Cambridge City Roots Festival – the line-up

Cambridge City

The spirit of the world-famous Cambridge Folk Festival will inject the city with winter cheer in February and March, when Cambridge’s second city-wide winter folk and roots festival opens for two weeks of exceptional music and events.

An all-encompassing Corn Exchange line-up includes: the soaring, Gambian sun-drenched chords of stunning Kora virtuoso and opening Festival headliner, Sona Jobarteh performing alongside Cameroon’s blues and jazz artist Muntu Valdo; the Americana-tinged sound of Wildwood Kin – crowned this year as legendary broadcaster Bob Harris’s ‘Emerging Artist of the Year’ –  supporting Cambridge Folk Festival summer headliner, Ward Thomas; award-winning comic Rich Hall performing Hoedown – a withering dissection of Trump’s America which finishes as a celebration of Americana with stand-up, improvised ballads, and amazing musicianship…’Blissfully funny’ (The Guardian) and Cambridge born Tom Robinson with the 2-4-6-8 Motorway 40th Anniversary show. Tom is one of the founding team for BBC Radio 6, where he hosts three shows a week and has become known as a champion of new emerging artists via BBC Introducing.

At Cambridge Junction, an array of City Roots music is on offer: Chouk Bwa Libète bring drums, poetry and trance from Haiti’s vodou heartland; BBC Radio 2 Folk Awards winners Sam Kelly & The Lost Boys rediscover and renew the music of Sam’s gaelic heritage, transcending boundaries of trad and popular music; Cambridge Folk Festival favourites and three of the world’s finest folk musicians, Michael McGoldrick, John McCusker and John Doyle set the stage alight playing material from their latest album, The Wishing Tree and legendary ex-Steeleye Span fiddle player, Peter Knight joins forces with John Spiers, one of the leading melodeon players of his generation for an unmissable gig. Cambridge Junction also presents a very special evening at St Barnabas Church featuring BBC 2 Radio 2 Folk Award nominees Megson.

Appearing at renowned city music venue, The Portland Arms will be folk festival Club Tent sensation, Darren Eedens & The Slim Pickin’s – whether they’re held spellbound by a poignant ballad or jumping up and down as one to a stomping groove, Darren’s command of an audience is absolute!

Following the success of last year’s Creative Roots, the festival’s valuable professional development day will be held at The Portland Arms. Music industry professionals will once again gather to offer a career development day of workshops, talks and sessions, offering gems of advice and a wealth of experience.

Drop-in music sessions around the city; a special City Roots Family Day with free attractions including craft workshops, face-painting, storytelling, Come And Try’ ukulele workshop and fun walkabout characters; plus what promises to be a sell-out City Roots highlight – a fascinating live interview, in association with the Cambridge Union Society, with charismatic Canvey Island rocker Wilko Johnson – and it’s safe to say City Roots will be one of the most anticipated events in Cambridge in 2018!

Festival website: click here

BATTLEFIELD BAND – The Producer’s Choice (Temple COMD2108)

Producer's ChoiceIn late 2016 Battlefield Band was inducted into the Scottish Traditional Music Hall Of Fame which gave their long-time producer Robin Morton the excuse, if excuse were needed, to celebrate. Hence The Producer’s Choice, nineteen tracks featuring nineteen members of the band plus guest percussionists Donald Hay and Morton himself. Actually I count twenty but I don’t know what Jim Barnes had to do to be excluded from the official count.

The big names who passed through the band’s ranks are legends: Brian McNeill, Alan Reid, John McCusker, Davy Steele, Karine Polwart and, latterly, Ewan Henderson. All are featured but it’s probably the more obscure tracks that excite the most interest. The oldest tracks are ‘The Shipyard Apprentice’ and ‘Silver Spear/The Humours Of Tulla’ from 1977 featuring Reid, McNeill, John Gahagan and Jamie McMenemy followed by ‘Seven Braw Gowns’ from 1979 and featuring the band’s first female vocalist, Jenny Clark. Archie Fisher’s song is one of my favourite tracks in the set alongside McNeill’s ‘Lads O’ The Fair’ and ‘Rantin’ Rovin’ Robin’ featuring one of Scotland’s most underrated singers, Sylvia Barnes. ‘Leaving Friday Harbor’ is one of John McCusker’s finest tunes and I love the way that ‘The Canongate Twitch’ opens with the ‘Pinball Wizard’ riff.

The Producer’s Choice may be an important lesson for bands: let your producer sequence your album. Morton has done a superb job in mixing light and shade, songs and instrumentals, allowing the mood to go one way for a while before switching direction without any sense of dislocation. So Alan Reid’s wonderful song, ‘The Road Of Tears’, is followed by Ged Foley’s ‘Blackhall Rocks’ – stirring yet mournful – and then we’re into the melodic but rousing ‘Rantin’ Rovin’ Robin’.

For those who prefer Battlefield Band in stomping mood the album closes with the live ‘After Hours’ set and I was surprised to find that they have made only three live albums in over forty years – back in the 80s they were one of the hottest festival bands on the scene. Funny how things turn out.

Dai Jeffries

If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

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Artists’ website: www.battlefieldband.co.uk

‘The Road Of Tears’ from the film Battlefield Band In Concert available from Temple Records.

THE CHANGING ROOM – Picking Up The Pieces (TCR Music TCRM75068)

picking up the piecesA fluid Cornish collective built around the constant foundation of Sam Kelly and Tanya Brittain who share vocals and play guitar/bass/piano and accordion, respectively, Picking Up The Pieces, their second album sees them joined by Jamie Francis on banjo, percussionist Evan Carson and Morrigan Palmer Brown on harp with various contributions from Kevin McGuire (upright bass), John McCusker (fiddle) and Belinda O’Hooley (piano).

As with their debut, it’s firmly rooted in Cornish soil, something underlined from the start with traditional-sounding album opener ‘Caradon Hill’, a portrait of life above and below ground for the miners and their families in what was once the UK’s biggest copper mine, it’s decline presaged in the lyrics as, McCusker’s fiddle providing the spine, it builds to the a cappela coda.

Moving to Polperro, the sprightly’ Zephaniah Job’, the pair alternating vocals, tells of the 18th century Cornish entrepreneur who, though always mindful of making a profit, served as benefactor to the local fishermen, smugglers and schoolchildren alike. Talking of smugglers, ‘The Grayhound’, sung by Kelly with McCusker on fiddle and whistle and Francis’s banjo bolstering the arrangement, is an account of the three-master privateer charged by the government with chasing down smugglers’ ships, though the chorus line about pillaging and raiding the south Cornish coast suggests its crew may well have exceeded their mandate.

Co-penned by Brittain and Boo Hewardine, just as Louise Jordan’s latest turns the spotlight on the role of women during WWI, ‘Bal Maiden’s Waltz’ details the generally overlooked contribution of women and girls to the Cornish mining industry, Kelly adding cittern to his guitar parts with Brittain taking lilting lead on a song about how the so-called ‘bal maidens’ would crush, grind and break down the ore sent up from the mine before going home to feed the families, go dancing and break hearts.

Penned by Brittain, but sung by Kelly, featuring harp, harmonium, fiddle and upright bass, ‘Gwrello Glaw (Let It Rain)’ is the first of two numbers in Cornish, a reflective song about living life to the full regardless of what storms come your way. This is followed by the more musically energetic ‘The Cinder Track’, a driving banjo and guitar led stomp forming a sort of tarmac shanty in tribute to the men who build the roads. One of two numbers not penned by band members, ‘Koh-I-Noor’ is, simply arranged for guitar, banjo and accordion, a waltzing Hewardine composition, a musing on mortality drawing comparison between the lengthy existence of the titular diamond and the brief lives of those who coveted and killed for it.

Kelly provides the music for the second of the Cornish numbers, a gently rippling and tumbling airy treatment of the traditional ‘Delyow Sevi’ (winner of Best Traditional Song in a Celtic Language at the 2015 International Pan Celtic Song Contest), the duo sharing vocal duties, Carson tapping out percussion while harp shimmers throughout.

The running order reversed on the sleeve and lyric sheet, ‘Tie ‘Em Up’ is Geoff Lakeman’s rhythmically itchy protest against successive governments’ imposition of EU-agreed fishing quotas and the cost to Cornish fishermen and their families, followed by the sombre and sober anti-war ‘We Will Remember Them’, a track which also appears on their forthcoming Armistice Day commemorative EP, The Names on the Wall, O’Hooley accompanying Kelly on piano.

The album ends with another duo composition, ‘It’s All Downhill From Here’, a lively banjo bouncing singalong romp (again referencing the copper mines of Caradon) celebrating the men who built the railroads, even if the title hints that this was the peak of the Industrial Revolution.

If Seth Lakeman was the vanguard of the revival of Cornwall as a bastion of the contemporary folk scene, The Changing Room are leading the pincer movement.

If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.thechangingroommusic.com

HEIDI TALBOT – Here We Go 1,2,3 (Navigator Records)

Here We Go 1, 2, 3Heidi Talbot has been musically quiet of late, with her last album Angels Without Wings released in 2013 and only a Christmas single ‘Christmas in September’ in 2015.  However, that does not mean life has been uneventful and from those experiences comes a new album Here We Go 1,2,3 due for release on 23rd September and available to pre-order now.  The title track reflects a sense of things to come; a deep breath before a step into the unknown.

The central theme of the album is time, the way it can both move forward into the unknown and back in a loop to the familiar. Talbot has experienced both the joy of motherhood and the loss of her own mother in recent years and several of the songs have this ambiguous quality of both a mother and daughter being there for somebody else.  ‘Time To Rest’ could be a lullaby for a baby or a song of comfort for somebody at the other end of their life. ‘Mother Land’ also doesn’t specify who the songs is about. “Mother Land, Cradle me, Close me eyes, Lullaby me to sleep, Keep me safe, Lie with me, Stay beside me, Don’t go.

With 8 of the 10 tracks on the album either written or co-written by Talbot this is a very personal collection of songs that make the most of her delicate voice which has just that hint of vulnerability.  ‘Tell Me What You Think Of Me’ is a heartbreaking ode to unrequited love.  “I can’t be the only who loves him from afar, Every thought I have is him and every sunrise starts with him.  Tell me, do you ever think of me?

Despite this the album is not a collection of maudlin songs, instead it shows the comfort music can bring at times of change.  Whilst not upbeat it has a quiet, restorative calm and gives the listener a chance to step back from the here and now and take stock.  It’s a beautifully crafted work that draws the listener in and leaves them comforted that all will be well in the end.

Although the key sound is the voice the carefully selected musicians, including John McCusker, Innnes White and Michael McGoldrick amongst many others, ensure quality in every note.  There will also be a nationwide tour in the autumn to accompanying the release and details are available on the website.

Tony Birch

If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

 Artist’s website: http://www.heiditalbot.com

There are no videos from the new album yet but here’s a one-off. ‘The Blackest Crow’ as a duet with Kris Drever:

Heidi Talbot announces new album

Heidi Talbot

Traversing oceans and musical styles – from folk, through Americana, to classic pop, and back again, the Co Kildare singer-songwriter Heidi Talbot has so far gained plaudits from the likes of The Guardian and The Sunday Times (with the latter calling her “simply vocal heaven”) and is joined by a host of musicians and co-writers on this fifth album, including husband John McCusker and Louis Abbott (Admiral Fallow).

Here We Go, 1, 2, 3 sees Talbot reflect on birth, death and getting older – from gorgeous country-pop meditation ‘The Year That I Was Born’ (co-written with Louis Abbott), through downtime bluegrass psalm ‘Do You Ever Think Of Me’, to exquisite mortal jig ‘Time To Rest’, written by Adam Holmes.

The album revels in the comforting, and restorative, powers of music: it’s never maudlin or overly dark and the title track is inspired by an old gospel song.

“I loved the idea of it being quite uplifting, of it not being a funeral hymn, even though it’s about death,” Talbot offers.

Trailer video:

If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.heiditalbot.com/

The BBC Radio 2 Folk Awards 2016 winners are…

Radio 2 Folk Awards 2016

The winners of this year’s BBC Radio 2 Folk Awards have been announced at a spectacular event held at the Royal Albert Hall, London.

Now in their 17th year, this major event in the specialist music calendar saw accolades presented for Folk Singer of the Year, Best Duo, Best Album, Musician of the Year and many more, as well as Lifetime Achievement Awards for songwriter Joan Armatrading and traditional folk legend Norma Waterson.

Also on the night some of the most exciting acts in the folk music scene took to the stage for magical performances to celebrate the vibrant folk music scene in the UK and beyond.

John McCusker Band

The evening kicked off with an electrifying performance by the John McCusker Band, and throughout the evening the audience were treated to performances by Grammy Award and BRIT Award nominee Joan Armatrading; British singer, songwriter, guitarist, record producer and film score composer, Mark Knopfler; Mercury Award nominated Sam Lee, Dublin folk band Lynched; a special tribute to Sandy Denny by Rufus Wainwright and many more. The evening culminated in a rousing performance by acclaimed Northumbrian group The Unthanks.

Singer-songwriter Rufus Wainwright performed a special tribute to Sandy Denny who was inducted into the Folk Awards Hall of Fame. For the rendition of Sandy’s classic ‘Who Knows Where The Time Goes’, Rufus was backed by musicians including some who were members of Fairport Convention alongside Sandy in the 1960s and 1970s.

Awards were presented by a host of famous folk fans, including actors Martin Freeman (The Hobbit, Sherlock, The Office) and Matt Berry (The IT Crowd, House of Fools), musicians Richard Hawley and Graham Coxon from Blur, War Horse author Michael Morpurgo and 1960s star Sandie Shaw.

The night also saw the presentation of the annual BBC Radio 2 Young Folk Award, which has been finding and championing young folk talent for 18 years. The four nominees in this category also performed live during a special interval programme presented by Radio 2’s Simon Mayo and top folk musician Kathryn Tickell.

Bob Shennan, Controller BBC Radio 2, 6Music and Asian Network and Director BBC Music, said:

“What better way to celebrate the thriving folk music scene than a wonderful night in the impressive surroundings of the Royal Albert Hall. It was a fitting way to recognise the huge wealth of talent and I’d like to congratulate the winners of these prestigious accolades. Here’s to next year!”

The awards will be available to watch on the BBC iPlayer from today and will be broadcast on the BBC Red Button from Saturday 30 April until Thursday 5 May.

The full list of winners:

FOLK SINGER OF THE YEAR
Rhiannon Giddens

BEST DUO
Kathryn Roberts & Sean Lakeman

BEST GROUP
The Young’uns

BEST ALBUM
Mount The Air – The Unthanks

HORIZON AWARD
Sam Kelly

MUSICIAN OF THE YEAR
Andy Cutting

BEST ORIGINAL TRACK 
‘Mackerel’ by The Rheingans Sisters

BEST TRADITIONAL TRACK 
‘Lovely Molly’ by Sam Lee

BBC RADIO 2 YOUNG FOLK AWARD
Brighde Chaimbeul

Gift Band 2016

LIFETIME ACHIEVEMENT AWARD
Norma Waterson

LIFETIME ACHIEVEMENT AWARD
Joan Armatrading

GOOD TRADITION AWARD
John McCusker

HALL OF FAME INDUCTEE
Sandy Denny

If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Well, if that was not exciting enough, then why not create your own Albert Hall replica out of those discarded food/ electrical cardboard boxes lying around the house, sit on your favourite cushion, grab a glass of something special and re-live it all again here at:

BBC Radio 2 Folk Awards – 2016: Full Show