THE TEACUPS –Of Labour And Love (Haystack HAYCD008)

THE TEACUPS –Of Labour And LoveUsually associated with the older generation of traditional folk singers, unaccompanied singing is making something of a comeback, not just with the occasional a capella number on an album or in the live set, but rather as a full-fledged style of performance. The recent success of The Young’Uns in the BBC Folk Awards is cited as evidence of the revival’s gathering strength, but unaccompanied harmony singing is only part of the trio’s approach, with some material employing guitar and accordion. However, formed while studying for a BMus Folk & Traditional Music Degree at Newcastle University, this quartet, Kate Locksley, Rosie Calvert, Alex Cumming and Will Finn, are strictly no instruments, relying only on their voices, both independently and interwoven.

All but two of the songs are traditional, three of which will be very familiar in folk circles, ‘My Son John’, a tale of being made legless by a cannonball, ‘Ye Mariners All’ with its handclap percussion (it’s interesting to note how many unaccompanied ballads have nautical themes) and, Locksley singing the verses with the others adding harmony on the choruses, ‘The Drowned Lovers’, learned from Kathryn Roberts, but with an added extra verse found in the Bodleian. The number itself comes from Rev. Sabine Baring-Gould’s collection, Songs Of The West, as does the album opener, ‘The Bellringing’, the sprightly tale of a Devon bellringing contest (the men of North Looe emerge victorious), Cumming taking lead with the harmonies emulating the cadence of the bells.

Moving from the West Country to the North East, ‘The Rapper Set’ has nothing do to with hip hop but refers to a folk dance involving short swords and fast stepping in hard-soled shoes and comprises the introductory ‘Calling On Song’ and two traditional tunes, ‘Drummond Castle’ and ‘Seven Stars’, with Finn providing the stepping and Calvert, who also arranged, doing the exhausting heavy lifting on the scat sung ‘lyrics’.

The group travel even further afield for ‘Sugar In The Hold’, a New Orleans cargo loading worksong set aboard the J.M.White steamboat from Mississippi, complete with a hearty ‘huah’ grunt from the guys. Then it’s back home for the last two of the traditional tunes, first up being much reworked and well-travelled sombre murder ballad ‘Oxford City’, deep voiced Calvert initially singing solo before first Locksley joins in on harmony. This is followed by my personal favourite, ‘Labouring Man’ (on which their voices are augmented by those of Gavin Davenport, Roberts & Gilmore, Stu Hanna, and Cliff Ward and Jade Rhiannon from The Willows), a song in praise of the English working man taken from 1890’s ‘Wiltshire Folk Songs and Carols’ collected by Rev. G. Hills (though I suspect a couple of lines are from the version collected by Folk-Song Society founder Lucy Broadwood from a Mr Sparks of Dunfold in 1896), the verse “In former days, you all do know, a poor man cheerful used to go…and for his labours it was said, a fair day’s wages he was paid, but now to live he hardly can, may God protect the labouring man”, revealing that little has changed in Conservative government policies between then and now.

The final two numbers are more contemporary, though Locksley’s ‘The Antiguan Graveyard’ could easily pass for traditional, the tune inspired by the jig ‘Coleraine’ and the stark lyrics by a documentary about a graveyard of British sailors forced to travel to the island to protect the sugar plantations during the 18th century. The album closes, appropriately enough, with the elegiac parting glass themed ‘Journey’s End’, a glorious four part harmony reading of a poem by Judy B. Goodenough set to music by Tommy Makem.

They say in the sleeve notes that they chose it partly “to symbolise the closing of an important chapter of our lives, individually and collectively, and the beginning of a new one.” On the evidence here, you’d be a mug not to part of it.

Mike Davies

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The Armistice Pals

armistice pals header non internetEveryone remembers the charity version of ‘Perfect Day’ with its myriad of voices from the pop and rock world.

Let’s hope everyone will also remember the upcoming answer from the Folk World – ‘Where Have All The Flowers Gone?’ – with a plethora of voices from across the acoustic folk and roots spectrum representing the great and the good, young and the old, seasoned and emerging, all on the same single. The group is called The Armistice Pals and is releasing a fitting tribute to Pete Seeger, who sadly passed away this year as well as marking the 100 years anniversary of the breakout of the First World War. All profits will be distributed between four peacekeeping charities.

However, perhaps it’s not a perfect world after all and the late Pete Seeger’s classic anti war song, ‘Where Have All The Flowers Gone?’, points a finger at the carnage, supposedly ‘ the war to end all wars’ which tragically mislead us to believe it was worth the sacrifice.  The sacrifice, not only of the lives of those who died, but the resultant desolation and struggle of the loved ones who were left behind. Whole swathes of communities were left bereft of their young men-folk who trustingly signed up into ‘Pals Battalions’, many of whom were never to return, with those who did too often spending lives blighted by the experience.

Armistice Pals is the name of the folk community ‘super band’ who are all performing on this single, which is due out on Remembrance Sunday, 9th November 2014. It was the brain child of Damian Liptrot (manager of folk-rock band Merry Hell), who, as the project expanded, has invited Folkstock’s Helen Meissner on board as co-organiser. The project has attracted over 30 names including Chris and Kellie While, Julie Matthews, Judy Dyble, Christine Collister, Dave Swarbrick, Ray Cooper, Sally Barker, Peter Knight, Boo Hewerdine, Gavin Davenport, Blair Dunlop, Lucy Ward, Ken Nicol, Merry Hell, Luke Jackson and Kelly Oliver. A line up so good that, were it to be a festival, it would undoubtedly be the event of the summer.

The single will be released via the usual digital outlets as well as a physical CD and as a nod to the historical element, a limited edition vinyl 45, on new community label, Folkstock Records.

As this is intended to be a community project, we are inviting Folk Clubs across the country to contribute by organising an ‘Armistice Pals Night’ during the week of the release of the single. This can take any form but should include a collective version of ‘Where Have All The Flowers Gone?’ at some point during the evening, followed by a passing round of the hat to support the Armistice Pals charities.

If you would like to know more about the project, all the artists, the charities and the inspiration can be found at or contact us direct via

We hope that you will feel able to enlist and offer your support.

Helen and Damian
for The Armistice Pals


Attila The Stockbroker (poet/musician and sheer force of nature, whose father survived the Somme).

Billy Mitchell (one time Jack the Lad, ex-Lindisfarne and much else besides).

Blair Dunlop (One of our brightest, youngest singer-songwriters, currently telling tales from the ‘House Of Jacks’, he also found time for a stint in The Albion Band..).

Bob Pegg (Storyteller, singer-songwriter and member of the legendary Mr Fox).

Boo Hewerdine (one time Bible basher, all time songwriting phenomenon).

Chris While and Julie Matthews (singers, songwriters, multi-instrumentalists, award winners in their own right and members of more prestige bands and projects than you can shake a stick at).

Christine Collister (one time She Devil, ex-Daphne’s Flight, much sought collaborator and loved by Q magazine).

Dave Mather & Peter Robinson (singer/songwriters (one of them has written an opera you know), ex-Houghton Weavers, stand up comedy and currently presenters of Salford City radio’s first folk show).

Dave Swarbrick (simply a living legend. As it says on the flyers, ‘needs no introduction’).

Edwina Hayes (multi-million You Tubed singer-songwriter with the ‘sweetest voice in England’).

Eric Bazilian: (Hooter, hitmaking songwriter worldwide for self and others, now he’s One Of Us!).

Flossie Malavialle (multinational singer et chanteuse aussi, gig travelling traffic reporter).

Gavin Davenport (much vaunted solo singer/songwriter/multi-instrumentalist, award winning, ex-Albion band member).

Gren Bartley (the spine tinglingly beautiful guitarist, banjo playing poet).

Helen Watson (Singer/Songwriter, multi genre artist, producer and erstwhile member of Daphne’s Flight, Carmel and Sons of Arqa, as well as taking a great photo).

Johnny Coppin (broadcasting singer-songwriter, ex-Decameron and now sufficiently multi-faceted to be considered a true diamond).

Judy Dyble (singer/songwriter, ex-Fairport, nearly King Crimson and Facebook dog blogger).

Kellie While (singer-songwriter considered to have one of the outstanding voices of her generation, ex-member of The Albion Band and so much else, her arrival makes The Pals a family affair as her mother and sometime singing partner Chris is also involved).

Kelly Oliver (singer/songwriter, guitarist and harmonicist who has taken Boots Of Spanish Leather to places most of us can only dream of).

Ken Nicol: (globetrotting, guitar endorsing, ex-Albion Band and Steeleye Span virtuoso).

Kevin Brennan MP (an accomplished musician, fan of folk music and passionate supporter of live music).

Lavinia Blackwall (the vocalist who is both a Trembling Bell and a Crying Lion).

Linda Simpson (singer/songwriter, ex-Prog/Folk/Rock legends Magna Carta and supplier of some ideas that are so good that I’d like to present them as my own).

Lucy Ward (singer/song writer and possibly the current heart of British Folk Music as she gets played on virtually every folk show I listen to regardless of the other tastes of the presenters!).

Luke Jackson (bright young purveyer of Fumes and Faith).

Merry Hell (8 piece folk-rocking explosion of melody and joy).

Ninebarrow (award-winning, Dorsetshire folk duo).

Patsy Matheson (singer/songwriter, spent time Waking The Witch, now The Domino Girl).

Peter Knight (singer/fiddle player, Gigspanner, Feast of Fiddles, Steeleye and holder of the world record for continuously playing the violin whilst travelling up and down the lift in the Empire State Building).

Phil ‘Swill’ Odgers (30 Year veteran of punk-folk luminaries, The Men They Couldn’t Hang).

Ray Cooper (singer/songwriter/multi-instrumentalist, ex-Oysterband and now a pearl in his own right).

Richard Ryall (singer/songwriter, member of the band Litmuss and he comes from a land Down Under).

Robb Johnson (Irregular singer/songwriter and social conscience).

Said The Maiden (3 rising doyennes with harmonies the envy of angels).

Sally Barker (folk singer and by popular acclaim, the true winner of The Voice).

Sian James (Singer, writer, harpist, composer, conductor and actress from Wales, a big Armistice pals ‘Creoso’ to her).

In addition, there is also The Pals Chorus, made up of friends and members of several folk clubs who will be recorded together to help swell the voices and to represent the fact that this is a true community project.

THE ALBION BAND – Vice Of The People (Powered Flight Music POWFCD02)

The stark acapella ‘calling-on song’ “A Quarter Hour Of Fame” takes a knowing pop at the industry known as ‘pop’ for, if Simon Cowell were to take even the slightest interest in a ‘folk’ band I’m sure he wouldn’t know what to do with them. So, in a track that lasts a mere 44 seconds it would appear the new line-up of The Albion Band mean business much like their predecessor. Forthright views conveyed with a passion were always part of the original band’s make-up thanks due in no small part to the lyrics of John Tams and I’m pleased to say Katriona Gilmore (fiddle) and Gavin Davenport (guitar/concertina) continue in that spirit. Of course, an Albion Band wouldn’t be The Albion Band without the inclusion of at least a couple of trad arr: songs/tunes and in this regard they don’t disappoint with re-workings of “Adieu To Old England” and the downright shanty-rock anthem treatment of “One More Day” where the trademark Stratocaster sound (once provided by Sir Simon Nicol) will leave any festival-going audience with a smile a mile wide. The rest of the band; Blair Dunlop (guitars), Benjamin Trott (lead guitar), Tom Wright (drums) and Tim Yates (bass/melodeon) really are a great ‘engine room’ providing rock solid rhythms and I’d say in conclusion that the band’s name and music is in safe hands. In the words of the great David (we are not worthy) Essex ”Rock On”!


If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

A new Albion Band album… The Vice of The People

Alongside Steeleye Span and Fairport Convention, The Albion Band are one of the “Big Three” of English Folk Rock, fusing traditional British songs and tunes with contemporary instruments and sounds. All three were formed by legendary band leader Ashley Hutchings. Generally considered one of the most important groupings in the genre, The Albion Band has contained or been associated with a large proportion of major English folk performers from Richard Thompson to Martin Carthy in its long and fluid history.

Until 2011, the one constant has been Albion Band leader and bass player Ashley Hutchings but, on the fortieth anniversary of the band’s founding, an idea was sparked for a re-imagined, new line-up that would bring together a new generation of performers. The new line-up recaptures the spirit of The Albion Band’s heyday with a rockier, edgier approach to traditional English folk music.  Taking the unique character of classic era Albion Band (Battle of the Field/Rise Up like The Sun) and fusing it with award winning song writing and a contemporary rock and indie vibe, this is the new sound of 21st century English Folk Rock, and a shot in the arm for the whole genre.

For the first time in the band’s history, Ashley steps aside to let son, Blair Dunlop, lead a new generation of folk artists.

“For a good number of years people have been encouraging me to re-form The Albion Band. I have resisted these calls; getting the old faces together again in a permanent kind of way didn’t seem the right thing to do. Then, just before last Christmas, I had a Eureka moment. The way forward was to allow a new generation to take over the baton of The AlbionBand. The next day I asked my son Blair what he thought of being part of a new re-invented Albion Band. His reply was that he couldn’t think of anything he would rather do. We were up and running. Initially, I thought I would be some kind of Brian Wilson-figure, lurking in the background, pulling the strings. However it hasn’t turned out that way. The youngsters don’t need me and are building something new themselves.” Ashley Hutchings

“We have a hell of a heritage to live up to, but with this record we’re confident we’ve made something that stands comfortably alongside anything the genre has had to offer. It’s contemporary, relevant and will bring the concept of traditionally rooted rock to a new audience.” Blair Dunlop

This new line up features a number of performers from a range of backgrounds reflecting earlier versions of the Albion Band. These members include Folk Award nominee Katriona Gilmore (Tiny Tin Lady, Gilmore/Roberts – Fiddle and vocals) the traditionally biased vocalist, concertina player and guitarist Gavin Davenport, (Solo, Crucible) drummer Tom Wright (former Young Folk Award finalist and member of Eliza Carthy projects, Glorystrokes), and Tim Yates (Blackbeard’s Tea Party/The QP) taking on the onerous duty of playing bass – only the second bass player – the first being Ashley Hutchings himself – and lead guitarist Benjamin Trott.

Such a radical overhaul of Albion recruits has met with some controversy, given that no original member of the band remains after Hutchings’ departure, but the startling debut album strikes a contemporary chord that is set to firmly answer many questions.

In our opinion this album has the potential to become the seminal album release of 2012. The work captures the very essence of what the Albion band is and what it stands for. It cleverly works in the best of what has gone before and boldly demonstrates why Folk-Rock is here to stay!

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.