The 2017 Folking Awards

Welcome to the 2017 Folking Awards. Last year’s inaugural poll was such a success that we had to do it again. The nominations, in eight categories, come from our ever-expanding team of writers and were wrangled into shape with sweat, tears and not a little blood by the Folkmeister and the Editor.

There are five nominees in each category, all of whom have been featured in the pages of folking.com in 2016.

As with the format last year, all are winners in our eyes. However, its not just down to what we think, so again, there will be a public vote to decide the overall winner of each category.

Soloist Of The Year

Luke Jackson
Ralph McTell
Kelly Oliver
Steve Pledger
Alasdair Roberts


Best Duo

Cathryn Craig & Brian Willoughby
Ange Hardy & Lukas Drinkwater
O’Hooley & Tidow
Ninebarrow
Show Of Hands


Best Band

Afro Celt Sound System
Fairport Convention
Harp And A Monkey
Nancy Kerr and The Sweet Visitor Band
Merry Hell


Best Live Act

The James Brothers
Robb Johnson and the My Best Regards Band
Sam Kelly & The Lost Boys
Mad Dog Mcrea
Megson


Best Album

Tall Tales & Rumours – Luke Jackson
Ballads Of The Broken Few – Seth Lakeman/Wildwood Kin
Preternatural – Moulettes
Somewhere Between – Steve Pledger
Dodgy Bastards – Steeleye Span


Best Musician

Ciaran Algar
Phil Beer
Rachel Newton
Gill Sandell
Kathryn Tickell


Rising Star Act

The Brewer’s Daughter
Hattie Briggs
Said The Maiden
Sunjay
Emily Mae Winters


Best International Act

Applewood Road
The Bills
David Francey
Michael McDermott
Eve Selis


Public Vote

The public vote closed Midday Saturday 22 April 2017 and the winners have now been announced HERE


If you would like to order a copy of an album (in CD or Vinyl) of any of the artists featured here, download an album or track or just listen to snippets of selected tracks (track previews are usually on the download page) then type what you are looking for in the search bar above to be taken to that relevant page via our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ANGE HARDY & LUKAS DRINKWATER – Findings (Story Records STREC1662)

FindingsI can’t decide if I’m more impressed by the quantity or the quality of Ange Hardy’s work. The ink is barely dry on Esteesee, her 2015 exploration of Samuel Taylor Coleridge and she’s back with her fourth album formalising her work in partnership with Lukas Drinkwater. Findings is a term for the linking pieces in jewellery that join the settings and stones together – Ange knows about this stuff – and provides the theme of this album. And I do find it refreshing to find a themed album that sticks to its central idea all the way through without forcing it down your throat. For that alone Findings is a wonderful record.

In the opening track, ‘The Call/Daughters Of Watchet/Caturn’s Night’, the link is the railway that linked Watchet to the mines of the Brendon Hills but it is also four love stories. The final track, ‘Fall Away’ returns to Watchet and the four daughters of the town now that the mines and the railway and the fishing are gone. Findings mixes original and traditional material, often in one song. So ‘The Pleading Sister’ builds a song around the single verse of ‘Little Boy Blue’ and ‘Bonny Lighter-Boy’ sets a new tune to a traditional set of words.

The (more or less) traditional pieces are ‘The Trees They Do Grow High’, ‘The Berkshire Tragedy’ and ‘The Parting Lullaby’ and I can tell that you’re working out the findings each of these songs. The original songs cover a multitude of relationships but I will single out ‘Invisible Child’ as a masterful example of Ange and Lukas’ songwriting – simple and direct but powerful and moving.

Sometimes Ange and Lukas perform alone but there is a small band of Archie Churchill-Moss, Ciaran Algar and Evan Carson with additional vocals from Nancy Kerr, Kathryn Roberts and Steve Pledger. Even so, the accompaniments are restrained and the songs are out front where they should be. Not to belittle its predecessors but Findings could be Ange’s best album.

Dai Jeffries

Some copies of Findings carry a sticker which can be matched with another to win a (possibly) fabulous prize. Mine reads PHMOI. If you have the matching half, please let me know and we can split the loot.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the ANGE HARDY & LUKAS DRINKWATER – Findings link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artists’ website: www.angehardy.com

CIARAN ALGAR – The Final Waltz (Fellside FECD270)

CIARAN ALGAR The Final WaltzThe Final Waltz is Ciaran Algar’s debut solo album – something to do in his gap year, allegedly – and it’s sort of what you’d expect but, then again, not really. We know Ciaran as a particularly fine multi-instrumentalist and he has added to his band another in shape of Toby Shaer with Eden Longson on drums, Giles Deacon on keyboards and Sam Kelly, who shares the vocal duties with Kitty Macfarlane. There are four songs in the set, three of them written by Ciaran but he sings only one. Quite why he decided this I can’t tell –he has a very characterful voice, albeit not as polished as Sam’s, but well suited to the material.

The songs give Ciaran a chance to stretch his arranging talents – and those of his band – away from the traditional tunes for which he is better known. All the subtlety of which he is capable comes out in ‘The Final Waltz’ and the downbeat sentiment of ‘Our Home Now’ but then we are immediately whisked away into the gaiety of a set like ‘The Luck Penny’ before ‘Until We Meet Again’ takes the mood down again.

Having set an emotional pattern on the album, Ciaran reverses it with a relatively upbeat song, ‘Locks’, followed by the desolate beauty of ‘The Wild Geese’. I like everything on this album and I’ve spent time thinking about how I would sequence it to balance the highs and lows – and of course, I couldn’t do any better. You just have to climb aboard and go with it.

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.ciaranalgar.co.uk

‘Our Home Now’:

SAM KELLY The Lost Boys

SAM KELLY The Lost BoysThis is the album that the folk world has been awaiting for months, given Sam Kelly’s unique musical history and his seemingly putting his solo career on hold to work with The Changing Room.

The Lost Boys are an expanded Sam Kelly Trio with Ciaran Algar and Graham Coe joining Jamie Francis and Evan Carson and further contributions from fellow Stark Josh Franklin, who also co-produced the album, plus Lukas Drinkwater and Kitty Macfarlane.

The album opens with ‘Jolly Waggoners’, one of the chorus songs we used to roar out in the sixties. Sam takes a more considered approach to it, tweaking the tune a little here and there and revealing that the words are still relevant – “the folks in power pay no heed to the likes of me and you”.

Jamie Francis’ alt-blues affiliations come to the fore in the arrangements of ‘Little Sadie’, ‘Wayfaring Stranger’ and ‘The King’s Shilling’, which is traditional but makes you think it isn’t. His banjo is the dominant instrument on several tracks and, with Carson’s drums going flat out the final track, ‘Dullahan’, is pure folk-rock. At the other end of the spectrum ‘Down By The Salley Gardens’ enjoys a quite conventional pastoral arrangement. Kelly and Francis share the writing and arranging, with Francis contributing ‘Six Miners’ (despite the cover credit I don’t believe he wrote ‘Banish Misfortune’) and Kelly writing ‘Spokes’ while they share the credit for ‘Eyes Of Men’ and ‘Dullahan’.

This is a really good album from start to finish, well programmed with its first peak at ‘Little Sadie’, a “false” climax at ‘Wayfaring Stranger’ and a big finish at the very end. The arrangements are inventive without detracting from the essence of the songs. Their setting of ‘The Golden Vanity’ seems much too jaunty at first but just like everything else here it works. The Lost Boys is going to be huge.

Dai Jeffries

If you would like to download a copy of the track or just listen to snippet of it then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.samkelly.org

Sam and Jamie perform ‘Eyes Of Men’ – Songs From The Shed:

Sam Kelly introduces The Lost Boys

Sam Kelly introduces The Lost Boys

The widely anticipated debut full-length album, The Lost Boys, from folk singer and multi-instrumentalist Sam Kelly is due for release on 19th November 2015. The album promises to take the listener to all corners of the British Isles, across the Atlantic, and back again on a musical journey led by Sam’s expert vocals, tasteful arrangements, and high-class instrumental performances. Tender, heart-breaking ballads rub shoulders with dynamic, riff-based folk rock in an exciting mix of traditional and original material.

Touring as The Sam Kelly Trio for the past three years Sam is omnipresent amongst the folk music scene. The trio includes Jamie Francis on banjo and Evan Carson on percussion. Two new band members, Ciaran Algar on fiddle and Graham Coe on cello join the fold to create a full, authentic roots vibe for the album.

“I’ve been lucky enough to be involved with the amazing folk scene we have in this country for the past three years. Huge festival bands, young musicians like myself, and people singing floor spots in tiny folk clubs have all inspired me in equal measure, and this album is a musical montage of all my favourite memories and experiences so far,” explains Sam.

Sam has also honed his skills as a producer under the watchful eyes of Sam and Sean Lakeman, and this album is produced and recorded by himself, Joshua Franklin, and Jamie Francis. It also also features the mixing and mastering talents of Stu Hanna (Megson), and guest musicians Lukas Drinkwater and Kitty Macfarlane.

The Lost Boys has been widely anticipated by both his peers and a dedicated fan base and is the culmination of what has been an incredibly successful year for Sam. Nominated Best Singer 2015 Spiral Earth Awards, numerous plays on Radio 2 and 3 including a live session and interview on the Mark Radcliffe show, features in R2, fRoots, Living Tradition and Fatea magazines, and much more. It’s easy to see why he has already been tipped for greatness by the likes of Mike Harding and Cara Dillon.

Billed as Sam Kelly & The Lost Boys, the five piece will be taking the album on tour in 2016 and cementing Sam’s place as one of the most exciting young prospects on the British folk scene.

Artist’s website: www.samkelly.org

‘Jolly Waggoners/Banish Misfortune’ – Sam Kelly & The Lost Boys:

PETE MORTON – The Land Of Time (Fellside FECD269)

PETE MORTON The Land Of Time I may have asked this question before but why isn’t Pete Morton a huge star? He’s a fine singer with an engaging stage presence and, more importantly, he’s a writer of superb songs, ten of which are to be found within this rather unassuming sleeve. So why isn’t his name on everyone’s lips?

The opening track, ‘The Herefordshire Pilgrim’ takes the style of William Langland’s Piers Ploughman to a logical, if rather over the top, conclusion. It reminds me also of Belloc’s The Four Men and, oddly, Bob Dylan’s ‘Dignity’. It’s a complex song, full of words and ideas and I really feel the need of the lyrics which aren’t included. There are a couple of fraps here. The first is ‘Poverty Frap’ which uses the chorus of ‘Poverty Knock’ to link thoughts on sweatshop workers in Bangladesh and the original Lancashire mill workers. The second employs the chorus of ‘The Rigs Of London Town’ to consider the plight of trafficked sex-workers in ‘Slave To The Game’.

‘One Hundred Years Ago’ is the story of Pete’s grandfather who was wounded and captured in the Great War before eventually being repatriated. It’s a rather jolly song but the point being made is that without the enemy the wounded soldier would have died and Pete wouldn’t be around to tell the story to his children. I think that’s a cause for celebration, don’t you? Another standout track, mixing history and modern concerns is ‘Old Boston Town’, an attack on the arms trade and, finally, ‘Oh What Little Lives We Lead’ puts everything into perspective.

Pete is supported by his regular cohorts plus Ciaran Algar who adds some gorgeously simple fiddle to ‘The Herefordshire Pilgrim’. Jon Brindley plays (presumably) the clever guitar bits while Pete is singing and Chris Parkinson provides various free reeds and piano. On paper it seems very simple but it works so well.

The Land Of Time is another superb album from Pete Morton – now get out there and make him the star he should be.

Dai Jeffries

If you would like to order a copy of the album, download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website.

Artist’s website: http://www.petemorton.com/

There’s nothing from this album on video yet, so here’s an old concert/interview sequence: