Dàimh announce new album and Scottish tour

Dàimh

Translated from the Gaelic Na Garbh Chrìochan, the Rough Bounds is the area of West Lochaber where Dàimh were formed 20 years ago. Still based in the area, the band’s roots remain firmly tied to the region by the enduring connections of the three remaining founding members.

Historically regarded as an unruly and inaccessible Jacobite stronghold from which Bonnie Prince Charlie both launched his campaign and subsequently fled from in defeat six months later; the landscape of the Rough Bounds is reflected in the breath-taking beauty of Ellen MacDonald’s vocals, the wild grandeur of Dàimh’s pipe and fiddle led instrumentals and the band’s ongoing mission to defend and promote the Gaelic culture.

The idea of crossing the paths of past and future is strongly represented. “Half of the tunes on the record are written by the band and the other half are traditional, the only exception being that of a set of melodies composed by piping legend, PM Donald MacLeod from the Isle of Lewis. We wanted to pay tribute to one our favourite composers, but the set also serves as a stepping stone between the old tunes and our own contemporary pieces” explains piper Angus MacKenzie.

Bringing a mixture of seldom-heard songs passed down from family to better-known puirt à beul and ballads, Ellen MacDonald confidently takes command of the vocals and proves she is now a firmly established star in the gaelaxy. The songs cover all of the expected Dàimh themes; drinking, fighting, heartbreak and heading off to sea, never to be seen again.

For this, the band’s seventh album to date, their number swells to six with the addition of Alasdair White who joins Gabe McVarish on fiddle. “Fiddle is spelt with two ‘D’s because Dàimh deserves a double dose of fiddle action” declares Gabe. “Alasdair is just d’man for the job!”

Former Dàimh singer Calum Alex MacMillan makes a cameo appearance alongside Kathleen MacInnes and Ewen Henderson on backing vocals. The Rough Bounds also features guest appearances by instrumentalists Martin O’Neill (bodhran), Duncan Lyall (double bass) and Signy Jakobsdottir (percussion) and was engineered by Barry Reid.

The Rough Bounds is due for release on Goat Island Music on 27th May 2018; exactly 20 years to the day after their first ever gig. A coinciding launch tour includes 3 venues from their inaugural tour and also notches up the 27th and 28th Scottish Islands the band has performed on.

Artists’ website: https://www.daimh.net/

Tour Dates

May

11th The Maltings, Berwick

12th Astley Hall, Arisaig

23rd Paisley Arts Centre, Paisley

24th Isle of Muck

25th Isle of Canna

26th Seall – The Stables, Armadale, Isle of Skye

31st Old Bridge Inn, Aviemore

June

1st Sutherland Sessions – Ardgay Hall

2nd Strathy Hall, Strathy

MAEVE MACKINNON – Strì (Own Label, MM003)

Launched this weekend as part of Celtic Connections 2018, comes Maeve Mackinnon’s third studio album, Strì (meaning “strive”). After a couple of years of touring with Stepcrew and others, Mackinnon returns to home turf with an album of songs with a distinctly female perspective.

Inspired by Mackinnon’s love of waulking songs, this collection bears all the hallmark strong rhythms of work songs, like opener ‘Iomaraibh Eutrom’ (“Row Lightly”) with its hypnotic rowing pace. There’s also an evident relish in playing with assonance and alliteration in the language.

The lyrics (in translation) form a brutal poetry. Often these little hunks of plain-spoken, stark phrases hang together with a dark twist involving betrayal, or a loss of love or life. But it’s as repeated, sung phrases that they come alive with their own musicality.

Knowing Gaelic may help comprehension, but it’s certainly not essential to appreciating the vocal skill and dexterity in pieces like ‘Puirt-a-Beul’ (“Mouth Music”) – a “hidden” track that runs on from ‘Moch An-Diugh A Rinn Mi Eirigh’ (“Early Today I Rose”). Then there’s the not-quite-rapping, tongue-twisting ‘Bodachan a’Ghàrraidh’ (“Little Old Man In The Garden”) with its loose, funky guitar undercarriage. (And this song even fades out, like some contemporary radio playlister).

What the Scots generally do seem to have is a sound grasp of how to respect and refresh their traditions with judicious use of the studio toolbox, and Strì is no exception. So, occasional processed vocals, industrial metallic sounds, scratchy electronics and even an almost club-like rhythmic regularity on can be found here, all of which help to keep these songs feeling right up to date.

Producer/arranger Duncan Lyall successfully marshalls an array of top musicians including Jarlath Henderson, Ali Hutton, Martin O’Neill, Patsy Reid and Kathleen MacInnes, amongst others, whilst keeping a firm hold on the balance of instrumentation and sympathetically fleshing out Mackinnon’s warm tones.

Most of the songs here may be from the Gaelic tradition, but Mackinnon does include one of her own compositions. Following a crackly announcement in Spanish, it’s quite startling to hear English lyrics again. ‘We’re Not Staying’ is a complex tale of flight and persecution, nicely told with an emphasis on the disruption of migration and the wistful sense of temporariness.

In short, Maeve Mackinnon has made, in Strì, an album that is a real pleasure to listen to, relishing in all its rhythmic twists and turns. She has taken traditional forms and given them a contemporary edge, and the women’s stories that she sings are just as relevant as they ever have been.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.maevemackinnon.com

‘Iomaraibh Eutrom’:

Maeve Mackinnon – new album

Maeve Mackinnon

Contemporary Gaelic Singer Maeve Mackinnon releases her third studio album in February, 2018. Strì is a collection of songs in Gaelic and English, based on the themes of work, exile and struggle, from a woman’s perspective.

Strì means to strive or struggle in Gaelic. My original idea was to revisit the songs I love, particularly Gaelic Waulking songs. Waulking songs are work songs traditionally sung by women in the Highlands and Islands of Scotland. They were hardy, tough women and they sang of battles, tragedies, breakups and romance. I realised midway through recording that nearly all the songs are from a female perspective, and the messages within them are so current today on many levels”.

The album is produced by multiple award-winning producer and bassist Duncan Lyall (producer of Scots Trad Music Awards’ Album of the Year 2015 for Treacherous Orchestra’s Grind along with many others!).

Strì features guest contributions from musical luminaries such as Kathleen MacInnes, Martin O’Neill, Patsy Reid, Ali Hutton, Duncan Lyall, and Jarlath Henderson alongside longtime collaborators Ross Martin and Brian McAlpine.

“The stories, melodies and rhythms convey so much. Whether you speak Gaelic or not, I think people can hear the power of feeling in these songs”.

Strì is launched on Sunday 4 February at Glasgow Royal Concert Hall as part of  Celtic Connections 2018.

Artist’s website: https://www.maevemackinnon.com/

BLUE ROSE CODE – The Water Of Leith (Navigator NAVIGATOR103)

Water Of LeithBlue Rose Code, aka Ross Wilson, has a deservedly growing reputation, with luminaries as diverse as Edith Bowman, Ewan McGregor and Ian Rankin among his fans. Time Out described the music as “Imagine John Martyn meeting a young Van Morrison and being shipwrecked with bundle of Chet Baker records.” The Water Of Leith, the new album, is released on October 27th.

Sometimes in the clatter and busyness of modern life we miss out on more sophisticated gems which don’t leap out and hit us in the face. I’ve just spent a week in rural France, mostly surrounded by stillness but also with CDs to review. And with time and quietude to really hear, I discovered The Water Of Leith to be one of those sophisticated gems.

Wilson has said, “I’m passionate about that fusion of folk and jazz and where it intersects with songwriting”. He has returned to his roots in Scotland and the album has award winning singers (Julie Fowlis, Kathleen MacInnes) and jazz musicians (Konrad Wisznewski, Seonaid Aitken, John Lowrie, Colin Steele and James Lindsay) creating the sound. The Water Of Leith strolls easily across those borders and intersections, melding Scottish music and jazz as stunningly as Martin Hayes and Dennis Cahill have been finding new power and beauty in Irish music by similarly combining different traditions.

The first three tracks are more broadly accessible and likely to get the greater radio play on non-specialist programmes. The remaining nine tracks, though, take you somewhere different, somewhere unique, those borders and intersections between jazz and folk – like that world you capture occasionally in the very early morning where the dawn mixes with the rising mist and you see and hear with a clarity that will be gone in twenty minutes. There are songs where the interplay of vocal and instrument create the mood (‘Passing Places’, ‘Sandaig’) and there are others where the interplay is between instruments (notably the two extended tracks ‘The Water’ and ‘To The Shore’ – the two tracks combining into seventeen minutes of sheer delight if you can find a quiet place to listen).

Blue Rose Code are touring in November to coincide with the release of the new album, dates to be found on their website (see below). In the meantime have a listen, a proper listen, to ‘Scotland Yet’ which was recorded earlier this year in Glasgow – and feel the hairs tingle on your neck.

Mike Wistow

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: https://bluerosecode.com / https://bluerosecode.com/live

‘Scotland Yet’ live:

Blue Rose Code (Ross Wilson) announces new album

Blue Rose Code

Blue Rose Code, aka acclaimed singer-songwriter Ross Wilson, releases The Water Of Leith, his first album for Navigator Records on October 27 on CD, download and album stream.

A nomad both geographically and musically, Ross writes from the heart eschewing any specific genre and the twelve new songs on The Water Of Leith, addressing themes of love, loss, travel, home, accepting the past and embracing the future, are painted with colours of folk, jazz, soul and pop; an eclecticism that has become a hallmark of Blue Rose Code and has seen him compared to John Martyn, Van Morrison and Tom Waits.

Underlining the sense of movement and place in Ross’s work and The Water Of Leith is rooted in his return to his Scottish homeland. There, he reconnected with the stellar musicians who were to become an integral part of the new album’s sound: multi award-winning singer Julie Fowlis, celebrated Gaelic singer Kathleen MacInnes, BBC Folk Award Winner, Ross Ainslie, 2017’s Scottish Jazz Awards’ instrumentalist of the year Konrad Wiszniewski, leading violinist Seonaid Aitken and three of Scotland’s finest jazz musicians; John Lowrie, Colin Steele and James Lindsay, to name just some of the contributors. Grammy-winning American singer-songwriter Beth Nielsen Chapman features on the opening track. Ross co-produced the album with Angus Lyon.

Blue Rose Code will tour extensively around the release of The Water Of Leith, including concerts at Edinburgh Queen’s Hall on November 3, London Bush Hall on November 14, Perth Concert Hall on November 20 and two nights at Harbour Arts in Irvine on November 24 and 25.

In the space of a few short years and the release of well-received albums North Ten, The Ballads Of Peckham Rye, and And Lo The Bird Is On The Wing, Blue Rose Code has built a growing reputation as a powerful writer and performer, gaining extensive radio play and the praise of key broadcasters including Edith Bowman, Mary Ann Kennedy, Bob Harris and also actor Ewan McGregor who made a cameo appearance on And Lo The Bird Is On The Wing after commenting: “My uncle Denis Lawson (star of Local Hero) gave me a copy of The Ballads Of Peckham Rye, it’s beautiful and I can’t stop listening to it.” Author Ian Rankin is also a fan and has written insightful sleeve notes for the new album.  The Water Of Leith marks another step forward for Ross: his first record in recovery following a personal history overcoming alcoholism and addiction.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.bluerosecode.com/

‘Grateful’ – live at RTE:

Trail West announce second album

Trail West - Rescattermastered

With all band members hailing from the Hebridean Isles of Tiree and South Uist, the music and culture that they were raised in remains a pure and refreshing trademark in the sound of Trail West. Rescattermastered represents the next step on the journey for this exciting west coast quartet.

With special guests including Runrig’s Malcolm Jones and iconic Gaelic singer Kathleen MacInnes, this is an album that celebrates everything that is great about traditional music in Scotland and the appreciation that young musicians have for the tradition and culture that has helped to shape their lives.

As with the band’s first release (The One That Got Away, 2013), Rescattermastered demonstrates the incredible musicianship of frontline pair Seonaidh MacIntyre and Ian Smith through high-energy tunes and arrangements, accompanied by the multi-instrumental talents of Andrew Findlater and Alain Campbell. In addition to this, a wide selection of songs now highlight the development and maturity of a band leading the thriving scene of ‘Glasgow Gaels’ ensuring that traditional music in Scotland has a very strong future.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.trail-west.co.uk

‘Close To Home’ – official video: