New John Reischman Bluegrass Mandolin Album

John Reischman Walk Along JohnWalk Along John is John Reischman’s first solo instrumental album in thirteen years, and it’s a triumphant return to form. It’s also a celebration of his seminal influence in the world of bluegrass and “new acoustic music,” a movement he contributed to with Tony Rice in the 1980s. A new generation of musicians has now grown up playing his tunes at jams and obsessing over his recordings.

Chris Thile of The Punch Brothers joins John on the opening tune “Itzbin Reel,” an early composition of John’s that Chris has been playing since the age of 8. Eli West, from Cahalen Morrison & Eli West, listened endlessly to John’s recordings while studying in college and guests on the album as well. Other next generation star players on the album include Sam Grisman and Mike Barnett from the young grasscore band The Deadly Gentlemen, and Canadian clawhammer banjo king Chris Coole.

Old friends return as well, from renowned old-time fiddler Bruce Molsky to innovative banjo genius Tony Trischka and star bluegrass guitarist Kenny Smith, not to mention members of John’s band The Jaybirds. But the real focus of the album is John’s musicianship, both as an artist and as a composer. His compositions, many of which have become jamming standards, run the gamut from the old-timey “Little Pine Siskin” to the bluesy (in the Dock Boggs sense) “Gold Mountain Blues,” the eerily modal “Ice on the Dogwater,” the blazing Bill Monroe tribute tune “Joe Ahr’s Dream,” and the softly gentle waltzes “Anisa’s Lullaby” and “A Prairie Jewel.” John’s compositions shine here because he has the subtle ability to draw out the true heart of the melody. He does this through his lifelong obsession with obtaining the purest tones from his mandolin playing. It’s the same quest that drove Monroe to the roots of the music looking for “ancient tones,” and it’s a quest shared by other great mandolinists. Coupled with his renowned sense of musical taste, John Reischman is able to redefine the sound of bluegrass mandolin without ever veering away from the traditions at its core.

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Karen Tweed – Essentially Invisible to the Eye

ESSENTIALLY INVISIBLE TO THE EYE is Karen Tweed’s latest recording and, in being entirely solo, is a departure from her extensive collaborative work which has dominated her career since the early 1990s.

Born in London in 1963 to an Irish mother and English father, Karen took up the accordion at the age of eleven. Since turning professional in the late 1980s, she has appeared on over thirty albums from her early days with The Kathryn Tickell Band to being a founding member of the pioneering all female Poozies, through the Anglo-Swedish ensemble SWAP, American collaboration Undertoe with Stuart Kenney, Marko Packard and Rodney Miller, to The Two Duos Quartet with Andy Cutting, Chris Wood and Ian Carr. Karen’s duo work with Ian Carr, Andy Cutting and also Roger Wilson and John Dipper has left many an audience mesmerised at her breathtaking musicianship, while her trios with Hannah James and Becky Price in Hell Said The Duchess and with Carolyn Robson and Kevin Dempsey are more examples of her diversity and creativity.

Her larger scale projects include Circa Compania, a 14-piece all-singing, all-dancing tour-de-force and The No 1 Ladies Accordion Orchestra where she has brought together accordionists from all over the UK. More recently she has been Musical Director of ‘Land of Liberty’ a community play directed by Philip Parr of Parrabola and her duo work includes singers Jackie Oates, Kevin Dempsey and Johnny Coppin. Karen’s teaming up with highly respected Finnish pianist and composer Timo Alakotila to form May Monday led to phenomenal praise and accolades for their artistic grace, beauty and breaking down of musical barriers.

Her playing has been described as mercurial, soulful, effervescent and sensitive, while as a teacher, she’s proved to be an inspirational and encouraging role model, whether teaching university students performance and arrangement skills or leading accordion workshops and master classes.

ESSENTIALLY INVISIBLE TO THE EYE, produced by Bruce Molsky, brings all of these influences and ideas from her career so far together and illustrates just how dynamic, sensual, joyful and inspirational she can be. Karen often cites those she has worked with as major influences and inspiration and this fine recording shows how she continues to incorporate and further develop those ideas. Following conversations with Bruce, Colum Sands and Lorraine Carpenter, Karen began to think about a solo project and their thoughts that her music could be seen as songs or stories without words rather than a collection of tunes, sparked off the seed for this CD.

Bruce Molsky was the perfect choice as producer, because of his diverse and superb skills as a musician and his understanding of storytelling through traditional song. The CD has five tracks, all solo accordion but performed as a suite of Karen’s much loved collections of tunes, a blend of original and traditional and intended to be played as one, taking the listener on a lyrical journey, sometimes autobiographical, sometimes whimsical but illustrating how much the accordion has become Karen’s voice and pen and muse.

ESSENTIALLY INVISIBLE TO THE EYE is possibly Karen’s most emotive work to date and will be toured in its entirety in 2012.

For more information and the latest tour news, please visit: www.karentweed.com