Rab Noakes announces new album

Welcome to Anniversaryville released on Friday 13th July 2018

Rab Noakes
Photograph by Brian Aris

In February of 2017 Rab Noakes performed a well-attended, highly-acclaimed concert, with his ‘70/50 in 2017’ band of musicians at Glasgow’s Old Fruitmarket, as part of that year’s Celtic Connections festival. That concert, its songs and its players form the backbone of this record. The songs are mostly by Rab and span nearly 50 years of songwriting from ‘Together Forever’ [1969] to ‘It All Joins Up (In The End)’ [2017]. They form a sequence which contains interpretations of songs from a diverse range of sources from Scots traditional to Scots Gaelic to Al Jolson to Doris Troy to Pee Wee King to Marijohn Wilkins.

The band members are a rich mixture of people, some of whom Rab has worked with before and some he hadn’t. Some of them had played together before and some hadn’t. They are Stuart Brown – drums; Christine Hanson – cello; Jill Jackson – guitar, singing; Kathleen MacInness – singing; Una McGlone – double-bass; Lisbee Stainton – 8-string guitar, banjo, singing; Innes Watson – fiddle, guitar, singing. A broad range of songs was chosen, and rehearsed, for the concert. It was an easy decision to reach to arrange to visit the recording studio on the weekend immediately following it. Over those three days, the backbone of this record was laid. Some of the songs were performed live in the studio.

Some were laid as backing tracks. New tunes, awaiting lyrics, were laid and Welcome To Anniversaryville  was well underway. In no hurry, so not using up a large amount of days, John Cavanagh, Stephy Pordage and I were in John’s upstairs room, in Muirend, with musicians coming to complete this work. Sometimes they were alone, at other times there were two, even three, of them at a time. Guest musicians appeared such as Davie Craig – fiddle, singing; Alex Gascoine – violin; Sue McKenzie – baritone plus soprano sax and Emily Tse – bass trombone. In time the seventeen tracks were worked on to a satisfactory conclusion.

Rab says, “It’s all too easy for artists to believe their latest is their best work. It’s seldom true and, in any case, it takes time for that to be proved. In this case though, for me, it may well be true. The quality of the contributions from all involved, the attitude and sound achieved alongside the subject matters of the songs and their provenance does seem to add up to something. I always strive to make a record only I can make. I leave it to you to put that to the test”.

Artist’s website: http://rabnoakes.com/

‘Jackson Greyhound’ – live with Jill Jackson:

Elliott Morris announces debut album

Elliott Morris

Lost And Found is the debut album from singer/songwriter and guitarist Elliott Morris. Recorded at Caribou Studios, Scotland and produced by Mattie Foulds, the album is a melting pot of folk, rock, blues and country. Blending progressive, contemporary ingredients with still vibrant British folk and roots traditions, this is folk music for the 21st century.

The album showcases Elliott’s expert percussive acoustic guitar playing, swooping and soulful electric solos, heartfelt lyrics and strong, honest vocals.

And he’s put together an all-star ensemble. Playing alongside are Paul Carrack (Ace, Squeeze, Mike + The Mechanics, Eric Clapton) on Hammond organ, Paul’s son Jack Carrack on drums, Innes Watson (Treacherous Orchestra) and Mike Vass (PRS Scots Trad Composer of the Year, SAY Award Nominee) on fiddles/strings, Laura-Beth Salter (The Shee) on mandolin and vocals, Lisbee Stainton (Seth Lakeman Band) on guitar and vocals, Jim Molyneux (4Square) on piano and Fender Rhodes, Alan Thomson (The John Martyn Band) on fretless bass and Elliott’s brother Bevan Morris (Dallahan, Pons Aelius) on double and electric bass.

Music blog WriteWyattUK proclaimed that Elliott Morris “redefines folk…with a little John Martyn influence delivered in Seth Lakeman style” and BBC 6Music’s Tom Robinson described him as “absurdly talented”.

Lost And Found is released both on CD and on iTunes worldwide on 16th June 2017. Elliott plays a special launch gig at Cecil Sharp House in London on 21st June, and at Café Portico in Lincoln on 30th June.

With hundreds of gigs behind him – and a coveted Danny Kyle Award from Celtic Connections 2013 – Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after young artists on the acoustic scene.

The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, taps the strings and beats the guitar’s body to create an intricate spectacle, together with an original and unique sound integral to his songs.

Half English, half Scottish and raised in Wales and Lincolnshire, Elliott is continuing this journey by means of his almost constant touring schedule. He plays across the British Isles, from Orkney to Plymouth, Boston to Llangrannog, Belfast to Clonakilty.

Elliott’s original compositions marry intricate guitar lines with heartfelt, honest vocals and clever wordplay, combining elements of folk, roots, jazz and country, all the time embracing the traditional and the contemporary.

Elliott has honed his craft on the road, regularly clocking up 120+ gigs a year. He has headlined in Germany, Holland, Ireland and Upstairs at Ronnie Scott’s Jazz Club in London, as well as performing at major festivals such as Cambridge Folk Festival, Hop Farm, Towersey Festival, The London Acoustic Guitar Show and the Ullapool Guitar Festival. He scooped a prestigious Danny Kyle Award at Celtic Connections in Glasgow, and last year BBC Alba broadcast a duo performance with Dougie Maclean at Perthshire Amber.

Elliott Morris twice toured the UK opening for Paul Carrack (Squeeze, Mike + The Mechanics, Ace, Eric Clapton), taking in over fifty major venues including a show at The London Palladium.

He has also supported a seemingly endless list of other respected acts, among them Frank Turner, Andy McKee, Seth Lakeman, Lau, Big Country, The Levellers, Ed Sheeran, Cara Dillon and Eddi Reader. But now Elliott moves centre stage, the spotlight focused on him.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.elliottmorris.co.uk

‘Sirens’ and Elliott’s tour video:

Wickham Festival 2015 – Reviewed by Simon Burch

Click on the photo below to see the full set…

Wickham 2015

Staged in a corn field and with three stages linked by alleyways of food and crafts stalls, Wickham proved to be a good nursery slope for my family of first-time festival goers: no intimidating vast crowds and a relaxed atmosphere which built steadily through what turned out to be some swelteringly hot days.

showofhands_wickham15Musically, in the main All Time Grates big top stage it was folk with a twist of vintage pop and rock: from crowd-pleasing sets by folk stars such as Seth Lakeman, Show of Hands, Eliza Carthy, Lisbee Stainton and Martin Carthy to The South – Beautiful South survivors Dave Hemmingway and Alison Wheeler – 10CC, Billy Bragg, Cockney Rebel, Wilko Johnson and The Proclaimers.

Crowd_Wickham15The crowd was an eclectic mix of folk devotees and commuter belt families, but overall the demographic was mature and knowledgeable so that at times the main stage had the contented air of a cricket match, with festival goers seated sensibly underneath sun-hats on folding chairs, sipping real ale and completing sudokus to the sound of music.

Giants@WickhamI soon found out that for a parent festivals have to be enjoyed in the round. My children weren’t there for the music, but found instead joy in the laser quest – a shoot-‘em-up inside a series of sweaty, dark inflatable tunnels – the solar-powered Groovy Movie cinema and the digital funfair, a quirky installation where gamers played Space Invaders while sitting on a stationary bike or racked up high scores by slapping two headless mannequins on their plastic buttocks in time to music.

Playbus_Wickham15After a while it became possible to enjoy the music while waiting for them to complete their activities or resisting their pleas to spend the GDP of a small country in the various food and craft stalls, simply via the proximity to the three stages, especially the acoustic stage, where a varied line-up of young up-and-comers and older veterans strummed, picked and twanged their way skilfully through a mixture of their own material and interpretations of popular classics, finding favour with a sprinkling of punters lounging back on the straw-coated ground.

At the top of the festival was the sweatier and rockier Bowman Ales Stage 2 tent – which hosted performances from Edward II, headlining prog rockers Stone Cold and Damn Beats – but I confess that, as a first-timer wanting to immerse myself in folk my visits there were fleeting so I concentrated on the main stage, where a succession of acts filled the afternoons and evenings with musical stories from every corner of Britain and beyond.

SpookyMen_Wickham15From the lilting Northumberland romance of Kathryn Tickell and the Side, to the seasoned yarns of Huw Williams and Maartin Allcock and the acapella oddness of the Spooky Men’s Chorale, it is fair to say there was something for everyone’s tastes, but the big top came into its own later on as the sun dipped behind the food stalls and the headliners took to the stage.

BillyBragg_Wickham15Among the highlights was the life-affirming return to action of Wilko Johnson, the welcome familiarity of The (Beautiful) South’s hits and the appearance of Billy Bragg, whose wit and political zeal brought Friday night to a close. The next night, Seth Lakeman gave a rollicking masterclass of modern folk rock, sweeping the audience along and raising the temperature in the big top.

Proclaimers2_Wickham15Despite the passing of years, festival headliners The Proclaimers hadn’t seemingly aged that much and their set was a polished resounding collection of love songs, devoted to Scotland as much as to the objects of their desire. The large TV screens showed that the Reid twins had their committed fans who knew all of Proclaimers1_Wickham15the words, but as the night continued, you did get the feeling that most people in the tent were waiting for their signature tune – I Would Walk 500 Mile – like a seashore full of surfers all readying themselves for the big wave that would take them right to shore.

And, duly, at about five to 11, it arrived: cueing a joyous outburst of jigs and a singalong in affected Scottish accents. This provided the most exuberant moment of the weekend, before it drew to a close with a thank you and good night, and the boys left the stage.

The third night was over, but the next day the sun again rose hot and strong. Family holiday commitments meant I had to slip away early, but in my absence the crowds returned with their chairs and sun hats, eager for more.

Simon Burch – 23 August 2015

Free Stream of Blacksmith’s Prayer form SETH LAKEMAN LIVE WITH THE BBC CONCERT ORCHESTRA

In March 2012, folk-inspired, multiaward winning singer-songwriter Seth Lakeman played with the renowned BBC Concert Orchestra at Plymouth Pavilions in Devon. Seth will release a five track LIVE EP on 03 December featuring recordings from that night mixed by Richard Evans.

The live EP features versions of some of Seth’s best known songs, arranged by Anne Dudley and conducted by Matthew Coorey. It features Blacksmith’s Prayer (streamed below)  from his current album Tales from the Barrel House, Kitty Jay the title track from his 2005 Mercury nominated album, Lady of the Sea and King & Country from his gold-selling album Freedom Fields and Changes from Hearts & Minds.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist web link: http://www.sethlakeman.co.uk/

Seth Lakeman Band live review plus new EP: live with the BBC Concert Orchestra

Seth Lakeman Band Ipswich Corn Exchange Sunday 21st October 2012. A top-class night at the very nicely refurbished Ipswich Corn Exchange.

After watching Seth grow as a musician on and off since his late teens with his brothers and Equation, through his emergence as a solo performer and post Mercury Prize nomination take off, this was Seth, and band, at one with the stage more than it has seemed in a while and firing on all cylinders, it was great to witness.

Two elements have lifted the live performances lately, one is the return of the much missed Cormac Byrne, the beating heart of a band on Bodrhan and anything else he can hit, including an anvil this time! Now the perfect band line up is complete with the addition of Lisbee Stainton an inspired decision alongside the four guys , and I hope they don’t let her go. Having a female voice on stage has now opened up Seths back catalogue more and taken his shows into a new phase. A live Lakeman show has always had an edge,drive and theatre but now the edges have been softened a bit which is very refreshing. Apart from vocals, Lisbee is a pretty handy musician too, the toys on stage have been added to with a harmonium and she plays a mean Banjo.

We were treated to songs covering the last 10 years and 6 albums. It was great to hear songs rarely given an airing from John Lomas from Kitty Jay to up to date songs like The Sender From Tales From The Barrel House.

It was a fast paced evening and the opening two song weld of More Than Money and the brilliant Blacksmiths Prayer set the tone of the night and it didn’t let up until the end of Race To be King that had everyone up and dancing .

Highlights at Ipswich were Seth and Cormac thrashing out Bold Knight and the band driving a full on Zeppelin like Blood Red Sky (I could always hear their influence in this ) and then as contrast the lovely Changes and White Hare with Lisbee.

I could not write a review without highlighting Seths signature song, the bow shredding Kitty Jay with added eerie back lighting for extra drama, I have never yet seen him play this and the room not been worked into a frenzy and exploded when the last note fades, it’s still thrilling after all these years .

Seths albums from kitty Jay on-wards have always had a sense of the dramatic, now he and his band have the tools and the graft behind them to bring that onto a stage fully, it’s taken a while, but I think they really have a show that they have been trying to perfect for a few years, and now should be proud of.

Seth really has come a long way down the road from the rough and ready gigs with the sudden endings,dare I say he is turning into a showman.

Go see him next time he hits the road.

Trish Roberts

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist web link: http://www.sethlakeman.co.uk/