Dai Jeffries talks to Kara about their comings and goings
This has been a turbulent year for our friends Kara. It began with the departure of Gary Holbrook and the search for someone who could learn the repertoire in a very short time. It ended – well almost ended – with guitarist and songwriter Ben Honey leaving the band because of work commitments and relocation and another search was underway. In the middle of all this Kara recorded their second album, Some Other Shore. Daria Kulesh picked up the story for me.
“The second album was a make-or-break moment. Replacing Gary was much trickier than we thought – we tried a couple of people and things were not working out – nobody’s fault, it just seemed that the stars we against us – and we knew that we couldn’t lose all that momentum. At the same time we knew that we had to make the album and the album launch tour happen and we only just managed to get the record out on time.”
Kate Rouse, singer and dulcimer player, reflected further. “In the end, the year has turned out really, really well. Gary’s work was building up and up and I think he was always going to be the first person who struggled. His was a tough role to fill but we completely fell on our feet with Phil Underwood. There are lots of musicians round here – Russians – but they want to do something very, very pure and are not so interested in the creative element.”
And then came the enforced departure of Ben Honey. Daria again:
“Hopefully, as a songwriter, Ben will remain very much a part of Kara – that was the first question that we asked him, that and whether we could play his songs with the new line-up. His answer was a resounding yes.
“When we cast our net in searching for a new band member our first approach was to ask the guitarists on the scene because we already had Ben’s songwriting in the bag so how about we find a really, really amazing guitarist? But the problem there is that the amazing guitarists tend to be very, very busy so we thought that sometimes you have to think outside the box and look for another songwriter and once we started asking songwriters the response was much more encouraging. Then I thought ‘why don’t I ask one of my favourite songwriters who, I think, encompasses a bit of the madness of Kara’ [and who happens to live a few miles down the road]. I called him and by the next morning he’d said yes.”
Kate: “Before, Daria kicked herself that she’d known Phil for ages and hadn’t thought to ask him so this time we thought ‘sod it’. I didn’t matter how cheeky it was – if you don’t ask you don’t get. Pete, bless him, practically bit our hand off. The creativity of the project appealed and, certainly, our early rehearsals have gone really, really well. Even when he’s winging it it all goes “whoop” and when he nails it completely it’s going to be pretty special.”
Cue Pete Morton.
“A number of things have come along that make it a perfect idea for me. I do so much of being a front man; predominantly solo and a few other things like the Christmas show, but it’s mainly me and I’m always playing that same role. What was lovely was that I got a phone in the middle of the day from Daria and for the first time in my life someone has asked me to join their band and it was one of the most beautiful feelings I ever had.”
I should say that our meeting was in danger of falling apart at this point in a welter of emotion and hugs but Pete held it together. “I’m not being over-dramatic here, there is substance to this. Being a front person people think that you’re the person in authority and I don’t always see things like that. I like the idea of being in the situation of playing the guitar, being in that different dynamic; it just fits in with everything I want to do now.”
Dare I ask how Pete sees his role in the band developing? “I just like the idea of playing Ben’s songs on the guitar and playing along with the tunes. I’ve played a lot in ceilidh bands and it’s nice to do that. I’m interested in being involved in the vocals but that’s Daria’s role. I like the theatrical aspects and I like the idea of occasional duets but that’s further down the line.”
Phil Underwood arrived – Kara were meeting for a photo-shoot and rehearsal – and chaos almost reigned but I did want to ask Phil how he felt about joining a band, learning the back catalogue and recording an album within the space of a few months, only to find a key member leaving.
“There was a lot of work to get into it but Ben made the decision that was right for him and I think it’s timely in a way. It’s wonderful that Pete has come along and I think we’re going to go in a different direction. Ben saw himself as the engine-room of Kara and that helped me because it settled me into the band and gave me enough leeway to put my mark on the band.”
So was there a feeling of ‘oh, no, what have I let myself in for now”? “Absolutely! It’s that kind of band. It’s a great band. It’s a very quirky and lively sort of band and everybody in it is quirky and lively which reflects in the music. I’m really looking forward to what Pete’s going to bring.”
The light was beginning to go, there were wardrobe decisions to make and Phil was eager to show off his newly-acquired 1963 long-necked Pete Seeger banjo so it was time for me to go. We’ll hear the results of all their efforts when Kara return to live performance next month. I, for one, am looking forward to it.
Artists’ website: http://www.karafolkband.com/
‘Lovers’ Tasks’ – a demo from the new line-up: