Folk Sounds Best at Cecil Sharp House

Folk Sounds Best
The English Folk Dance and Song Society has unveiled its line up for the 2017 summer music and performance season at England’s national folk arts centre, Cecil Sharp House in London.

Luke Jackson with special guest Rebecca Loebe
Wednesday 3 May, 7.30pm
Tickets: £14 | £10 under 26s

Luke jacksonA meeting in Kansas, USA led to a transatlantic partnership of two exceptional charismatic young songwriters.

Luke Jackson is a rising young Roots singer/songwriter from Canterbury in Kent.  2013 saw him nominated for both the Horizon Award for Best Emerging Talent and the BBC Radio 2 Young Folk Award and in 2014 he was named Fatea’s Male Artist of the Year.

Rebecca Loebe is a young singer-songwriter known for her distinct voice, well-crafted songs and ability to bring an audience to her journeys, introducing them to the characters she meets and observations she makes as she travels.

Jon Boden
Thursday 18 May, 7.30pm
Tickets: £20 | £10 under 26s

Jon BodenJon Boden has become the stand out performer of his generation of traditional folk artists, but one whose repertoire extends far beyond the boundaries of the genre.

As a total contrast to the eleven-piece Bellowhead, autumn 2016 saw Jon launch his first ever solo tour. The show promises to incorporate elements from the wide creative span of his career to date – from the self-penned pop songs of Painted Lady, to the funked-up power-pop arrangements of folk songs that characterised Bellowhead and Spiers & Boden, to the post-Apocalyptic song-world of Songs From The Floodplain, to unaccompanied ballads as featured on his mammoth A Folk Song A Day project in which he recorded and released 365 folk songs in one year across 2010-2011.

Through his solo work and his work with Bellowhead and Spiers & Boden Jon has won eleven BBC Radio 2 Folk Awards – more than any other artist. His solo shows will provide an intimate insight into a man of many and various talents and promises to take the audience deeper into the song worlds of traditional music and of his own song writing.

Rosie Hodgson
Wednesday 24 May, 7.30pm
Tickets: £12 | £10 under 26s

Rosie HodgsonAs a rising star of the English folk scene, Rosie Hodgson will present an evening of songs from her new album Rise Aurora, accompanied by fiddle-singer Rowan Piggott. Expect an eclectic mix of original and traditional material; beautiful inventive songs overlaid with delicate harmonies, driving fiddle, spell-binding guitar lullabies and maybe even some clog stepping! There is a very long and bright future dawning for this young duo.

“…audible magic woven with voice, fiddle and guitar; Rise Aurora is an impressive debut album by this young songwriter who has risen through the folk circuit to become a BBC Young Folk Awards finalist.”  fRoots

Heg & The Wolf Chorus
Wednesday 31 May, 7.30pm
Tickets: £12 | £10 under 26s

Heg & The Wolf ChorusFollowing the hugely successful UK tour throughout the Autumn, Bristol four-piece Heg & The Wolf Chorus are back on the road in the spring 2017 performing their acclaimed debut album Raising The Fires.

The band performs the album’s enchanting story of a witch who was wrongfully burnt at the stake. The scorned woman casts a spell, ending the world as we know it and conjuring all the mythological creatures back to roam the Earth. Inspired by traditional Scottish folklore and written at the foothills of the Cuillin mountains on the Isle of Skye, the vivid imagery and magnificent landscapes can be heard in every spine-tingling song. This release presents the band’s distinctive sound and Heg’s visionary songwriting on a scale unlike anything they have released before, bringing theatrical elements to their performance with a strong story-telling theme throughout.

Moya Brennan – The Voice of Clannad
Thursday 1 June, 7.30pm
Tickets:  £18 | £10 under 26s

Moya BrennanWhen Bono stated recently, “I think she has one of the greatest voices the human ear has ever experienced”, he was heralding what many people know already about The Voice of Clannad, Moya Brennan. She sings like nothing you’ve ever heard before! So it makes sense that her live solo shows – with all the musicality and power of Clannad but with added, heart-warming intimacy – should be such a rich and moving experience. Her effortless vocals and timeless music pay homage not only to her vibrant traditional Irish heritage but also her grasp of contemporary forms.

With Clannad she rose to prominence with a pioneering approach to traditional music, which has garnered them 15 million record sales worldwide and a string of awards, including a Grammy in 1998. Her career to date includes 25 albums, numerous film scores and she has sung with many great artists, including The Chieftains, Robert Plant, Paul Brady, Shane MacGowan and Bono.

Made In The Great War
Thursday 8 June, 7.30pm
Tickets: £18 | £10 under 26s

Sam SweeneyEight years ago Sam Sweeney, fiddle player with folk big band Bellowhead, bought a violin with a label inside showing the date 1915, the name Richard S. Howard and the words “Violin No. 6, Made in the Great War”.  Research revealed that the violin had been started, but never finished, by a music hall performer from Leeds named Richard Spencer Howard who was conscripted in 1915 at the age of 35, and killed two years later at the battle of Messines near Ypres.

The pieces of the fiddle had lay in a manila envelope for nine decades and it was over ninety years after Richard S Howard began working on the fiddle that it was finally finished and placed in the shop of Roger Claridge. This is where Sam found it.

To mark the ongoing 100th anniversary of World War I and to retell the story of Richard S. Howard, Sam Sweeney (fiddle/viola), winner of the “Musician of the Year” Award at the BBC Radio 2 Folk Awards 2015, has collaborated with award-winning storyteller Hugh Lupton, fellow Bellowhead band mate Paul Sartin (oboe/fiddle), and Rob Harbron (concertina/harmonium), to create a music and spoken word performance, featuring on stage the actual fiddle made by Richard S. Howard.

An Evening with The Seeger MacColl Family
Friday 9 June, 7.30pm
Tickets: £18 | £10 under 26s

Peggy SeegerThe Seeger MacColl family are one of folk music’s most loved dynasties. Singer, songwriter and feminist icon Peggy Seeger performs with Neill and Calum, her sons with Ewan MacColl. Join these three exceptional musicians for a gloriously relaxed evening of great music and witty family banter. Expect to hear songs of love, politics and storytelling, including some from Peggy’s award-winning latest album alongside Ewan MacColl’s best loved songs. This is an intimate evening with a remarkable family that will linger long in the memory.

Rosie Hood – ‘The Beautiful and the Actual’ album launch
Wednesday 14 June, 7.30pm
​Tickets: £12 | £10 under 26s

Rosie HoodRosie Hood is a young folk singer from Wiltshire, known for her strong, pure voice and engaging solo performance. In 2015 Rosie was a BBC Performing Arts Fellow with the English Folk Dance & Song Society and in 2016 she was nominated for the Horizon award at the BBC Radio 2 Folk Awards. 2017 will see Rosie release her first full-length solo album The Beautiful & The Actual, a collection of old and new folk songs.

Cecil Sharp House Choir and Alton Community Choir
Saturday 17 June, 7.30pm
Tickets: £10 | £6 under 26s

Alton Community Choir

EFDSS is excited to be hosting special guests Alton Community Choir, under the expert direction of Carolyn Robson, for this collaborative concert. Since forming in 2008, Alton Community Choir’s numbers have grown steadily from an initial 12 members to almost 70.  The Choir delights in finding unique ways to celebrate the folk traditions, which so inspire their repertoire.  Cecil Sharp House Choir was formed by EFDSS in the same year. Led by the inspirational Sally Davies, the Choir has become known for its spirited and moving renditions of folk songs from England and the wider British Isles. Both choirs will sing selections of glorious a capella harmony arrangements.

Elliott Morris
Wednesday 21 June, 7.30pm
Tickets: £12 | £10 under 26s

Elliott MorrisWith hundreds of gigs behind him Elliott Morris has a formidable reputation as one of the hardest-working and most sought-after young artists on the acoustic scene.  The singer-songwriter, featured in Acoustic magazine as “The Next Big Thing”, taps the strings and beats the guitar’s body to create an intricate spectacle, together with an original and unique sound integral to his songs.

Elliott’s original compositions marry intricate guitar lines with heartfelt, honest vocals and clever wordplay, combining elements of folk, roots, jazz and country. Embracing the traditional and the contemporary – this is folk music for the 21st century.  Elliott’s versatile blend of folk, pop and rock has complemented a range of major artists he has supported including Frank Turner, Seth Lakeman, Lau, Big Country, and The Three Degrees, and revered folk veterans Martin Carthy and Dave Swarbrick. He has also supported Paul Carrack (Squeeze, Mike + The Mechanics, Eric Clapton) on many of his UK tour dates.

“One of the most impressive guitarists to grace our studio for a very long time…a compelling listen – and mesmerising to watch!”  Dean Jackson – The Beat / BBC Introducing

The Takeover
Sunday 9 July, 7pm
​Tickets: £6

Showcasing talented young folk bands and musicians, this concert wraps up an evening of activities for young people, including ceilidh dancing and a jam session. The Takeover is curated, organised and hosted by EFDSS ‘​ Youth Forum and EFDSS’ resident folk collective, London Youth Folk Ensemble.

Venue website: www.cecilsharphouse.org/csh-whats-on.

THE SHEE – Continuum (Shee Records SHEE4)

ContinuumThe concept behind Continuum, supported by Celtic Connections, was to celebrate their tenth anniversary by having each of them commission a musician of their choice to write a piece of music for the album. That’s only half the story, of course, for the band had then to arrange the music for six players and write some pieces to bind the whole thing together.

The opening song is ‘From The Shadows’ by Laura-Beth Salter. It’s a powerful call to arms to … ah, well. It could be a feminist piece, the logical first thought, but it could be a warning to the rich and powerful that the poor and oppressed aren’t going to take it any more. Next come two atmospheric pieces by Kathryn Tickell; one evoking the borders and the other with a Scandinavian feel. The playing, needless to say, is exquisite.

Rachel Newton commissioned Karine Polwart and the result is ‘Song For Mary’. The Mary in question is Mary Brooksbank, composer of ‘The Jute Mill Song’ and an archive recording of one verse forms the introduction. We’re not told that it’s Mary herself but I’d like to think it is. Amy Thatcher naturally turned to a box-player and who better than Andy Cutting? Olivia Ross’ choice was Chris Wood who shares the credit for ‘Cradle Song’ with lyricist Hugh Lupton. The Shee turns what could be a pretty little song into something quite strange so you’re not sure whether this a mother singing to her baby from the safety of a warm fireside or struggling home from the storm outside.

Laura-Beth, Amy and Shona Mooney provide the next two tune sets with Shona responsible for the wonderfully titled ‘The Vampire Rabbit Of Newcastle’. Olivia wrote ‘Precious Tears’, a song for children – possibly the band members’ own – and Brian Finnegan wrote a trio of tunes with Lillias- Kinsman-Blake’s flute and a journey through India in mind. Finally, we have Martin Simpson’s song for his mother. ‘Dance With Me’ might be seen as the companion-piece to ‘Never Any Good’. Laura-Beth sings it and plays mandolin where Martin would use guitar and the band play what is almost an orchestral accompaniment.

Continuum is a monument to musical collaboration and the exchange of ideas but more than that, it is a tribute to six exceptionally talented musicians.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the THE SHEE – Continuum link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: https://theshee.com/

‘Ower Late For The Lasses/Sheepolska’ and more with Kathryn Tickell live at Celtic Connections 2016:

MADE IN THE GREAT WAR – Live at Forest Arts, New Milton

MADE IN THE GREAT WAR – Live at Forest Arts, New Milton
Photograph by Dai Jeffries

The show opened with Sam Sweeney stepping onto the stage and taking THE fiddle from its place in the spotlight. He played ‘The Girl I Left Behind Me’ and ‘Jean De Paris’ before introducing Rob Harbron who joined him for ‘The Battle Of Prague’ and ‘British Grenadiers’. As Sam pointed out these were four tunes that led a double life as both folk tunes and military marches – this was the beginning of an “overture” to the show itself.

The fiddle is one left unfinished by Richard Spencer Howard of Leeds when he went to war in 1916 and which, though a long series of events, was bought by Sam Sweeney who realised that there was a story behind the instrument.

Paul Sartin and Hugh Lupton completed the line-up on stage. Paul sang ‘The Scarlet And The Blue’, a song which has passed through countless regiments and, indeed, armies and Hugh recounted a story from his show, Barbed Wire For Kisses which immediately set me thinking of War Horse. It was the perfect link to ‘Home, Lad, Home’. The first set closed with ‘Rose Howard’, an extra track on the album which didn’t find space in the show.

Original tour programme
Original tour programme

On record, the focus of Made In The Great War is Hugh Lupton’s narration – the story is the most important element. On stage, other factors take over. The set poses, variously, as a music-hall, a trench and a battlefield. There are visual elements, film and slides as well as the set dressing and the performance is cleverly choreographed – there is barely time for a round of applause between the set pieces. Indeed, applause sometimes feels intrusive.

There was clowning during ‘The Palace Of Varieties’ and drama. ‘The Battle Of Messines’ was signalled by furious drumming by Sam, synched to film of explosions, which made the audience jump after the relative quiet of ‘June 17th 1917 – Zero Day’ and there were two more highlights. The first was Sam’s singing of ‘The Ballad Of Richard Howard’, alone in a spotlight, with so-subtle support from Rob and Paul. It is a powerful song owing something of its origins to ‘The Cruel Sister’. Finally he played ‘Epilogue’ alongside film of him playing the same tune standing by Richard Howard’s grave in Belgium. Initially, he watched the screen, carefully matching his playing with the film but later he looked down and let the music take over.

There can be no encore. You can’t follow that but the story continues. It transpires that a second Howard fiddle has come to light – Sam’s is No.6 and now No.2 is known to have survived – and Richard Howard’s grand-daughter, not knowing the full story, has contacted Sam. Made In The Great War has been toured twice and I hope that Sam and the company will tour again. It is a show that has to be seen by as many people as possible.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Website: www.madeinthegreatwar.com

Sam Sweeney plays ‘The Last Post’ by Richard Howard’s grave: