EFDSS announce marathon autumn program at Cecil Sharp House

EFDSS

Mike McGoldrick, John McCusker and John Doyle
Thursday 21 September, 7.30pm
£18 | £10 under 26s

John Doyle, John McCusker and Mike McGoldrick first crossed paths as teenagers. A quarter of a century later, the fired-up folk live-wires are set to celebrate their musical kinship, with their first studio album, The Wishing Tree. A thrilling trip through traditional, contemporary and original jigs, reels, ballads and more, it sees them branch out musically, while tracing the roots of their tunes, and of their friendship.

Trad Night – Jim Causley
Wednesday 27 September, £10

Traditional song – entertaining, rewarding, and often overlooked as an essential part of our history and culture. EFDSS is delighted to announce a new programme of concerts featuring the songs that have been loved, sung and shared for generations. Tales of love and lust, incest and murder, humour and tragedy, sung by talented contemporary performers of the tradition.

Trad Nights will take place in our most compact performance venue, Storrow, creating a truly intimate environment for the audience of no more than fifty fans of traditional, unamplified folk music.

Jim Causley celebrates over a decade as an acclaimed solo artist and performer with his latest studio album Forgotten Kingdom, his first album of entirely self-penned material. A broad collection of songs inspired by his native West Country, Jim mixes ancient history with his own personal history and experience of the world.

Since the release of his debut album in 2005, Causley’s unique voice and persona have helped him become one of the most well-loved and respected figures of today’s contemporary roots and folk music scene.

Martin and Eliza Carthy with support from The Drystones

Saturday 30 September, 7.30pm
£20 | £10 under 26s

The good Doctor Martin Carthy and his twice Mercury nominated daughter Eliza Carthy, join forces to perform songs from their first duo album ever, a CD of traditional material entitled The Elephant, which was released in May 2014 on Topic Records.

The Drystones are two twenty-one year olds from Somerset playing a lively mix of their own interpretations of traditional folk tunes and original compositions. Very accomplished on violin, guitar and whistle, they were Steve Lamacq’s “recommendation of the day” at Glastonbury Festival 2013. For just two people they make a lot of sound!

Kings of the South Seas
Wednesday 4 October, 7.30pm
£14 | £10 under 26s

In 1845, Captain Sir John Franklin departed on his ill-fated voyage in search of the North-West Passage. Within just the last few years, his HMS Erebus and Terror have been discovered at the bottom of the icy seas off Northern Canada. With the ‘Franklin’ album, Kings of The South Seas will bring to life the traditional and written music left by these events and their cultural fallout; from Canadian Voyageur paddling songs, English folk ballads and songs composed on-board ice-bound wintering ships to Victorian parlour pieces.

Tunes of the Munster Pipers

Thursday 5 October, 7.30pm

This performance tells the story of Canon James Goodman and the journey of this collection to the 21st century. Combining spoken word, curated imagery, and live musical performance, come and learn of the life and times of Canon Goodman, and the musical landscape of 19th century southwest Ireland.

Germa Adan
Wednesday 11 October, 7.30pm
£12 | £10 under 26s

Germa Adan writes and performs music that draws inspiration from Haitian, American & British folk music. She was recently awarded EFDSS Creative Seed Funding to write and arrange songs that explore narratives of the diasporic life.

Young Waters
Wednesday 18 October, 7.30pm
£12 | £10 under 26s

Young Waters’ twisted neo-folk is a tapestry of emotionally powerful vocals, stirring harmonies, lyrical violin solos and finely mastered acoustic guitar. Their combination of startling original material and traditional folk songs makes for a captivating stage presence.

Happy Traum: Coming of Age in the Greenwich Village Folk Revival and the Woodstock Scene (1954 – 1971)

Thursday 19 October, 7.30pm
£16 | £10 under 26s

With colourful anecdotes and incisive memories, and the aid of vintage photos and music clips, Happy Traum relates some of his adventures as an active member of the New York folk revival, and his friendships with some of the leading folk artists of the day, including Bob Dylan and Brownie McGhee. Happy punctuates his remembrances with powerful renditions of songs and guitar solos from the “folk era” and beyond.

Trad Night – Laura Smyth & Ted Kemp
Wednesday 25 October, 7.30pm, £10

Laura and Ted take a no-nonsense approach to traditional English folk song, taking their cues from revival singers such as Frankie Armstrong, Peter Bellamy and the Watersons. With repertoire drawn from their homes in the North West and East Anglia, expect strong vocals, tight harmonies and unfussy arrangements of songs sung with passion.

Pagoda Project
Wednesday 1 November, 7.30pm
£14 | £10 under 26s

Paul Hutchinson, also known for Belshazzar’s Feast, and Karen Wimhurst, previously a member of the Cauld Blast Orchestra, have a wealth of musical experience in a diverse range of genres from classical to folk.

Tales & Tunes: Kathryn Tickell & David Almond with Amy Thatcher

Thursday 2 November, 7.30pm
£18 | £10 under 26s

These artists’ work grows from the landscape, language, history and strange beauty of the north. With the drive of David’s storytelling and Kathryn’s love of the traditions of her native Northumbria, the poetic power of language and music combine.

On stage Kathryn and David are joined by accordionist and clog dancer Amy Thatcher to bring you a memorable evening of stories, songs and, of course, irrepressible music. If you enjoyed Kathryn’s “Northumbrian Voices” this is an unmissable show for you!

Tilston and Lowe
Wednesday 8 November, 7.30pm
£14 | £10 under 26s

Steve Tilston and Jez Lowe, two of the UK acoustic/folk scene’s finest songwriters join forces for a concert filled with songs and music, chat and banter and intimate insights into their approach to their craft. Listen in as they rekindle the spontaneity of their late-night living-room song swaps.

 

An Evening with the Seeger MacColl Family
Thursday 16 November, 7.30pm
£18 | £10 under 26s

The Seeger MacColl family are one of folk music’s most loved dynasties. Singer, songwriter and feminist icon Peggy Seeger performs with Neill and Calum, her sons with Ewan MacColl.

Peggy long-awaited memoir, ‘First Time Ever’ will be published in October. To celebrate, Peggy, Neill and Calum will be touring a special related show in which she’ll mix extracts from the book with the songs that have meant the most to her over the years. Expect anecdotes from her long and remarkable career together with performances songs new and old.

The Stray Birds
Saturday 18 November, 7.30pm
£15 | £10 under 26s

The Stray Birds started as a duo of acoustic buskers when Maya de Vitry and Oliver Craven met with their instruments, their voices, and their songs. It didn’t take much convincing to get bassist Charlie Muench on board, and with the addition of a third unique and powerful voice, the group began to define its captivating sound. Since taking America by storm in 2013 they have gone on to win a huge fan base following appearances at big festivals around the world.

Trad Night – Thomas McCarthy
Wednesday 22 November, 7.30pm, £10

Thomas McCarthy is a man steeped in the tradition of Irish song, intoxicated by the music and passionate in his sensitivity towards them. He comes from a considerable dynasty of traditional singers, song-makers and musicians, and grew up surrounded by the singing of his late mother, her father and aunts and uncles. Having spent his life learning the songs of his family, in 2008 Thomas sang publicly for the first time at the folk club at Cecil Sharp House. By the following year, he had sung at the most prominent folk festivals and clubs in Ireland and England and had appeared on BBC radio.

Sam Kelly and the Lost Boys
Wednesday 29 November, 7.30pm
£14 | £10 under 26s

Sam is one of the most exciting young prospects in the folk scene, having gained a reputation for an incredibly high class and dynamic live show.

Coming from a family largely made up of Norfolk dairy farmers has left Sam with an unmatched experience of singing in front of hurtfully disinterested Friesians, and his meandering musical journey has ranged from reaching the final of ITV’s Britain’s Got Talent as a teenager, to being selected for the first ever EFDSS Artist Development Scheme. Whether playing to 13 million people on prime-time television, or to 10 people in a tiny pub, Sam’s child-like fascination with music shines through.

Jess Morgan & Kitty Macfarlane
Wednesday 6 December, 7.30pm
£12 | £10 under 26s

Jess Morgan is a songwriter’s songwriter. Her performance is a tumbler of unfancied folk-roots music, with heart, passion and gusto.

Kitty Macfarlane’s songs are charged with a sense of place – more often than not her home county of Somerset – and her lyrics combine honest snapshots of everyday humanity with much bigger questions.

India Electric Co
Wednesday 13 December, 7.30pm
£12 | £10 under 26s

Sometimes folk, sometimes not. India Electric Company use traditional instruments in contemporary styles to explore diverse themes from Eastern Europe, Irish traditions and urban alienation to end up with something “quirky and glittery – a veritable musical magpie’s nest” (Mary Ann Kennedy, BBC Radio 3).

Belshazzar’s Feast

Thursday 14 December, 7.30pm
£15 | £10 youth

On tour with a Christmas-themed show that mixes traditional folk music, seasonal material, added to their usual touch of classical and jazz, with a bit of pop and music hall, all topped off with lashings of wry humour.  Paul Sartin (of Bellowhead and Faustus) and Paul Hutchinson (of Hoover The Dog) together wow audiences across the UK with their eclectic and eccentric mix of tunes and between songs chat that always sends audiences home with smiles on their faces.

Festive Gathering
Sunday 17 December, 7.30pm
£15 | £10 under 26s

Join for us our ever-popular, annual celebration of yuletide, with a chance to join in on the songs and merriment.

Cecil Sharp House Choir, led by Sally Davies, will perform joyful a cappella arrangements of traditional, seasonal songs, carols and wassails from the British Isles and beyond, sung in glorious harmony.  Folk dancers, singers and musicians will fill Kennedy Hall – the main space at Cecil Sharp House – with seasonal cheer.

For bookings go to: cecilsharphouse.org/csh-whats-on

VARIOUS – From Here: English Folk Field Recordings (From Here Sitw005)

From HereThey may be newcomers to the scene, but Stick In The Wheel are certainly making their mark, not just with their own recordings and associated artifacts, but in their involvement with the folk world in general, and the traditional in particular.

Band members Ian Carter and Nicola Kearey serve as curators, collaborators and producers for this collection of new live recordings by both the great and good and some of the lesser known luminaries in the genre. The remit for those involved was to record songs that explored either place or their musical identity, culminating in a gathering of field recordings captured in locations as diverse as a stone cottage in Edale, a bank vault and a garden at Robin Hood’s Bay using just two stereo microphones and with no subsequent overdubs.

As you would imagine, the tracks are stark and raw, first up being ‘Bedfordshire May Carol’, chosen by performer Jack Sharp, leader of psych-folk outfit Wolf People, as it supposedly originated just a few miles from where he grew up. Next up, Eliza Carthy leads a flurry of more familiar names with a self-penned number, ‘The Sea’, a new setting of the broadside ballad found in Manchester’s Chetham Library and featuring on her current album, the initial pizzicato fiddle giving way to more robust playing. She’s followed by one of the veterans of English folk, John Kirkpatrick, applying his accordion to a song from his lengthy repertoire and a folk club staple ‘Here’s Adieu To Old England’, while his sometimes musical partner, Martin Carthy, also chose a number he’s recently reintroduced back into his sets, ‘The Bedmaking’, a familiar tale of the abused and cast aside servant girl. fingerpicked here to a halting rhythm.

Sandwiched in-between is one of the rising stars of the few folk firmament, the Peak District’s Bella Hardy, who went to 19th century collection The Ballads and Songs of Derbyshire for ‘The Ballad of Hugh Stenson’, setting it to a more upbeat tune than the hymnal adapted by Jon Tams, while, another member of folk royalty, Jon Boden puts his squeezebox to work on a contemplative take on 19th century drinking song ‘Fathom The Bowl’.

There’s a couple of spokes from the Wheel, both unaccompanied, Kearey delivering glottal version of the much covered ‘Georgie’ and Fran Foote ‘The Irish Girl’. They’re not the only numbers to be sung naked as it were. BritFolk alumnus Lisa Knapp has a lovely treatment of the tumblingly melodious ‘Lavender Song’, while, also from the female side, Fay Hield tips the hat to Annie Briggs with her choice of ‘Bonny Boy’.

On the other side of a capella gender fence, Geordie folkie Stew Simpson mines his Newcastle roots for ‘Eh Aww Ah Cud Hew’ (which the accompanying booklet helpfully translates as “Oh Yes, I Could Pick At The Coals”), Sam Lee turns the evergreen ‘Wild Rover’ on its head to transform it into a slow, sad lament rather than more familiar rollicking rouser of Dubliners and Pogues note, and, from Wales, a deep-voiced Men Diamler closes the album with ‘1848 (Sunset Beauregard)’, a self-penned political protest ballad about Tory policies. The remaining unaccompanied track is actually a duet, Peta Webb and Ken Hall joining voices for an Irish in London in the 50s marriage of Ewan MacColl’s ‘Just A Note’, about the building of the M1, and Bob Davenport’s account of the dangers of ‘Wild Wild Whiskey’.

The three remaining tracks are all instrumentals. Bristol’s acoustic instrumental quartet Spiro are the only band on the collection and provide their self-penned ‘Lost In Fishponds’, apparently about getting lost en route to a gig, joined here by North Wales violinist Madame Česki, while Sam Sweeney brings his fiddle to bear on two tunes. ‘Bagpipers’, one of the first things he played with his band Leveret, and ‘Mount Hills’, an English dance tune from the 17th century. Which leaves Cumbrian concertina maestro Rob Harbron to provide the third with a pairing of ‘Young Collins’, a Costwolds’ tune learned from Alistair Anderson, and, another from the Morris tradition, ‘Getting Up The Stairs’, which, by way of a pleasing synchronicity, he actually learned by way of John Kirkpatrick on the influential Morris On album.

It more than does the job it set out to achieve, and, likely to loom large in end of year awards, fully warrants a place in any traditional folk fan’s collection.

Mike Davies

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the From Here: English Folk Field Recordings link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.stickinthewheel.com

Stew Simpson – ‘Eh Aww Ah Cud Hew’:

Towersey Festival announces headline acts

KT Tunstall Towersey

KT Tunstall, Newton Faulkner, Eliza Carthy and Jon Boden, are set to headline the 53rd Towersey Festival (25-28 August 2017, Thame, Oxfordshire). They’re joined by Show Of Hands, Lindisfarne, The Blockheads and Foy Vance, amongst others.

Scotland-born and Los Angeles-based, KT Tunstall came to prominence with her 2004 debut Eye To The Telescope, which earned her BRIT and Ivor Novello awards, in additional to Grammy and Mercury Prize nominations.

Her recent album, 2016’s Kin, exemplifies the very best of guitar pop. The diverse collection includes a duet with KT fan James Bay, the raucous rebellion of ‘It Took Me So Long To Get Here, But Here I Am’, the call to arms of ‘Hard Girls’, and lilting album closer ‘Love Is An Ocean’.

Newton Faulkner boasts two number one albums. His debut, Hand Built By Robots, knocked Amy Winehouse off the top spot in 2007, and he returned to the top again in 2012 with Write In Your Skin. His recent fifth album, Human Love, saw the once dreadlocked troubadour expanding his classic singer-songwriter influences with sounds from other cultures.

Eliza Carthy’s The Wayward Band line-up features some of the UK’s very best acoustic and roots players, including musicians associated with the mighty Bellowhead, Mawkin, Blowzabella, Emily Portman Trio, and more. Their just-out debut album, Big Machine, is a big album from a big band, earning Eliza her highest chart placing!

Jon Boden is perhaps most recognisable as the lead singer (and one of the principal arrangers) of the multi-award winning Bellowhead, one of the most exciting live acts of recent years. The band played their last ever music festival show at Towersey in 2015 before retiring last year, allowing Jon to continue with his lauded and diverse solo career.

With founder member Rod Clements still at the helm, 1970’s folk rock pioneers Lindisfarne’s songbook features such tracks as ‘Meet Me On The Corner’, ‘Run For Home’, ‘Lady Eleanor’ and ‘Fog On The Tyne’, while The Blockheads’ many hits include ‘Reasons To Be Cheerful Part 3’, ‘What A Waste’, and ‘Hit Me With Your Rhythm Stick’.

Irish singer/songwriter Foy Vance has worked with such artists as Sheryl Crow and Ed Sheeran (co-writing several songs on Ed’s X album). Recorded in Nashville, Foy’s latest collection, The Wild Swan, was released via Sheeran’s Gingerbread Man Records, and lists Elton John as executive producer.

Other Towersey 2017 highlights include Gary Stewart’s stunning recreation of Paul Simon’s seminal Graceland album, and appearances from BBC Radio 2 Folk Awards 2017 nominees Megson (Best Duo) and Jim Causley (Singer Of The Year), plus a guaranteed slot for the winner of the Young Folk Award category.

Towersey Festival Director Joe Heap said: “We have another great mix of artists this year, including BBC Radio 2 favourite KT Tunstall, as well as such Towersey stalwarts as Jon Boden, Eliza Carthy and Show Of Hands, who have visited the festival many times over the years.

“We’re very excited by our full line-up,” continued Joe, adding that there’s been a real buzz around the festival this year. “Off the back of a successful 2016, we’ve already sold out of both our Tier One and Tier Two tickets, so we know our audience is really looking forward to Towersey 2017 as much as we are.”

Tickets for Towersey Festival, which runs from 25-28 August 2017 at Thame Showground in Oxfordshire, are available now with Adult Day Tickets from £30, Youth £21, Child £14, under 5 free. Tickets for the full festival are £126-£57 (Tier 3). For further information, and to book tickets, see: www.towerseyfestival.com

ELIZA CARTHY & THE WAYWARD BAND – Big Machine (Topic TSCD592P)

Big MachineFrom her debut solo album back in 1996, Carthy has never been predictable in her constant determination to both celebrate and reinvent the folk tradition and, while that may not have always endeared her to purists, it has produced a remarkable – and sometimes challenging – back catalogue. Her latest is no exception, here working with the big-band set up on her festival appearances, a 12-piece line –up that includes, among others, Beth Porter on cello, melodeonist Saul Rose, Mawkin’s David Delarre on guitar, bassist Barnaby Stradling from Blowzabella and former Bellowhead fiddler Sam Sweeney.

Aptly titled to reflect the sound, Carthy appearing on the front cover like some kind of folk Boudica leading her tooled-up army into battle, the material follows a similar pattern of self-penned originals, traditional reworks and covers, kicking off with a strident metronomic rhythm arrangement of one of ‘Fade & Fall (Love Not)’ complete with plucked cello and soaring brassy flourishes. It’s one of three Manchester Ballads, the others being equally strident shanty ‘The Sea’ with its martial beat and sweeping fiddle and, introduced with a cosmic keyboards whoosh, stumbling domestic violence number ‘Devil in the Woman’ with its repeated refrain chant ‘charming little woman”.

Staying in the traditional arena, the album’s longest and arguably most striking number sees her joined by Damien Dempsey for the eight-minute ‘I Wish That The Wars Were All Over’ (performed live onstage in the studio), a Roud ballad sung from the perspective of a soldier’s love, stemming from the American Revolution and referencing the Seven Years War, collected by the Reverend Sabine Baring-Gould, from Dartmoor miner Sam Fone. Featuring a tinkling repeated piano pattern, melodeon, fiddle it has Carthy in tender vocal form, counterpointed by Dempsey’s keening longing. Interestingly, it has also been recorded by American folk artist Tim Eriksen with whom she made 2015’s Bottle album.

Ewan MacColl’s cabaret-like lurching shanty ‘The Fitter’s Song’ provides the title source, the melody a variation on ‘When Johnny Comes Marching Home’, with the third cover seeing her joined by the scion of another folk family dynasty, Teddy Thompson lending his voice to a rousing gospel-blues shaded treatment of Rory McLeod’s ‘Hug You Like A Mountain’ providing a showcase fiddle spotlight.

The remaining numbers are all Carthy originals, indeed the whale-themed shanty ‘Great Grey Back’ is a new treatment of a song that originally featured on Wayward Daughter, here with massed vocal backing rather than just one voice. One is an instrumental, the rousing part vocalised but wordless ‘Jack Warrell’s (Exerpt) – Love Lane’, while, another big sound, ‘Mrs. Dyer the Baby Farmer’, with its fiddle lament intro, is essentially a murder ballad concerning Victorian serial killer Amelia Elizabeth Dyer who took in babies that were unwanted or could not be cared for, ostensibly to be adopted, and despatched them to Jesus. ‘Epitaph’ closes the album on another murder ballad, here a cabaret-like tale of death by custard poisoning, Willy Molleson providing the thundering drums. The remaining track again underlines Carthy’s willingness and thirst to experiment and push the folk envelope, ‘You Know Me’ a commentary on hospitality and the refugee crisis (“the door is always open and the fires are blazing, no one ever turned away, the fruit in our garden is always good”) that, with a scratch intro and set against a dub-styled rhythm, features a rap by MC Dizraeli. Arguably her best work since 2008’s Dreams of Breathing Underwater, it further confirms her as one of the fiercest and most striking voices in contemporary folk music.

The album also comes as a deluxe edition that includes ‘Aleppo in the Sun As It Was’ from last year’s English Electric EP as well as the demo of ‘The Fitter’s Song’ and five extra tracks, including both a fiddle and vocal version of ‘Three Day Millionaire’.

Mike Davies

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the ELIZA CARTHY & THE WAYWARD BAND – Big Machine link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

ORDER – [VINYL]

Artist website: www.eliza-carthy.com

‘Fade And Fall (Love Not)’ – official video:

 

VARIOUS ARTISTS – Songs of Separation (Navigator NAVIGATOR094P)

Songs of SeparationAn ambitious project, this is the brainchild of double-bassist Jenny Hill who, in the period running up to the Scottish independence referendum in 2014, found herself frequently on the road away from her Scottish home. As such, and being English, she was struck by the different messages being directed at and from the two nations and decided to address the notion of separation through a musical project. Recruiting Eliza Carthy, Hannah James, Hannah Read, Hazel Askew, Jenn Butterworth, Karine Polwart, Kate Young, Mary Macmaster and Rowan Rheingans, a posse of female folkies from both Scotland and England, they holed up on Isle of Eigg last June to write, rehearse and record (in just six days) what would eventually become this album, its theme of separation embracing the personal, political, social and cultural as well as touching on matters of family, gender, communication, supernatural, home, work, identity and the land.

Polwart taking the lead vocal, it opens with a reading of the traditional number, ‘Echo Mocks The Corncrake’, an appropriate choice given that Eigg is one of this migratory bird’s remaining habitats, its distinctive call introducing the track and echoed in the percussive beats, the lyrics about the separation of two lovers serving as a metaphor for the rural depopulation of the Highlands during the 18th and 19th centuries. It’s a robust treatment involving harp, scraping strings bass, double bass and a rousing wordless vocal refrain.

The album continues in traditional mode with Read’s bluegrass-tinged arrangement of Burns’ ‘It Was A’ For Our Rightfu’ King’, a gently yearning melody picked out her acoustic guitar and completed by harp and banjo, followed by the equality and love themed ‘The Poor Man’s Lamentation’ with its urgent rhythm, swirling violins and a capella ending. Further birdsong and the sound of a storm heralds the wholly massed a capella lament ‘Sad The Climbing’ (or, since it’s sung in Gaelic, ‘Trom An Direadh’), recorded live, like the album’s other a capella number, ‘Unst Boat Song’, in Eigg’s acoustically striking Cathedral Cave, itself not far from the site of a 1577 massacre of the MacDonald population by the MacLeods of Harris upon which the lyrics treat.

Driven by choppy percussive arrangement and gathering to a chanted climax, things remain in Scottish Gaelic for the near six-minute ‘Muladach Mi ‘s Mi Air M’aineoil’ (‘Sad Am I And In A Strange Place’), a call-and-response waulking song about a woman and her two daughters being separated from their people and their home.

In contrast to the bulk of the album, ‘Cleaning The Stones’ is an original number (a fish’s love song) penned by Eliza Carthy. Opening with a chamber folk arrangement, it waltzes dreamily on wings of plucked strings and harp arpeggios like something from the music halls. A little more birdsong, and it’s a journey way back in time and to the far reaches of the Shetlands for ‘Unst Boat Song’, a prayer for the safe return of fisherman sung on the original Norn with Polwart taking lead.

Sung by Hazel Askew with the others providing harmonies, the lullabying music hall tune of ‘London Lights’ may be more familiar as ‘Just Before The Battle Mother’, an American Civil War song written by George Root, the lyrics here about the destitution fate of abandoned single mothers. Heading into the final stretch, the harp shimmering ballad ‘Sea King’ is a handclap backed intricate setting by Kate Young of a poem by 19th century Danish poet Adam Oehlenschläger, a variation on the selkie myth about a woman who, years after being transformed into a mermaid, returns to shore, human again, only to find she has now has no home on either land and the sea.

Lady Maisery’s Rowan Rheingans steps up for another original, the strings-swathed ‘Soil And Soul’, a song inspired by both the hills known as The Old Woman of the Moors on the Isle of Lewis and the translation of the Gaelic for Eigg, The Island of the Big Women (a reference to the 7th century female Pict warriors sent to rid the island of Christianity-peddling monks), while the title (and the theme) stems from a book by Scottish environmental campaigner Alastair McIntosh.

Concerned with separation and loss as a result of conflict, personal or otherwise, ‘Over The Border’ weaves together a number of traditional tunes and a collective original, among them ‘The Flowers of Knaresborough Forest’, ‘Blue Bonnets Over the Border’ and pipe lament ‘The Floo’ers of The Forest’, plucked harp and Indian harmonium drone giving way to shared vocals by Polwart and Carthy before the ensemble joins in and violins, guitars and percussion lift the tempo for a rousing dance reel and the optimistic refrain of ‘the gates and the borders will all fade away’.

Finally, Robert Frost’s classic poem ‘The Road Not Taken’ provides the inspiration for’ Rheingans’ ‘Road Less Travelled’, her vocals joined by Polwart and Young (who also lent a lyric hand) on an suitably banjo-dappled accompaniment behind which, recorded in the open air, birds trill and the wind blows as they exhort “lay your cares and troubles down” and “sing your own way home”.

There’s no better way to end this than by quoting Hill’s words in the booklet:

Songs of Separation is an ‘SoS’, reminding us that this connection between people, and between people and place, is the key to overcoming the challenges we face, both in our communities and in this fragile world of which we are temporary custodians.” Come together, right now.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Website: http://www.songsofseparation.co.uk/

Cathedral Cove:

Songs Of Separation – single and new album

Songs Of Separation - single, album and tour dates

Songs Of Separation is a highly significant collaborative recording project which reflects, through song, the issue of “separation” in its many forms. Featuring ten of England and Scotland’s most celebrated female contemporary folk artists, together they explore the similarities and differences in our musical, linguistic and cultural heritage. The ten participants are Eliza Carthy, Karine Polwart, Rowan Rheingans, Mary Macmaster, Hannah Read, Kate Young, Jenn Butterworth, Hazel Askew, Hannah James and Jenny Hill (who conceived the project).

Ahead of the release of the Songs Of Separation album and tour, Navigator Records are pleased to announce the release of a double A-side single release from the forthcoming album; ‘Echo Mocks the Corncrake’, featuring. Karine Polwart, and ‘A’ For Our Rightfu’ King’, featuring Hannah Read.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website.

‘Echo Mocks The Corncrake’ – a sort of video:

The Songs Of Separation ensemble will embark on a short tour early in 2016, culminating at Celtic Connections Festival in Glasgow on 24th January. Songs Of Separation aims to capture a sense of our times, exploring topical social and political issues through powerful music.

Artists’ website: www.songsofseparation.co.uk

Songs-of-Separation-group-s