JON BODEN – Afterglow – Hudson Records HUD004

AfterglowFolk royalty Jon Boden’s latest album, Afterglow, is an excellent follow on from Songs From The Floodplain, which was released in 2009, and was Jon’s second solo album. Jon is a twelve time BBC Folk Award Winner who partnered celebrated concertina player John ‘Squeezy’ Spiers in Spiers and Boden, fronted Bellowhead, and comes out to play with his Remnant Kings now and again.

Afterglow is a story of urban lovers after dark. The ten fabulous tracks portray a journey after dark into the early morning leaving the previous night behind – their adventures into the night and what they experience.

The album starts with ‘Moths In The Gaslight’ – in true Boden melodic style then leading into the title track and bringing in a drum beat. ‘Wrong Side Of Town’ brings in the traditional Boden irregular beat we all know and love. ‘Fires Of Midnight’ is a spoken lyric in the traditional style of Boden. One of my favourites, ‘All The Stars Are Coming Out Tonight’ is a foot tapping track including fiddle, bodhran, Cajun and all!

‘Dancing In The Ruins’ includes off-beat rhythm and an electric guitar taking the listener into ‘Burning Streets’ telling the tale of the lovers escaping down the back streets to a racy beat. The penultimate track – ‘Yellow Light’ – has Jon’s traditional concertina, cello and quietens the mood down after the night’s activities. Afterglow ends with a track entitled ‘Aubade’ – the dawn is now breaking bringing the end of the night, the birds are now singing heralding in the dawn and a new day.

An excellent album as we would expect from a master of his craft. Ex-Bellowhead members Paul Sartin, Sam Sweeney and Ben Nicholls (Seth Lakeman Band) are involved on this album as are members of The Remnant Kings together with producer Andy Bell, and recorded in Sheffield. As always, Jon Boden’s albums are vivid and give beautiful imagery in the lyrics. This album is no exception to his pure talent.

Afterglow is now on general release. Available as a single CD, a de luxe version and a vinyl version and from the 6th November Jon is on tour solo. Jon while the Remnant Kings are touring in November from the 17th.

Jean Camp

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the JON BODEN – Afterglow link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

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Artist’s website: www.jonboden.com

‘All The Stars Are Coming Out Tonight’ – official video:

CARA DILLON – Wanderer (Charcoal CHARCD009)

WandererFollowing last year’s release of her first Christmas album, Upon A Winter’s Night, Dillon returns to secular form with a predominantly traditional collection, again produced by and featuring husband Sam Lakeman.

Pivoting around an underlying theme of transition and departure, whether that be through emigration or the search for love, it keeps the instrumentation spare and intimate, predominantly built around Lakeman’s piano and/or acoustic guitar, but also with occasional contributions from Ben Nicholls on double bass, Niall Murphy on fiddle and both John Smith and Justin Adams on acoustic and electric guitar, respectively.

There are two original numbers, the first up being the piano-accompanied ‘The Leaving Song’, inspired by “living wakes” held for those about to emigrate in pre-war Co.Derry with its lyric about a mother bidding farewell to a son seeking his fortunes in some other land, with a reminder that he can always find his way home. The other, the penultimate track, the simply styled metaphorical ‘Lakeside Swans’ touches a similar note, here concerning migrants and refugees and the decision to leave their homes.

There’s also a cover, the album’s final track being their dreamily lovely piano-led arrangement of ‘Dubhdara’, the slow-swaying sailing out Celtic anthem written by Shaun Davey for his 1985 album Granuaile.

The remaining seven numbers are all traditional, some familiar, others less so, case in point being the opening Ulster thoughts of home folk song ‘The Tern And The Swallow’ with its references to Lough Neagh, the largest freshwater lake in Northern Ireland, and Slieve Gallion, the mountain in Co. Londonderry. Also with their roots in Derry and nostalgia for home, ‘The Banks Of The Foyle’ concerns a girl forced to leave her true love by cruel misfortune but then learning he’s remained constant in her absence, while, featuring just Dillon and Lakeman’s guitar, ‘The Faughan Side’ conjures memories of an emigrant to America of happy days spent by the bridge of Drumahoe over the titular river.

A fine, yearningly crestfallen reading of the much recorded ‘Blackwater Side’ leads the charge for the better known songs, with its tale of a young lad lying his way into a maiden’s bed with false promises. This is complemented by ‘Both Sides Of The Tweed’, a traditional number given a makeover by Dick Gaughan, here presented in simple style with Dillon’s pure vocals and Lakeman’s piano. She’s joined by Kris Drever who duets and plays guitar for ‘Sailor Boy’, the album’s obligatory death song (you know the plot, maiden dies from grief when her sailor lover drowns) with Murphy on wheezing fiddle. Which just leaves a haunted interpretation of ‘The Banks Of The Bann’, which, combining emigration and thwarted love and arranged for piano and fiddle, is fittingly set to the tune of ‘Lord Of All Hopefulness’.

Her most reflective and most musically introspective album to date, the spare arrangements putting the spotlight on her warm, crystal clear vocals, it is arguably also the best of her career.

Mike Davies

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the CARA DILLON – Wanderer link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.caradillon.co.uk

Promo video:

Kings Of The South Seas – new single

South Seas
Photograph by Dai Jeffries

The lead track from the album Lady Franklin is a broadside from the 1850s. After the disappearance of her husband, Lady Jane Franklin sponsored several expeditions to discover his fate and worked hard to keep the search going for decades. When explorer John Rae returned with Inuit stories of cannibalism, she refused to believe them, but they’ve subsequently been proven largely accurate. In fact the recent discovery of the two Franklin ships is mainly thanks to Inuit oral histories, which were mocked by the British Navy at the time of the ships disappearance

Following their acclaimed debut Kings Of The South Seas (DWink Records 2014) this second release by Kings Of The South Seas vividly brings to life the music left by these events and their cultural fallout. Lady Franklin features Canadian Voyageur paddling songs, English folk ballads and songs composed onboard ice-bound wintering ships to Victorian parlour pieces – all delivered in powerful, foreboding and effecting style by this unique band.

The British expeditions in search of the NW Passage through the North of Canada and in particular the loss of Franklin’s expedition to the ice during the 19th Century affected many. The Navy and families who waited at home, the Inuit encountered and the British public who looked on from afar and seemed to signal the beginning of the end of British Empire. These losses and failures left a large wealth of musical, theatrical and literary material as the nation tried to make sense of events. The material was also derived from printing presses and musicals created on board some of the icebound ships during those long, brutal winters.

Lady Franklin was recorded in St Andrews Mission Church in Gravesend under the glow of stained glass windows dedicated by Lady Franklin (wife of John Franklin) to the sailors who lost their lives on his last voyage.

Kings of The South Seas are:

Ben Nicholls – vocal, concertina, organ, banjo (The Full English, Seth Lakeman Band, Nadine Shah Band)

Richard Warren – guitar (Spiritualized, Mark Lanegan Soulsavers)

Evan Jenkins – drums (Neil Cowley Trio)

Artists’ website: www.kingsofthesouthseas.net

‘Lady Franklin’ – official video:

MARTIN SIMPSON – Trails & Tribulations (Topic TSCD593)

Trails & TribulationsMartin Simpson never disappoints, whether live or on record, but rarely does he surprise. Rather he evolves over time and emerges with something new and different as he has here. Trails & Tribulations is his 20th solo album in a career going back to the early seventies. You sort of know what to expect – Martin is equally drawn to the English and American traditions; he will have borrowed a song or two and written a couple more; there will be a variety of guitars plus banjo and ukulele and it will probably all come together with a fine group of musicians supporting him. And, of course, you’ll be absolutely right.

What’s new is a richness to the music which I suspect comes from working with The Full English and Simpson Cutting Kerr. Both Andy Cutting and Nancy Kerr feature here as does percussionist Toby Kearney, guitarist John Smith, Ben Nicholls on bass and Martin’s daughter Molly on vocals. Toby is generally restrained but the percussion is more noticeable than I remember. Take the first track, Jackson C Frank’s ‘Blues Run The Game’. It’s a short song but Martin takes his time over it, warming up his fingers as he does on stage as the introduction emerges. Bass and percussion provide an unobtrusive foundation and Martin tops everything off with Weissenborn decoration. Next is Emily Portman’s ‘Bones And Feathers’, which he has been singing for a year or so now, and which features banjo – not one of Emily’s chosen instruments. Martin owns it now.

From the Americas we have ‘Thomas Drew’, which would appear to be a distant cousin of ‘John Hardy’, ‘East Kentucky’ and ‘St. James Hospital’ but the first two are written by Martin and perfectly match the period feel – he had me fooled. From the English tradition come ‘Rufford Park Poachers’ and ‘Reynardine’. That leaves four others. Charles Causley’s ‘A Ballad For Katherine Of Aragon’ – music by Alex Atterson – has also been in Martin’s live repertoire for a while and it sounds like a song he would have written if someone hadn’t already done so. ‘Maps’, ‘Jasper’s/Dancing Shoes’ and Ridgeway are three more of Martin’s songs, continuing the semi-autobiographical style that began with ‘Never Any Good’.

Trails & Tribulations will be available in multiple formats including a deluxe double CD with six extra tracks including my all-time Simpson favourite, ‘Joshua Gone Barbados’. I’m holding out for that!

Dai Jeffries

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the MARTIN SIMPSON link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – live:

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Martin Simpson announces his 20th solo album

Martin Simpson
Photograph by Elly Lucas

World renowned guitarist, singer and songwriter Martin Simpson releases his 20th solo album in 40 years Trails & Tribulations on September 1st 2017 via Topic Records. The brand-new studio album, his first new solo work since 2013’s widely praised Vagrant Stanzas, will be available in standard and deluxe CD, digital download and standard vinyl (the latter through Vinyl 180).


Trails & Tribulations
is a collection of songs about nature, about travels and about real life stories. There are traditional songs, poems and contemporary songs by great writers, and songs that I had to write because nobody else knew what I wanted to say. I travel, I learn songs, I write and try to get better at the skills required for me to do my job. I look at the world as I pass by, on the road, out of the train window, or as I stop and pay close attention to the square foot under my nose. There is so much to see and to hear and to inspire and to try and understand. I had a huge amount of fun playing and recording these songs, using different instruments, different noises, old friends and new ones, all of whom brought so much to the mix. Martin Simpson, April 2017.

Produced and engineered by Andy Bell, Trails & Tribulations features some of Martin’s most inventive playing yet, showcasing his virtuosity on a variety of instruments including acoustic guitars, resonator guitars, Weissenborn lap steel guitar, electric guitars, 5 string banjo, ukulele – and voice.

Guest musicians on the new album are: Ben Nicholls (string bass and electric bass guitars), Toby Kearney (drums and percussion), Nancy Kerr (fiddle and viola), Andy Cutting (diatonic accordion and melodeon), John Smith (electric guitar and backing vocals), Helen Bell (strings), Amy Newhouse-Smith (backing vocals) and his daughter Molly Simpson on vocals.

Martin will tour extensively this year, including a headline set at Cambridge Folk Festival in the summer and London’s Kings Place in autumn, following the release of Trails & Tribulations.

Hand in hand with his long and storied solo career, Martin has been central to seminal collaborations like The Full English, The Elizabethan Sessions and Simpson Cutting Kerr. He has worked with a dazzling array of artists from across the musical spectrum: Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo, Danú, Richard Thompson and Dom Flemons, to mention a few. He is consistently named as one of the very finest acoustic, fingerstyle and slide guitar players in the world and is the most nominated musician in the history of the BBC Folk Awards, with a remarkable 31 nods. A true master of his art.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Martin Simpson – Trails & Tribulation link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: http://www.martinsimpson.com/

‘Blues Run The Game’ – audio stream:

FAY HIELD live at the West End Centre, Aldershot

31st March 2017

Fay Hield live
Photograph by Dai Jeffries

Fay Hield and The Hurricane Party started their spring tour at a brisk pace – seventeen songs, including two encores, in a tight ninety minutes. I can imagine there being a bit of tension in this situation particular as Fay announced that ‘Fair Margaret And Sweet William’ had been arranged by Sam Sweeney, Rob Harbron and herself only that afternoon. We probably wouldn’t have known if nothing had been said but it is rather impressive to write an arrangement and play it from memory a few hours later. Still, I do think they need to relax a bit.

Fay began, as his her custom, with ‘Willow Glen’ accompanied only by Harbron. The rest of the band appeared (Ben Nicholls being fashionably late) for the unusually jolly ‘Tarry Trousers’ and ‘The Weaver’s Daughter’. Fay did promise us a fair share of misery later and had also promised that she would bring her banjo on this tour. She was as good as word and proved to be a melodic player in what I suppose we must call the English style.

After ‘Old Adam’ it got an outing on ‘The Old Grey Goose Is Dead’ with a new sombre tune. I suppose that it’s a generational thing but Fay was surprised to learn that most of us knew it from childhood as ‘Aunt Nancy’ or ‘Aunt Rhody’ and I was surprised to learn that she didn’t. The geese got another name check in ‘The Grey Goose And The Gander’ and the first set closed with ‘Raggle Taggle Gypsy’.

The second half began in upbeat fashion with ‘Pretty Nancy Of Yarmouth’ and got back to the misery with ‘Green Gravel’ and the aforementioned ‘Lady Margaret’. The band took its turn with a version of ‘Bold Princess Royal’ before ‘Go From My Window’ with Roger Wilson handling second vocal and Sweeney switching to nyckelharpa. ‘The Lover’s Ghost’ made a suitably mournful closer.

The first encore saw Fay solo and unaccompanied with ‘Young Maid Cut Down In Her Prime’ with the Hurricane Party returning for ‘Long Time Ago’. The music was as splendid as ever and sometimes us oldies like to get home at a decent time but please guys, slow things down a bit.

Dai Jeffries

Artist’s website: www.fayhield.com

‘Raggle Taggle Gyspy’ live: