, a place to retreat and thaw out red-raw fingers to play some fine indoor sets, too.

Sadly, the headliner for the closing night, Salif Keita cancelled due to illness, but Sona Jobarteh stepped up, with Muntu Valdo in support.

There is no question about the quality and diversity of the artists taking part, and Cambridge has the range of venue sizes to manage internationally renowned stars and breakthrough acts. Just a bit of housekeeping needs attention, if – as the organisers hope – this is to become an annual event. Several gigs had no visible City Roots branding at all, leaving a lack of any feeling of cohesion that an umbrella, multi-venue festival like this really needs. In established Cambridge tradition, laminated posters were cable-tied to railings around town and local press published articles, but details of updates to the schedule were often only sketchily available online, like the re-organisation of some of the final day activities. Attention to small details like these would make big improvements to the overall experience, but there’s no doubt that City Roots will be a welcome addition to the festival calendar.

Su O’Brien

Festival website: https://www.cambridgelivetrust.co.uk

LUKE JACKSON – Tall Tales And Rumours (First Take Records FTCD002)

Tall Tales And RumoursI never fail to be impressed by Luke Jackson. He is still only in his early twenties, has a voice that many more experienced singers would kill for and writes songs of such wisdom and perception. Tall Tales And Rumours is his fourth studio album and he’s only just started.

The album opens with the extraordinary ‘The Man That Never Was’ with just Luke’s soulful gospel-tinged voice. The song was inspired by Glen Campbell’s struggle with Alzheimer’s Disease; he was beginning to forget everything except his music. “No man is empty, not all is lost / You may find him in a melody” is the final couplet and you almost want to stop there and think about it. Luke doesn’t want that, however, and he segues straight into ‘Treat Me Mean, Keep Me Keen’, a complete contrast as he tells of a culture clash with his American girlfriend that is finally resolved through music.

About now you start wondering how much of this is real and how much is imagination. ‘Finding Home’ is clearly about life on the road so perhaps the rocker ‘Anything But Fate’ is its imaginative counterpoint. So where did ‘Leather & Chrome’ come from? It’s about a man fulfilling his father’s dream by building a motorbike and riding it to California to rest his head on Venice Beach. I’m pretty sure Luke hasn’t done that. ‘Aunt Sally’ lies somewhere between reality and imagination – she is a real character but Luke speculates on her fate and attacks the system that “sold her down a river on a raft of broken dreams”.

Luke continues to employ Andy Sharps on bass and Connor Downs’ on percussion and the three of them make a mighty sound when they need to. In contrast, Luke can sound fragile and vulnerable as he does on the tragic ‘That’s All Folks’. Amy Wadge appears as guest vocalist on ‘Finding Home’ but she is the only addition to the gang of three that made This Family Tree.

The final track is the part blues, part rock ‘On The Road’ as Luke seems to accept that this will be his life for the foreseeable future and he can live with that. So can we.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Luke Jackson link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.lukepauljackson.com

‘Lucy And Her Camera’ – live: