Gate To Southwell Festival announces top names

Gate To Southwell Festival

The eleventh Gate To Southwell Festival is expected to attract five thousand visitors to the East Midlands in early June. With over sixty international, UK and local music acts, ceilidhs and dance displays, poets and storytellers, fantastic family entertainment, plus workshops, great food stalls, a beer and cider festival and a craft fair, this 2017 event looks certain to be the most eclectic, entertaining and exciting yet.

Running from Thursday June 8th to Sunday June 11th, in the beautiful rural setting near Southwell racecourse, the festival headliners include Kate Rusby, the much-loved leading lady of English folk (Friday 9th) and Jon Boden, charismatic frontman of the extraordinary Bellowhead (Saturday 10th). There’s also a great array of international stars including BOC from Mallorca – who were sensational at the 2015 event – plus top quality Canadian bands Le Vent Du Nord and The East Pointers.

Adding to this treasure chest of fine music, the legendary harmony supergroup Daphne’s Flight (first formed at the Cambridge Folk Festival in 1995) are reuniting to appear at Southwell, and the Thursday night bill will feature the intoxicating Blazin’ Fiddles from Scotland and The Changing Room, an acclaimed modern folk collaboration between Sam Kelly and Tanya Brittain. There’ll also be welcome returns for much-loved artists such as the Californian ukulele-toting Ooks Of Hazzard (their cover of Radiohead’s ‘Creep’ was one of the highlights of 2016), the Glaswegian Americana of James Edwyn & The Borrowed Band and the folk roots cerebral singer-songwriting of Jess Morgan.

Adding to the warm atmosphere at this most family-friendly of festivals, the 2017 event will be hosting a Summer Of Love @ 50 celebration to mark fifty years since the US hippy movement in California broke through into the mainstream. Having led the house band for last year’s wonderful Dylan @ 75 tribute gig, the immensely-talented Jim Moray returns to fuel this flower-powered extravaganza.

Also on the ever-blossoming Gate To Southwell 2017 bill there’s American folk-blues guitar veteran Chris Smither, highly-acclaimed due Megson, flame-haired traditional star Megan Henwood, comedy veteran Les Barker, newly-formed double act Hannah Sanders & Ben Savage, Welsh singer-songwriter Jack Harris, Tyneside female vocal group She Shanties, Australia’s immensely popular harmony trio Cloudstreet, BBC Folk Award-winning Phillip Henry & Hannah Martin, Celtic contemporary music from Ranagri, the all-female gothic folk troubadours Wookalily, swing-folksters The BeauBowBelles along with a rare chance to see Chris Sherburn & Denny Bartley.

Bringing drama and colour to both the festival and the streets of Southwell, in procession along King Street on Saturday morning, there’s a host of dance sides confirmed to perform including Slubbing Billy’s from Huddersfield, Thrales Rapper from London, Micklebarrow and Poacher and Bishops Morris (all from Lincolnshire), Anstey from Leicestershire, the Plough Morris of Rattlejag and the Cotswold Morris of Harlequin, plus Conroy’s Irish Dance and the Koyuki Tribal Belly Dancers. Last but not least, there are the Hells Angels of Morris Dancers, the magic menacing Witchmen.

Back on the festival site, there’ll be five venues for music over four days, including the newly-named boundary-pushing Frontier Stage will welcome diverse talents such as pioneer punk poet Atilla The Stockbroker and heiress to Billy Bragg, Leicester’s Grace Petrie. There’s something for everyone from the western-swing-meets-country-blues of Rob Heron & the Tea Pad Orchestra, the energetic European folk of Sheelanigig and the alt-country eccentricity of Dana Immanuel & the Stolen Band through to rising Scottish stars such as Tannara, Wayward Jane and Gnoss, The Vagaband and Alden Patterson & Dashwood from Norfolk, and Nottinghamshire’s own immensely-danceable Wholesome Fish!

With the new Robin Hood Energy Stage showcasing the best in traditional and contemporary folk music, the festival is also committed to promoting the work of East Midlands poets so there will be a Spoken Word Showcase featuring the rising stars of the Nottingham-based DIY Poets Collective, and The Southwell Slam – an open poetry and spoken word competition, for performers and writers of all ages and abilities, to find the Bard of the Gate To Southwell 2017. For more Slam details contact Southwellslam@gmail.com.

Gate To Southwell Festival tickets are now available from www.gtsf.uk

First names revealed for Shrewsbury Folk Festival 2017

shrewsbury folk festival 2017

The first acts to be signed for Shrewsbury Folk Festival have been revealed as tickets go on sale for the 2017 event.

Loudon Wainwright III, Eric Bibb, former Bellowhead frontman Jon Boden, The Unthanks, Oysterband, The Young’uns, Le Vent Du Nord and Seth Lakeman are among the headliners due to top the bill during the festival next August.

Other acts signed up so far include Andy Fairweather Low & the Low Riders featuring the Hi Riders Special Soul Review, Jim Moray’s Upcetera Ensemble, Sarah Jarosz, John Kirkpatrick, Skipinnish, Sam Carter, Joe Broughton’s Conservatoire Folk Ensemble, The Wilsons, National Youth Folk Ensemble, The East Pointers, Sam Kelly and the Lost Boys, Coven (Lady Maisery, O’Hooley & Tidow, and Grace Petrie), Mick Ryan and Paul Downes, The Fitzgeralds, Daphne’s Flight, Chris While and Julie Matthews, Maz O’Connor, Alma, Greg Russell and Ciaran Algar, Greg Russell (solo), Ragged Union, Moirai, Jimmy Aldridge & Sid Goldsmith, Jamie Huddlestone, Na-Mara, Wood, Wire and Words, and the Roaring Trowmen.

The event will also host the only 2017 festival appearance of Peter Bellamy’s groundbreaking folk opera The Transports featuring The Young’uns, Faustus, Nancy Kerr, Matthew Crampton, Greg Russell and Rachael McShane.

Dance bands will include Glorystrokes, Jabadaw, Steamchicken, Boldwood, Lasair and Contrasaurus.

Next year’s festival marks 20 years since it began in Bridgnorth in 1997 and it will be the 21st event organised by directors Alan and Sandra Surtees. It will run from August 25 to 28 at the West Mid Showground in Berwick Rd, Shrewsbury.

Festival Director Alan Surtees said: “We are very excited to have secured some great musicians for 2017 at this very early stage and are in detailed negotiations with many others that we will confirm as planning progresses.

“2016 was a vintage year but with an already strong line up and our ongoing commitment to extremely high production values, we’re pretty sure that 2017 will top it!”

Adult weekend ticket prices have been held at 2016 rates. Adult weekend concession tickets are also now tiered. The festival operates a tiered system with four different price levels so people who book early, including those who are eligible for concession tickets, get the best deal. There are also day tickets on sale.

The festival has four music stages, a dance tent and runs more than 100 workshops and dedicated children and youth programmes. There is onsite camping, a craft fair, real ale, wine and cocktail bars, and a food village.

Alan added: “The feedback we had from this year was phenomenal from visitors and artists alike. The BBC 6 Music and Radio 2 presenter Mark Radcliffe described it as ‘a little bit of heaven’ and that sums it up.

“We are anticipating a very high demand for the first tier of tickets. Last year, the cheapest tickets sold out very quickly so our advice is to be prepared!”

In a change to previous years, the site will open from 7am on Friday August 25 for people with camping tickets.

Weekend, camping and day tickets can be booked through  http://shrewsburyfolkfestival.co.uk/ or direct at  www.gigantic.com/shrewsbury-folk-festival-tickets.

Kate Rusby and Jon Boden to star at Gate To Southwell 2017

kate rusby

British folk heroine Kate Rusby and former Bellowhead frontman Jon Boden are among the first headline acts announced to appear at the Gate To Southwell Festival next June, and reduced price tickets are now available.

Widely regarded as “the first lady of English folk music”, Kate Rusby is famous for her Mercury-nominated debut Sleepless, her acclaimed collection The Girl Who Couldn’t Fly and her Xmas album Sweet Bells. From Penistone, near Barnsley, Kate’s latest album Life In A Paper Boat has just been released.

Jon Boden is one of the most charismatic singers, composers, arrangers, fiddlers and multi-instrumentalists on the acoustic and roots music scene. Having fronted Bellowhead for 10 years, Jon is also well known for his work with John Spiers, his band The Remnant Kings and also Eliza Carthy’s Ratcatchers.

Also lined up for Britain’s most eclectic acoustic and roots music events, there’s internationally-renowned Canadian acts such as Le Vent Du Nord (who were a huge hit at the 2012 festival) and the East Pointers from Prince Edward Island, plus acclaimed Californian ukulele band the Ooks Of Hazzard (among the highlights of 2016 with their wonderful cover of Radiohead’s ‘Creep’) and popular English husband-and-wife folk duo Megson.

Further adding to the diverse magic of the festival, which runs from June 8th to 12th 2017, the immensely entertaining and danceable Mallorcan World music band BOC make a welcome return, having played their first gig outside Spain at Gate To Southwell back in 2015.

Following the great success of this year’s on-stage gathering to mark Bob Dylan’s 75th birthday – described as “one of those never to be forgotten festival events” by Folk Radio UK – Jim Moray will return to curate a flower-powered 50th anniversary celebration of 1967’s Summer Of Love, the original blooming of the American underground hippy movement.

If all this is not enough for roots music hungry fans, Gate To Southwell has also booked legendary American folk blues artist Chris Smither and the wittily-named Whitley Bay female collective She Shanties. These are just the first of over 50 artists booked for 2017 with negotiations underway to book more major acts soon.

Set in a superb rural site close to the lovely market town of Southwell in Nottinghamshire, the eleventh festival will showcase a mix of international acoustic and roots artists alongside local and up and coming talent, performing across four main undercover stages. With music workshops, dance displays and ceilidhs, street theatre and kids’ entertainment, great food outlets and a beer and cider festival, the Gate To Southwell 2017 is definitely a date for the diary. June 8th to 12th.

Advance tickets are on sale now via the website – www.gtsf.uk

 

BREABACH – Astar (Breabach BRE004CD)

BREABACH AstarWith most albums it’s good to have the sleeve notes to hand when listening. With Breabach’s sixth outing an atlas is just as important. Astar means distance or journey in Gaelic and the musical ideas are drawn from all round the world.

The album opens with ‘The Midnight Sun’ written by piper James Duncan Mackenzie and inspired by a visit he paid to Tromso to run a marathon on midsummers day when the sun never actually sets. It begins with an oddly oriental sound, presumably an attempt to imitate the sound of a kantele. That is followed by a set of three compositions inspired by the rhythms of the Haka. The parts of ‘Muriwai’ are written by Calum MacCrimmon, Scott Morrison and Mackenzie.

There is brief return to Scotland with Dick Gaughan’s ‘Outlaws And Dreamers’ before we’re off to Scandinavia again with ‘Farsund’, the title track of the medley being composed by Megan Henderson. The third part of the medley is the first traditional tune on the album, ‘Wee Totum Fog’, which itself has an interesting history. ‘Mo Thruaighe Leir Thu ‘Ille Bhuidhe’ gives Megan her first lead vocal of the collection and then we’re off again, this time to Australia. ‘The White Sands Of Jervis Bay’ begins with a ceremonial song from the Aborigine tradition called ‘Guka Manikay’ while MacCrimmon and Mackenzie composed the title piece. It’s interesting to note that no-one seems to have come up with a more politically correct term for the original inhabitants of Australia.

‘Les Pieds Joyeaux’ is inspired by the Quebeçois tradition even though the tunes themselves are Scottish – Le Vent Du Nord join Breabach on vocals for this one. Then there is a visit to the Hebrides for a waulking song and a tune inspired by the waulking rhythm. It would be appropriate to stay in Scotland now but Ewan Robertson’s ‘Ribbon Of Fire’ is a song inspired by the band’s tour of the antipodes and ‘The Last March’ takes us to Cape Breton.

Astar is an album full of musical imagery and imagination – a melting pot of ideas that is varied and satisfying. This could be Beabach’s best.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://breabach.com/

Breabach live on their 2015 Highland Blast tour:

Le Vent Du Nord – new album and tour dates

tetu

Quebec’s most progressive folk band Le Vent du Nord return with their eighth album entitled Têtu meaning stubborn or obstinate. For the purpose of clarity the band write Têtu in everyday usage whilst the CD booklet showing TÉtu is purely for the group’s artwork.

With Têtu, Le Vent du Nord have remained true to their Québecois roots whilst at the same time introducing new ideas to their music. The album is made up of fifteen tracks with subject matter ranging from politics to love and satire. They vary from stripped-down a cappella singing to sophisticated arrangements, including the introduction of a string quartet.

Le Vent du Nord’s music is definitely getting sharper, more refined, and ever more thoughtful. Continue reading Le Vent Du Nord – new album and tour dates

Folking at Cambridge Folk Festival 2013 – Day 3

wb3_300Those following this blog will know that it would not be complete without an early morning campsite folking shower report – although those on-site would have had a deluge of their own later in the day when KT “rain goddess” Tunstall took to the stage and opened the heavens – but more on that later. My first shower was at 5.00am, an hour earlier than the day before! Perhaps it was the excitement of the previous 2 days, or perhaps it was just the the showers but Cambridge was not awarding me much sleep.

Breabach danceAs I was finishing the day 2 blog We Banjo 3 took to the main stage, a quintet from Galway playing Irish, bluegrass and American old time music. From what I saw on the #CFF13 @CamFolkFest twitter feed they were definitely making many instant fans and got Saturday stage 1 off to a rousing start. Next up were the mighty Breabach, a tour de force in the Scottish music scene. They had a great array of weaponry on hand including: highland bagpipes, fiddle, guitar, double bass, mandolin, bazouki and even included a set dance by fiddle payer, Megan Henderson.

Saturday Cambs FF CrowdBoth SOC (Son of Clicker – the folking photographer) and I knew that getting to see everything today was going to be tough with all 3 stages in full swing. In fact panic set in and we ran around like headless chickens for a bit until coming to our senses and catching the end of the Festival Session, hosted by Battlefield Band and Feast of Fiddles academic legend Brian McNeil. This was a one off line-up featuring: The Chair, Frigg, The Rambling Boys of Pleasure, Radio 2 young folk award winners Greg Russell & Ciaran Algar, Martin Simpson, Le Vent du Nord and We Banjo 3 again.

Hop and a skip back to the Stage 1 to see Martin Simpson performing a guitar master class wrapped up in his usual exemplary solo set kind of way which included favourites like the you were never any good with money gem Prodigal Son and Jackie and Murphy, a story song of an epic true tale of bravery, donkeys and Gallipoli.

Thea Gilmore CFFManaged to then catch the end of the talented and velvet voiced Heidi Talbot on stage 2 as she left us all going up and down her music tree, Korrontzi from Northern Spain were next up and made you feel part of a Basque hill town knees up for a short while (it was great to see Thea Gilmore dancing along to them back stage). It wasn’t long until Thea took center stage with her full band line up which included producer, husband and multi-instrumentalist Nigel Stonier. Thea definitely showed off her folk credentials by giving us a faultless performance of Pity the Poor Immigrant. Thea then belted out the Radio 2 A listed song Start As We Mean To Go On, before ending with what for me was the highlight of the day, a perfect rendition to the stunning London with her little lad taking center stage on the fiddle. Sandy Denny who wrote the lyrics to this song is my folk heroine and Thea is equally addictive.

There was only one way to come down and that was to head over to the club tent and catch State Of The Union, aka Boo Hewerdine and Brooks Williams. In the grand tradition of ‘The Special Relationship’, State Of The Union combines the talents of America and England, producing an end result that delighted the club tent crowd with hook-laden songs, fiery and emotional guitar playing and soulful vocals. By this time I had a few jars of Ringwood’s finest Boon Doggle ale and was amusing myself by keeping the girls at the bar on their toes and coming up with different names for it. The firm favourite was Moon Poodle!

Fully Protected & The Moon PoodleThe Moon Poodle was listening as the heavens opened and the poodle piddled down on us as KT Tunstall hit the stage. A great set followed, my favourite being Other Side of the World or dark side of the poodle moon by the Black horse and a cherry tree, no that one actually came later… but don’t blame it on the Sunshine, don’t blame it on the moonlight, blame it on the Boggle. I was past caring as I was now focused on keeping the umbrella in the right place for KT’s Mexican “brella” wave!

I caught a bit of the Mavericks but it was definitely time to head back to Coldham’s before I did myself mischief…

The folkmaster