The Great British Folk Festival 2018

The Great British Folk Festival 2018

Hi-de-Hi! Hi-De-Ho! to all the team at The Great British Folk Festival 2018 at the Butlin’s Skegness resort.

Yep, its that time of the year again when “That Old Sweet Folk and Roll” comes to Skeggy and the “Blood, Sweat & Tears” of the Bultlin’s Live Music Weekend calendar, clashes with their other Electric Dreams weekend event in Bognor (where you can see Pat Sharp and join the Eighties music themed Pool Party). There is some brilliant banter already on the ‘Live Music Weekends’ facebook page suggesting that one individual would ‘rather watch paint dry’ than make the trip up North. Well, all we can say is your ‘folking loss Me Ol’ Mucker’ as I believe there is workshop on the Saturday morning up in Skeggy for that.

Look at that line-up above! Where else are you going to get that sort of a bill during 30 November to 2 December?

Anyway, you can probably tell that we are excited to the point of delirium so I’ll hand you over to folking.com’a answer to “Smashie” (I’m apparently Nicey), Mr Paul ‘How are Ya’ Johnson who is going to say a few words…

For tickets and more information visit GBFF 2018

Darren Beech

Here is Dai Jeffries excellent review from 2015 to get you in the mood.

THE GREAT BRITISH FOLK FESTIVAL, Skegness, 4th-7th December

SINGLES BAR

A round-up of recent  EPs and singles

Strawberry MoonRESIDENT ALIEN is an apt name for Russian-born songwriter/musician Daniel Herzog. Now based in London, Daniel released his first album in 2010 and now he is partnered by Chris Pepper and supported by Stephen Picard who co-wrote the final track, ‘Circle Without End’, on which he plays acoustic guitar and which features a really nice electric solo. The title track of his EP Strawberry Moon is a little radio-friendly but ‘Child Of The City is the star turn here.
http://residentalienband/

RealityNineteen-year-old FINLAY LESLIE releases her debut single, ‘Reality’ next week. Originally from Dover, Finlay is a member of the YouTube generation which is where her break came. She plays acoustic guitar and the backing is built up on a foundation of piano and bass which never threaten to overwhelm the song. There seems to be great deal of youthful angst in ‘Reality’ but it has to be said that Finlay’s diction is not her greatest asset and too much of the lyric is lost.
https://www.facebook.com/Finlaylesliemusic/

Tide & TimeKITTY MACFARLANE has some impressive friends including Sam Kelly who produced her debut EP, Tide & Time, Jamie Francis, Lukas Drinkwater and Ciaran Algar – that’s a pretty good band. Kitty is from Somerset and has an affinity with the sea. ‘Wrecking Days’ is a story of beachcombing and the title track was inspired by Normandy oyster fishermen while ‘Lamb’, based on a poem by William Blake, evokes a stretch of the Somerset coast. ‘Bus Song’ brings us inland and anyone who has lived out in the country will identify with it. Finally, Tim Buckley’s ‘Song To The Siren’ uses the sea as a metaphor for lost love. Kitty has a strong voice and way with a lyric that makes her a name to watch.
www.kittymacfarlane.com

Ha Ha Haf‘Ha Ha Haf’ is the debut release from Welsh band OMALOMA – George Amor, Daf Owain, Gruff ab Arwel and Llyr Pari. It’s a happy, poppy, almost psychedelic song for summer big on keyboards with a clever instrumental break that comes in at about the ninety second mark.
http://www.recordiaucaegwyn.com/

Julie FelixHers may be a name from the past but JULIE FELIX has her finger on the pulse of the contemporary folk scene. Her first single (download only) for Foskett’s Folk Factory is a gorgeous cover of Peter Knight’s song, ‘From A Lullaby Kiss’. Peter plays violin on the track and Julie’s voice is immediately recognisable although like Joan Baez and Maddy Prior she has a lower register now with the power that goes with that richness of tone. Although Julie has never stopped working her profile has been far too low recently. Let us hope that this release does something to address that.
http://www.foskettsfolkfactory.com/

ColvinQuarmby CQV is reviewed by the folkmaster…

The new ColvinQuarmby album has now descended from CQ towers, and is heralding in, by a fab twelve page booklet containing of all Gerry Colvin  lyrics which are wrapped, in bright shiny, cherub packaging (beam me up Scotty).

In our opinion, we believe that CQV can sit proudly alongside the body of work that ColvinQuarmby have produced to date. This recording is enhanced by Allen Maslen and Marion Fleetwood involvement, both of which have made a noticeable contribution to the new line-up, joining the Nick Quarmby, Gerry Colvin and Martin Fitzgibbon fold (baa…)

CQV is their first album in 8 years and although the word play is as razor-sharp as ever, they have still have a little way to go to recreate, the CQ live experience on record but in truth, perhaps they never will as, seeing CQ in the flesh, with all the banter, is seeing the true measure of the band.

As you would expect from CQ, the tracks on CQV are a right old of mix of material, focusing on the political, social and relationship story songs that are Colvin’s trade mark. My personal favourites were: Broken man, The Gods Don’t Work, Dirt, South London Gang and the live favourite, Dylan Thomas’ Pen.

So in short, Gerry Colvin  has, once again written some brilliant new songs, which the band recorded at Blue Moon Studios in Banbury Oxfordshire where just about anybody who used to be, and in some cases still is, somebody, in the world of folk music have recorded. These include Fairport Convention, Kieran Halpin, Maddy Prior, Ade Edmonson and The Bad Shepards, Julie Felix to name a few. We understand that, CQV has taken a total of 220 studio hours and over two years from the start of recording to complete. Darren Beech

Here’s what Blue Moons owner/engineer Mark Lee had to say about his involvement with CQV

“Cq are without doubt one of my favourite bands to record. With such great songs and arrangements, fantastic singing and great playing it was always a real pleasure for me to press the record “GO” button. I truly wish the band every deserved success with what I consider to be a great album. An absolutely brilliant band. A world-class act in my opinion”