Wickham 2017 Reviewed

Click on the photo below to see the full set…

Wickham 2017

‪Squelch… Wickham Festival finally kicked off to a great start with sets from ‪Low, Barker, Morris & Tunstall which sounds like a firm of solicitors instead of musical, dance and poetry partners in festival law; Andy Fairweather Low, Les Barker, the Wickham Morris Sides and KT Tunstall.

Now tell me… where are you going to get a “bend me, shake me, a sermon from the church of the holy undecided, a strip the willow and a black horse and a cherry tree all the the same place!

Here is the moment when the sun came out and everyone forgot about the thirteen days of rain that fell on the site the day before it opened which caused the “elf and safety” three hours delayed start.

The main Thursday night event on the All Time Grates Stage was 10CC, who played all their hits, which they performed as a masterclass in song-writing. They even offered us the following words of wisdom from their extensive mantra…

Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze …

Friday afternoon had a definite garden party feel that went off with a Wizz, bang and Spooky side-splitting Tickell. It all started with the legendary Wizz Jones who rolled out all his hits including ‘When I Leave Berlin’ which Bruce Springsteen covered.

The Spooky Men’s Chorale followed, the Antipodean Blue Mountain settlers, that worry local livestock to such a degree that the local farmers club together to pay for their international tours (so long as they agree to do reworked Abba and Bee Gees choral arrangements). Luckily, Kathryn Tickell was there to restore order, Northumbrian Pipe Style, who together with The Side brought Wickham back into the hear and now with evocative slow airs that could break your heart one minute and then fling you seamlessly into life-affirming jigs and reels the next.

In between Tickell and the Spookies (great idea for a band name!) I managed to dash across to the Hapi Stage to catch a bit of the fab Portsmouth based band Bemis. I also managed to grab a copy of their excellent new album A World of Difference that I encourage you all to go and check out for free here

There was barely enough time for a quick change over before it was pedal to metal down the West Country highway in search of Fishy Friends, Seth Lakeman and Show of Hands.  All three did the West Country proud and I think its was a great bit of programming to put Port Isaac’s Fisherman’s Friends, Seth Lakeman and Show of Hands all on the same stage and evening bill.

Here is my favourite moment of Friday night, when Show of Hands treated us to a slowed down version of the Don Henley classic “Boys of Summer” . Hope you enjoy it as much as I did.

Saturday opened with more Wickham Festival goodies… Alas, Tim Brooke-Taylor, Graeme Garden, and Bill Oddie didn’t make it for the reunion but folk legends, Steve Tilston & Jez Lowe turned up on the All Time Grates Stage in the afternoon. Then it was a quick hop and skip across to the Hapi Stage for a blistering set from Gilmore & Roberts with festival energy in a bakers bun-dance. Then back again to the All Time Grates Stage as master Dhol drummer, Johnny Kalsi fired up the furnaces of the drums of the mighty Dhol Foundation to create a high-energy, pulsating folking brilliant musical soundscape of Punjabi beat, rhythm and intensity. ‬

‪If that was not enough excitement for one day, there was a just enough time to sponge down before the main evening event of the big punk-folk-rock 3. I’m sure you will all know who they all are, as the Saturday evening, three in a row line-up, for many, was one of the dream festival programming highlights of this year (dreamt up by the mind of that festival organising genius, Mr Peter Chegwyn) which even included a returning Chopper as part of the Oysterband mix. For those who have not worked it out, it was of course The Men They Couldn’t Hang, Oysterband and The Levellers. I also legged it across to the Hapi Stage to see some of my old mates Chris Sherburn & Denny Bartley set with the lovely Emily.

Time had flown by and before anyone knew it, it was “Sunday folk fun-day” and the fourth day of Wickham.

I’ll start with Ray “Chopper” Cooper who opened on the Hapi stage…

Fay Hield then blew in with the Hurricane Party on the All Time Grates Stage and Glasgow boys Imar followed and got the main stage dancing. Wickham festival favourite Duncan Chisholm followed with his Gathering before the afternoon slot was brought to a riotous close with Tankus The Henge (a great festival band).

LAU opened the Sunday evening slot which felt like a kaleidoscope of colour washing over the All Time Grates Stage. The power went off at one point so we even got a couple of un-amped numbers.

‪The finale for me was the crowned Queen of the Wickham Festival crowd, Eliza Carthy with Sam Sweeney & the rest of her merry Wayward Band.‬ Unfortunately, I had to leave early so missed the Peatbog Faeries set but Eliza said that they tore the place apart, so I have been lamenting the early departure ever since.

I was bitten by a Ferocious Dog on the way out and am looking forward to repeating the experience at one of their other gigs soon.

Darren Beech

Festival website: www.wickhamfestival.co.uk

Wickham Festival 2017 Interview

Wickham Festival site

Darren Beech caught up with Peter Chegwyn just before the festival and had a chat about what we could expect from Wickham this year.

Many of the UK’s finest traditional singers and musicians appeared at the Wickham Festival near Fareham which took place between Thursday 3rd and Sunday 6th August.

They included Seth Lakeman; Show of Hands; Oysterband: Eliza Carthy & The Wayward Band; Kathryn Tickell; The Peatbog Faeries; The Fisherman’s Friends; Lau; Edward II; Boo Hewerdine; The Dhol Foundation; The Spooky Mens Chorale; Steve Tilston & Jez Lowe; Wizz Jones; Talisk; Fay Hield & The Hurricane Party; Les Barker; TradArr plus many more.

Also appearing at Wickham 2017 were the 70s chart-toppers 10cc; top Scottish singer-songwriter KT Tunstall; Festival favourites The Levellers; plus Andy Fairweather-Low & The Low Riders; John Otway; The Selecter plus many more well-known names.

The Wickham Festival was voted the UK’s Best Small Festival at the Live UK Music Awards in 2015 and has also been described as one of Britain’s top boutique and family-friendly festivals by The Guardian newspaper.

The festival featured live music on four stages plus a host of other attractions including storytelling, street theatre, dance displays, childrens entertainers, a digital funfair, laser arena, traditional crafts fayre, exotic foods fayre, real ale & cider festival and a late night festival club.

Festival organiser Peter Chegwyn says it’s “a real coup for a small village festival like Wickham to attract so many top artistes who have performed at major music festivals throughout the world.

“The Wickham Festival is known for its relaxed, friendly atmosphere and the high quality of the music on offer. People travel from all over the UK and abroad to attend. This year’s ticket sales are running at a record level and we are confident that our 10th birthday festival at Wickham will be our best yet.”

I couldn’t finish without putting up one of Peters favourite videos from the Gosport and Fareham Easter festival back in 2010 when Alan Burke dedicating “I will go” to the man himself.

Wickham Podcast link: https://www.wickhamfestival.co.uk/gallery/audio/

Festival website: www.wickhamfestival.co.uk

The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

THE SHEE – Continuum (Shee Records SHEE4)

ContinuumThe concept behind Continuum, supported by Celtic Connections, was to celebrate their tenth anniversary by having each of them commission a musician of their choice to write a piece of music for the album. That’s only half the story, of course, for the band had then to arrange the music for six players and write some pieces to bind the whole thing together.

The opening song is ‘From The Shadows’ by Laura-Beth Salter. It’s a powerful call to arms to … ah, well. It could be a feminist piece, the logical first thought, but it could be a warning to the rich and powerful that the poor and oppressed aren’t going to take it any more. Next come two atmospheric pieces by Kathryn Tickell; one evoking the borders and the other with a Scandinavian feel. The playing, needless to say, is exquisite.

Rachel Newton commissioned Karine Polwart and the result is ‘Song For Mary’. The Mary in question is Mary Brooksbank, composer of ‘The Jute Mill Song’ and an archive recording of one verse forms the introduction. We’re not told that it’s Mary herself but I’d like to think it is. Amy Thatcher naturally turned to a box-player and who better than Andy Cutting? Olivia Ross’ choice was Chris Wood who shares the credit for ‘Cradle Song’ with lyricist Hugh Lupton. The Shee turns what could be a pretty little song into something quite strange so you’re not sure whether this a mother singing to her baby from the safety of a warm fireside or struggling home from the storm outside.

Laura-Beth, Amy and Shona Mooney provide the next two tune sets with Shona responsible for the wonderfully titled ‘The Vampire Rabbit Of Newcastle’. Olivia wrote ‘Precious Tears’, a song for children – possibly the band members’ own – and Brian Finnegan wrote a trio of tunes with Lillias- Kinsman-Blake’s flute and a journey through India in mind. Finally, we have Martin Simpson’s song for his mother. ‘Dance With Me’ might be seen as the companion-piece to ‘Never Any Good’. Laura-Beth sings it and plays mandolin where Martin would use guitar and the band play what is almost an orchestral accompaniment.

Continuum is a monument to musical collaboration and the exchange of ideas but more than that, it is a tribute to six exceptionally talented musicians.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the THE SHEE – Continuum link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: https://theshee.com/

‘Ower Late For The Lasses/Sheepolska’ and more with Kathryn Tickell live at Celtic Connections 2016:

Top composers join The Shee to celebrate ten years

Top composers join The Shee to celebrate ten years
Photograph by David Boni

Multi instrumentalists and festival favourites, The Shee, have reached the ten-year milestone in their action-packed career, and intend to celebrate by creating a brand new body of original work.

Following three albums and a hectic touring schedule, the six members of the band have each approached a composer hero to write an original piece of music ahead of a prestigious premiere at Celtic Connections 2016.

The composers will then join The Shee on stage to introduce their piece and perform with the band as each is performed for the first time.

The composers are, in alphabetical order:

Andy Cutting
Brian Finnegan
Karine Polwart
Martin Simpson
Kathryn Tickell
Chris Wood   

The Shee’s accordionist, Amy Thatcher, said: ‘We can’t quite believe our luck: we’re getting some of the most influential musicians and composers on the current British folk scene to write original music for us. It’s going to be an incredible experience, and the perfect way to celebrate ten years of making music as The Shee.’

Following the premiere at Celtic Connections on 15 January 2016, the band will head back to the studio to work on a new album for release later that year.

Artists’ website: theshee.com  

Wickham Festival 2015 – Reviewed by Simon Burch

Click on the photo below to see the full set…

Wickham 2015

Staged in a corn field and with three stages linked by alleyways of food and crafts stalls, Wickham proved to be a good nursery slope for my family of first-time festival goers: no intimidating vast crowds and a relaxed atmosphere which built steadily through what turned out to be some swelteringly hot days.

showofhands_wickham15Musically, in the main All Time Grates big top stage it was folk with a twist of vintage pop and rock: from crowd-pleasing sets by folk stars such as Seth Lakeman, Show of Hands, Eliza Carthy, Lisbee Stainton and Martin Carthy to The South – Beautiful South survivors Dave Hemmingway and Alison Wheeler – 10CC, Billy Bragg, Cockney Rebel, Wilko Johnson and The Proclaimers.

Crowd_Wickham15The crowd was an eclectic mix of folk devotees and commuter belt families, but overall the demographic was mature and knowledgeable so that at times the main stage had the contented air of a cricket match, with festival goers seated sensibly underneath sun-hats on folding chairs, sipping real ale and completing sudokus to the sound of music.

Giants@WickhamI soon found out that for a parent festivals have to be enjoyed in the round. My children weren’t there for the music, but found instead joy in the laser quest – a shoot-‘em-up inside a series of sweaty, dark inflatable tunnels – the solar-powered Groovy Movie cinema and the digital funfair, a quirky installation where gamers played Space Invaders while sitting on a stationary bike or racked up high scores by slapping two headless mannequins on their plastic buttocks in time to music.

Playbus_Wickham15After a while it became possible to enjoy the music while waiting for them to complete their activities or resisting their pleas to spend the GDP of a small country in the various food and craft stalls, simply via the proximity to the three stages, especially the acoustic stage, where a varied line-up of young up-and-comers and older veterans strummed, picked and twanged their way skilfully through a mixture of their own material and interpretations of popular classics, finding favour with a sprinkling of punters lounging back on the straw-coated ground.

At the top of the festival was the sweatier and rockier Bowman Ales Stage 2 tent – which hosted performances from Edward II, headlining prog rockers Stone Cold and Damn Beats – but I confess that, as a first-timer wanting to immerse myself in folk my visits there were fleeting so I concentrated on the main stage, where a succession of acts filled the afternoons and evenings with musical stories from every corner of Britain and beyond.

SpookyMen_Wickham15From the lilting Northumberland romance of Kathryn Tickell and the Side, to the seasoned yarns of Huw Williams and Maartin Allcock and the acapella oddness of the Spooky Men’s Chorale, it is fair to say there was something for everyone’s tastes, but the big top came into its own later on as the sun dipped behind the food stalls and the headliners took to the stage.

BillyBragg_Wickham15Among the highlights was the life-affirming return to action of Wilko Johnson, the welcome familiarity of The (Beautiful) South’s hits and the appearance of Billy Bragg, whose wit and political zeal brought Friday night to a close. The next night, Seth Lakeman gave a rollicking masterclass of modern folk rock, sweeping the audience along and raising the temperature in the big top.

Proclaimers2_Wickham15Despite the passing of years, festival headliners The Proclaimers hadn’t seemingly aged that much and their set was a polished resounding collection of love songs, devoted to Scotland as much as to the objects of their desire. The large TV screens showed that the Reid twins had their committed fans who knew all of Proclaimers1_Wickham15the words, but as the night continued, you did get the feeling that most people in the tent were waiting for their signature tune – I Would Walk 500 Mile – like a seashore full of surfers all readying themselves for the big wave that would take them right to shore.

And, duly, at about five to 11, it arrived: cueing a joyous outburst of jigs and a singalong in affected Scottish accents. This provided the most exuberant moment of the weekend, before it drew to a close with a thank you and good night, and the boys left the stage.

The third night was over, but the next day the sun again rose hot and strong. Family holiday commitments meant I had to slip away early, but in my absence the crowds returned with their chairs and sun hats, eager for more.

Simon Burch – 23 August 2015