First names unveiled for Shrewsbury Folk Festival 2018

Shrewsbury Folk Festival

Shrewsbury Folk Festival has revealed the first acts in its 2018 line up as tickets go on sale for next year’s event.

American singer songwriter Gretchen Peters, Irish super group Usher’s Island, festival favourites Show of Hands and former Bellowhead frontman Jon Boden with his band The Remnant Kings will join Steeleye Span, Peter Knight’s Gigspanner Big Band, BBC Folk Award winner Daoirí Farrell and Scottish folk rockers Skerryvore at the festival next August.

Chinese flautist Guo Yue and Japanese drummer Joji Hirota will reunite for the festival with the London Taiko Drummers and one of the hit groups of the 2017 festival – Canadian band The Fitzgeralds – have been invited back due to popular demand.

Other performers already signed up include Welsh indie roots band Rusty Shackle, The Rails, State Of The Union – the duo of Boo Hewerdine and Brooks Williams, O’Hooley & Tidow, Megson, Blowzabella, Banter, Alden, Patterson & Dashwood, The Rogues Shanty Chorus, Emma Morton & The Graces, Midnight Skyracer, FOS Brothers, Inlay, and Foreign Affairs.

Dance bands will be Blowzabella, Bedlam, Committee Band, Vertical Expression, Kirkophany and Out of Hand.

The festival will take place at the West Mid Showground from August 24 to 27 with more artists to be revealed in 2018.

Director Sandra Surtees said: “The line up is shaping up to be as eclectic as ever with something for everyone. We pride ourselves on catering for a wide range of musical tastes from traditional folk music to more contemporary performers with some world music bringing a global element to the festival.

“There will be bands from all four corners of the UK, showcasing some of the best acts in today’s folk and acoustic scene, with some of the North American flavour for which the festival is renowned.

“We will be adding more great acts to our 2018 line up and will revealing more early next year.”

The festival is now one of the leading folk events in the UK with more than 7,000 people heading to Shrewsbury and has a reputation for its relaxed and friendly environment.

Sandra added: “Our committee works year round to plan and programme the festival, supported by an incredible army of 500 plus volunteers which creates the festival village each August.

“Shrewsbury has a reputation for its unique atmosphere and the majority of our visitors come back time and time again.”

The festival has four main music stages, a dance tent featuring ceilidhs, workshops and dance shows, children and youth festivals, more than 100 workshops, a craft fair, food village, real ale, prosecco and cocktail bars and on-site camping.

There are also fringe events at local pubs with dance displays across the town and a parade through the streets.

Weekend and day tickets are now on sale and can be booked at www.shrewsburyfolkfestival.co.uk/booktickets/.

JON BODEN – Afterglow – Hudson Records HUD004

AfterglowFolk royalty Jon Boden’s latest album, Afterglow, is an excellent follow on from Songs From The Floodplain, which was released in 2009, and was Jon’s second solo album. Jon is a twelve time BBC Folk Award Winner who partnered celebrated concertina player John ‘Squeezy’ Spiers in Spiers and Boden, fronted Bellowhead, and comes out to play with his Remnant Kings now and again.

Afterglow is a story of urban lovers after dark. The ten fabulous tracks portray a journey after dark into the early morning leaving the previous night behind – their adventures into the night and what they experience.

The album starts with ‘Moths In The Gaslight’ – in true Boden melodic style then leading into the title track and bringing in a drum beat. ‘Wrong Side Of Town’ brings in the traditional Boden irregular beat we all know and love. ‘Fires Of Midnight’ is a spoken lyric in the traditional style of Boden. One of my favourites, ‘All The Stars Are Coming Out Tonight’ is a foot tapping track including fiddle, bodhran, Cajun and all!

‘Dancing In The Ruins’ includes off-beat rhythm and an electric guitar taking the listener into ‘Burning Streets’ telling the tale of the lovers escaping down the back streets to a racy beat. The penultimate track – ‘Yellow Light’ – has Jon’s traditional concertina, cello and quietens the mood down after the night’s activities. Afterglow ends with a track entitled ‘Aubade’ – the dawn is now breaking bringing the end of the night, the birds are now singing heralding in the dawn and a new day.

An excellent album as we would expect from a master of his craft. Ex-Bellowhead members Paul Sartin, Sam Sweeney and Ben Nicholls (Seth Lakeman Band) are involved on this album as are members of The Remnant Kings together with producer Andy Bell, and recorded in Sheffield. As always, Jon Boden’s albums are vivid and give beautiful imagery in the lyrics. This album is no exception to his pure talent.

Afterglow is now on general release. Available as a single CD, a de luxe version and a vinyl version and from the 6th November Jon is on tour solo. Jon while the Remnant Kings are touring in November from the 17th.

Jean Camp

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.jonboden.com

‘All The Stars Are Coming Out Tonight’ – official video:

VIDEO WALL 6

The videos have been flooding in again so here’s the first of the latest batch.

We’ll begin with Louis Brennan’s film for ‘Bit Part Actor’, a track from his debut album, Dead Capital, which will be released in the spring.

Next is Jon Boden with a live version of ‘Bee Sting’ from his new album, Afterglow.

‘Hideaway’ is Shrewsbury singer-songwriter Dan Owen’s latest single. Dan has been getting a lot of good press recently for his soulful voice and blues guitar.

‘All Souls Alive’ is one of Ben Reel’s most popular live songs and it has been remixed and remastered for download release alongside ‘Resurrection Man’.

The Magic Lantern, aka Jamie Doe, has released this video for his new single, ‘Holding Hands’ from his latest album, To The Islands.

Finally for now we have a golden oldie from The Teesside Fettlers.

‘Ring Of Iron’ was sent to us by former Fettler Adrian Beadnell who has a song called ‘Past’ which he’d like everyone to hear. There is a video that you can find at  https://www.facebook.com/saltburnvoice/

Jon Boden shares new single ‘All The Stars Are Coming Out Tonight’

Photo by David Angel

Jon Boden, former front-man of the progressive folk eleven-piece Bellowhead, has announced details of ‘All The Stars Are Coming Out’, the new single to be taken from his forthcoming solo album Afterglow, set for release via Hudson Records on October 6, 2017. Afterglow is Boden’s first studio release since calling an end to Bellowhead, a 12-year project that culminated in a quarter of a million album sales and worldwide sell-out shows including the Royal Albert Hall.

Afterglow follows on from Boden’s 2009 solo concept-album ‘Songs From The Floodplain’ which lead him to be named as Folk Singer Of The Year at the BBC Folk Awards. Whereas Floodplain largely dealt with the rural setting, Afterglow looks to juxtapose this and immerse the listener within a post-apocalyptic, post peak-oil street carnival – a location of decaying buildings, burning oil drums and homemade fireworks, in which Boden tells the story of two lovers trying to find one another.

Speaking about ‘All The Stars Are Coming Out’, Boden says: “Without easy access to electric light and with a shortage of oil, our lives will again become bounded by the astronomical cycle of the universe, and our relationship with the stars will become closer, uninhibited by artificial light pollution. I wanted the stars to have a big presence in the album, particularly Orion who, as a ‘hunter’, is someone who our hero identifies with as he searches the city for a girl he knew once but hasn’t seen for many years.”

Across his career Boden has been awarded a record-breaking 12 BBC Folk Awards, earned through his work with Bellowhead and Spiers & Boden. Now touring as both a solo artist and with his band The Remnant Kings, Jon will perform in both incarnations again this autumn. Commencing with his solo tour at Pocklington’s Arts Centre on November 6, Jon will perform at intimate venues across the UK before ending at Ludlow’s Assembly Rooms on November 14. From here Boden will tour with The Remnant Kings, beginning at Gateshead’s Sage on November 17 and taking in a date at London’s Scala on November 22.

Full tour dates and further album details here: http://folking.com/jon-boden-announces-new-solo-album-tour-dates/

Jon Boden announces new solo album and tour dates

Jon Boden

Jon Boden, former frontman of progressive folk eleven-piece Bellowhead, has announced details of his new solo album Afterglow, set for release via Hudson Records on October 6th. Afterglow is Boden’s first studio release since calling an end to Bellowhead, a twelve-year project that culminated in a quarter of a million album sales and worldwide sell-out shows including the Royal Albert Hall. Boden will return to the stage at this year’s Cambridge Folk Festival (July 27th-30th), where he will debut Afterglow as part of his guest curation.

Afterglow follows on from Boden’s 2009 solo concept-album Songs From The Floodplain which lead him to be named as Folk Singer Of The Year at the BBC Folk Awards. Whereas Floodplain largely dealt with the rural setting, Afterglow looks to juxtapose this and immerse the listener within a post-apocalyptic street carnival – a location of decaying buildings, burning oil drums and homemade fireworks, in which Boden tells the story of two lovers trying to find one another. Speaking about the album concept, Boden says:

“Like my previous album Songs From The Floodplain, Afterglow imagines a near-future world where the luxuries and comfort of 21st century life have become scarce, and a harder, simpler existence now prevails. Afterglow is the story of a couple who are trying to find each other in the middle of a bonfire-night street carnival in a crumbling, derelict city. I had a wonderful time recording it in Sheffield with the help of my band the Remnant Kings and Andy Bell in the producer’s chair.”

Across his career Boden has been awarded a record-breaking 12 BBC Folk Awards, earned through his work with Bellowhead and Spiers & Boden. Now touring as both a solo artist and with his band The Remnant Kings, Jon will perform in both incarnations again this autumn. Commencing with his solo tour at Pocklington’s Arts Centre on November 6th, Jon will perform at intimate venues across the UK before ending at Ludlow’s Assembly Rooms on November 14th. From here Boden will tour with The Remnant Kings, beginning at Gateshead’s Sage on November 17 and taking in a date at London’s Scala on November 22nd.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: https://www.jonboden.com/

‘Moths In The Gas Light’ – all we get so far:

VARIOUS – From Here: English Folk Field Recordings (From Here Sitw005)

From HereThey may be newcomers to the scene, but Stick In The Wheel are certainly making their mark, not just with their own recordings and associated artifacts, but in their involvement with the folk world in general, and the traditional in particular.

Band members Ian Carter and Nicola Kearey serve as curators, collaborators and producers for this collection of new live recordings by both the great and good and some of the lesser known luminaries in the genre. The remit for those involved was to record songs that explored either place or their musical identity, culminating in a gathering of field recordings captured in locations as diverse as a stone cottage in Edale, a bank vault and a garden at Robin Hood’s Bay using just two stereo microphones and with no subsequent overdubs.

As you would imagine, the tracks are stark and raw, first up being ‘Bedfordshire May Carol’, chosen by performer Jack Sharp, leader of psych-folk outfit Wolf People, as it supposedly originated just a few miles from where he grew up. Next up, Eliza Carthy leads a flurry of more familiar names with a self-penned number, ‘The Sea’, a new setting of the broadside ballad found in Manchester’s Chetham Library and featuring on her current album, the initial pizzicato fiddle giving way to more robust playing. She’s followed by one of the veterans of English folk, John Kirkpatrick, applying his accordion to a song from his lengthy repertoire and a folk club staple ‘Here’s Adieu To Old England’, while his sometimes musical partner, Martin Carthy, also chose a number he’s recently reintroduced back into his sets, ‘The Bedmaking’, a familiar tale of the abused and cast aside servant girl. fingerpicked here to a halting rhythm.

Sandwiched in-between is one of the rising stars of the few folk firmament, the Peak District’s Bella Hardy, who went to 19th century collection The Ballads and Songs of Derbyshire for ‘The Ballad of Hugh Stenson’, setting it to a more upbeat tune than the hymnal adapted by Jon Tams, while, another member of folk royalty, Jon Boden puts his squeezebox to work on a contemplative take on 19th century drinking song ‘Fathom The Bowl’.

There’s a couple of spokes from the Wheel, both unaccompanied, Kearey delivering glottal version of the much covered ‘Georgie’ and Fran Foote ‘The Irish Girl’. They’re not the only numbers to be sung naked as it were. BritFolk alumnus Lisa Knapp has a lovely treatment of the tumblingly melodious ‘Lavender Song’, while, also from the female side, Fay Hield tips the hat to Annie Briggs with her choice of ‘Bonny Boy’.

On the other side of a capella gender fence, Geordie folkie Stew Simpson mines his Newcastle roots for ‘Eh Aww Ah Cud Hew’ (which the accompanying booklet helpfully translates as “Oh Yes, I Could Pick At The Coals”), Sam Lee turns the evergreen ‘Wild Rover’ on its head to transform it into a slow, sad lament rather than more familiar rollicking rouser of Dubliners and Pogues note, and, from Wales, a deep-voiced Men Diamler closes the album with ‘1848 (Sunset Beauregard)’, a self-penned political protest ballad about Tory policies. The remaining unaccompanied track is actually a duet, Peta Webb and Ken Hall joining voices for an Irish in London in the 50s marriage of Ewan MacColl’s ‘Just A Note’, about the building of the M1, and Bob Davenport’s account of the dangers of ‘Wild Wild Whiskey’.

The three remaining tracks are all instrumentals. Bristol’s acoustic instrumental quartet Spiro are the only band on the collection and provide their self-penned ‘Lost In Fishponds’, apparently about getting lost en route to a gig, joined here by North Wales violinist Madame Česki, while Sam Sweeney brings his fiddle to bear on two tunes. ‘Bagpipers’, one of the first things he played with his band Leveret, and ‘Mount Hills’, an English dance tune from the 17th century. Which leaves Cumbrian concertina maestro Rob Harbron to provide the third with a pairing of ‘Young Collins’, a Costwolds’ tune learned from Alistair Anderson, and, another from the Morris tradition, ‘Getting Up The Stairs’, which, by way of a pleasing synchronicity, he actually learned by way of John Kirkpatrick on the influential Morris On album.

It more than does the job it set out to achieve, and, likely to loom large in end of year awards, fully warrants a place in any traditional folk fan’s collection.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.stickinthewheel.com

Stew Simpson – ‘Eh Aww Ah Cud Hew’: