Moulettes unveil Behemooth video

On May 27th Brighton based collective Moulettes, continue their journey into the alt.pop/rock/folk universe with the release of their most accomplished album to date – Preternatural.

It was in early 2015 when reading an article in the New Scientist that lead singer Hannah Miller first starting thinking about a concept for the new album.

“I’ve always been fascinated by the natural world” says Hannah. “But this article compelled me to look deeper and start exploring all the surreal and beautiful diversity that exists. There’s so many phenomenal creatures out there we thought they deserved their own album.”

Continue reading Moulettes unveil Behemooth video

Moulettes – new album

Moulettes
Photograph by Dai Jeffries

On May 27th Brighton based collective Moulettes, continue their journey into the alt.pop/rock/folk universe with the release of their most accomplished album to date – Preternatural.

It was in early 2015 when reading an article in the New Scientist that lead singer Hannah Miller first starting thinking about a concept for the new album. “I’ve always been fascinated by the natural world” says Hannah. “But this article compelled me to look deeper and start exploring all the surreal and beautiful diversity that exists. There’s so many phenomenal creatures out there we thought they deserved their own album.”

Fast forward to 2016 and the result is Preternatural – an eclectic but cohesive 11 track collection, which marries the thought provoking concept with elements of prog, pop, alt-folk and rock. It’s a beautifully orchestrated piece of work, experimental in parts but still accessible, fusing rich vocal harmonies, persuasive melodies, and elaborate compositions to make a genre defying album that explores the moving gaps of electronic and acoustic; DIY and big production.

Highlights include the epic opener ‘Behemooth’, a heavy, drum-driven progressive anthem inspired by a loud and unidentified sound recorded in the pacific, and electro-rock lead single ‘Underwater Painter’, which explores the way Octopus-chameleons of the sea can switch between camouflage and a psychedelic electric light show. “The solo was recorded in one take” recalls Hannah, “and was definitely a homage to Prince!”

There is currently no video releases for any of the new material yet but ‘Behemooth’ is available to listen to via soundcloud here:  https://soundcloud.com/moulettes/behemooth-singleedit

One of the album’s finest moments, the sublime ‘Pufferfish Love’, drew on recent ground-breaking Attenborough footage of the Japanese mandala-making Pufferfish, whilst the groove-based Art Pop of ‘Coral’ describes the crises facing coral reefs, – “A beautiful illustration of symbiosis between animals, minerals and plants” says Ollie.  Other standouts include the addictive ‘Patterns,’ the ethereal vocals of ‘Medusa’ and the album closer, ‘Silk’ about spiders who pluck harmonics on the strands of their webs to tune them…

“There are so many things to write about,” says Hannah, “Lost love is sad, but a lost species is a tragedy for us all.”  “Presenting your own sort of eclecticism is the aim,” says Ollie. “Zappa, Gentle Giant to current bands like Field Music, John Grant, Snarky Puppy, My Brightest Diamond, Tuneyards, Tortoise etc would all agree. These were all references for the record.”

Moulettes are a Brighton based British band of multi instrumentalists that weave in and out of several genres with 3 part harmony female vocals, amplified Cello, distorted Bassoon, Auto-Harp, Guitar, Drums, Bass and Synths into an incomparable alt.pop/rock/folk universe.  Singles from their eponymous release in 2010 (****Mojo), their follow up The Bear’s Revenge in 2012 (**** The Guardian) and third studio album Constellations (No.7 Indie Charts, Best Album: Spiral Earth Awards) have been played across BBC6 and BBC2 with support from Cerys Mathews, Mark Radcliffe, Mary Anne Hobbs, Bob Harris, Tom Robinson and Lauren Laverne.

Since playing together at school in Glastonbury to residencies on Tin Pan Alley, to a multitude of festivals including Glastonbury, Bestival, Cropredy, Cambridge Folk, End Of The Road and Green Man along with relentless world touring, the band have become renowned for their breath taking live shows. On the way the band have shared both the stage and studio with many well-known artists in Folk, Prog, Pop and Rock, including Mick Jagger, Nick Cave, Seasick Steve, Bonobo, Gentle Giant, Mumford and Sons (Ted Dwane was a founding Moulette), Dave Gilmour (Pink Floyd), Bellowhead, and The Levellers.

Moulettes are: Hannah Miller (Cello, vocals, guitar) Ollie Austin (Drums, guitar, piano, vocals) Ruth Skipper (Bassoon, vocals, autoharp, synths) Jim Mortimore (Double bass, Guitar, vocals) Raevennan Husbandes (Electric Guitar, Vocals, Percussion).

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Live at the Great British Folk Festival last year. Guess where the photograph was taken.

 

Artist’s website: www.moulettes.co.uk

FIRST ALBUM IN A DECADE FROM THE CRAZY WORLD OF ARTHUR BROWN

After 40 years and more performing, adventuring and recording, the indomitable force that is Arthur Brown has, in a cross generational collaboration with co-producers/musicians Sam Walker and Jim Mortimore, come up with a genre spanning, time travelling, world bending, heavy grooving and massively eclectic collection of songs. This is music made in the now with Arthur’s vital, soulful and acrobatic voice at the heart.

The album charts some of the adventures of Zim Zam Zim as he flits between worlds, universes, lives and realities.

Arthur and The Crazy World live band have been playing stages across mainland Europe in the past couple of years perfoming old songs and new ones with an energy that has been leaving those expecting a retro themed night out shocked, surprised or put out. When a 72 year old dynamo with a voice and stage presence that leaves a trail of dust in its wake takes the stage bedecked in full warpaint, backed by a band of players who can match his energy and power, the result is electric.

Arthur’s long career has been and continues to be one of true innovation and exploration. From pioneering theatrics in music with the worldwide hit ‘Fire’ in the late 60’s. Heavy involvement in 60’s London at UFO club. A close friendship with Jimi Hendrix. A role in The Who’s “Tommy”. An early pioneer of electronica. The first band to use a drum machine on stage (Kingdom Come). World travel. Spiritual travel and so much music played to so many people.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.