Finally. After way too long, we have a great follow up concert to the ‘Rock Island Line’ memorial concert for Lonnie Donegan back in 2004.
The late “King Of Skiffle” and “Godfather Of British Rock’n’Roll” whose hits include ‘Rock Island Line’, ‘Pick a Bale of Cotton’ and ‘Jack of Diamonds’ – to name a few – inspired so many artists from The Beatles to the Rolling Stones, from Van Morrison to even The White Stripes’ Jack White – names Lonnie as one of his major influences.
Billy Bragg’s latest hit book which is flying off the shelves – Roots Radicals and Rockers: How Skiffle Changed The World – is centred around the importance Lonnie Donegan had in almost single headedly changing the British music industry from his first hit ‘Rock Island Line’ and creating the ‘teenager’.
Joining us for this this very special event will not only be Billy, but a host of other great names including but not limited to: Ralph McTell, Chas and Dave, The Jive Aces, Chas McDevitt, Chris Difford, Vince Eager, Deborah Bonham, along with Nora Guthrie, daughter of seminal American folk writer, Woody Guthrie – whose songs provided Lonnie with several hits – and The London Philharmonic Skiffle Orchestra.
All these wonderful guest artists will be backed by the surviving members of Lonnie’s band of the last 40 years and the night will be hosted by Lonnie’s sons, Peter and Anthony Donegan, as well as some special guest hosts including broadcaster and author, Mike Read.
All proceeds go to assisting Lonnie’s grandson get his ABA therapy for Autism Spectrum Disorder.
This one off special concert will take place at beautiful and evocative Union Chapel in Islington, London.
Taking its name in part from a James song, Strange Angels: In Flight With Elmore James reworks thirteen well- and lesser-known James songs in homage to his lasting influence on not just the blues, but far beyond.
To do justice to the roll-call of first-rate musicians appearing on this album would leave little room for discussing the music itself. Suffice to say, stellar names from soul, country, rock and pop feature large. Even the notional “house band”, Elmore’s Latest Broomdusters (an update of James’s own band name), consists of hugely respected musicians including producer/drummer Marco Giovino. Special mention here goes to Rudy Copeland whose mighty Hammond sound provides a meaty punchline to many of the tracks.
Wisely, perhaps, no-one tries to emulate the shimmering metallic thrust of James himself, and these covers are largely indebted to his influence on later blues rock. The resulting tracks are, broadly speaking, much heavier sounding, with plenty of what the Buzzcocks used to refer to as “tricky guitar solo(s)”.
Elayna Boynton sets the pace with a galloping take on ‘Can’t Stop Lovin’ You’, followed up by soul legend Bettye Lavette’s lived-in ‘Person To Person’. A briskly rollicking trot through ‘Shake Your Money Maker’ by country singer Rodney Crowell is followed by the unmistakeable grunt “Huh, yeah” as Tom Jones powers through ‘Done Somebody Wrong’. ‘Mean Mistreatin’ Mama’ is a triple-bill of Warren Haynes, ZZ Top’s Billy Gibbons and Mickey Raphael’s storming harmonica.
Deborah Bonham’s ‘Dust My Broom’ unfortunately somehow manages to lose that classic raw slide guitar wailing riff under a country rock beat, although Jamey Johnson’s ‘It Hurts Me Too’ keeps the bar room piano firmly on tap.
‘Strange Angel’ (singular: as listed on the promo CD) brings together the stunning sibling harmonies of Shelby Lynne and Allison Moorer over a long, slow, jazzy beat embellished with more of that Hammond sound, plus a fat, gritty guitar riff, all underpinned with a twanging county steel.
Triple Grammy award winner, Keb Mo’, lends an almost fairground-ride motion to ‘Look On Yonder Wall’, with maybe just a soupçon of the Grange Hill theme. In contrast, Mollie Marriott delivers an impassioned vocal on ‘My Bleeding Heart’, bringing real pathos to lines like “People, people, you know what it means to be left alone”.
The ringing phone that opens Chuck E Weiss’s take on ‘Hawaiian Boogie’ is followed by the most gorgeous dirty, fuzzed out guitar, with just a taste of New Orleans. Weiss said of his choice, “After careful consideration the vocal work for Elmore was too perfect for me to touch… So I chose my favourite instrumental!!!”
Perhaps the most radical interpretation here sees Addi McDaniel’s smooth lounge vocal smouldering over a slouchy, loose gypsy fiddle-led blues with touches of banjo and a Spanish-inflected guitar. Then the house band winds up proceedings with ‘Bobby’s Rock’, another scuzzy, fuzzy rendition, with that driving Hammond in place of the sax of the original.
And if all of this collected talent offering updates on some classic songs is not enough of a feel-good factor, profits from the album go to benefit two US charities. C’mon, what’s not to like? Su O’Brien
If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).