Lincoln Alive announces its festival line-up

Lincoln Alive

Before we know it summer will be upon us, and by popular demand, so will this festival……

Solid Entertainments is delighted to announce that the festival will be returning to the county and taking place at Lincoln Alive on Saturday 14th July 2018

Following the great success of last years festival, the line-up had to be “equally…….if not more impressive” and with Jacqui McShee’s Pentangle headlining, special guest Julie Felix and four other very different striking acts; this will most definitely be a musical experience not to miss!

Born in London on Christmas day 1943 Jacqui McShee grew up listening to music played on her parents gramophone – from Fats Waller, Ella Fitzgerald and big bands through to popular classics.  Jacqui showed little interest in music though until she heard Miles Davis and John Coltrane at CND friends, becoming the most important thing for her – it quite literally changed her life.  On CND marches she would lead the singing with her sister Pam and did many gigs locally in South East London for charities such as War On Want and Oxfam.

Jacqui’s beautiful crystal-clear vocals set the standard for female British folk and the band was legendary on the folk-rock scene with virtuoso guitarists John Renbourn and Bert Jansch, Danny Thompson and Terry Cox.  The original Pentangle expanded the frontiers of Folk in the 1960s and ’70s and since then, Jacqui McShee’s Pentangle has progressed and expanded the original concept and continues to make ground-breaking music.

In 1964 Julie Felix arrived in England after leaving California and became the first solo folk artist to be signed to a major British record company when she signed with Decca.  In 1966 Julie became the resident singer on the amazingly popular TV programme The Frost Report, and quickly became a household name.  She went on to appear in her own TV series on BBC1 and BBC2 and recorded hit singles on Mickey Most’s RAK label.

In October 2013, Julie was invited to Buckingham Palace to meet the Queen, Prince Philip, Prince Charles and Camilla.

The full line-up comprises

  • Jacqui McShee’s Pentangle – features saxophonist Gary Foote, bassist & guitarist Alan Thompson, drummer & percussionist Gerry Conway and Spencer Cozens on keyboards!
  • Julie Felix – with over 50 years in the music world, Julie will be celebrating her 80th birthday in 2018 with a special concert at the Charing Cross Theatre in London!
  • Blair Dunlop – in a short four year career is astounding alone but what sets Blair apart from his peers is the lyrical and musical maturity with which he writes!
  • Galley Beggar – with a sound that incorporates all manner of unexpected elements while always celebrating the mischievous spirit of folk music across the centuries!
  • Said The Maiden – three friends who discovered a mutual love of folk music when they reunited several years after spending their school years together in Hertfordshire!
  • The Beaubowbelles – combining the swing, wit and class of a vintage vocal harmony group with the depth, heart and energy of a contemporary English folk band!

No need to worry about searching for food and drinks on the day either, there will be a range of alcoholic/non-alcoholic beverages, real ales available and a varied menu that should meet everyone’s taste!

Early Bird Tickets are only £23.00 and to book, please call 01472 349 222 or go online at http://www.lincolnfolkfestival.co.uk/tickets.html

SINGLES BAR

A round-up of recent  EPs and singles

Strawberry MoonRESIDENT ALIEN is an apt name for Russian-born songwriter/musician Daniel Herzog. Now based in London, Daniel released his first album in 2010 and now he is partnered by Chris Pepper and supported by Stephen Picard who co-wrote the final track, ‘Circle Without End’, on which he plays acoustic guitar and which features a really nice electric solo. The title track of his EP Strawberry Moon is a little radio-friendly but ‘Child Of The City is the star turn here.
http://residentalienband/

RealityNineteen-year-old FINLAY LESLIE releases her debut single, ‘Reality’ next week. Originally from Dover, Finlay is a member of the YouTube generation which is where her break came. She plays acoustic guitar and the backing is built up on a foundation of piano and bass which never threaten to overwhelm the song. There seems to be great deal of youthful angst in ‘Reality’ but it has to be said that Finlay’s diction is not her greatest asset and too much of the lyric is lost.
https://www.facebook.com/Finlaylesliemusic/

Tide & TimeKITTY MACFARLANE has some impressive friends including Sam Kelly who produced her debut EP, Tide & Time, Jamie Francis, Lukas Drinkwater and Ciaran Algar – that’s a pretty good band. Kitty is from Somerset and has an affinity with the sea. ‘Wrecking Days’ is a story of beachcombing and the title track was inspired by Normandy oyster fishermen while ‘Lamb’, based on a poem by William Blake, evokes a stretch of the Somerset coast. ‘Bus Song’ brings us inland and anyone who has lived out in the country will identify with it. Finally, Tim Buckley’s ‘Song To The Siren’ uses the sea as a metaphor for lost love. Kitty has a strong voice and way with a lyric that makes her a name to watch.
www.kittymacfarlane.com

Ha Ha Haf‘Ha Ha Haf’ is the debut release from Welsh band OMALOMA – George Amor, Daf Owain, Gruff ab Arwel and Llyr Pari. It’s a happy, poppy, almost psychedelic song for summer big on keyboards with a clever instrumental break that comes in at about the ninety second mark.
http://www.recordiaucaegwyn.com/

Julie FelixHers may be a name from the past but JULIE FELIX has her finger on the pulse of the contemporary folk scene. Her first single (download only) for Foskett’s Folk Factory is a gorgeous cover of Peter Knight’s song, ‘From A Lullaby Kiss’. Peter plays violin on the track and Julie’s voice is immediately recognisable although like Joan Baez and Maddy Prior she has a lower register now with the power that goes with that richness of tone. Although Julie has never stopped working her profile has been far too low recently. Let us hope that this release does something to address that.
http://www.foskettsfolkfactory.com/

ColvinQuarmby CQV is reviewed by the folkmaster…

The new ColvinQuarmby album has now descended from CQ towers, and is heralding in, by a fab twelve page booklet containing of all Gerry Colvin  lyrics which are wrapped, in bright shiny, cherub packaging (beam me up Scotty).

In our opinion, we believe that CQV can sit proudly alongside the body of work that ColvinQuarmby have produced to date. This recording is enhanced by Allen Maslen and Marion Fleetwood involvement, both of which have made a noticeable contribution to the new line-up, joining the Nick Quarmby, Gerry Colvin and Martin Fitzgibbon fold (baa…)

CQV is their first album in 8 years and although the word play is as razor-sharp as ever, they have still have a little way to go to recreate, the CQ live experience on record but in truth, perhaps they never will as, seeing CQ in the flesh, with all the banter, is seeing the true measure of the band.

As you would expect from CQ, the tracks on CQV are a right old of mix of material, focusing on the political, social and relationship story songs that are Colvin’s trade mark. My personal favourites were: Broken man, The Gods Don’t Work, Dirt, South London Gang and the live favourite, Dylan Thomas’ Pen.

So in short, Gerry Colvin  has, once again written some brilliant new songs, which the band recorded at Blue Moon Studios in Banbury Oxfordshire where just about anybody who used to be, and in some cases still is, somebody, in the world of folk music have recorded. These include Fairport Convention, Kieran Halpin, Maddy Prior, Ade Edmonson and The Bad Shepards, Julie Felix to name a few. We understand that, CQV has taken a total of 220 studio hours and over two years from the start of recording to complete. Darren Beech

Here’s what Blue Moons owner/engineer Mark Lee had to say about his involvement with CQV

“Cq are without doubt one of my favourite bands to record. With such great songs and arrangements, fantastic singing and great playing it was always a real pleasure for me to press the record “GO” button. I truly wish the band every deserved success with what I consider to be a great album. An absolutely brilliant band. A world-class act in my opinion”