SINGLES BAR 32 A round-up of recent EPs and singles

Singles Bar 32Named for the Virginia city, but based in Nashville, ROANOKE are a rising Folk Americana five-piece led by guitarist Joey Beesley and Taylor Dupuis, alongside fellow band members Zach Nowak on mandolin, acoustic guitarist John Fiorentino and drummer Kyle Breese. Following on from their self-titled 2016 debut, the songs written in a remote Michigan cabin, Where I Roam is a self-released five-track EP that augments the band’s instrumentation with pedal steel, violin, lap steel, bass and keyboards, opening with the Fleetwood Mac-like Tennessee Stone, Dupois playing Nicks to Beesley’s Buckingham. Dupois again on lead, ‘Don’t Let Me Leave The Road’ is more of a keening country persuasion while Beesley steps upfront for slow waltzer ‘Ghost Of Love’.

Their pop sensibilities can be heard to good effect on the harmonies sung violin-emboldened wistful ballad ‘Silent Films’, the collection closing on another ballad note, Breese’s harmonica providing backdrop flourishes as Beesley and Dupois, at her best Southern country soulfulness, trade verses on the organ-backed weary of the road ‘I’m Coming Home’, their harmonies showcased in the build up to the climax. A few UK dates would help spread the word.
http://www.roanokeband.com/

My Home In ArgyllYou won’t be surprised to learn that ELIS MACFADYEN comes from Argyll even though he’s now a well-known figure around Inverness. My Home In Argyll is his debut EP on which he’s accompanied by multi-instrumentalist producer Marc Clement and, on the title track, by Michael J MacMillan. These four songs are all Macfadyen originals, frequently employing a country style that so often suits Scottish songwriters. In fact, ‘The Girl From The Rodeo’ was written for a local country band.

‘Too Young To Settle Down’ is a clever tale of misadventure over the rhythm of a train rattling across the country and initially you think you understand why the young man is in such a hurry only to realize that the situation is quite the reverse. Finally, ‘She Smiled For Me’ abandons the country style for that of a big pop ballad, perhaps a little overdone but it shows off Elis’ musical ambitions.
https://www.facebook.com/elismacfadyenmusic/

The Road BookBorn and bred in the south of Belgium (in an area called Gaume to be precise) NICO G now lives near Stirling, Scotland, where he continues to make music. He is an instrumentalist; a guitar player and a very good one at that. His most recent offering of songs is in the form of a five track EP, titled The Road Book. The format is simple, one man and his guitar – and it works wonderfully.

Four of the five tracks are originals, with the exception of an intriguing arrangement of Rolling Stones’ classic, ‘Paint it Black’ which opens the disc. It’s not overbearing or forced, in fact, it fits the record’s mood perfectly, as similar shades and approaches continue to be found in the folkily fingerpicked ‘From The Beginning’ and its equally folkie companion, ‘No More Questions’. Written in Austria, this is quite possibly the most beautiful track on the disc. It has a wandering, bitter-sweet summer feeling to it, created through its simple melody…that isn’t actually all that simple at all. It has the flowing qualities of classical guitar techniques, as well as those of the folk revivalists. Bowing out on some lovely harmonics, we are gently ushered into the twists and twangles of the penultimate ‘Jour 100’, before Piedmont-esque styled ‘The Wee Blether’ concludes the recording.

It is ironic that a ‘blether’ should end a collection of instrumentals, and indeed a collection of instrumentals might not appeal to everyone, but believe me, this is simply beautiful. Nico’s talent is obvious and this taster of his work only leaves you wanting a little bit more of the uplifting melodies, pitch-perfect harmonics and beautiful guitar playing which make up The Road Book.
www.nico-g.eu

ConsilienceTHE Nth DEGREE are a trio from Cardiff – Will Christofides, Tim Johnston and Sarah Johnston – making their debut with a four-track download EP, Consilience. It opens with the logic-twisting ‘Things’ which has a simple guitar based arrangement until Tim breaks in on cello with Sarah on whistle. Sarah takes over the lead vocals for ‘Summer Night’ while the two chaps enjoy interplaying guitar parts. ‘Broken Earth’ expands the arrangement a little with Tim’s synthesiser – it’s a song protesting the damage done to the land by industry but the lyrics could be clearer. There’s a real twist at the end with ‘Never Weather Beaten Sail’ by Thomas Campion and Charles Hubert Parry. The Nth Degree perform it like a folk trio tackling a hymn with cello for gravitas and harmony vocals. Good as their original songs are, this could be the track that makes them.
thenthdegreeuk.bandcamp.com/releases

WoodsA CHOIR OF GHOSTS is the secret identity of Swedish singer James Auger, whose debut EP, Woods, was released at the end of June. James doesn’t sound very Swedish either stylistically or vocally but the title track was inspired by the sound of tree-felling in the north of the country – timber is a major source of Sweden’s revenue. This isn’t a song of ecological protest however, the sound merely sparked his imagination. ‘Ester’ and ‘Morning Light’ have already been released as singles but it’s worth going for the full set.
http://www.achoirofghosts.com/

Perfect‘Perfect’ is the first single from Welcome To The Batlands, the debut album from Belfast singer ETHAN HANNA. It catches you out at first, opening with a thoughtful acoustic guitar before the band crashes in and once you get over that you’re grooving to a gravel-voiced rocker with a song that’s full of compelling images: “did you want to ink your arms to say ‘look at the mistakes I made’”; “Here’s a tape I made/it follows all the mistakes I made” and “I miss you now that we’re twenty-three/I think we might have lost our fight”. The track peters out with a sad acoustic guitar, a few notes that spell desolation. Excellent stuff.
https://www.facebook.com/EthanHannaOfficial/

WeightJOSH McGOVERN growls his idiosyncratic way through his new single, ‘Weight’ describing, in a very bleak style, the end of a relationship and the state of his mental health. You might think from that description that it’s going to be hard work but far from it. It opens with a stunning line; “On a cold early morning on the hill all my best man fell” – a battle, real or emotional, with the singer as the loser? You can go where you want with that idea.
https://www.facebook.com/Joshmmusic/

Billy LockettSinger-songwriter BILLY LOCKETT has released a double A-side single in advance of his summer/autumn tour. ‘Fading Into Grey’ is a big heartfelt song about a relationship dragging on beyond its use-by date. ‘My Only Soul’ is equally powerful but slightly off-the-wall as the singer wishes that he believed in ghosts so he could see his loved one – his only soul – again.
http://www.billylockett.com

High TideVELVET & STONE have released a rather lovely single, ‘High Tide’ with all the profits going to Cancer Research. It opens with a gentle but insistent acoustic guitar with a few notes of electric guitar before Lara Snowden’s vocals come in and Kathryn Tremlett’s violin lifts the song to another level before her piano leads it away.
https://www.velvetstonemusic.com/

SINGLES BAR 25

A round-up of recent EPs and singles with compliments of the season

Singles Bar 25WOLFNOTE are a new trio from Berkshire making their debut with an EP, Frightened Of Your Own F#. The three female members, Bex, Gill and Ceri, have strong voices and harmonise well and between them play guitar, violin, cello, dulcimer and recorders and their silent partner, Mike, plays guitar, bass and cajon. The record starts with a cover of Dylan’s ‘Girl From The North Country’ taken a little more quickly than most people do – it can drag, sometimes. The other songs are originals and ‘Love And Light’ is particularly good. The production is excellent, concentrating on the voices with the instrumental leads clear and bright. A name to watch.
https://www.facebook.com/wolfnoteband/

‘The Tug Of The Moon’ is the first single to be taken from If We Dig Any Deeper It Could Get Dangerous, the forthcoming album by SARAH McQUAID. This could be the only song ever inspired by Newton’s third law of motion and its effect on sidereal time.  Behind the science is the thought that we are all spinning towards the end of the universe and perhaps we should make the most of our time. Sarah creates a wonderful sound with fingerpicked electric guitar drenched in reverb.
www.sarahmcquaid.com

While her new band settles in DARIA KULESH releases a single supported by two of her duo partners, Jonny Dyer and Marina Osman. ‘Vasilisa’ is an old Russian fairy tale from a book that Daria read as a child and still has. The story contains certain elements of Cinderella but far nastier and involves a supposedly deadly errand, the famous witch Baba Yaga and some unpleasant deaths. It has the mysterious air of Daria’s other Russian adaptations with the drone of a shruti box, dramatic piano, percussion and bouzouki.
http://www.daria-kulesh.co.uk/

It’s that time of year, so folk have been getting into the festive mood for seasonal singles. First up comes the rather lovely download (from the usual sources) only ‘What Will Christmas Be’, a melancholic piano (Danny Mitchell) and cello (Chelsea McGough) ballad duet from BEN GLOVER and NATALIE SCHLAB about absence and loss at a time traditionally about being together, set off with a final peal of bells.
https://www.benglover.co.uk/

Season Bright is a seasonal EP from EMILY EWING & ROBERT LANE. Robert is well known to folking readers and Emily is a singer-songwriter with a download EP to her name and a growing reputation. The lead tracks begins with Robert and Emily lamenting the fact that they’ll be spending Christmas alone (surely not) and moves on to the exhortation to “keep your loved ones near” over some lovely ringing electric guitar. The other tracks are the guitar-led ‘Get You’ and ‘Own It’, built around Emily’s piano. Available from iTunes.
http://www.robertlanemusic.co.uk/

Jo Whitby aka LAURENCE MADE ME CRY mirrors the mood with her download single ‘It’s Not You, It’s Christmas’ (from her bandcamp site), a slow walking fuzzed reverb guitar (sounding like a kazoo on acid) and drums ditty about choosing to spend the festivities alone at home, although she still wishes everyone seasonal cheer.
http://laurencemademecry.com/

SKINNY LISTER also get into the act with ‘Christmas Calls’ (XtraMile), an epic sounding arms-linked swayalong anthem very much in the Pogues ‘Fairytale’ mould, complete with military drums, bells and whistles.
http://skinnylister.com/

From last year’s Edison Gloriette album, JESS MORGAN releases download Jay Chakravorty remix of the Moonstruck-inspired ‘Come To The Opera With Me Loretta’ (Drabant Music) that removes the piano, putting more focus on the vocals and giving it an anthemic seasonal synths and drums shimmer makeover.
http://www.jessmorgan.co.uk/

Away from the holly and ivy,Yorkshire’s FRAN WYBURN self-releases ‘Foolish Sea’, George Birkett’s fingerpicking and Rachel Brown’s cello backdropping her pure, little girl vocals on a quirky tale of unrequited love that serves as a taster to her forthcoming album.
http://www.franwyburn.com/

There is not so much Christmas spirit but an awful lot of pain in ‘Love Left Lost’, the second single from Brighton-based singer-songwriter JOSH McGOVERN. Quite which subterranean depths that voice comes from is hard to say but the tragedy is delivered over minimal acoustic and with soulful backing vocals on the choruses.
https://www.facebook.com/Joshmmusic

To mark the twentieth anniversary of the death of blues guitarist LUTHER ALLISON Ruf records have released a limited edition eleven disc box set of his later work. As a taster there is a 7” vinyl single: ‘You Can’t Always Get What You Want’ and ‘Night Life’. The lead track starts with a deceptively simple Hammond organ and Luther waits until the chorus comes round for the band to kick in and then it takes off with some wonderful “doo-de-doo” backing vocals.
http://www.rufrecords.de