Walk Along John is John Reischman’s first solo instrumental album in thirteen years, and it’s a triumphant return to form. It’s also a celebration of his seminal influence in the world of bluegrass and “new acoustic music,” a movement he contributed to with Tony Rice in the 1980s. A new generation of musicians has now grown up playing his tunes at jams and obsessing over his recordings. Chris Thile of The Punch Brothers joins John on the opening tune “Itzbin Reel,” an early composition of John’s that Chris has been playing since the age of 8. Eli West, from Cahalen Morrison & Eli West, listened endlessly to John’s recordings while studying in college and guests on the album as well. Other next generation star players on the album include Continue reading New John Reischman Bluegrass Mandolin Album
ESSENTIALLY INVISIBLE TO THE EYE is Karen Tweed’s latest recording and, in being entirely solo, is a departure from her extensive collaborative work which has dominated her career since the early 1990s.
Born in London in 1963 to an Irish mother and English father, Karen took up the accordion at the age of eleven. Since turning professional in the late 1980s, she has appeared on over thirty albums from her early days with The Kathryn Tickell Band to being a founding member of the pioneering all female Poozies, through the Anglo-Swedish ensemble SWAP, American collaboration Undertoe with Stuart Kenney, Marko Packard and Rodney Miller, to The Two Duos Quartet with Andy Cutting, Chris Wood and Ian Carr. Karen’s duo work with Ian Carr, Andy Cutting and also Roger Wilson and John Dipper has left many an audience mesmerised at her breathtaking musicianship, while her trios with Hannah James and Becky Price in Hell Said The Duchess and with Carolyn Robson and Kevin Dempsey are more examples of her diversity and creativity. Continue reading Karen Tweed – Essentially Invisible to the Eye