English Folk Dance and Song Society awards funding for new music

Creative Bursary

Seven projects will create new music rooted in the English folk tradition following the latest round of funding awards by England’s national development agency for the folk arts.

The English Folk Dance and Song Society (EFDSS) has made four awards under its 2017 Creative Bursary scheme and three through its Creative Seed Funding programme.

Both initiatives are funded through the PRS for Music Foundation Talent Development Partner scheme. They come under the umbrella of EFDSS’ Artists’ Development Programme, which provides professional development support, both creative and business, to artists at all levels of their career.

Katy Spicer, EFDSS Chief Executive and Artistic Director, said: “All the successful applications are rooted in the folk arts but will bring a fresh take on their subject matter.

“By its very nature, folk music has always evolved and reflected the issues of its generation and these awards will help to develop some very innovative and relevant proposals. We look forward to supporting and working with the artists as their ideas take shape.

“Our bursary and funding schemes are designed to kickstart projects, giving the recipients time to bring their ideas to life. A great example is Sam Sweeney’s Made in the Great War music and storytelling project which began thanks to an EFDSS Creative Bursary.”

The Creative Bursary scheme invited applications from more established artists for an award of up to £2,000 to support creative research and development, together with use of rehearsal space at Cecil Sharp House and access to the Vaughan Williams Memorial Library. They have been made to:

·       Alex Vann (Spiro) to create an instrumental concert trio using traditional English tunes as the basis for improvisation where each performance is one piece of improvised music using traditional tunes as the cornerstones

·       Tom Moore and Archie Churchill-Moss (Moore Moss Rutter) to develop and produce an album of new art-music based compositions and devised improvisations with their roots in local English folk tune traditions

·       Alma (John Dipper, Emily Askew & Adrian Lever) and Nick Hennessey to devise a new multi media experience including lighting, data projectors and other technology to enhance the performance and build bridges between inherited traditions and modern media experiences

·       Fiddler Rowan Piggott to explore traditional and contemporary folk songs highlighting the decline and environmental threats to our native honeybee and bumblebees.

The Creative Seed Funding Programme was open to emerging artists and involves a £750 bursary to research and develop new work linked to the English folk arts. The awards have been made to:

·       Emily Mae Winters to research, record and tour new songs dealing with modern socio-political issues including the movement of people, feminism, fake news, global warming, war and social media

·       Heg Brignall (Heg & The Wolf Chorus) to research new material based on modern day myths or myths and legends that have found their way back into our culture, leading to a single/EP release and finished studio album in 2018

·       India Electric Company to research, write, record and release the second in a series of releases for 2017 with the theme of country and the city on a six track EP/album.

More information: https://www.efdss.org

EFDSS announce marathon autumn program at Cecil Sharp House

EFDSS

Mike McGoldrick, John McCusker and John Doyle
Thursday 21 September, 7.30pm
£18 | £10 under 26s

John Doyle, John McCusker and Mike McGoldrick first crossed paths as teenagers. A quarter of a century later, the fired-up folk live-wires are set to celebrate their musical kinship, with their first studio album, The Wishing Tree. A thrilling trip through traditional, contemporary and original jigs, reels, ballads and more, it sees them branch out musically, while tracing the roots of their tunes, and of their friendship.

Trad Night – Jim Causley
Wednesday 27 September, £10

Traditional song – entertaining, rewarding, and often overlooked as an essential part of our history and culture. EFDSS is delighted to announce a new programme of concerts featuring the songs that have been loved, sung and shared for generations. Tales of love and lust, incest and murder, humour and tragedy, sung by talented contemporary performers of the tradition.

Trad Nights will take place in our most compact performance venue, Storrow, creating a truly intimate environment for the audience of no more than fifty fans of traditional, unamplified folk music.

Jim Causley celebrates over a decade as an acclaimed solo artist and performer with his latest studio album Forgotten Kingdom, his first album of entirely self-penned material. A broad collection of songs inspired by his native West Country, Jim mixes ancient history with his own personal history and experience of the world.

Since the release of his debut album in 2005, Causley’s unique voice and persona have helped him become one of the most well-loved and respected figures of today’s contemporary roots and folk music scene.

Martin and Eliza Carthy with support from The Drystones

Saturday 30 September, 7.30pm
£20 | £10 under 26s

The good Doctor Martin Carthy and his twice Mercury nominated daughter Eliza Carthy, join forces to perform songs from their first duo album ever, a CD of traditional material entitled The Elephant, which was released in May 2014 on Topic Records.

The Drystones are two twenty-one year olds from Somerset playing a lively mix of their own interpretations of traditional folk tunes and original compositions. Very accomplished on violin, guitar and whistle, they were Steve Lamacq’s “recommendation of the day” at Glastonbury Festival 2013. For just two people they make a lot of sound!

Kings of the South Seas
Wednesday 4 October, 7.30pm
£14 | £10 under 26s

In 1845, Captain Sir John Franklin departed on his ill-fated voyage in search of the North-West Passage. Within just the last few years, his HMS Erebus and Terror have been discovered at the bottom of the icy seas off Northern Canada. With the ‘Franklin’ album, Kings of The South Seas will bring to life the traditional and written music left by these events and their cultural fallout; from Canadian Voyageur paddling songs, English folk ballads and songs composed on-board ice-bound wintering ships to Victorian parlour pieces.

Tunes of the Munster Pipers

Thursday 5 October, 7.30pm

This performance tells the story of Canon James Goodman and the journey of this collection to the 21st century. Combining spoken word, curated imagery, and live musical performance, come and learn of the life and times of Canon Goodman, and the musical landscape of 19th century southwest Ireland.

Germa Adan
Wednesday 11 October, 7.30pm
£12 | £10 under 26s

Germa Adan writes and performs music that draws inspiration from Haitian, American & British folk music. She was recently awarded EFDSS Creative Seed Funding to write and arrange songs that explore narratives of the diasporic life.

Young Waters
Wednesday 18 October, 7.30pm
£12 | £10 under 26s

Young Waters’ twisted neo-folk is a tapestry of emotionally powerful vocals, stirring harmonies, lyrical violin solos and finely mastered acoustic guitar. Their combination of startling original material and traditional folk songs makes for a captivating stage presence.

Happy Traum: Coming of Age in the Greenwich Village Folk Revival and the Woodstock Scene (1954 – 1971)

Thursday 19 October, 7.30pm
£16 | £10 under 26s

With colourful anecdotes and incisive memories, and the aid of vintage photos and music clips, Happy Traum relates some of his adventures as an active member of the New York folk revival, and his friendships with some of the leading folk artists of the day, including Bob Dylan and Brownie McGhee. Happy punctuates his remembrances with powerful renditions of songs and guitar solos from the “folk era” and beyond.

Trad Night – Laura Smyth & Ted Kemp
Wednesday 25 October, 7.30pm, £10

Laura and Ted take a no-nonsense approach to traditional English folk song, taking their cues from revival singers such as Frankie Armstrong, Peter Bellamy and the Watersons. With repertoire drawn from their homes in the North West and East Anglia, expect strong vocals, tight harmonies and unfussy arrangements of songs sung with passion.

Pagoda Project
Wednesday 1 November, 7.30pm
£14 | £10 under 26s

Paul Hutchinson, also known for Belshazzar’s Feast, and Karen Wimhurst, previously a member of the Cauld Blast Orchestra, have a wealth of musical experience in a diverse range of genres from classical to folk.

Tales & Tunes: Kathryn Tickell & David Almond with Amy Thatcher

Thursday 2 November, 7.30pm
£18 | £10 under 26s

These artists’ work grows from the landscape, language, history and strange beauty of the north. With the drive of David’s storytelling and Kathryn’s love of the traditions of her native Northumbria, the poetic power of language and music combine.

On stage Kathryn and David are joined by accordionist and clog dancer Amy Thatcher to bring you a memorable evening of stories, songs and, of course, irrepressible music. If you enjoyed Kathryn’s “Northumbrian Voices” this is an unmissable show for you!

Tilston and Lowe
Wednesday 8 November, 7.30pm
£14 | £10 under 26s

Steve Tilston and Jez Lowe, two of the UK acoustic/folk scene’s finest songwriters join forces for a concert filled with songs and music, chat and banter and intimate insights into their approach to their craft. Listen in as they rekindle the spontaneity of their late-night living-room song swaps.

 

An Evening with the Seeger MacColl Family
Thursday 16 November, 7.30pm
£18 | £10 under 26s

The Seeger MacColl family are one of folk music’s most loved dynasties. Singer, songwriter and feminist icon Peggy Seeger performs with Neill and Calum, her sons with Ewan MacColl.

Peggy long-awaited memoir, ‘First Time Ever’ will be published in October. To celebrate, Peggy, Neill and Calum will be touring a special related show in which she’ll mix extracts from the book with the songs that have meant the most to her over the years. Expect anecdotes from her long and remarkable career together with performances songs new and old.

The Stray Birds
Saturday 18 November, 7.30pm
£15 | £10 under 26s

The Stray Birds started as a duo of acoustic buskers when Maya de Vitry and Oliver Craven met with their instruments, their voices, and their songs. It didn’t take much convincing to get bassist Charlie Muench on board, and with the addition of a third unique and powerful voice, the group began to define its captivating sound. Since taking America by storm in 2013 they have gone on to win a huge fan base following appearances at big festivals around the world.

Trad Night – Thomas McCarthy
Wednesday 22 November, 7.30pm, £10

Thomas McCarthy is a man steeped in the tradition of Irish song, intoxicated by the music and passionate in his sensitivity towards them. He comes from a considerable dynasty of traditional singers, song-makers and musicians, and grew up surrounded by the singing of his late mother, her father and aunts and uncles. Having spent his life learning the songs of his family, in 2008 Thomas sang publicly for the first time at the folk club at Cecil Sharp House. By the following year, he had sung at the most prominent folk festivals and clubs in Ireland and England and had appeared on BBC radio.

Sam Kelly and the Lost Boys
Wednesday 29 November, 7.30pm
£14 | £10 under 26s

Sam is one of the most exciting young prospects in the folk scene, having gained a reputation for an incredibly high class and dynamic live show.

Coming from a family largely made up of Norfolk dairy farmers has left Sam with an unmatched experience of singing in front of hurtfully disinterested Friesians, and his meandering musical journey has ranged from reaching the final of ITV’s Britain’s Got Talent as a teenager, to being selected for the first ever EFDSS Artist Development Scheme. Whether playing to 13 million people on prime-time television, or to 10 people in a tiny pub, Sam’s child-like fascination with music shines through.

Jess Morgan & Kitty Macfarlane
Wednesday 6 December, 7.30pm
£12 | £10 under 26s

Jess Morgan is a songwriter’s songwriter. Her performance is a tumbler of unfancied folk-roots music, with heart, passion and gusto.

Kitty Macfarlane’s songs are charged with a sense of place – more often than not her home county of Somerset – and her lyrics combine honest snapshots of everyday humanity with much bigger questions.

India Electric Co
Wednesday 13 December, 7.30pm
£12 | £10 under 26s

Sometimes folk, sometimes not. India Electric Company use traditional instruments in contemporary styles to explore diverse themes from Eastern Europe, Irish traditions and urban alienation to end up with something “quirky and glittery – a veritable musical magpie’s nest” (Mary Ann Kennedy, BBC Radio 3).

Belshazzar’s Feast

Thursday 14 December, 7.30pm
£15 | £10 youth

On tour with a Christmas-themed show that mixes traditional folk music, seasonal material, added to their usual touch of classical and jazz, with a bit of pop and music hall, all topped off with lashings of wry humour.  Paul Sartin (of Bellowhead and Faustus) and Paul Hutchinson (of Hoover The Dog) together wow audiences across the UK with their eclectic and eccentric mix of tunes and between songs chat that always sends audiences home with smiles on their faces.

Festive Gathering
Sunday 17 December, 7.30pm
£15 | £10 under 26s

Join for us our ever-popular, annual celebration of yuletide, with a chance to join in on the songs and merriment.

Cecil Sharp House Choir, led by Sally Davies, will perform joyful a cappella arrangements of traditional, seasonal songs, carols and wassails from the British Isles and beyond, sung in glorious harmony.  Folk dancers, singers and musicians will fill Kennedy Hall – the main space at Cecil Sharp House – with seasonal cheer.

For bookings go to: cecilsharphouse.org/csh-whats-on

SINGLES BAR 20

A round-up of recent EPs and singles

Singles Bar 20The first of three self-released themed EPs set for 2017 from Devon duo INDIA ELECTRIC CO., pianist/violinist and accordionist Joseph O’Keefe and Cole Stacey vocals/ percussion, EC1M (Shoelay) offers five tracks variously coloured by influences drawn diversely from Ireland, Eastern Europe, Africa and Latin America. Named for the building in which they lived when they moved to London(the EP title its postcode), ‘Farmiloe’ makes for an intoxicating opener, keys, violin and squeezebox conjuring a sort of mutant Gallic atmosphere (it features found sound recorded in Paris) filtered through Eastern vibes while the chorus references both the traditional ‘Farewell He’ and e e cummings.

Another American poet, Barbara Guest, feeds into ‘Parachutes’ which, with its pulsing fiddle and prepared piano, quotes the title of her poem Parachutes My Love Could Carry Us Higher while also enfolding in midway the traditional tune ‘The Green Gowned Lass’. Tempo shifting ballad ‘Camelot’ is a heavily percussive piano number with plucked violin notes while, named for a champion 1913 racing pigeon to underscore its theme of endurance, ‘The King Of Rome’ takes off into avant-jazz territory, the musical backdrop designed to conjure nonstop traffic. All of which climaxes with the swirling crescendos of the pizzicato ‘Castles In Spain’, inspired by a passage in the celebrated French medieval poem The Romance of the Rose. Impressively inventive and eclectic, I can’t wait to hear that the other two EPs will have to offer.
www.indiaelectricco.com

Robert Jackson and Isaac Collier are two buskers who met in Bristol and became local stars as A DIFFERENT THREAD since when their name has spread nationwide. Their debut EP, Home From Home, produced by Luke Cawthra, might best be described as Anglo-Americana. Jackson writes the songs, sings them and plays guitar and harmonica and Collier plays cello and arranges parts for the half-dozen guest musicians including singer/songwriter Ruth Royall. The opening track, ‘Big Crane’, has a lazy bluesy feel and ‘The Same Cloth’ uses Jonny Bruce’s trumpet to add a touch of classic swing. ‘A Wayward Sun’ is the sort of complex song that you would expect from much older writer and this debut bodes well for a very bright future.
http://www.adifferentthread.com/

Championed by Bob Harris, Scotland’s YVONNE LYON is building a name for herself in the folk Americana field, her latest bid for the spotlight being the self-released Till We Meet Again, a piano backed swayalong song of loss co-written with a friend whose young son died from septicaemia and forming part of her Masters degree on the connection between songwriting and grief. It comes with two extra cuts, the quietly acoustic Celtic-tinged love song ‘Already Made’ and, again musically nodding to her heritage, the eight and a half minute ‘Spike Road Gardens’, a spare piano and fiddle instrumental suite with a brief passage of spoken but not clearly decipherable lyrics.
http://yvonnelyonmusic.com/

MIKE WEST makes his recording debut with Rusted. He plays acoustic guitar influenced by blues and rock but you can tell that he used to play electric and these five tracks were recorded off the floor for authenticity. Mike’s voice frequently strays into Tom Waits’ territory, notably on the opening track, ‘Work On’, but it is probably more effective when he lightens the tone a little. ‘Rock Ferry’ is possibly the best track but ‘Keep Going’ runs it close.
https://mikewest333.bandcamp.com/releases

A quick follow up to his recent album, PAUL McCLURE and the LOCAL HEROES is the self-titled EP (Clubhouse) result of getting a band together to record five of the songs he’s had hanging round but which never quite fitted on his past two albums. The first of a planned shelf-clearing series, it opens on wailing harmonica with ‘Million Dollar Smile’, a number that should chime well with fans of labelmates The Dreaming Spires and the Redlands Palomino Company, members of which also happen to feature on the EP. Rhiannon Payne who can be heard to good effect providing harmonies on the waltz time, brushed drums ‘Weight In Time’, a fine country gospel drinking away my hurt honky tonk number.

Elsewhere ‘Baby That’s You’ is firmly in the tradition of 60s pop n roll, ‘The Good And The Bad Of It’ is a melancholic strung out and moping lost love piano ballad, while, conjuring Dylan by way of The Byrds, the strummed closer ‘Troubadour’s Lament’ was born of listening to a bunch if CDs while stuck in traffic on the way to a gig, musing on pop star billboards, the family, service stations and radio-phone ins among other things. Let’s hope he does his housekeeping on a regular basis.
http://www.paulmccluremusic.com/

In anticipation of their debut album later in the year THE BLACK GUARDS release their first EP, Drawn In, which opens with the full length version of the title track, their first single. Next up is ‘The Ballad Of Mrs O’ which is scheduled to be their second single. The Black Guards are a six-piece from Cumbria and Dublin who mix folk and roots-rock and anything else they can get their hands on. ‘Karma’ has an old-fashioned mittel-European feel built around Anne Marie McStraw’s fiddle and the final ‘Boat Cuts A Water’ begins as a languid, bluesy acoustic guitar piece before everyone sweeps in for the big finish. We’re looking forward to the album already.
www.folkstockrecords.com

Welcome To The Folkies

With Oscar fever rising to a climax it’s time to say “Welcome To The Folkies” – the 2016 Folking Awards. We’ve sifted through the albums and performances of 2015 – always a long and difficult task punctuated by bouts of thumb-wrestling to settle disputes. Adopting the pattern followed by everyone else, here, in no order of precedence, are our nominations. With the exception of one category we have restricted our choices to British acts.

All nominations are 2016 Folking Awards winners.

Welcome To The Folkies

Soloist Of The Year

Steve Tilston
Sam Carter
Kathryn Roberts
Steve Knightley
Ange Hardy

Best Duo

Phillip Henry & Hannah Martin
India Electric Co.
Show Of Hands
Kathryn Roberts & Sean Lakeman
Clype

Best Band

Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarrr
False Lights
Merry Hell

Best Live Act

The Demon Barbers XL
Blackbeard’s Tea Party
Eliza Carthy & The Wayward Band
Tradarr
CC Smugglers

Best Album

Layers Of Ages – Peter Knight’s Gigspanner
Head Heart Hand – Megan Henwood
The Girl I Left Behind Me – India Electric Co.
It’s Not Your Gold Shall Me Entice – Elle Osborne
Disco At The Tavern – The Demon Barbers

Best Musician

Dan Walsh
Peter Knight
P.J. Wright
Chris Leslie
Kris Drever

Folking’s Rising Star

Will Varley
Sam Kelly
Wes Finch
India Electric Co.
Chris Cleverley

Best International Artist

Gretchen Peters
Tom Russell
Gandalf Murphy And The Slambovian Circus Of Dreams
Justin Townes Earle
Los Lobos

To give the awards a further edge, we opened the vote to our visitors and run a public poll in all of the 8 categories (as listed above).

The Public Vote closed Sunday 28 February at 20.00 hours and “The Folking Winners” have now been announced here at: http://folking.com/the-folking-winners/


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

India Electric Co & The Girl I Left Behind Me

India Electric Co & The Girl I Left Behind Me

folking have featured India Electric Co. in the past in our tour news section and I recall being impressed at the time reading, that a band that I had never heard of before, was supporting Midge Ure on tour. However, that thought was soon replaced by the million of other things that go on in my folking head, so it wasn’t until I recently when I bumped into Chris Puxley (sound-man extraordinaire) that I was reminded of them.

Jane Brace, their PR wonder-woman, picked up on this and immediately sent me through a copy of the album. Now, with all the stuff we get through at folking, its rare that a CD stays playing in my car on constant repeat. In fact there are two songs on this album that have become instant ear-worms and like some drug infused fix, I’m unable presently, to get through a day without hearing “Beirut” or “My friends are rich”.

Cole Stacey and Joseph O’Keefe, the brains behind this enterprise have done something really special here, and in my opinion, its hats off to them for coming up with a collection of music that’s both original and forward thinking. I think BBC 6 presenter Tom Robinson pretty much nailed it by describing them as  “Folk teleported to the future”.

The styles of music jump from Latin American, Eastern European and African as gypsy jazz rubs shoulders with lively Irish reels with arrangements fresh and varied.

Its definitely an album to check out and in my book a contender for an award or two next year!

Darren Beech

Here is one of the ear-worms – ‘Beirut’ (audio only):

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Remaining tour dates with Midge Ure:

  • Weds Oct 14 Preston, Guildhall Charter
  • Thurs Oct 15 Ulverston, Coronation Hall
  • Fri Oct 16 Leamington Spa, The Assembly
  • Sat Oct 17 Hunstanton, Princess Theatre
  • Thurs Oct 22 Lincoln Drill Hall Lincoln
  • Fri Oct 23 London, Union Chapel

Artists’ website: http://indiaelectricco.com

 

India Electric Co – new album

IEC

Pigeon hole India Electric Co. at your peril. Packing a punch, Cole Stacey and Joseph O’Keefe – the acoustic duo with the electric name – are the musicians behind one of the most exciting and diverting debut releases this spring.

“Folk teleported to the future” is how BBC 6 presenter Tom Robinson has described their bold and refreshing eclectic sound while testament to the esteem in which this young duo are already held comes from no less than Midge Ure who has chosen them to accompany and support him on an extensive UK and European 2015 tour. He says: “The wide range of musical textures they create immediately stood out.” The tour includes a date at London’s Union Chapel on October 23.

Ingenious singer songwriters, musicians and coffee connoisseurs, Cole (25) and Joe (23) have spent a year writing and recording the 10-track The Girl I Left Behind Me. Reflecting their shuttle life style on both sides of the English channel (they lived in France for a time), this is a heady concoction brewed in Devonshire barns and stirred in Parisian cafes.

With an intriguing and atmospheric mono cover image of people crossing a bridge in India, The Girl I Left Behind Me is a fusion of styles, intricately woven textures, lush string arrangements and broad brushstrokes. Says Cole: “It draws on a theme of transience, exploring non places with a sense of not belonging and the highs and lows of being on the fringes of society.”

Sometimes folk, sometimes not, the material is certainly inspired by roots themes from Eastern Europe to Africa, through to Latin America. Gregarious gypsy jazz sidles alongside the influence of lively Irish reels, fresh arrangements of 18th century sea shanties and beguiling self-penned songs of winsome emotion. Timeless, classy and life affirming this is something of a roller coaster ride as it dips and dives, lilts and flows with a nod to artists as diverse as The XX, Thomas Bartlett, Joanna Newsome and the Buena Vista Social Club and literary touchstones including Auden and Marvell.

Artists’ website: http://indiaelectricco.com

“Hypnotic melodies, syncopated rhythms and pop hooks immediately grab your attention. O’Keefe is a bewilderingly talented multi instrumentalist; Stacey has a rich young voice and a turn of phrase that gives the album its other key dimension” – 4* review Songlines Magazine

“Difficult to pigeonhole, the pair seem to be able to pull off just about anything that comes their way – you can’t help wondering where they’ll go next”- Acoustic Magazine

‘My Friends Are Rich’ (audio only):

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.