The Ballads Of Child Migration on tour

Child Migration

With award-winning folk artists:

John McCusker, Michael McGoldrick,

Boo Hewerdine, O’Hooley & Tidow,

Chris While, Julie Matthews,

John Doyle, Jez Lowe,

Andy Seward and Andy Cutting

Narrated by Barbara Dickson

In November 2018, a collective of brilliant and respected musicians and singers are taking to the road to tell the moving story of Britain’s forced child migrants.

The concert, presented as a series of songs, narration, slides, audio and film clips, premiered at last year’s Celtic Connections festival in Glasgow, where it was described as “without doubt the most memorable concert of the festival.”

The songs in this concert were recently heard as part of a major BBC Radio 2 dramatisation of Michael Morpurgo’s book Alone On A Wide Wide Sea, which deals with the same subject. The radio drama, including the music, starred Toby Jones and Jason Donovan and reached an estimated audience of 6 million listeners.

“One of the pre-eminent song collections of recent times, poignantly re-telling one of the most important stories to have emerged from these islands” – Mark Radcliffe, BBC Radio 2

Forced child migration is a little known and dark part of the history of Britain. More than 100,000 children from Britain were sent overseas (to places including Australia and Canada) with the promise of finding a better life. Some did find the happy lives they longed for; many others found only hardship, abuse and loneliness.

The Ballads Of Child Migration is a tribute to those children, some of whom were sent abroad as recently as 1970.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

After each concert there will be a short Q&A session where members of the audience can ask questions of the performers and other experts about child migration.

* * *

This tour is supported by the Arts and Humanities Research Council, and is produced by 7digital – the digital music and radio services company that also produced the BBC Radio version of Alone On A Wide Wide Sea.

Tour Dates – November 2018

Monday 12th – Folk In The Barn, Gulbenkian, Canterbury

Tuesday 13th – Saint James Church, Clerkenwell, London

Wednesday 14th – Corn Exchange, Cambridge

Thursday 15th – The Albert Hall, Nottingham

Friday 16th – Floral Hall, Southport

Tickets available from www.ticketline.co.uk / 0844 888 9991

For Gulbenkian – www.thegulbenkian.co.uk / 01227 831 493

Folkeast announces its first guests for 2018

FolkEast

Growing in stature every year, East Anglia’s fast-rising FolkEast is back for the seventh time this August, proving why it is nothing like other music festivals. The three day festival will return to the glorious 300-acre Suffolk estate of 16th century Glemham Hall, the home of Major Philip Hope-Cobbold, between August 17-19.

And it will be packing a punch with probably its most impressive line-up to date led by two of the most enduring and legendary bands from the genre – Oysterband and Show of Hands who have an incredible eight BBC Radio 2 Folk Awards between them.

Oysterband, who will headline the Friday night, have been on the road with their high impact folk rock show for over 40 years, led by frontman John Jones, whilst Steve Knightley and Phil Beer of Show of Hands last year celebrated their 25th year with a fifth sell-out at the Royal Albert Hall. At FolkEast they will take to the Sunset stage as Saturday headliners, joined by their long-term third member – the acclaimed bassist and vocalist Miranda Sykes.

There will be a Scottish valedictory on Sunday night with Glasgow’s power trio The John Langan Band topping the bill. Award winners at the famous Celtic Connections Festival their music is rooted in Celtic folk but weaves in fascinating Balkan, Roma and flamenco threads.

One of the most exciting names in the line-up will be the phenomenal guitar and melodeon player Tim Edey, up for the coveted Musician of the Year title at next month’s 2018 BBC Radio 2 Folk Awards – a title he has already won, back in 2012.

“Tim Edey is brilliant – in every which way. As a guitarist he has few peers. As a box player he’s a magician. As a character he’s off the scale – Colin Irwin, fRoots

“Utterly fantastic. Sheer, wonderful ebullient music” – Mike Harding

“Tim Edey plays a host of different instruments to a standard us mere mortals can only dream of. Listen and weep”– The Living Tradition

FolkEast is also delighted to welcome the Irish-Canadian award-winning songwriter and force of nature that is Irish Mythen. County Wexford-born but now living in Canada’s Prince Edward Island she may be diminutive in stature but is one of the most fearless and powerful performers out there and has appeared with both Rod Stewart and Gordon Lightfoot.

The five brothers of Co Durham’s big noise acapella singers The Wilsons and the triple talents of master musicians John McCusker, Mike McGoldrick and John Doyle will also be making their mark and the Gigspanner Big Band will see Peter Knight’s celebrated Gigspanner trio joined by Phillip Henry and Hannah Martin, nominated for Best Duo for the third time at this year’s BBC Radio 2 Folk Awards (having won it in 2014).

FolkEast’s irrepressible patrons The Young’ uns (Sean Cooney, David Eagle and Michael Hughes), popular winners of the 2016 and 2015 Best Group title at the BBC Radio 2 Folk Awards – and nominated for Best Album (Strangers) and Best Original Song (Be The Man) this year promise another action-packed live podcast – one of the funniest, most enthralling highlights of last year’s festival.

Other confirmed artists include harmonica and melodeon wizard Will Pound, this time with his unique Through The Seasons Morris and folk dance show (with music performed by Pound, Benji Kirkpatrick and Ross Grant), ex Bellowhead cellist Rachael McShane with her new band The Cartographers and top young duo Greg Russell & Ciaran Algar, twice winners at the BBC Radio 2 Folk Awards and still only 24 and 22.

Texas-raised Londoner Rodney Branigan is bound to draw a crowd with his riveting songs and uncanny ability to play two guitars at once while other performers will include Somerset singer songwriter Reg Meuross, Wild Willy Barrett’s French Connection, The Magnificent AK47, Luke Daniels & His Amazing Polyphon, Winter Wilson and Norwich-based Alden Patterson and Dashwood.

One of the most singular events on the UK festival calendar, FolkEast was launched six years ago by husband and wife John and Becky Marshall-Potter.

Rekindling the ancient Eastfolk moots on the Glemham Hall estate where for three days a year the folk from the East would meet kith and kin at harvest time for “a bit of a do”, this gathering has Suffolk running through it like letters in a stick of rock – from its locally sourced fare in The Imagined Suffolk Food Village to its suppliers, arts and crafts. This year festivalgoers will be able to see the Sae Wylfing – a half size replica of the famous Sutton Hoo Anglo Saxon ship discovered in 1939 near Woodbridge in Suffolk – an undisturbed ship burial considered one of the most important archaeological discoveries ever. www.woodbridgeriversidetrust.org/sae-wylfing

“Rather like a cross between Cambridge Folk Festival and a very large village fete – it feels like something that has been there since the Middle Ages. The mythical, magical land of the Eastfolk has materialised here in Suffolk’s big sky heartland” – Folkcast

The festival , with its mythical creature emblem The Jackalope, offers a refreshingly different line-up across six stages (including St Andrew’s Church, the open air Sunset Stage and the hidden woodland Soapbox Stage), with two authentic ‘village’ pubs serving competitively –priced festival ales plus possibly the smallest pub in the UK, The Halfway Inn.

Then there’s the FolkEast Art Arcade, packed dance programme, archery, donkey rides, a mini golf course, children’s activities (including den building, storybook making and a mud kitchen), yoga, poetry, storytelling, the Eastfolk Chronicle Kinedrome (showing folk and local interest films) and tours of Glemham Hall by Major Philip Cobbold.

On board again this year as a media partner will be BBC Radio Suffolk.

Early Bird tickets for the festival are now sold out. Advance weekend tickets are available price £120 (adult), £108 (full time students, senior citizens) and £80 for Youth tickets (12-17 year old) which must be purchased with an adult ticket. Family weekend tickets for two adults and two 12-17 year olds are £360. A great offer sees free admission for children aged 11 and under; camping is £15 per tent with a £25 charge for campervans and caravans.

Located close to the A12, the festival will also be running shuttle buses to the site from Wickham Market station. More performers and a launch event will be announced soon.

Festival website: www.folkeast.co.uk

McGOLDRICK, McCUSKER & DOYLE– City Roots Festival, The Junction, Cambridge (27 February 2018)

McGoldrick, McCusker & Doyle
Photograph by Su O’Brien

Even on this icy night, the venue is full, the crowd enthusiastic – a significant portion seemingly also having attended the recent Transatlantic Sessions. It’s the second visit to Cambridge in very short order for this trio of musicians and they are most warmly welcomed back. (As a side note, it looks like a simple accident of timing prevented Transatlantic Sessions from inclusion in this year’s City Roots festival).

Arriving slightly late (delayed by a missing bike lock key), the band is already underway, so it’s John Doyle’s Child song ‘What Put The Blood’ that makes the first impression. John McCusker follows with a trio of songs from his Hello Goodbye album incorporating a tender tune for his daughter, called ‘It’s A Girl’ with a strathspey link into ‘Billy’s’, a reel for Billy Connolly.

Doyle then takes up an elegant, restrained electric guitar for ‘Liberty’s Sweet Shore’, about the mass death of thousands fleeing the famine en route to Canada. Doyle’s plainly touched by a recent meeting with an elderly woman in Scotland who’d somehow survived this horrific ordeal.

Mike McGoldrick’s seemingly bottomless lungs and dancing fingers are in fine form as he takes the reins on ‘Leaving South Uist / Lochaber Badger’, two tunes learned and loved from earlier Transatlantic Sessions. To round off the first session, the crowd joins in with the deceptively jolly sea shanty ‘Billy O’Shea’, a cautionary tale of pressganging and death. Doyle momentarily loses his thread and, casting heavenwards for inspiration, he fills on guitar, greeted by an encouraging roar of support from the audience as he finds his place once more. It’s reassuring to know that even the most gifted among us is only human, after all!

A quintet of tunes including ‘Keane O’Hara’, ‘Rip The Calico’ and ‘Coming Of Age’ opens the second session, all taken from the new album, The Wishing Tree, and followed up by ‘Across The Western Ocean’ a downbeat sea shanty learned from Doyle’s father. The band happily jumbles over the various tune titles, finally settling on a relaxed, “they’re all on the CD” – which pretty much sums up their easy-going unforced rapport, the kind that only years of friendship can bring.

When they play, it’s a different matter altogether. There is a precision and clarity that unites them. Totally focused, totally in sync, every note is played cleanly: no smudging, blurring or elision. From bow strokes, to finger placing to chords, the line of the music is always sharply defined and crisp, no matter how fast the tempo gets.

They’re superb quick-change artistes too, swapping out instruments mid-tuneset in the blink of an eye, not missing a beat. Starting on whistles, McGoldrick switches to flute and McCusker to fiddle, whilst Doyle changes guitar. As the tune gathers pace, the sheer physical effort is etched on their faces and in their body movements, with Doyle arched over his instrument, practically driving it into the floor. Afterwards, McCusker only says drily, “Well, that went slightly faster than we’d hoped”.

Doyle presents his murder ballad ‘Burke And Hare’, with its chorus based on a children’s rhyme, and ‘The Apprentice Boy’ (aka ‘Charming Anne’) which he introduces as “an optimistic song – my only one”. McCusker’s tender ‘Leaving Friday Harbour’ provides a tender, wistful interlude.

The audience remains utterly engaged and absorbed, rocking out with the faster numbers, quietly attentive on the slower ones. At the end of the show, there’s uproarious applause and foot-stomping until the band returns with an encore of ‘The Banks Of The Bann’.

Never having seen this trio play before (I know), their superb musicianship delivered so much more than expected and, mostly, with apparently effortless ease. What an absolute pleasure to share in their warmth, intimacy and richly talented company for the past couple of hours.

Su O’Brien

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Believe it or not, these guys don’t have a dedicated web-site.

Live at Warwick Folk Festival:

KEVIN CRAWFORD – Carrying the Tune (Brooklyn Boy Records BBR 001)

Carrying The TuneCarrying The Tune is the third solo album in the extensive discography of the critically acclaimed flautist Kevin Crawford, and accompanied by bouzouki (Mick Conneely and John Doyle), guitar (Doyle) and bodhrán (Brian Morrissey), it is immersed, as ever, in the sounds of Celtic tradition, displaying Crawford’s virtuosity at every opportunity. Indeed, such prowess makes it a rather difficult task to pinpoint the album’s standouts, without overlooking what else the record has to offer, therefore (particularly for those who are unfamiliar with the work) it may be more useful to provide a brief rundown of the album as a whole.

‘The Clare Connection’ opens the record, (a set of reels fusing ‘McHugh’s/Michael Murphy’s and Humours Of Tullycrine’ together and featuring Crawford on Eb flute) followed by slip jigs (collectively titled ‘2 Days’), before another set of reels are introduced in the form of ‘Autumn Apples/Cormac O’Lunny’s and Paddy Sean Nancy’s’. Phil Cunningham’s beautiful ‘Flatwater Fran’ next kicks off a set of waltzes, which (like track two’s slip jigs) showcase Crawford on flute as well as whistle. The second waltz of the set, ‘Mrs Jean Campbell BSC’, was written by Rory Campbell, giving Crawford’s piece its title, ‘Phil And Rory’s’

From here, boisterous jigs and beautiful reels lead the way to the haunting air, ‘The Dear Irish Boy’, which follows into the steady guitar of John Doyle and the double tracked flute of Crawford, in the selections which make up ‘The Slippery Slope’. An interesting change of pace is brought about through ‘Tanglony’, with Crawford, this time, opting for the D whistle, and Doyle accompanying him on bouzouki. The next pocket of selections are bookended with reels; ‘The Ivy Leaf’ and ‘The Mountain Lark’, with a collection of jigs, titled ‘Chapter 3’, sandwiched in between. Next up, it is an original, titled ‘The Hula Hoop’, that twists, turns and leads us to slow air ‘Travelling Through Blarney’ and ‘Come West Along The Road’ (collectively titled ‘Travelling West’) to bring the album to an atmospheric conclusion.

For fans of the Irish traditional/ Celtic music scene, you will, no doubt, be familiar with Mr Crawford’s output, either through his solo work, or through his recordings with Lúnasa, Cillian Vallely or Moving Cloud, but you may not be so familiar with this album; self-released originally in 2012 on BallyO Records, it has been out of print the last few years, but thanks to Brooklyn Boy Records and Copperplate Distribution, it is released, once again, in all of its glory.

Christopher James Sheridan

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://www.lunasa.ie

Kevin with Martin Hayes and John Doyle (The Teetotallers) play a set including ‘The Dear Irish Boy’:

BBC dramatises Michael Morpugo’s book, Alone On The Wide Wide Sea

Wide Wide Sea

BBC Radio 2 is to broadcast a drama starring Toby Jones and Jason Donovan based on award-winning author Michael Morpurgo’s child migration novel, Alone On A Wide Wide Sea. The four-part drama, the first ever adaptation of the book, stars Toby Jones and Jason Donovan alongside cameo appearances from Michael Morpurgo and Maggie Aderin-Pocock.

The 30-minute episodes will be broadcast across four days during Jeremy Vine’s show at 1.30pm-2pm from Monday 7 to Thursday 10 August. The drama will also feature original music from the album The Ballads Of Child Migration, as well as new songs which have been written especially for the radio drama.

Between 1869 and 1970 around 100,000 British children were sent overseas – without their parents – by leading British churches and charities to new lives in Australia and Canada. Michael Morpurgo’s story, which was adapted for radio by Ian McMillan, is inspired by this sad part of history. It tells of the adventures of two child migrants, Arthur and Marty, who dispatched from London to a working farm in the Australian outback.

In the drama, Toby Jones plays Mr Piggy Bacon, who runs the farm where the child migrants are put to work on the land, and Jason Donovan portrays Arthur Hobhouse, who as an orphan child was sent from London to Australia as part of a child migration scheme.

The play covers 50 years of Arthur Hobhouse’s life and so features three different actors portraying the character, though Jason is a constant throughout playing ‘old Arthur’. Michael Morpurgo narrates the story, while Maggie Aderin-Pocock (presenter of the BBC’s Sky at Night) plays an astronaut in the International Space Station.

Specially curated music from the drama was performed to great acclaim at the BBC Radio 2 Folk Awards 2017 on Wednesday 5 April at London’s Royal Albert Hall.

Lewis Carnie, Head of Radio 2, says: “I’m delighted BBC Radio 2 is bringing such distinctive drama and music to the heart of our daytime schedule. The powerful and engaging writing of Michael Morpurgo will be beautifully brought to life by the superb cast.”

Michael Morpurgo says: “What is hard and uncomfortable to remember and believe, is always salutary and important to acknowledge. The migrant crisis the world faces today is not new. Wherever there has been war or hunger, homelessness or poverty, there will be refugees seeking sanctuary, seeking to survive. Among those who suffer most in such circumstances are children, children alone or unwanted in the world.

“After the Second World War, there were thousands of such children in this country in need of homes and in need of the security and love only a family can provide. Many of these children were sent away to the other side of the world, separated from all they knew, to Australia, and elsewhere, where it was thought they would be well looked after. Some were, but others found themselves living in abject misery and hardship, were exploited and abused, their lives blighted.

Alone On A Wide Wide Sea traces the lives of these children, of one in particular, and of his family. He struggles all his life to come to terms with his isolation and banishment, as he and his daughter try to rediscover their roots, to find a way back to their family and a sense of identity.”

Jason Donovan said: “Michael Morpurgo is such a wonderful writer and Alone On A Wide Wide Sea is a moving, beautiful story. It’s an absolute pleasure to be invited to play one of his characters.

“Being Australian I’m very aware of the child migration schemes and the terrible hardships that some of those children endured when they went to Australia. In his usual magical way, Michael manages to weave a delightful adventure out of a terribly sad piece of history. I hope that this production will help to make more people aware of the story of child migrants.”

Alone On A Wide Wide Sea was published in 2006 and the book’s title is taken from a line in English poet Samuel Taylor Coleridge’s longest major poem, The Rime Of The Ancient Mariner.

The drama is directed by Frank Stirling, and edited and produced by John Leonard of 7digital productions. This is the second drama that John and Michael Morpurgo have worked together on for Radio 2. In 2014, John produced a version of Michael’s War Horse for the network.

R2 magazine said of the album, The Ballads Of Child Migration:

The trick for both the writers and project co-ordinator Gordon Lynch is to avoid saying the same thing over and over again. While and Matthews’ ‘Small Cases Full Of Big Dreams’ which opens the set almost says it all. Jez Lowe immediately provides another point of view with the jolly ‘Barnardo’s Party Time’ and his ‘Snow To Nova Scotia’ and John Doyle’s ‘Liberty’s Sweet Shore’ both offer optimism but by now you’ve read the notes and the enormity of the subject is sinking in. At this point the hymn, ‘Whither Pilgrims Are You Going’, performed by CBS and O’Hooley & Tidow might just leave a nasty taste in the mouth.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

New album from French Celtic band Doolin’

Doolin'

Doolin’ is France’s premiere Celtic band and their self-titled debut for Compass Records is one of the freshest and most exciting Celtic records in years. Natives of Toulouse, Doolin’ worked with legendary Irish guitarist John Doyle in the producer’s chair to achieve a sound uniquely their own—deeply rooted in traditional Celtic music but wonderfully flavored with French chanson, American roots music and even hip hop straight from the streets of Paris.

The band traveled to Nashville, Tennessee to record the album and worked in the legacy studio now owned by Compass Records where the Outlaw Movement in country music took root in the late 1960s. The resulting experience infused Doolin’ with an infectious energy. The musical essence of the band is captured on the fiery ‘The Road to Gleanntan’, the gorgeous reflective character of ‘Le Dernier Kouign Amann’, the beautifully rendered Jacques Brel classic ‘Amsterdam’, with its evocative strains of accordion and French lyric, and culminates with the bold integration of rap and John Doyle’s percussive guitar style on Sinéad O’Connor’s ‘Famine’. Collaborations with special guests Jerry Douglas (Dobro), John Doyle (guitar, bouzouki), Alison Brown (banjo), and Kenny Malone (percussion) brought stellar results on stand out tracks that include a reworking of the Steve Earle classic ‘Galway Girl’ and Bob Dylan’s ‘Ballad of Hollis Brown’.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.doolin.fr/english/

‘Ballad Of Hollis Brown’ live: