FAIRPORT CONVENTION – What We Did On Our Saturday (Matty Grooves MG2CD055)

Our SaturdayIf you’ve ever been to a Cropredy Festival you’ll know exactly what they do on Saturday. They gather together a bunch of former band-mates and old friends and play a mammoth set long into the darkness (subject to health and safety restrictions, of course). These days, Fairport Convention don’t need an excuse to mount a celebration but 2017 marked the band’s fiftieth anniversary and so this was the perfect opportunity to tell the band’s story in music – although not strictly in the right order. Thus we have What We Did On Our Saturday, packaged in an homage to their second album.

The album begins with their first album and (almost) their first line-up. For younger readers that was Ashley Hutchings, Simon Nicol, Richard Thompson, Iain Matthews and Judy Dyble now with Dave Mattacks on drums. They kick off with ‘Time Will Show The Wiser’ and ‘Reno Nevada’ and I was impressed at the way Richard played the sort of guitar lead appropriate to 1967. He couldn’t help himself, of course, and went off on one but I don’t suppose that anyone complained.

Chris While took over on lead vocals for ‘Suzanne’, a slightly less off-the-wall arrangement than the original. Chris does a very good Sandy Denny particularly on the rockier numbers but she’s her own woman and the grace notes and decorations are all her own. Judy and Iain get time off and the others take it in turns so the current line-up doesn’t actually appear until ‘Crazy Man Michael’ when Gerry Conway briefly wrestles the drum stool away from DM. The remainder of the first disc is taken up with selections from Liege & Lief and Full House and they keep ‘Sloth’ to under ten minutes.

The second disc opens with ‘Now Be Thankful’, a song which Chris Leslie is rapidly making his own, even though Richard elbows him off the mic on this occasion. It’s worth noting that Chris doesn’t get a break after the third track until the Fotheringay homage of ‘Ned Kelly’ and ‘Rising For The Moon’ which feature Sally Barker and PJ Wright and introduce Maartin Allcock to the stage. The latter is a feature of the revamped Fotheringay’s set but sadly, of course, Jerry Donahue isn’t available. I have to say, in passing, that Simon does a wonderful job with ‘Fotheringay’. Maart gets to lead ‘A Surfeit Of Lampreys’ and Ralph McTell takes centre stage for ‘White Dress’ but Simon keeps ‘The Hiring Fair’ for himself.

There is only one song that originates with the current line-up and that’s Chris Leslie’s ‘Our Bus Rolls On’ and now we’re on the downhill run. You know how it ends: ‘Matty Groves’ – with both drummers – and ‘Meet On The Ledge’ with everyone back on stage.

As you might imagine, I own a lot of Cropredy recordings and all have their own attractions. For me the 25th anniversary set stands out while the earlier ones: A.T.2 and The Boot have the particular ramshackle charm that we used to associate with Fairport Convention thirty-odd years ago. What We Did On Our Saturday is tight and slick without much in the way of stage chatter – an appropriately serious set to go with such a milestone in Fairport’s history. Exemplary performances as we’ve come to expect, of course, but sometimes I do miss Simon playing rhythm viola!

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.fairportconvention.com

‘Meet On The Ledge’ – what else?

The Ballads Of Child Migration on tour

Child Migration

With award-winning folk artists:

John McCusker, Michael McGoldrick,

Boo Hewerdine, O’Hooley & Tidow,

Chris While, Julie Matthews,

John Doyle, Jez Lowe,

Andy Seward and Andy Cutting

Narrated by Barbara Dickson

In November 2018, a collective of brilliant and respected musicians and singers are taking to the road to tell the moving story of Britain’s forced child migrants.

The concert, presented as a series of songs, narration, slides, audio and film clips, premiered at last year’s Celtic Connections festival in Glasgow, where it was described as “without doubt the most memorable concert of the festival.”

The songs in this concert were recently heard as part of a major BBC Radio 2 dramatisation of Michael Morpurgo’s book Alone On A Wide Wide Sea, which deals with the same subject. The radio drama, including the music, starred Toby Jones and Jason Donovan and reached an estimated audience of 6 million listeners.

“One of the pre-eminent song collections of recent times, poignantly re-telling one of the most important stories to have emerged from these islands” – Mark Radcliffe, BBC Radio 2

Forced child migration is a little known and dark part of the history of Britain. More than 100,000 children from Britain were sent overseas (to places including Australia and Canada) with the promise of finding a better life. Some did find the happy lives they longed for; many others found only hardship, abuse and loneliness.

The Ballads Of Child Migration is a tribute to those children, some of whom were sent abroad as recently as 1970.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

After each concert there will be a short Q&A session where members of the audience can ask questions of the performers and other experts about child migration.

* * *

This tour is supported by the Arts and Humanities Research Council, and is produced by 7digital – the digital music and radio services company that also produced the BBC Radio version of Alone On A Wide Wide Sea.

Tour Dates – November 2018

Monday 12th – Folk In The Barn, Gulbenkian, Canterbury

Tuesday 13th – Saint James Church, Clerkenwell, London

Wednesday 14th – Corn Exchange, Cambridge

Thursday 15th – The Albert Hall, Nottingham

Friday 16th – Floral Hall, Southport

Tickets available from www.ticketline.co.uk / 0844 888 9991

For Gulbenkian – www.thegulbenkian.co.uk / 01227 831 493

CROPREDY 2017 – Campie’s Highlights Of An Amazing Few Days

Cropredy 2017
All photographs by Jean Camp

Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!

Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!

Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!

Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.

I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……

We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.

We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!

4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!

Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.

Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.

Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!

Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.

Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.

Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.

Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…

Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.

Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.

A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!

Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.

Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.

To order the EP or to find out more details about Quill visit: http://www.quilluk.com/

Click the play button below to listen…

Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.

CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.

Darren Beech and Paul Johnson caught up with Chris on the Friday. 

The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.

Click the play button below to take a listen.

The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.

The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.

Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.

I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.

Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.

Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.

Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.

Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.

I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!

Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.

Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.

Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!

Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.

Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand and Iain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!

Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.

You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.

Jean Camp

Festival website: http://www.fairportconvention.com/

All Jean Camp’s Cropredy 2017 photos can be viewed HERE

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

DAVE BURLAND AND THE AWKWARD SQUAD – Okkard (Fat Cat FATCD037)

OkkardDave Burland may have recorded one of the definitive folk albums of the seventies but he’s always been a rocker at heart as anyone who has been in the same room as Shagpile will testify. Alongside him in The Awkward Squad are two members of that band, Dave Fisher and Bryan Ledgard and their first album, Okkard, is a perfect example of having fun with the music they love.

The big noise here is Fisher on keyboards and steel guitars and I’m guessing that he takes the lead on ‘Lay Down Your Weary Tune’ which is built on piano with three voices on the chorus. The Awkward Squad take it a little faster than is usual with odd little twists in the phrasing that makes it much brighter than the dirge it can become. It’s electric piano that introduces the opening track, ‘Reynardine’ with solid guitar and drums from Ledgard. Burland’s distinctive laid-back delivery adds to the gentle rolling feel of the arrangement. He switches to mandolin for Terry Allen’s ‘New Delhi Freight Train’ over Fisher working the left hand end of the keyboard.

What they do to ‘Country Life’ is quite amazing. A not-quite honky-tonk piano is matched with a sort-of syncopated vocal line and Willie Nelson’s ‘Crazy’ is given a full-blown nightclub feeling with backing vocals courtesy of Chris While and Julie Matthews. It’s not all fun, though. ‘Kitchener’s Finger’, written by Burland, is paired with ‘The Bloody Fields Of Flanders’ and ‘Lamkin’ is as dark a version as you could wish to hear, fleshing out the “mason” storyline.

‘Long Distance Love’ and Steve Goodman’s wonderful ‘City Of New Orleans’ are more familiar territory – this is possibly the best version of the latter that I’ve heard – and I was convinced that the final track, ‘Spencer The Rover’, appeared on Dave’s first album, but of course it doesn’t. As far as I can tell this is the first time he’s recorded it. No matter; it’s a perfect Dave Burland song to bring Okkard to a close.

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Label website: www.circuitmusic.co.uk

‘Kitchener’s Finger’ – Dave Burland live:

ST. AGNES FOUNTAIN – Christmas Is Not Far Away (Cuppity Records CUP007)

Layout 1It’s been 14-plus years since Fairport Convention’s chief songwriter, co-lead singer and multi-instrumentalist Chris Leslie, songwriter-musician and all-around renaissance man David Hughes, and Chris While and Julie Matthews (the renowned folk duo While and Matthews) joined together for a holiday side project called St. Agnes Fountain, fondly dubbed the Aggies by loyalists.

The quartet and its fans will tell you their musical magic is only fully unleashed during their as-soon-as-they-are-announced sell out concerts across England. That is further reason to celebrate the artistry of their albums. Christmas Is Not Far Away, the Aggies’ just released ninth album, is now available online and at upcoming shows.

The album features the Aggies at their best – both individually and as a group. Chris Leslie’s bewitching musicianship (don’t miss ‘Old Time Christmas on the Front Porch’), Ms. While’s and Ms. Matthews’ enchanting harmonies (‘Shadows of the Past’) and Mr. Hughes’ amusingly irreverent word play (‘Immortal Irreverent’) combine to make this a stand out offering.

St. Agnes Fountain
St. Agnes Fountain

At first, I was disappointed by a few songs on this album including ‘The Heart of Christmas Day’ by Ms. Matthews.

Perhaps that’s because a disproportionate number of artists who released holiday albums this season have included several songs aimed toward the despondent. Over the Rhine’s Blood Oranges in the Snow, comes immediately to mind. But Over the Rhine acknowledges their holiday music is for those who struggle with the season.

When I originally heard the song penned by Ms. Matthews, I thought it was a bit of an outlier in an otherwise joyful album. I was wrong. The more I listened, the more I found that and other atypical Aggies’ songs intriguing, especially as they are sequenced.

Christmas is Not Far Away is a charming respite from the too jolly and too sorrowful holiday music that is readily available. Like the Aggies’ tour, expect this album to become a part of your holiday tradition.

Nancy Dunham

St. Agnes Fountain website: http://www.whileandmatthews.co.uk/aggie.php

The Aggie’s encore from last year’s tour:

 

The Armistice Pals

armistice pals header non internetEveryone remembers the charity version of ‘Perfect Day’ with its myriad of voices from the pop and rock world.

Let’s hope everyone will also remember the upcoming answer from the Folk World – ‘Where Have All The Flowers Gone?’ – with a plethora of voices from across the acoustic folk and roots spectrum representing the great and the good, young and the old, seasoned and emerging, all on the same single. The group is called The Armistice Pals and is releasing a fitting tribute to Pete Seeger, who sadly passed away this year as well as marking the 100 years anniversary of the breakout of the First World War. All profits will be distributed between four peacekeeping charities.

However, perhaps it’s not a perfect world after all and the late Pete Seeger’s classic anti war song, ‘Where Have All The Flowers Gone?’, points a finger at the carnage, supposedly ‘ the war to end all wars’ which tragically mislead us to believe it was worth the sacrifice.  The sacrifice, not only of the lives of those who died, but the resultant desolation and struggle of the loved ones who were left behind. Whole swathes of communities were left bereft of their young men-folk who trustingly signed up into ‘Pals Battalions’, many of whom were never to return, with those who did too often spending lives blighted by the experience.

Armistice Pals is the name of the folk community ‘super band’ who are all performing on this single, which is due out on Remembrance Sunday, 9th November 2014. It was the brain child of Damian Liptrot (manager of folk-rock band Merry Hell), who, as the project expanded, has invited Folkstock’s Helen Meissner on board as co-organiser. The project has attracted over 30 names including Chris and Kellie While, Julie Matthews, Judy Dyble, Christine Collister, Dave Swarbrick, Ray Cooper, Sally Barker, Peter Knight, Boo Hewerdine, Gavin Davenport, Blair Dunlop, Lucy Ward, Ken Nicol, Merry Hell, Luke Jackson and Kelly Oliver. A line up so good that, were it to be a festival, it would undoubtedly be the event of the summer.

The single will be released via the usual digital outlets as well as a physical CD and as a nod to the historical element, a limited edition vinyl 45, on new community label, Folkstock Records.

As this is intended to be a community project, we are inviting Folk Clubs across the country to contribute by organising an ‘Armistice Pals Night’ during the week of the release of the single. This can take any form but should include a collective version of ‘Where Have All The Flowers Gone?’ at some point during the evening, followed by a passing round of the hat to support the Armistice Pals charities.

If you would like to know more about the project, all the artists, the charities and the inspiration can be found at http://www.armisticepals.com or contact us direct via armisticepals@hotmail.co.uk

We hope that you will feel able to enlist and offer your support.

Helen and Damian
for The Armistice Pals

THE ARMISTICE PALS: A FULL LIST OF CONTRIBUTORS

Attila The Stockbroker (poet/musician and sheer force of nature, whose father survived the Somme).

Billy Mitchell (one time Jack the Lad, ex-Lindisfarne and much else besides).

Blair Dunlop (One of our brightest, youngest singer-songwriters, currently telling tales from the ‘House Of Jacks’, he also found time for a stint in The Albion Band..).

Bob Pegg (Storyteller, singer-songwriter and member of the legendary Mr Fox).

Boo Hewerdine (one time Bible basher, all time songwriting phenomenon).

Chris While and Julie Matthews (singers, songwriters, multi-instrumentalists, award winners in their own right and members of more prestige bands and projects than you can shake a stick at).

Christine Collister (one time She Devil, ex-Daphne’s Flight, much sought collaborator and loved by Q magazine).

Dave Mather & Peter Robinson (singer/songwriters (one of them has written an opera you know), ex-Houghton Weavers, stand up comedy and currently presenters of Salford City radio’s first folk show).

Dave Swarbrick (simply a living legend. As it says on the flyers, ‘needs no introduction’).

Edwina Hayes (multi-million You Tubed singer-songwriter with the ‘sweetest voice in England’).

Eric Bazilian: (Hooter, hitmaking songwriter worldwide for self and others, now he’s One Of Us!).

Flossie Malavialle (multinational singer et chanteuse aussi, gig travelling traffic reporter).

Gavin Davenport (much vaunted solo singer/songwriter/multi-instrumentalist, award winning, ex-Albion band member).

Gren Bartley (the spine tinglingly beautiful guitarist, banjo playing poet).

Helen Watson (Singer/Songwriter, multi genre artist, producer and erstwhile member of Daphne’s Flight, Carmel and Sons of Arqa, as well as taking a great photo).

Johnny Coppin (broadcasting singer-songwriter, ex-Decameron and now sufficiently multi-faceted to be considered a true diamond).

Judy Dyble (singer/songwriter, ex-Fairport, nearly King Crimson and Facebook dog blogger).

Kellie While (singer-songwriter considered to have one of the outstanding voices of her generation, ex-member of The Albion Band and so much else, her arrival makes The Pals a family affair as her mother and sometime singing partner Chris is also involved).

Kelly Oliver (singer/songwriter, guitarist and harmonicist who has taken Boots Of Spanish Leather to places most of us can only dream of).

Ken Nicol: (globetrotting, guitar endorsing, ex-Albion Band and Steeleye Span virtuoso).

Kevin Brennan MP (an accomplished musician, fan of folk music and passionate supporter of live music).

Lavinia Blackwall (the vocalist who is both a Trembling Bell and a Crying Lion).

Linda Simpson (singer/songwriter, ex-Prog/Folk/Rock legends Magna Carta and supplier of some ideas that are so good that I’d like to present them as my own).

Lucy Ward (singer/song writer and possibly the current heart of British Folk Music as she gets played on virtually every folk show I listen to regardless of the other tastes of the presenters!).

Luke Jackson (bright young purveyer of Fumes and Faith).

Merry Hell (8 piece folk-rocking explosion of melody and joy).

Ninebarrow (award-winning, Dorsetshire folk duo).

Patsy Matheson (singer/songwriter, spent time Waking The Witch, now The Domino Girl).

Peter Knight (singer/fiddle player, Gigspanner, Feast of Fiddles, Steeleye and holder of the world record for continuously playing the violin whilst travelling up and down the lift in the Empire State Building).

Phil ‘Swill’ Odgers (30 Year veteran of punk-folk luminaries, The Men They Couldn’t Hang).

Ray Cooper (singer/songwriter/multi-instrumentalist, ex-Oysterband and now a pearl in his own right).

Richard Ryall (singer/songwriter, member of the band Litmuss and he comes from a land Down Under).

Robb Johnson (Irregular singer/songwriter and social conscience).

Said The Maiden (3 rising doyennes with harmonies the envy of angels).

Sally Barker (folk singer and by popular acclaim, the true winner of The Voice).

Sian James (Singer, writer, harpist, composer, conductor and actress from Wales, a big Armistice pals ‘Creoso’ to her).

In addition, there is also The Pals Chorus, made up of friends and members of several folk clubs who will be recorded together to help swell the voices and to represent the fact that this is a true community project.