Jon Boden shares new single ‘All The Stars Are Coming Out Tonight’

Photo by David Angel

Jon Boden, former front-man of the progressive folk eleven-piece Bellowhead, has announced details of ‘All The Stars Are Coming Out’, the new single to be taken from his forthcoming solo album Afterglow, set for release via Hudson Records on October 6, 2017. Afterglow is Boden’s first studio release since calling an end to Bellowhead, a 12-year project that culminated in a quarter of a million album sales and worldwide sell-out shows including the Royal Albert Hall.

Afterglow follows on from Boden’s 2009 solo concept-album ‘Songs From The Floodplain’ which lead him to be named as Folk Singer Of The Year at the BBC Folk Awards. Whereas Floodplain largely dealt with the rural setting, Afterglow looks to juxtapose this and immerse the listener within a post-apocalyptic, post peak-oil street carnival – a location of decaying buildings, burning oil drums and homemade fireworks, in which Boden tells the story of two lovers trying to find one another.

Speaking about ‘All The Stars Are Coming Out’, Boden says: “Without easy access to electric light and with a shortage of oil, our lives will again become bounded by the astronomical cycle of the universe, and our relationship with the stars will become closer, uninhibited by artificial light pollution. I wanted the stars to have a big presence in the album, particularly Orion who, as a ‘hunter’, is someone who our hero identifies with as he searches the city for a girl he knew once but hasn’t seen for many years.”

Across his career Boden has been awarded a record-breaking 12 BBC Folk Awards, earned through his work with Bellowhead and Spiers & Boden. Now touring as both a solo artist and with his band The Remnant Kings, Jon will perform in both incarnations again this autumn. Commencing with his solo tour at Pocklington’s Arts Centre on November 6, Jon will perform at intimate venues across the UK before ending at Ludlow’s Assembly Rooms on November 14. From here Boden will tour with The Remnant Kings, beginning at Gateshead’s Sage on November 17 and taking in a date at London’s Scala on November 22.

Full tour dates and further album details here: http://folking.com/jon-boden-announces-new-solo-album-tour-dates/

Jon Boden announces new solo album and tour dates

Jon Boden

Jon Boden, former frontman of progressive folk eleven-piece Bellowhead, has announced details of his new solo album Afterglow, set for release via Hudson Records on October 6th. Afterglow is Boden’s first studio release since calling an end to Bellowhead, a twelve-year project that culminated in a quarter of a million album sales and worldwide sell-out shows including the Royal Albert Hall. Boden will return to the stage at this year’s Cambridge Folk Festival (July 27th-30th), where he will debut Afterglow as part of his guest curation.

Afterglow follows on from Boden’s 2009 solo concept-album Songs From The Floodplain which lead him to be named as Folk Singer Of The Year at the BBC Folk Awards. Whereas Floodplain largely dealt with the rural setting, Afterglow looks to juxtapose this and immerse the listener within a post-apocalyptic street carnival – a location of decaying buildings, burning oil drums and homemade fireworks, in which Boden tells the story of two lovers trying to find one another. Speaking about the album concept, Boden says:

“Like my previous album Songs From The Floodplain, Afterglow imagines a near-future world where the luxuries and comfort of 21st century life have become scarce, and a harder, simpler existence now prevails. Afterglow is the story of a couple who are trying to find each other in the middle of a bonfire-night street carnival in a crumbling, derelict city. I had a wonderful time recording it in Sheffield with the help of my band the Remnant Kings and Andy Bell in the producer’s chair.”

Across his career Boden has been awarded a record-breaking 12 BBC Folk Awards, earned through his work with Bellowhead and Spiers & Boden. Now touring as both a solo artist and with his band The Remnant Kings, Jon will perform in both incarnations again this autumn. Commencing with his solo tour at Pocklington’s Arts Centre on November 6th, Jon will perform at intimate venues across the UK before ending at Ludlow’s Assembly Rooms on November 14th. From here Boden will tour with The Remnant Kings, beginning at Gateshead’s Sage on November 17 and taking in a date at London’s Scala on November 22nd.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Jon Boden – Afterglow link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

ORDER – [VINYL]

Artist’s website: https://www.jonboden.com/

‘Moths In The Gas Light’ – all we get so far:

Tour Dates

Solo – November

Monday 6th Pocklington Arts Centre
Tuesday 7th The Core at Corby Cube
Wednesday 8th OPEN, Norwich
Thursday 9th Cornerstone Arts Centre, Didcot
Friday 10th Connaught Theatre, Worthing
Sunday 12th Theatre Royal Winchester
Monday 13th Number 8, Pershore
Tuesday 14th Ludlow Assembly Rooms

Jon Boden & The Remnant Kings – November

Friday 17th Sage Gateshead
Saturday 18th The Leadmill, Sheffield
Sunday 19th Victoria Hall, Settle
Monday 20th Haverhill Arts Centre
Tuesday 21st St. Mary’s in the Castle, Hastings
Wednesday 22nd The Scala, London
Thursday 23rd The Lighthouse, Poole
Friday 24th The Globe, Cardiff
Saturday 25th The Cheese & Grain, Frome
Sunday 26th Lincoln Performing Arts Centre

VARIOUS – From Here: English Folk Field Recordings (From Here Sitw005)

From HereThey may be newcomers to the scene, but Stick In The Wheel are certainly making their mark, not just with their own recordings and associated artifacts, but in their involvement with the folk world in general, and the traditional in particular.

Band members Ian Carter and Nicola Kearey serve as curators, collaborators and producers for this collection of new live recordings by both the great and good and some of the lesser known luminaries in the genre. The remit for those involved was to record songs that explored either place or their musical identity, culminating in a gathering of field recordings captured in locations as diverse as a stone cottage in Edale, a bank vault and a garden at Robin Hood’s Bay using just two stereo microphones and with no subsequent overdubs.

As you would imagine, the tracks are stark and raw, first up being ‘Bedfordshire May Carol’, chosen by performer Jack Sharp, leader of psych-folk outfit Wolf People, as it supposedly originated just a few miles from where he grew up. Next up, Eliza Carthy leads a flurry of more familiar names with a self-penned number, ‘The Sea’, a new setting of the broadside ballad found in Manchester’s Chetham Library and featuring on her current album, the initial pizzicato fiddle giving way to more robust playing. She’s followed by one of the veterans of English folk, John Kirkpatrick, applying his accordion to a song from his lengthy repertoire and a folk club staple ‘Here’s Adieu To Old England’, while his sometimes musical partner, Martin Carthy, also chose a number he’s recently reintroduced back into his sets, ‘The Bedmaking’, a familiar tale of the abused and cast aside servant girl. fingerpicked here to a halting rhythm.

Sandwiched in-between is one of the rising stars of the few folk firmament, the Peak District’s Bella Hardy, who went to 19th century collection The Ballads and Songs of Derbyshire for ‘The Ballad of Hugh Stenson’, setting it to a more upbeat tune than the hymnal adapted by Jon Tams, while, another member of folk royalty, Jon Boden puts his squeezebox to work on a contemplative take on 19th century drinking song ‘Fathom The Bowl’.

There’s a couple of spokes from the Wheel, both unaccompanied, Kearey delivering glottal version of the much covered ‘Georgie’ and Fran Foote ‘The Irish Girl’. They’re not the only numbers to be sung naked as it were. BritFolk alumnus Lisa Knapp has a lovely treatment of the tumblingly melodious ‘Lavender Song’, while, also from the female side, Fay Hield tips the hat to Annie Briggs with her choice of ‘Bonny Boy’.

On the other side of a capella gender fence, Geordie folkie Stew Simpson mines his Newcastle roots for ‘Eh Aww Ah Cud Hew’ (which the accompanying booklet helpfully translates as “Oh Yes, I Could Pick At The Coals”), Sam Lee turns the evergreen ‘Wild Rover’ on its head to transform it into a slow, sad lament rather than more familiar rollicking rouser of Dubliners and Pogues note, and, from Wales, a deep-voiced Men Diamler closes the album with ‘1848 (Sunset Beauregard)’, a self-penned political protest ballad about Tory policies. The remaining unaccompanied track is actually a duet, Peta Webb and Ken Hall joining voices for an Irish in London in the 50s marriage of Ewan MacColl’s ‘Just A Note’, about the building of the M1, and Bob Davenport’s account of the dangers of ‘Wild Wild Whiskey’.

The three remaining tracks are all instrumentals. Bristol’s acoustic instrumental quartet Spiro are the only band on the collection and provide their self-penned ‘Lost In Fishponds’, apparently about getting lost en route to a gig, joined here by North Wales violinist Madame Česki, while Sam Sweeney brings his fiddle to bear on two tunes. ‘Bagpipers’, one of the first things he played with his band Leveret, and ‘Mount Hills’, an English dance tune from the 17th century. Which leaves Cumbrian concertina maestro Rob Harbron to provide the third with a pairing of ‘Young Collins’, a Costwolds’ tune learned from Alistair Anderson, and, another from the Morris tradition, ‘Getting Up The Stairs’, which, by way of a pleasing synchronicity, he actually learned by way of John Kirkpatrick on the influential Morris On album.

It more than does the job it set out to achieve, and, likely to loom large in end of year awards, fully warrants a place in any traditional folk fan’s collection.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the From Here: English Folk Field Recordings link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.stickinthewheel.com

Stew Simpson – ‘Eh Aww Ah Cud Hew’:

JON BODEN – Painted Lady (Navigator Records NAVIGATOR098)

2016 sees the 10th anniversary of Jon Boden’s first solo album Painted Lady, which is being re-issued to mark the event.

This is an album of love songs, of a sort,  but certainly not chivalric love or the deep love of long-term relationship.  Instead there is a feeling of furtive, perhaps seedy love.  As he sings on ‘Blue Dress’ “Wear your blue dress tonight, Meet me down behind the graveyard, Bring your cigarettes, Wear your leather boots, Go down where the rushes grow.”

Later in the same song we hear lines which even blur the lines between potentially right and potentially wrong without ever finding out who is taking the lead in events. “You’re the only girl for me, in this whole wide world. When I see you in school, I think we should run away.  Don’t care what the teachers say.

On the track ‘Drunken Princess’  he sings a lullaby to his love but we are never sure if this particular girls exists as anything other than a glossy photograph.  As Boden was to show three years later in Songs From The Floodplain  he excels in exploring dystopian, bleak worlds.

The reworking of Whitney Houston’s ‘I Want To Dance With Somebody’ works very well.  Slowed down and stripped back to a minimal backing it becomes a plaintive cry of loneliness and a desperate search for love.

This is possibly not an album for the finger-in-the-ear traditionalist.  As Boden was to go on to show in his other works and collaborations he is not going to be constrained by anything as artificial as a musical genre.  He both sings and plays all the instruments on the album, easily moving from folk to blues and even including some rock and electronica.  Of course the standard of playing is superb throughout.

This is an album to get if you want to complete a collection, or to track the development of an artist over time, but it more than stands alone as an excellent piece of work from one of the most innovative and creative musicians there is.   The album is available to pre-order now, through Propermusic, with a release date of 30th September.

Tony Birch

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Jon Boden – Painted Lady (10th Anniversary Edition) link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

ORDER – [VINYL]

Artist’s website: http://www.jonboden.com/

FAY HIELD – Old Adam (Soundpost Records SOPO 5003)

FAY HIELD - Old Adam (Soundpost Records SOPO 5003)Fay Hield’s third solo album is all traditional except when it isn’t. That is, except when the tune is by Hield herself and/or Jon Boden or the song is written by Rudyard Kipling and Peter Bellamy or Tom Waits. Although not given full billing on the front cover, The Hurricane Party – Sam Sweeney, Rob Harbron, Roger Wilson, Ben Nicholls and Toby Kearney – are back alongside the aforementioned Mr Boden and Martin Simpson. Fay is scrupulous about crediting her sources and I do worry when those sources are singers I grew up listening to.

The opening track, ‘Green Gravel’, is described as a playground song although there is a misery about it that isn’t very childish but that mood is quickly dispelled by the jolly ‘Raggle Taggle Gypsy’ and ‘Katie Catch’. The title track is a non-Biblical account of the life of the first man, told as though the expulsion from Eden didn’t happen – it is said of Eve that “her neighbours she ne’er scandalised” and she is described as “the jewel of woman found”. Yeah, right.

The best version of ‘Queen Eleanor’s Confession’ I ever heard was by Rosemary Hardman and the version by Tim Hart and Maddy Prior, which Fay uses here, ignored the melodrama and inherent comedy of the song. Rosemary recorded the song nearly fifty years ago and perhaps sensibilities have changed but I always found Tim and Maddy a bit po-faced about the story as is Fay. ‘The Hornet And The Beetle’ makes a serious point and ‘Jack Orion’ is a famous tale of what? – not quite cuckolding although we can suppose that the countess is married so it’s probably adultery. Whatever, it’s a ribald tale but with murder in the final verse. Tom Waits’ ‘The Briar And The Rose’ seems an odd choice at first glance coming, as it does, from one his more difficult albums, The Black Rider, but strip away the preconceptions and you can see the traditional themes woven into the story.

Needless to say the arrangements are beautifully judged often casting a new light on a song and ‘Go From My Window’ is a perfect example. It can be a real dirge but the banjo and up-front percussion give it pace and the key changes in ‘Anchor Song’ seem to enable Fay to get through it in record time. Leaving aside personal preferences this is an excellent album by any standards.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.fayhield.com/

‘Raggle Taggle Gypsy’ live at well-known north London venue:

Fay Hield Announces Details of New Album

Fay Hield Announces Details of New Album

Following the considerable success of The Full English album and touring band, which she assembled, singer Fay Hield is due to release her 3rd solo album, Old Adam on Soundpost Records on 12th February 2016 and will tour in February and March too. Meanwhile, a digital single, taken from the album, featuring ‘Willow Glen’ and ‘Green Gravel’ is now available.

Old Adam is a fresh and original exploration of how we use stories and music to understand what it means to be human and combines not only Fay’s gift for unearthing striking material but also her distinctive and naturalistic delivery of it. These qualities have won her critical acclaim for her previous solo albums (Looking Glass in 2010 and Orfeo in 2012, both on Topic Records) including several BBC Radio 2 Folk Awards and a nomination for Folk Singer of the Year. Continue reading Fay Hield Announces Details of New Album