Folking at Cambridge Folk Festival 2013 – Day 2

Foxy Fri 300x400Blimey, its 6.00am and I’m in the shower… what the folking heck is going on. It’s not what your thinking… unless you are talking about it being “probably the best festival shower block in the world“… hot water at daybreak – on a campsite – who’d have though it, but after all, this is the 49th Cambridge Folk Festival, so they have had plenty of practice getting it right.

Due to the time it takes putting these things together, I didn’t actually get to see yesterdays opening act on the main stage as I was working on the folking day 1 review, but could hear, from the press office that it was lively set by a band called Korrontzi.

So my first visual act of the day was Finland’s frigging brilliant Frigg. A blend of Nordic folk and American bluegrass dubbed “Nordgrass”. See them in action below.

I then needed to head off and sort out the accommodation arrangements for the folking new resident photographer, who had finally turned up… the son of Clicker… for those old enough to remember the intensely focused original, he has got a lot to live up to.

LAPD 300x224Got back just in time to see the final number from Patty Griffin and then rushed down the front to wait in anticipation for one of the highlights of my weekend, LAPD, which for those of you in the know, are three quarters of Planxty (Liam O’Flynn, Andy Irvine & Donal Lunny) and the original Bothy Band fiddler (Paddy Glackin). We were treated to the Sweeney’s Men’s classic, My Heart’s Tonight In Ireland  and the Planxty standard, The Blacksmith. What a set, from one of the original Irish boy bands!

Now with son of clicker joining the folking team we raced round for the next hour or so and managed to catch Amadou & Mariam, for a bit African electric blues and then SOC (Son of Clicker) made it over to see Darrell Scott, of Robert Plant’s Band of Joy fame doing his own improvisational set. SOC thought it was brilliant and I was folking pissed I missed it!

Ross Couper & Tom OakesSOC headed for the club tent and shot some great footage of Ross Couper and Tom Oakes, a dynamic young, fiddle player and guitarist duo, adding a modern touch to the Scottish and Irish tradition.

Then we plunged into the double whammy of the Levellers followed by Bellowhead, two headliners in one night!

Levs1 300x225The Levellers played a storming set of old favorites and newer numbers, finishing with the unique experience of a stage full of Levs and Bellowhead for ‘The Recruiting Sergeant‘. How they get them all on the stage I don’t know!

Bellowhead followed with their own set with tracks from their latest ‘Broadside‘ release and Jon Boden’s ever natty suit jacket!

Emily Barker 300x225 Cams FFWe also managed to get over to Stage 2 to see the angelic Emily Barker , a compelling singer-songwriter and mesmerising live artist, who along with her band The Red Clay Halo blend classical, rock, country and folk influences to stunning effect. Emily’s appearance recently on the BBC Radio 2 Dermot O’leary show and performance with Frank Turner at the London 2012 Olympics in front of a global televised audience is certainly moving her and the band up the musical genre food chain.

Roving Crows 300x224Then over to the Club Tent to see the Roving Crows, we covered the last album Bacchanalia back in May last year and I had been itching to see them ever since.

Here is the link If you missed NANCY DUNHAM’s review: http://folking.com/the-roving-crows-bacchanalia/

They gave a great closing performance to the Friday night in the club tent and any festival organiser reading this, I urge you to book them as soon as possible as they are a folking brilliant live act!

The queue to the bus back to Coldham’s Common campsite was huge so we decided to reenact the Richard Thompson song and walk those long miles home. The temptation of bed was calling but the lure of another beer and the campsite stage was too strong and as we watched the current act finish, we found a seat and a beautiful young girl took to the stage, with a solitary guitar and opened her mouth, and wow, what came out made my night, a sound somewhere between Janis Joplin and Sandy Denny. Sue Marchant, from BBC Radio Cambridge had arranged the last minute slot and boy am I glad she did! We’ll feature one of her own compositions called “Fall across the sea” as a later feature, but to wet your appetite now, here is her version of Robert Johnson’s “Me and the devil blues”… Ladies and gentlemen and general reprobates, I give you Leila Jane… The end to what Lou Reed would describe as “a perfect day”.

The folkmaster

STOCKTON’S WING – COLLECTION & LIAM O’FLYNN – THE PIPER’S CALL

STOCKTON’S WING – COLLECTION (Tara Records TARA CD 4)
LIAM O’FLYNN – THE PIPER’S CALL (Tara Records TARA CD 3037)

Nothing in life is certain particularly when it comes to your record and CD collection. As I’ve found to my cost many of the albums I used to cherish have now gone to that great vinyl and glass heaven in the sky. Therefore in a case of ‘grab them while they’re there’ I’d suggest obtaining Stockton’s Wing who released their debut album in 1978. For me personally it was their third album “Light In The Western Sky” that ranks as one of my favourite albums of all time and I’m pleased to see that a majority of it is rediscovered here on “The Stockton’s Wing Collection”. The second album kindly sent by John Cook (founder of Tara Records) is a recording that I missed first time round. Liam O’Flynn’s “The Piper’s Call” proves a master class in the art of Uilleann pipe playing with an accompanying guest list of Celtic musicians to die for. With the likes of Matt Molloy (flute), Arty McGlynn and Mark Knopfler on guitars the recording is superbly understated but of course, beautifully executed. I can only applaud the fact that many of the Tara label back catalogue still remains in circulation and, although I still hanker for Jolyon Jackson & Paddy Glackin’s brilliant “Hidden Ground” I would suggest that if, like me you are looking to re-capture some of your ill spent youth or, indeed are just starting out on a Celtic voyage of discovery then you could do worse than check the Tara Records catalogue…you’ll be pleased you did! www.taramusic.com PETE FYFE