Damien Dempsey announces new album

Damien Dempsey

Damien Dempsey’s debut album in 2000, They Don’t Teach This Shit In School, set him apart as a unique and important voice, championed from an early stage in his career by Sinéad O’Connor. The follow-up, Seize The Day, marked the beginning of his relationship with producer John Reynolds, picking up many awards and leading to extensive international tours. Commercial and critical success continued with the release of the No. 1 album, Shots (2005), backed by Brian Eno, and To Hell Or Barbados (2007), which debuted at No.2 in the Irish charts.

An award-winning artist in his home country of Ireland – he has several prestigious Irish Meteor Awards to his name including Best Irish Male and Best Traditional Folk Award – and seventeen years into an astonishing career, Damien Dempsey releases his seventh studio album, Soulsun, possibly his most exciting work to date.

The record features a stellar cast of female guest vocalists, referred to in the sleeve notes as ‘the mighty Celtic Warrior High Queens’. Dido joins Damien on a tender love song, ‘Beside The Sea’ and fellow Dubliner, Imelda May, appears on ‘Big Big Love’, an anthemic mid-tempo rock love song, showing a bolder, more contemporary sound that Dempsey explores on the album. Finally, ‘Pretty Bird Tree’ features Dingle singer Pauline Scanlon, a regular collaborator over the years.

Soulsun was recorded with long-term producer and collaborator, John Reynolds in north London. Damien lived in the English capital for months, immersing himself in writing songs and soaking up inspiration from London’s rich tapestry of all human life.

‘This might sound strange but London is a real retreat for me” he explains. “I don’t know too many people in London, so I don’t go out raving or partying. When I go to the pub, it will usually be somewhere around Kilburn, sitting on my own with a notebook.”

The striking cover art was created by renowned Dublin graphic artist Maser, who Dempsey worked with on large-scale mural works and the title track is accompanied by a colourful and life-affirming video directed by legendary rock photographer Steve Gullick, who has shot iconic images of Nirvana, Beck and Nick Cave over the years.

Amidst all the plaudits Damien Demsey has won over the years, one of the most notable is contained in Morrissey’s Autobiography where he describes Dempsey performing at a session in Dublin’s Four Seasons Hotel : ‘Damien captivates and enchants with all the love of one blessed and unselfish’ Morrissey writes, ‘I see myself crying at his funeral, missing him already.’

‘I’m not sure exactly what I did to deserve such praise,’ Dempsey says. ‘I had absolutely no idea I was in it until the book was published, but it’s nice to be appreciated by such an incredible artist and writer who’s unquestionably an absolute genius …. When you think of something like that, it can really help if I’m getting a bad time off someone.”

Perseverance and not allowing oneself to be consumed by negativity are consistent themes of Dempsey’s songwriting. At the beginning of his career, he said that making music was about saving his own life ….. healing himself. These themes are even more pertinent in 2017

“There’s music for everything; getting up and dancing having a good time, music to think deeply to…you name it, absolutely everything under the sun. There’s music for all situations, but my music is about healing and hope”.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Damien Dempsey – Soulsun link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: http://damiendempsey.com

Tupelo release their foot-stomping album DIRTY MONEY…

Tupelo’s debut album DIRTY MONEY conjures images of a sinister, gangster-filled speakeasy in prohibition-era Chicago as the band fire out tunes to stir men of ambition and menace and brawn. Tracks like Bad Man and Cougar Cat tell that tale admirably. Others like I’m An Irishman and My Family’s Land echo the storytelling sentiments of patriotic icons like Luke Kelly giving a focused insight into their roots and aspirations. Firefly, Railroad and Blue Gardinia are the rousing, party pieces of the set in all their foot-stomping, yee-haw glory.

Tupelo are an exciting, original, acoustic roots act consisting of an eclectic line-up of instruments which includes banjo, guitar, fiddle, double bass, mandolin, harmonica and Dobro. Their sound is fresh and unique in today’s world of endless electric outfits, Mumford and Sons could be seen as a comparison. Few musicians can successfully blend a number of diverse genres, creating a sound they can exclusively call their own.

Even fewer composers can craft songs of heart, conviction and true grit to bring the best out of such a sound. Their music is a flurry of roots, rockabilly, bluegrass, country, folk and rock ‘n’ roll… often displayed all in the same song. The band’s front man and songwriter James Cramer delivers a tough, honest take on bad times and good times, struggles and triumphs, high spirits and solemn hopes… all in his own untainted accent, all in his own untainted words. Tupelo owes its name to Van Morrison’s Tupelo Honey album, a favourite of James and a massive influence on his song-writing. James says Emmylou Harris in part inspired the set up of the group. “I saw an Emmylou Harris performance on TV and I knew I had to have a fiddle in the band. It worked from the first song. You can search all your life and never find the right people but it was finally together and that was the start of Tupelo.”Amongst others, James sees The Band, Shane McGowan, Bob Dylan and John Lee Hooker as the biggest influences on the band. Being one of the hardest working bands on the road today means that Tupelo’s live shows are something special to look forward to. They can count Imelda May among their fans.

Imelda said of the band “They have a wonderful sound, great musicianship and fantastic song-writing.”

2012 has heralded the release of Tupelo’s superb album DIRTY MONEY, an album that captures perfectly their energetic live sound and should garner them a legion of new fans worldwide.

“…they have embraced the kitchen-sink approach to writing, building their songs from the ground up into thrilling folk-pop dervishes” Metro

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Mary Black – Stories From the Steeples (3ú Records / Blix Street Records)

This is the first studio recording from Mary Black in six years, and it’s a collection that demonstrates an artist in full command of her bewitching vocal prowess. Throughout an impressive career, Mary has consistently demonstrated impeccable taste in her choice of material, and the evidence presented here suggests that her ear for seeking out songs of utmost grace and beauty is as keen as ever. With a voice that has only gained in depth and resonance over the years, Mary brings her trademark warmth and sincerity, casting light and shade amongst the lyrics to create her own personal space amongst the words of carefully chosen songwriters. Never one to rest on her laurels, we’re gifted songs from familiar friends such as Shane Howard, Eric Bogle and Julie Matthews, alongside burgeoning writing talents, including Danny O’Reilly and Ricky Lynch.

Sharing the stage with a number of guests, Stories From The Steeples contains three duets: the beguiling “Lighthouse Light” features Janis Ian in a perfectly balanced performance that whets the appetite for further exploration of this winsome partnership; the robust, soulful voice of Imelda May joins Mary on an affirmative song of place and belonging, “Mountains To The Sea”; and the playful “Walking With My Love” finds Mary exchanging lines with the legendary Finbar Furey. All three performances are notable for their palpable sense of modesty and mutual admiration.

Two stand-out tracks come from particularly close to home, being written by Mary’s son, Danny O’Reilly. “Faith In Fate” paints a stark contrast between the sheer despair of a broken relationship with a determined hopefulness to move on and patch things up. Managing to be simultaneously bleak and uplifting with its heady infusion of hurt and devoted affection, it’s a song that plays to all the strengths of Mary’s typically emotion-wrought interpretation. Offering a similar cocktail of emotions, “Wizard of Oz” is a mournful reflection on the search for strength and happiness, underpinned by a dreamy string arrangement over which Mary lays her heartwarming vocals.

Fulfilling the role of storyteller, Mary excels in bringing lifelike colour to the characters of “Marguerite And The Gambler,” a Ricky Lynch song that recounts the familiar tale of many a traditional folk ballad, with its gamblers, true love, misguided familial intervention, heartbreak and devastation. Those purchasing the extended version of the album are handsomely rewarded with an exquisite reading of Chris Woods’ “One In A Million,” a story of true love that takes the mundanities of life and turns it in to utter magic, and proving beyond any doubt that Mary remains a song’s best friend.

Paul Kelly’s “They Thought I Was Asleep” benefits from a tender reading, cloaked in Mary’s trademark warmth, depicting the torment of a child inadvertently witnessing from the back seat of a car, the emotional breakdown of his parents’ relationship. Equally devastating, though of more epic proportions, Eric Bogle’s “All the Fine Young Men” is made all the more disarming, thanks to the sheer reverence with which Mary furnishes this stark, anti-war anthem.

With a little less polish than some of her earlier releases, Stories From The Steeples steps forward as an intimate, unpretentious collection, bathed in a soft but radiant glow of effortlessness and wholehearted integrity. Time will tell, but Stories From The Steeples may well prove to be Mary’s best yet. Mike Wilson

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist Web Link: www.mary-black.net