Fairport Convention alumni reunite at Cropredy

Fairport Convention

Fairport’s Cropredy Convention, the annual three-day festival staged by folkrock legends Fairport Convention, will celebrate the band’s golden anniversary with an on-stage reunion of the current line-up and virtually all the ex-members still living.

The band’s extended evening performance on Saturday 12 August will close the festival and feature a host of musical guests playing a repertoire selected from Fairport’s huge back catalogue – the best from half a century of music-making.

There will be two chances at Cropredy to see singer-songwriter and guitar virtuoso Richard Thompson. A co-founder of Fairport Convention, Richard will play a full set in his own right on Friday evening and will also join Fairport as a guest during their set.

Saturday will start with three performances from ‘early years’ former members of Fairport – Ashley Hutchings, Judy Dyble and Iain Matthews.

Ashley Hutchings, who founded Fairport Convention, will present Morris On, a spectacular interpretation of traditional music and dance. Judy Dyble, Fairport’s original female vocalist, will be performing with Band of Perfect Strangers, her regular musical collaborators. Iain Matthews, Fairport’s first male lead singer, will be joined by Andy Roberts and Mark Griffiths as Plainsong, a harmonic blend of English folk-rock and American alt-country.

Former drummer Dave Mattacks will play during Richard Thompson’s set on Friday as well as guesting with Fairport on Saturday. Maartin Allcock, a member of Fairport from 1985 until 1996, will also join Fairport on keyboards and guitar for several numbers.

Other former members who may put in an appearance include Tom Farnell, Bob Brady, and Roger Burridge.

Bass player Dave Pegg says: “Our Saturday night set this year will undoubtedly present the most Fairport members ever performing in the same show.”

Now in its thirty-seventh year, Fairport’s Cropredy Convention will take place on Thursday 10, Friday 11 and Saturday 12 August.

Fairport’s current line-up is Simon Nicol (lead vocal, guitars), Dave Pegg (backing vocals, bass guitar), Ric Sanders (violin), Chris Leslie (lead vocal, fiddle, bouzouki, mandolin) and Gerry Conway (percussion and drums).

Artists’ website: http://www.fairportconvention.com/

FAIRPORT CONVENTION – 50:50@50 (Matty Grooves MGCD054)

50:50@50Opportunities for celebration come round with increasing frequency when you’ve been in the business as long as Fairport Convention has. The current line-up has been together for almost twenty years and before that they have a back catalogue so large that they can never hope to play it all. This year sees the band’s fiftieth birthday and the title of 50:50@50 describes its contents: seven new recordings and seven live tracks. Fairport haven’t done anything obvious, though. You’ll look in vain for the old favourites that their audiences demand they play every gig – no ‘Matty Groves’ and no ‘Meet On The Ledge’.

The album opens with the first of Chris Leslie’s new songs, a return to his favourite maritime themes. ‘Eleanor’s Dream’ feels like a sequel to ‘Lord Franklin’ and indeed it mentions Lancaster Sound, part of the fabled Northwest Passage. But Lady Franklin was Jane so Chris has given us a puzzle. The first live track is ‘Ye Mariners All’, originally from Tippler’s Tales, recorded at The Mill in Banbury, venue for the famous Cropredy warm-ups. In fact the band returns to the tradition on this album more than they have done in recent years.

‘Step By Step’ is a pretty but rather slight song and it’s followed by ‘The Naked Highwayman’ also live and a real vocal tour de force by Simon Nicol. So far so not unexpected but don’t sit back and relax just yet. Ric Sanders has re-recorded his ‘Danny Jack’s Reward’ subtitled “expensive version!” with a host of friends, woodwinds and brass and a guest appearance from Joe Broughton. It’s a superb reading of the piece but the surprises aren’t over yet. Next is another live track, ‘Jesus On The Mainline’, with Fairport taking on the role of Robert Plant’s backing group!

I’m not sure if Chris Leslie’s ‘Devil’s Work’ is autobiographical – I can’t see a professional musician doing manual work any more hazardous than fettling a fiddle. That’s another puzzle he’s set us. The next live track, ‘Mercy Bay’, is another of his epic sea songs and that’s followed by ‘Our Bus Rolls On’, a song in praise of the band. It’s a bit twee for my taste but if you can’t blow your own trumpet when you’re fifty when can you? A rewrite of ‘Angel Delight’ would have been great fun – Simon and Peggy remain from the original but I expect that their tastes have matured over the years.

Next is a superb live version of ‘Portmeirion’, possibly the best I’ve heard, and then another surprise. Fairport Convention don’t really do traditional songs like they used to but here is a new addition, ‘The Lady Of Carlisle’, with lead vocal by Jacqui McShee followed by a live version of ‘Lord Marlborough’, originally recorded a mere forty-six years ago. Unexpectedly, PJ Wright contributes ‘Summer By The Cherwell’ – self-referential, of course, but I can see it being a live hit at every Cropredy from now on.

The final live track and the album’s closer is another surprise. Guess what it might be and I bet you won’t say ‘John Condon’. This is a sensitive, thoughtful reading of the song as befits its subject matter with Gerry Conway’s brushes holding the rhythm but not intruding on Ric’s fiddle or Simon’s vocals. One second thoughts, a song of reflection is an appropriate way to send this set. We all have more to look back on than look forward to.

Dai Jeffries

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the FAIRPORT CONVENTION link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.fairportconvention.com

‘Mercy Bay’ – live at The Union Chapel:

FLEETWOOD CAVE – People Like Us (Rhythm Records FCPLU2016))

People Like UsMarion Fleetwood and Gregg Cave met with the formation of TRADarrr and things went from there. Unlike their parent band, Fleetwood Cave’s debut album, People Like Us, consists of original material plus one cover version. Supporting Marion and Gregg are Tali Trow and Paul Johnston on double bass and drums with guest appearances from Simon Nicol, Chris Leslie, Anna Ryder, Gerry Colvin, Edwina Hayes, Debs Earl and Chris Cleverley.

Like TRADarr Fleetwood Cave enjoy big arrangements with lots of fiddle but the opener, ‘18th Day Of May’ is a relatively simple and very catchy slice of folk-rock beginning with gorgeous acapella harmonies and a nod to ‘Bonny Black Hare’ in its refrain. ‘Dancing Girls’ follows: initially a gentle song with Marion’s voice and Gregg’s acoustic guitar and some delicate electrics (Gerry Colvin?). It ups the power after a couple of minutes but maintains the mood even through its big finish mainly because Marion avoids the histrionics that pop music would demand.

There are delightful twists all the way through the album so ‘Guinea Golden’ slips into a Morris tune in the middle; ‘Gypsy Queen’ sounds biographical but is probably a rural myth written sometime last year and ‘Passage Of Time’ turns into a growling, driving rock song. There is one instrumental, the wild flying ‘Lazarus’ which gives everybody chance to go to town and the cover is Fairport Convention’s ‘Wizard Of The Worldly Game’ taken rather more slowly than the original. It’s an overlooked part of the Fairport canon but this version will undoubtedly revive its popularity.

There is a huge amount of festival potential here with anthemic songs and great hooks. I can imagine sitting in the sun singing “The bigger the tree, the deeper the roots”. This is a really good debut.

Dai Jeffries

Artists’ website: http://www.fleetwoodcave.com/

’18th Day Of May’ – live:

Feast Of Fiddles – new studio album

Feast Of Fiddles

Feast Of Fiddles was formed in 1994 as a one-off concert ensemble as Hugh Crabtree thought it would be a good idea and Mike Sanderson of Nettlebed Folk Club thought so too!

Their first live recording Live 01 was released in 2002 – quite a long wait for the increasing number of fans of the band. However it was only another two years before the next CD appeared – Nicely Wrong. Three more years before yet another live recording Still Live and then after another three years the first studio album Walk Before You Fly. You guessed it, another three years for the second studio album Rise Above It and with a slight break with tradition it’s taken four years to get to studio album number three. Fast forward and in 2017 their sixth album entitled Sleight Of Elbow will be released.

Feast Of Fiddles embarks on its 24th annual spring tour in 2017 to coincide with the release of their new album.  The band that has been variously likened to a “group of geography teachers” or “Bellowhead with bus passes!” doesn’t seem to be slowing down any.  A band of musical friends that puts on a show of huge dynamic range performed with passion, joy and a liberal dose of fun. It all started at a folk club but has become a folk-rock institution with seven CDs to their name, several festival appearances and sell out shows up and down the UK. Typically, fiddlers Peter Knight (Steeleye Span), Chris Leslie (Fairport Convention), Phil Beer (Show of Hands), Brian McNeill (Battlefield Band), Ian Cutler (Bully Wee), Tom Leary (Lindisfarne) and Garry Blakeley (Band of Two) add their extensive range of fiddle playing styles to the rock back-line of guitars, keyboards, sax and accordion – all held together by legendary drummer Dave Mattacks. A live music entertainment like no other which is guaranteed to be enjoyed by even the most doubting of friends dragged along! Continue reading Feast Of Fiddles – new studio album

New duo Fleetwood Cave announce debut album and spring tour

Fleetwood Cave

Fleetwood Cave, the new folk duo featuring Marion Fleetwood and Gregg Cave, will be launching their new album, ‘People Like Us’ with a tour of England and Wales starting in late January 2017.

Marion and Gregg met through new folk supergroup TRADarrr, who will be visiting Canterbury later in the year. Both are familiar faces on the folk circuit, having played many folk clubs and festivals between them, including Fairport Convention’s Cropredy Festival.
 
Marion has a voice which has been described as ‘mesmerising’ and ‘siren-esque’, and plays all things bowed. Ashley Hutchings MBE has said she ‘deserves to be ranked amongst the finest singers in this country’. She has been a well known figure on the Stratford music scene for many years, and is multi-instrumentalist and singer with new folk supergroup TRADarrr. She was a member of Meet On The Ledge, The Jigantics and the award winning ColvinQuarmby – now known as The Gerry Colvin Band, which she still performs with.  

Since forming folk-rock band CAVE when he was 18 years old, Gregg Cave, has been performing in concerts and at festivals in the UK and mainland Europe. In recent years Gregg has collaborated with musicians and storytellers and has been commissioned by the Arts Council and National Trust to produce two separate pieces of performance. He sings lead vocals with TRADarrr.

Their debut album as a duo, People Like Us, was Crowdfunded in eight weeks and recorded over five days in a village hall in Northampton, with the added musical input of Tali Trow (double bass) and Stratford based musician and producer Paul Johnston (drums and percussion). It includes new material from both Marion and Gregg, along with one cover – Fairport Convention track ‘Wizard Of Fhe Worldly Game’ (with the definitive lyrics to the final verse sent to them by Simon Nicol himself after an exhaustive on-line search showed much confusion!). Friends of the pair joined them to complete the recording and include Simon Nicol and Chris Leslie of Fairport Convention, Anna Ryder, Gerry Colvin, Edwina Hayes, Debs Earl and Chris Cleverley.

Their 25 date tour includes gigs across England and Wales, from Hull to Redruth and Canterbury to Wigan. They are also taking their music to Holland later in the year.

The People Like Us tour starts in Kingston, Canterbury with a gig for Folk In The Barn on 22nd January and ends at Cecil Sharp House on April 30th.

More information about the duo and tour dates can be found on their website – www.fleetwoodcave.com

The Fairport Convention Interview from St George’s in Beckenham

Fairport at St George’s Festival for Beckenham 2016

It’s funny how some things turn out, when your path takes you somewhere that you were not expecting to go. It all started in the Kensington Village Hall (as Mr. Steve Knightley would call it) at that amazing Ralph McTell Albert Hall concert on the 12th May. I found myself sitting next to Ken Maliphant completely by chance. We got talking, and he told me about the St George’s Festival for Beckenham and mentioned that Fairport were playing on the 4th June and Ralph McTell on the 24th as part of it.

Now, Ken can spin many a “Tipplers Tale” and his story is very much interwoven with Fairport’s and the album of that name. Ken actually worked for the final record label the band was signed to at the end of the Seventies. In fact, as Dave Pegg mentioned last night, the Cropredy festival has a lot to thank Ken for as he was the main driving force behind organising the settlement figure when the label refused to fund another Fairport album. It was that settlement that financially built the first building blocks for the Cropredy festival we so love today.

After receiving the news on Friday about the sad loss of one my of my all time musical heroes Dave Swarbrick, this concert and the journey to it became a personal pilgrimage to celebrate the man and his music.

In my opinion, Swarb was the finest of English folk fiddlers and one of the most colourful characters that you will ever find on the English traditional and folk/rock music scene. He was a major facet to the gem that set me on my folk music journey all those years ago and a true inspiration to all of us at folking.com. Rest in Peace Swarb, you will be greatly missed. Keep those angels feet a dancing and that timeless twinkle of mischief in you eyes.

David Cyril Eric Swarbrick RIP
5th April 1941 – 3rd June 2016

Paul Johnson and I caught up with Gerry Conway, Chris Leslie and Ric Sanders before the concert last night and we recorded the interview below. Click on the play button to listen.

Interview reference links:

A truly wonderful tribute to Swarb from Maart

Darren Beech