Gate To Southwell Festival starts tomorrow

Southwell Festival

Over four thousand visitors are set to visit Southwell over the long, hopefully hot, weekend of the 12th Gate To Southwell Festival (June 7th to 10th).  With international-quality headline artists, great family and children’s entertainment, traditional dancing and ceilidhs, fine food beer and cider tents and a craft fair, the East Midlands’ premier acoustic roots and country music event should bring a welcome summer economic boost to the beautiful Nottinghamshire market town and its locality.

Rated as “an excellent festival” by R&R magazine and “a little gem” by Spiral Earth, the party starts on Thursday (June 7th) with a special Blues Legends Night featuring Britain’s top R&B band Nine Below Zero and one of the original surviving bluesmen, The Lil’ Jimmy Reed Band from Louisiana, USA.  They’ll be supported by Canadian hillbillies Ol’ Savannah, San Franciscan rock & roller Joshua Cook, young British folk blues guitarist Sunjay, Derbyshire’s Rogue Embers and many other acts.

Friday night’s headliners are Geordie folk rock royalty Lindisfarne, of ‘Meet Me On The Corner’, ‘Fog On The Tyne’ and ‘Run For Home’ fame.  Also on the bill there’s highly-acclaimed Scottish performer Blue Rose Code, the megafolk of Birmingham’s Destroyers, the Celtic-dance-meets-jazz-funk of Dallahan, traditional American singer-storyteller Jeff Warner and much more.

Saturday (9th) sees the first visit to Southwell by the great Nashville singer-songwriter Gretchen Peters.  Having written for everyone from Neil Diamond and Etta James to Bryan Adams and Shania Twain, her new album Dancing With The Beast has just gone straight to the top of the UK Country Music charts.  A powerful and emotional performer, Gretchen’s supported by returning Southwell favourites such as BBC award-winning folkies The Young’Uns, Danish roots stars  Habadekuk and acclaimed duo Greg Russell & Ciaran Algar plus 2017 BBC Group Of The Year The Furrow Collective, celebrated Canadian fiddling and dancing family The Fitzgeralds and Hurricane Katrina-survivors Truckstop Honeymoon, bringing their blend of punk, bluegrass, jazz and soul all the way from New Orleans.

Closing the festival on Sunday night (10th) there’s one of Ireland’s best voices, Cara Dillon, with some special guests.  Also on Sunday’s bill there’s Devon guitarist and singer-songwriter John Smith, recent BBC Folk Singer Of The Year Kris Drever, former Fairport and Fotheringay singer Vikki Clayton and many more fine artists such as the Luke Jackson Trio, Mongoose and The Outside Track.

Festival director Mike Kirrage said: “in my opinion this year is the best line-up we’ve ever had.  People are realising it is not just a folk music festival, it goes much further than that.”

With over fifty artists on five stages across four days, Gate To Southwell 2018 looks set to be the best yet.  There’ll be the traditional colourful procession of twenty UK morris dance sides through Southwell, from 1100 on the morning of Saturday 9th, followed by pub sessions and family entertainment at the festival site.  Entertainers include lovable juggler and stuntman Dan The Hat, rock & rollers Johnny & The Raindrops, the storytelling of Mark Fraser and the interactive comedy songs of Keith Donnelly.  Plus Jan’s Van, Toddlebops, White Post Farm animals, crafts and musical workshops.

Only fifteen minutes by car or bus from the A1 near Newark, and with excellent rail connections from both Nottingham and Newark to Fiskerton and Rolleston stations (short walks to the festival), there’ll also be subsidised buses from the centre of town to the site beside Southwell Racecourse.

For full details of all artists, daily events and tickets please visit www.gtsf.uk  Great value Teaser Tickets, for a taste of the festival, are available from Burleys in Southwell and The Final Whistle and Hearty Goodfellow pubs.

BLUES & FOLK STARS LINED UP FOR GATE TO SOUTHWELL 2018

There’s a perfect blend of rising stars, festival favourites and music legends lined up for next year’s Gate To Southwell.

Already booked for the East Midlands’ premier roots and acoustic event are hugely-successful veteran Geordies Lindisfarne, award-winning folkies The Young’uns, one of Ireland’s greatest singers Cara Dillon performing with special guests, Danish roots stars Habadekuk, brilliant Devon guitarist and singer-songwriter John Smith, acclaimed Canadian fiddlers The Fitzgeralds and 2017 BBC Folk Singer of the Year Kris Drever. There’ll also be a special Blues Night featuring Britain’s number one R&B band Nine Below Zero, Louisiana bluesmen The Lil’ Jimmy Reed Band and the UK’s best slide guitarist Johnny Dickinson.

Early Bird tickets (at discounted prices while stocks last!) are now available for the four-day event in beautiful Nottinghamshire countryside from Thursday June 7th to Sunday June 10th. Just follow this link to Gate To Southwell 2018 and grab a bargain – www.gtsf.uk

Also joining the eclectic, international bill there’s Scotland’s Blue Rose Code, the Canadian jazz-meets-klezmer-meets-folk of The Boxcar Boys, acclaimed Southwell regulars Greg Russell & Ciaran Algar, 2017 BBC Group of the Year The Furrow Collective, the megafolk of Birmingham’s The Destroyers, much-loved global troubadour Rory McLeod, highly-rated harmonious Celts Mongoose and award-winning songstress Vikki Clayton.

Plus, with more names still to be announced, there’s the East Anglian Americana of The Shackleton Trio, Derbyshire’s Rogue Embers and promising folk duo Harbottle & Jonas, who’ll all add to the party atmosphere at this most family-friendly of festivals, which also features music workshops, ceilidhs, dance displays, children’s entertainment, a craft fair plus great food and drink stalls.

Still led by Rod Clements, one of their original singer-songwriters, it’s 45 years since Lindisfarne’s first hit ‘Meet Me On The Corner’ cracked the UK charts and made their second LP ‘Fog On The Tyne’ the best-selling British album of 1972. Since then the Geordie folk-rock kings have scored with hits such as ‘Lady Eleanor’, ‘Run For Home’ and ‘We Can Swing Together’. Headlining the Big Top on Friday June 8th, with the late Alan Hull’s son-in-law Dave Hull-Denholm joining the latest line-up, Lindisfarne are guaranteed to get the Southwell audience singing and swinging along.

Gate To Southwell 2009 was The Young’uns first “proper festival” and since then they’ve returned to great acclaim in both 2011 and 2015. Described by Mike Harding as “one of the best live acts I have ever seen”, the life-enhancing North Easterners will headline the festival on Saturday June 9th. Following the great success of their ‘Another Man’s Ground’ collection, their 2017 release ‘Strangers’ looks certain to gather even more folk awards.

Topping the bill on Sunday June 10th, Cara Dillon is regarded as one of the best vocalists and interpreters of traditional songs on the planet. Mojo magazine stated she possessed “what may well be the world’s most beautiful female voice” as showcased on her seventh studio album, this year’s ‘Wanderer’. Cara will perform alongside her husband and musical partner Sam Lakeman plus some very special guests.

Making his first appearance at Southwell, the acclaimed singer-songwriter and innovative guitarist John Smith has become a star of the British acoustic music scene over the past 10 years, performing alongside artists such as Jackson Browne, Richard Hawley, Jarvis Cocker and Rodney Crowell, and guesting on albums by David Gray, Lisa Hannigan and LeAnn Rimes. His recent album’, ‘Headlong’, is a fine example of a “master craftsman at work” (Folk Radio).

Anyone who caught Habadekuk’s last visit to Gate To Southwell will welcome them back with open arms and dancing feet. Regarded as one of the most exciting live folk bands, the Danish nine-piece mix it up with salsa, polkas and big band jazz. Appropriately, their motto is “we blow you away”.

Kicking off the festival on Thursday June 7th, there’s a great feast of blues from Nine Below Zero, Lil’ Jimmy Reed Band and Johnny Dickinson. NBZ formed at the height of punk and went on to become one of the most respected blues bands on the Eighties and Nineties, working with artists such as Eric Clapton, Gary Moore and Chuck Berry. Their extended eight-piece big band appearance at Glastonbury in 2016 won them a new generation of fans and recently they’ve toured extensively with Squeeze.

21st century bluesmen don’t come much more authentic than 77 year old Lil’ Jimmy Reed, who was born on the Mississippi and who’s been playing harp and guitar since the early 1950s, sharing stages with blues legends such as BB King and Bobby ‘Blue’ Bland. He’s guaranteed to bring the gritty sounds of the deep South to Southwell and his band will feature acclaimed blues and boogie pianist Bob Hall. Also on Thursday, while Johnny Dickinson might hail from Morpeth rather than Baton Rouge, he’s rightly regarded as one of Britain’s best blues and slide guitarists. Having recovered from serious illness, this is a great opportunity to enjoy a rare talent.

To buy tickets and find out much more about all the artists who’ve been booked so far, visit the Gate To Southwell 2018 website – www.gtsf.uk.

CARA DILLON – Wanderer (Charcoal CHARCD009)

WandererFollowing last year’s release of her first Christmas album, Upon A Winter’s Night, Dillon returns to secular form with a predominantly traditional collection, again produced by and featuring husband Sam Lakeman.

Pivoting around an underlying theme of transition and departure, whether that be through emigration or the search for love, it keeps the instrumentation spare and intimate, predominantly built around Lakeman’s piano and/or acoustic guitar, but also with occasional contributions from Ben Nicholls on double bass, Niall Murphy on fiddle and both John Smith and Justin Adams on acoustic and electric guitar, respectively.

There are two original numbers, the first up being the piano-accompanied ‘The Leaving Song’, inspired by “living wakes” held for those about to emigrate in pre-war Co.Derry with its lyric about a mother bidding farewell to a son seeking his fortunes in some other land, with a reminder that he can always find his way home. The other, the penultimate track, the simply styled metaphorical ‘Lakeside Swans’ touches a similar note, here concerning migrants and refugees and the decision to leave their homes.

There’s also a cover, the album’s final track being their dreamily lovely piano-led arrangement of ‘Dubhdara’, the slow-swaying sailing out Celtic anthem written by Shaun Davey for his 1985 album Granuaile.

The remaining seven numbers are all traditional, some familiar, others less so, case in point being the opening Ulster thoughts of home folk song ‘The Tern And The Swallow’ with its references to Lough Neagh, the largest freshwater lake in Northern Ireland, and Slieve Gallion, the mountain in Co. Londonderry. Also with their roots in Derry and nostalgia for home, ‘The Banks Of The Foyle’ concerns a girl forced to leave her true love by cruel misfortune but then learning he’s remained constant in her absence, while, featuring just Dillon and Lakeman’s guitar, ‘The Faughan Side’ conjures memories of an emigrant to America of happy days spent by the bridge of Drumahoe over the titular river.

A fine, yearningly crestfallen reading of the much recorded ‘Blackwater Side’ leads the charge for the better known songs, with its tale of a young lad lying his way into a maiden’s bed with false promises. This is complemented by ‘Both Sides Of The Tweed’, a traditional number given a makeover by Dick Gaughan, here presented in simple style with Dillon’s pure vocals and Lakeman’s piano. She’s joined by Kris Drever who duets and plays guitar for ‘Sailor Boy’, the album’s obligatory death song (you know the plot, maiden dies from grief when her sailor lover drowns) with Murphy on wheezing fiddle. Which just leaves a haunted interpretation of ‘The Banks Of The Bann’, which, combining emigration and thwarted love and arranged for piano and fiddle, is fittingly set to the tune of ‘Lord Of All Hopefulness’.

Her most reflective and most musically introspective album to date, the spare arrangements putting the spotlight on her warm, crystal clear vocals, it is arguably also the best of her career.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.caradillon.co.uk

Promo video:

BBC Radio 2 Folk Awards 2017 Winners Announced

The winners of the Radio 2 Folk Awards 2017 have been announced in a ceremony broadcast live from the Royal Albert Hall, London.

Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.

American roots-rock musician and songwriter, Ry Cooder, took to the stage for a rare UK performance, singing Jesus On The Mainline. A career-long champion of folk music, he is renowned for his inspired slide guitar playing, and through his own work and collaborations with others, from The Rolling Stones to The Chieftains and Buena Vista Social Club.

British singer-songwriter Al Stewart also took to the stage for a performance of his 1977 song, On The Border. Al started his career on the 1960s London folk scene, and has worked alongside Bert Jansch, Jimmy Page, John Renbourn, Rick Wakeman, Tori Amos, Roy Harper and many more. Appearing at the first Glastonbury Festival in 1970, he became known for his brand of folk-rock, which he combined with tales of characters and events from history. He’s best known for his 1970s hits Year of the Cat and Time Passages.

Tony Blackburn presented Al Stewart with his award and regaled the audience with his own personal story of Al. He explained that in the early 1960s, he had in fact been the lead guitarist in Tony’s own group, ‘Tony Blackburn and the Swinging Bells’.

Tony said: “We used to practice at my parents’ house and, as good as he was, he always played his electric guitar far too loud as it always drowned out my vocals… The fact I’m here tonight will do Al’s credibility a lot of damage but I don’t care as I’ve enjoyed playing ‘Year of the Cat’ very much over the years and I haven’t seen him in a long time. It really is an honour to present this Lifetime Achievement Award to such a talented musician.”

The evening opened with a rousing performance by Afro Celt Sound System. And across the night there were spectacular performances from Shirley Collins MBE (performing Washed Ashore), Daoirí Farrell (Van Diemen’s Land), Jim Moray (Fair Margaret And Sweet William), Billy Bragg (I Ain’t Got No Home), and Fara (Three Fishers).

There was a powerful and moving performance taken from the Ballads of Child Migration, which tells the story of the enforced migration of over 100,000 children to Australia and Canada between 1863 and 1970. The specially-curated performance was narrated by Barbara Dickson with original songs performed by Kris Drever, Jez Lowe, While & Matthews, Boo Hewerdine, O’Hooley & Tidow, John McCusker, Andy Cutting and Michael McGoldrick.

Folk icon Woody Guthrie was inducted into the Radio 2 Folk Awards Hall of Fame, to celebrate his lasting influence. Billy Bragg performed a special tribute with a rendition of Guthrie’s I Ain’t Got No Home. The celebration marked 50 years since Guthrie’s death in 1967, aged 55. The musician wrote some of the most enduring standards in the genre with his life and work dedicated to supporting and documenting the rights of workers and the downtrodden. His songs have been covered by countless singers from Bruce Springsteen to Lady Gaga and he was a mentor to a young Bob Dylan and Ramblin’ Jack Elliott.

Lewis Carnie, Head of Radio 2 said: “Huge congratulations to all the winners of the Radio 2 Folk Awards 2017 – the calibre of all the nominees was outstanding. This annual event is a wonderful celebration of the vibrant folk music scene and tonight’s show was spectacular, featuring some of folk’s most long standing, biggest and newest stars which Radio 2 is committed to supporting throughout the year.”

The Folk Awards will be broadcast on BBC Four on Sunday 9 April at 10pm as an hour-long highlights programme which will include all the performances.

Alternatively, click on any of the links below to see the individual performances:










The full list of winners:

FOLK SINGER OF THE YEAR presented by Sharleen Spiteri
Kris Drever

BEST DUO presented by Peter Lord of Aardman Animations
Ross Ainslie & Ali Hutton

BEST GROUP presented by Sir Ray Davies
The Furrow Collective

BEST ALBUM presented by Mark Kermode
Songs of Separation – Songs of Separation

HORIZON AWARD presented by Rachel and Becky Unthank (of The Unthanks)
Daoirí Farrell

MUSICIAN OF THE YEAR presented by Gus Unger-Hamilton from Alt-J
Rachel Newton

BEST ORIGINAL TRACK presented by Susie Dent
If Wishes Were Horses by Kris Drever

BEST TRADITIONAL TRACK presented by Pauline Black of The Selecter
Van Diemen’s Land by Daoirí Farrell

BBC RADIO 2 YOUNG FOLK AWARD presented by Simon Nicol of Fairport Convention
Josie Duncan & Pablo Lafuente

LIFETIME ACHIEVEMENT AWARD presented by Tony Blackburn
Al Stewart

LIFETIME ACHIEVEMENT AWARD presented by Nick Lowe
Ry Cooder

HALL OF FAME INDUCTEE
Woody Guthrie

Building up to the Awards, Simon Mayo’s Radio 2 Drivetime programme was broadcast live from the Royal Albert Hall. In the show, Simon counted down the Top 10 Most Played Folk Songs on Radio 2. Compiled by PPL, the Number 1 track was Yusuf/Cat Stevens’ Wild World – released in 1970, which featured on his fourth album, Tea for the Tillerman. It wasn’t released as a single in the UK, but reached No 11 on the US Billboard chart. Jimmy Cliff released his recording of Wild World in 1970 – produced by Cat Stevens – reaching No 8 in the UK; with Maxi Priest hitting No 5 with his version in 1988. Cat was presented with the Lifetime Achievement honours at the Radio 2 Folk Awards in 2015. Number 2 of the Top 10 Most Played Folk Songs on Radio 2 was Fleet Foxes’ White Winter Hymnal; at No 3 was Bellowhead’s Roll the Woodpile Down; at No 4 was Meet Me On The Corner by Lindisfarne; No 5 was Underneath The Stars by Kate Rusby; at No 6 was River Man by Nick Drake; No 7 was Fisherman’s Blues by The Waterboys; No 8 was Thea Gilmore & Sandy Denny’s London; at No 9 was Streets of London by Ralph McTell and at No 10 was Roll Away Your Stone by Mumford and Sons.

Yusuf/Cat Stevens said: “I’m surprised that we actually pipped to the post all these great folk singers and that it’s still being played. That makes me feel very satisfied and it shows that the song and the meaning is still relevant. Of course it is relevant because wild world is exactly what it is and exactly what we’re living in right now and it’s getting wilder perhaps.”

SIOBHAN MILLER – Strata (Songprint Records SPR003CD)

StrataScotland is currently blessed with a crop of superb young female singers and Siobhan Miller is right up there in the top section of that list. Although still a young lady, she has been prominent on the folk scene for many years, appearing at clubs, concerts, festivals and regularly on television. She deserves it! Her father before her was a product of the Rutherglen Academy Ballads Club run by folklorist and author of the Scottish Folk Singer and 101 Scottish Songs! Norman Buchan. Her dad, Brian Miller, was only a year behind me in that school and the grounding we got there set us and our families up for a career in folk music. It is now in our blood!

Strangely enough, I can identify her father’s influence in Siobhan’s choice of material for this CD…although more than capable of it, as heard in the final track – Andy M Stewart’s ‘The Ramblin’ Rover’, Siobhan does not try and ram Scottishness down your throat. Some of her tracks have almost an English sound to them. Possibly only people with fifty plus years involved in folk music will understand what I mean by that.

Strata is a fabulous CD that I will listen to over and over again, and that is due, simply, to Siobhan’s beautiful singing. There is no overstretching, no screeching and no overdoing the grace notes – she just sings, beautifully! She has been clever in choosing a section of songs for the CD that we all know, and then making them her own. One of the first songs I ever learned was ‘The Unquiet Grace’ and I thought I maybe didn’t need to ever hear it again. However, Siobhan’s version is superb and emphasises just what a great song it is.

I cannot give the production full marks. It is generally well produced but the over-prominent bass could have ruined it all for me, especially in the first couple of tracks. It is interesting to note that the producer of the album is also the bass player on the album!

Possibly, Siobhan could have been a bit more adventurous in her song selection because she has such a wide repertoire of songs that I have heard her sing. Whatever, she has chosen eleven great songs and you will love them all. She does emphasise that the song selection process “is the culmination and an illustration of her musical journey to date”. She has long been keen to record these songs as a tribute to her many influences including Sheila Stewart, Dick Gaughan, Gordeanna McCulloch, Rod Paterson and her father. She includes tracks from Bob Dylan and Ed Pickford.

My favourite Siobhan is when she is getting suck into a song with great gusto. With the exception of the final track, Siobhan’s voice on the CD is generally more soft and throaty. It reminds me of Kate Rusby and that does disappoint me a bit. A star should never remind me of another singer, it should be the other way around. Still, her singing is still great. Just imagine how great I think she is on her up-beat, get stuck in there girl, stuff.

She is supported by a fabulous group of musicians including Aaron Jones, Phil Cunningham, Kris Drever, Aiden O’Rourke and many more. My final assessment – really great album. Would I want Strata in my collection? Of course, I would go out and buy it.

Fraser Bruce

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.siobhanmiller.com

‘Bonny Light Horseman’ – live with her band:

 

Siobhan Miller announces her second solo abum

Siobhan MillerSiobhan Miller releases her hotly-anticipated second solo album, Strata, on February 24th, 2017.

Following her well-received 2014 debut, Flight of Time, Strata consists of eleven songs, from a variety of sources, that Miller grew up listening to and performing in her youth. All newly arranged and now recorded by her for the first time, the material reflects on her musical upbringing whilst forging her own path forward. Her vocal performances sit atop the all-star talents of some of Scotland’s finest musicians, including Kris Drever and Aidan O’Rourke of Lau and Admiral Fallow frontman Louis Abbott.

Strata’s carefully chosen material shows the many influences on Miller’s formative musical years and her personal connection to each of the songs lies at the heart of this album, with the story behind each song equally as important as the song itself. Songs passed down by Scotland’s source and revival singers – such as ‘The Unquiet Grave’ and ‘False, False; – sit alongside titles from contemporary writers that she grew up listening to, including Bob Dylan’s ‘One Too Many Mornings’ and ‘Pound A Week Rise’, penned by Ed Pickford.

It would be true to say that the album, and its selection process, is the culmination and an illustration of Miller’s musical journey to date. Whilst she has long been keen to record these songs, so too does the album fulfil a long held desire to pay tribute to Sheila Stewart, Dick Gaughan, Gordeanna McCulloch, Rod Paterson and her father, Brian Miller, by continuing to share the songs they have passed on to her. The album also features guest appearances from living legend Phil Cunningham, who performs on two tracks – including the much-loved ‘The Ramblin Rover’, written by his former Silly Wizard bandmate, the late great Andy M. Stewart.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: https://www.siobhanmiller.com/

‘The single ‘One Too Many Mornings’ – official video: