LORI WATSON – Yarrow Acoustic Sessions (Isle Music Scotland ISLE05CD)

Yarrow Acoustic SessionsIf the word you usually associate with the Scots is “dour” ‘I’m afraid this album may reinforce your prejudices. As I understand it Yarrow Acoustic Sessions is the prequel to a full album – working drawings if you will. Lori is supported by Duncan Lyall, who also produced the record, Steven Byrnes and Fiona Black and the accompaniments are, to say the least, spare, with Lori employing a lot of plucked violin.

For those with limited knowledge of Scottish geography, Yarrow in a region of the borders north-west of Keilder and not far from Flodden, hence the inclusion of ‘Flooers O The Forest’ in this set. Lori opens with ‘Yarrow (A Charm)’ based on a poem by Walter Elliot and built on a droning, almost discordant, harmonium by Lyall. Next comes ‘The Flytin O Life And Daith’ – words by Hamish Henderson and music by Alison McMorland – which is not exactly cheering. Then there’s ‘Fause, Fause’, a song I don’t particularly care for in English. Evan as an aficionado of traditional Scottish song, I’m finding this album hard going.

Taking it in isolation I would probably heap praise on ‘Dowie Dens O Yarrow’ although I’d be happier if Duncan Lyall were playing a real piano. Lowi sings mostly in Scots which, as Dick Gaughan would patiently explain, isn’t English with some unfamiliar words but a foreign language from which you can pick out a few words. Thus, ‘Flooers O The Forest’, a long version which I think uses the original 18th century words, is at times incomprehensible, particularly when Lyall is giving the keyboard a real work-out.

I like ‘What A Voice (Blackbird)’ which sounds more like a completed version as does the closing ‘October Song’ with some clever variations of both melody and rhythm and Lori harmonising with herself. If the final project sounds anything like these two tracks, I’ll be very happy.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

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Artist’s website: www.loriwatson.net

‘October Song’ – official video:

Lori Watson announces two new albums

Lori Watson

Scots Singer of the Year 2016-17, Lori Watson is a fiddle player, singer and composer. She has drawn on the rich tradition of the Scottish Borders throughout her artistic life, including experimental works and a PhD thesis and creative folio exploring innovation and contemporary traditional music practice. A folk musician with considerable pedigree, Lori is currently touring and recording with Boreas, Iain Morrison and several solo and collaborative projects including guesting with Kate Rusby in 2018 and she has six albums in circulation including two critically acclaimed records featuring her trio Rule Of Three. But this is Lori’s first significant song work and she is lettingus in on the process as well as the finished product.

Lori is touring Yarrow Acoustic Sessions in 2018 with Duncan Lyall on keys, harmonium and bass (Kate Rusby, Treacherous Orchestra) and Chas Mackenzie on guitar (Halton Quartet, Scott Matthews). Follow-up album Yarrow is expected Autumn 2018.

Yarrow Acoustic Sessions is the culmination of an evolving digital album –Watson’s first major song work. Growing up in the Scottish Borders, the Yarrow valley beside Selkirk has been an inspiring place for Lori and acknowledging that this unique and atmospheric area has inspired countless artists over the centuries, she has continued her own exploration of the area through song, music, folklore, history and poetry. This album is a thoughtful selection of songs brought together to convey a sense of Yarrow as Lori knows it. The songs are full of strong natural imagery and tales of our own imperfection: living and dying, growing and decaying, loving, betraying, regretting, accepting, and a kind of madness we just can’t shake.

In addition to vocals and fiddle from Watson, the album features sensitive playing from Duncan Lyall (keys, harmonium and double bass), Steven Byrnes (guitar and bass drum) and Fiona Black (accordion) as well as contributions from poets, writers and composers Hamish Henderson, Walter Elliot, Alison Rutherford, Jean Elliot, Lewis Spence, Alexander Anderson, Alison McMorland, Ed Miller and Robin Williamson. Yarrow Acoustic Sessions reflects Watson’s creative process towards a second, forthcoming, album (Yarrow) that carries these themes beyond conventional folk sounds (hinted at in ‘What A Voice (Blackbird)’.

Dark and brooding, windswept, contoured, joyful, turbulent, sparse, reflective: Yarrow is an exploration of human connections to nature and one another, through time, inspired by the Yarrow valley in the Scottish Borders.

“I’m interested in unfinished works and fragments, whether traditional or original. They’ve always been inspiring starting points for me. I’m creating and interpreting fragments; crafting something that expresses the connections between us and our environment spanning hundreds of years: and then it’s filtered by what inspires and resonates with me right now.”

“I’m very curious about nature and about our psychology; and how we connect, and make sense of, our inner and outer lives. I think this comes through in the music.”

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.loriwatson.net

‘Flooers O The Forest’:

THE OUTSIDE TRACK – Flash Company

It’s nice to be uplifted every now and then and anyone that has witnessed the recently televised 2012 Olympics should appreciate this recording opening as it does with the question and answer riddle song “False Knight On The Road”. The multi-layered accompaniment featuring first a chunky (though not clunky) sparring rhythm guitar, fiddle and vocal joined by harp, bass, accordion and finally layered vocals it’s obvious The Outside Track know how to utilise their instruments to the best effect in much the same way that Clannad did in their early years. This strategic placement allows the band full musical scope culminating in a subtle crescendo that delivers excellent results and should (unless you’ve had your smiling gear removed) bring a warm glow to their listening public. Onto the second track and Cillian O’Dalaigh’s guitar set-up which sounds a bit like that of Extreme’s single “Words” makes no bones (well, the tune set title is titled “The Body Parts Set” after all) in showcasing the technical abilities of Fiona Black, Mairi Rankin, Norah Rendell and Allie Robertson. Personally speaking I couldn’t find a duff track here and catering as it will do for a majority of the traditional biased ‘folk’ market the band have produced an album that will sit comfortably on the shelf alongside artists the calibre of The Tannahill Weavers, Pentangle and Jock Tamson’s Bairns. Highly recommended!

PETE FYFE

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist web link: www.theoutsidetrack.com