ASHLEY HUTCHINGS – Paradise And Thorns (Talking Elephant TECD410)

Paradise And ThornsDivided into two discs, Gloucester Docks Revisited and Other Tales Of Love, Paradise And Thorns finds “the single most important figure in English folk rock” (© Bob Dylan) revisiting his seminal autobiographically- based 1987 solo work (already the subject of a live version and revised re-issue) in the wake of reuniting with the old flame (never identified but likely named Patricia) around which it was based and complementing this with a collection of his personal favourite love songs and stories.

Visiting the docks first, this is a sort of continuance of a previously unfinished story that mixes together past recordings, new material, readings and film clips, opening with an echoey Hutchings reading an extract from John Donne’s poem of parted but constant adulterous lovers ‘Elegie XII’ with JJ Stoney providing keyboard effects. It’s followed by a 1985 live recording of ‘Kitty Come Down The Lane’ by the Ashley Hutchings All Stars, featuring Clive Gregson and Polly Bolton, and, in turn, with another reading, this time ‘The Meadow’, a single line extract from Louis MacNeice’ ‘The Strings Are False’.

The first new recording comes with the pastoral ‘Art Nouveau’, exploring the woman as flower metaphor, co-written with Ken Nicol, sung by Barry Coope and featuring string quartet arrangement by Joe Broughton, with himself on violin and Jo Hamilton on viola.

Another reading, ‘St. Valentine Day Sonnet’, is one of Hutchings’ own, about getting a rose tattoo, written in the manner of Donne, then it’s back to 1987 and a recording of the bouncy ‘Trip To Bath’ by The Albion Dance Band, Bolton again on vocals. Jane Wildsmith provides the voice of Pat in ‘Sultana Cake’, a brief extract from a letter, then it’s into the second new song, Tim Walker on trombone and Chris Sheldon on banjo for the New Orleans-influenced ‘Cul-de-Sac’, a playfully wry reference to how the original romance ended. Another live recording, the lost relationship ‘Our Stolen Season’ comes from a 2000 Rainbow Chasers concert, Hamilton on vocal and Ruth Angell on violin, followed by the first of the film clips, a brief extract (in French but translated in the booklet) from Alain Resnais’ 1960 Last Year In Marienbad before Fred Claridge’s drums introduce the Western-movie soundtrack flavoured ‘Devil-may-care In Our Dancing Shoes’, a down to the crossroads lost souls number co-penned with son Blair Dunlop who also plays acoustic guitar, that brings Pat back into the picture with the lines “Years passed by, then out of the blue/ The call of the road and a text or two.”

Michael Maloney voices an excerpt from Pushkin’s Eugene Onegin, followed by another French film clip, this time ‘It Was My Heart’ from Robert Bresson’s Les Dames du Boi de Boulogne, the screenplay by Cocteau. Then, preceded by a lengthy introduction in which Hutchings explains the background to Gloucester Docks (and the title’s links to both the psalm ‘By Waters Of Babylon’ and Elizabeth Smart’s ‘By Grand Central Station I Sat Down And Wept’ as well as offering a Tristan and Isolde context to the story of doomed love), a 1988 All Stars concert recordings of ‘I Dreamed A Dream’ featuring just Bolton and John Shepherd’s keyboard.

The last of the new songs, again written with Dunlop, and featuring both him and Nicol on electric guitars, brings things up to the present day with the lyrically optimistic ‘Thirty-two Years And A Lifetime’, which, after the initial set-up, breaks out into a punchy, upbeat folk-rock melody that may well have travelled over the Cork and Kerry mountains.

It ends with the brief spoken ‘Epilogue’ which brings the lost love back into his life, the pondered question “What is to become of us?” possibly answered as the tracks flows into an arrangement of the traditional ‘French Catholic Wedding Tune’ with Stoney on churchy organ and Becky Mills providing the choral vocals.

Having duly conjured a romantic glow, the second disc beats the heart with a collection of all new recordings, again intercut with clips and readings, that gets under way with rising star Kitty Macfarlane on acoustic singing her own ‘Avona And The Giant’, a song based around the legend of the Bristol giants Vincent and Goram and how, after losing the love of Avona, the latter through himself into the river, his torso forming the isles of Steepholm and Flatholm.

Macfarlane also closes the album, this time, preceded by an extract from the prologue to Romeo and Juliet, with her arrangement of ‘Fear No More The Heat O’ The Sun’ from Shakespeare’s Cymbeline.

In-between clips are taken from the 1932 film adaptation of Ernest Hemingway’s WWI story A Farewell To Arms with Gary Cooper and Helen Hayes, Tony Richardson’s 1968 Charge of the Light Brigade and, given the theme, what else but Bogart and Bacall in Casablanca, here in the form of the “I remember every detail” scene.

There’s readings too, Michael Maloney giving John Donne another outing with ‘Aire And Angells’, Hutching and cheering crowd with 30 seconds of ‘If Love Has Wings’ from The Marriage of Figaro (Beaumarchais not Mozart) and a brace of Chekhov with two extracts, pre and post-marriage, from the playful ‘Notes from the journal of a quick-tempered man’.

There’s only one previously releases track, ‘Welcome To The World’ taken from The Albion Band’s eponymous 1999 album, the remainder being all new material. Evoking formative Fairport folk rock and preceding the Donne, ‘Above The Angels’ is sung by Mills with Nicol and Dunlop on electric guitars and Stoney tinkling the piano, ‘If There’s No Other Way’ is an acoustic, strings-arranged Hutchings/Broughton ‘love in vain’ ballad with Bolton on soaring vocals and, revisiting bird imagery, simple acoustic ‘The Swift’, with its title wordplay, is written and sung by Mills.

There’s two traditional numbers, ‘Polly On The Shore’ (or at least an except therefrom) providing a solo showcase for Dunlop, accompanying himself on electric guitar, while, co-produced by Joe Boyd, ‘Sykaleshe’ is a love song performed in their native tongue by Albanian folk outfit Saz’iso, and which seems likely to be an outtake from their 2016 album At Least Wave Your Handkerchief At Me: The Joys and Sorrows of Southern Albanian Song. Which just leaves ‘Lost In The Haze’, father and son teaming for a first time ever I saw your face memory of first love recalling how Hutchings was smitten by a girl he met as part of a 1964 Methodist Youth Club ramble though Hertfordshire, immortalised in the photograph in the superb accompanying annotated hardback lyric booklet.

The original ‘By Gloucester Docks I sat down and wept’, released in 1987, ended on a painful note, but it finally now has a happy coda; after waiting by the Quay for 30 years, Hutchings’ ship has come in.

Mike Davies

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist’s website: www.ashleyhutchings.co.uk

As close as we can get to a relevant track – ‘Dancing Under The Rose – Again’:

FAIRPORT CONVENTION – What We Did On Our Saturday (Matty Grooves MG2CD055)

Our SaturdayIf you’ve ever been to a Cropredy Festival you’ll know exactly what they do on Saturday. They gather together a bunch of former band-mates and old friends and play a mammoth set long into the darkness (subject to health and safety restrictions, of course). These days, Fairport Convention don’t need an excuse to mount a celebration but 2017 marked the band’s fiftieth anniversary and so this was the perfect opportunity to tell the band’s story in music – although not strictly in the right order. Thus we have What We Did On Our Saturday, packaged in an homage to their second album.

The album begins with their first album and (almost) their first line-up. For younger readers that was Ashley Hutchings, Simon Nicol, Richard Thompson, Iain Matthews and Judy Dyble now with Dave Mattacks on drums. They kick off with ‘Time Will Show The Wiser’ and ‘Reno Nevada’ and I was impressed at the way Richard played the sort of guitar lead appropriate to 1967. He couldn’t help himself, of course, and went off on one but I don’t suppose that anyone complained.

Chris While took over on lead vocals for ‘Suzanne’, a slightly less off-the-wall arrangement than the original. Chris does a very good Sandy Denny particularly on the rockier numbers but she’s her own woman and the grace notes and decorations are all her own. Judy and Iain get time off and the others take it in turns so the current line-up doesn’t actually appear until ‘Crazy Man Michael’ when Gerry Conway briefly wrestles the drum stool away from DM. The remainder of the first disc is taken up with selections from Liege & Lief and Full House and they keep ‘Sloth’ to under ten minutes.

The second disc opens with ‘Now Be Thankful’, a song which Chris Leslie is rapidly making his own, even though Richard elbows him off the mic on this occasion. It’s worth noting that Chris doesn’t get a break after the third track until the Fotheringay homage of ‘Ned Kelly’ and ‘Rising For The Moon’ which feature Sally Barker and PJ Wright and introduce Maartin Allcock to the stage. The latter is a feature of the revamped Fotheringay’s set but sadly, of course, Jerry Donahue isn’t available. I have to say, in passing, that Simon does a wonderful job with ‘Fotheringay’. Maart gets to lead ‘A Surfeit Of Lampreys’ and Ralph McTell takes centre stage for ‘White Dress’ but Simon keeps ‘The Hiring Fair’ for himself.

There is only one song that originates with the current line-up and that’s Chris Leslie’s ‘Our Bus Rolls On’ and now we’re on the downhill run. You know how it ends: ‘Matty Groves’ – with both drummers – and ‘Meet On The Ledge’ with everyone back on stage.

As you might imagine, I own a lot of Cropredy recordings and all have their own attractions. For me the 25th anniversary set stands out while the earlier ones: A.T.2 and The Boot have the particular ramshackle charm that we used to associate with Fairport Convention thirty-odd years ago. What We Did On Our Saturday is tight and slick without much in the way of stage chatter – an appropriately serious set to go with such a milestone in Fairport’s history. Exemplary performances as we’ve come to expect, of course, but sometimes I do miss Simon playing rhythm viola!

Dai Jeffries

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: www.fairportconvention.com

‘Meet On The Ledge’ – what else?

Fairport Convention: Folk Heroes will be broadcast this month

Folk Heroes

Sky Arts is to broadcast a major television documentary to mark the fiftieth anniversary of legendary folk rock band Fairport Convention. Titled Fairport Convention: Folk Heroes, the 70-minute film will be transmitted at 9pm on Saturday 25 November 2017.

The film tells how five young musicians in North London formed Fairport Convention during 1967’s ‘summer of love’. The band went on to shake English folk music to its roots by fusing it with rock, an approach which outraged some purists but delighted a new and devoted audience.

In the subsequent five decades, Fairport Convention has attracted widespread critical acclaim, won a coveted BBC Lifetime Achievement Award, and Radio 2 listeners voted Fairport’s groundbreaking album Liege & Lief ‘The Most Influential Folk Album of All Time’.

The documentary has been made by London-based independent producer Special Treats Productions. The company’s previous television music documentaries include XTC: This Is Pop, I’m Not In Love: The Story Of 10cc and the award-winning film UB40: Promises And Lies.

The film features rare archive interviews and footage as well as newly-filmed interviews with the current Fairport members and, among others, Ashley Hutchings, Richard Thompson, Iain Matthews, Judy Dyble, Joe Boyd, Ralph McTell, Maddy Prior, Bob Harris, Suggs, Rick Wakeman, Steve Winwood, and Ian Anderson of Jethro Tull.

Through these interviews, the film examines Fairport’s first five years in detail, including the tragic motorway crash which killed drummer Martin Lamble. It goes on to explain Fairport’s pivotal role in the evolution of British folk-rock; how the band fostered major talents such as Sandy Denny, Richard Thompson and Dave Swarbrick and spawned other notable bands including Matthews Southern Comfort, Steeleye Span, and Fotheringay.

The story is brought up to date with contemporary material filmed at Fairport’s annual ‘own brand’ music festival held at Cropredy in Oxfordshire. The closing sequence features the band’s 2017 festival performance when virtually all the surviving former members joined the current line-up on stage.

Producer/Director Charlie Thomas has been working closely with Fairport for over a year. He says: “Our aim is to explain how important Fairport’s influence has been and continues to be – in other words, why the band matters.

“We have not set out to make a comprehensive, year-by-year history of Fairport; that has been done before. The film concentrates on two periods – the first five years and the band today. The result is a celebration of a very British institution and an assertion of Fairport’s continuing relevance.”

Artists’ website: www.fairportconvention.com

Albion Christmas Band announce their annual tour

Folk music fans can start their Christmas celebrations early with the help of the Albion Christmas Band when the band hits the road for its annual tour on Saturday 9 December.

The band’s annual foray into the musical joys of the winter festival has been described by many as the perfect start to Christmas. This popular show will start in Birmingham then visit fourteen venues around the country before finishing at Bury St Edmunds just a few days before Christmas itself.  The show features a mixture of seasonal carols, spoken word, humorous readings and dance, enhanced by great musicianship and a wicked sense of humour. The band adds a modern twist to its arrangements of traditional tunes and showcases some newly written songs. The show reminds audiences of the simpler pleasures and values of a traditional Christmas and offers them a chance to escape the hustle and bustle of festive preparations.

This year the four band members will share their personal favourites from their extensive back catalogue that to each of them best signify the meaning of Christmas, as well as songs from their latest album Magic Touch. “We’ve spent many years spreading our take on Christmas around the country and have made so many friends on our travels” Simon Nicol explains. “Every night on the tour feels like a family celebration so we get to enjoy Christmas for the whole of December not just one or two days”.

The Albion Christmas Band has been kicking off the Christmas season for nearly twenty years, but it was the last incarnation of the Albion Band that originally created special seasonal shows. From an initial idea by melodeon player Simon Care, a previous Albion band member himself, the Albion Band founder Ashley ‘The Guv’nor’ Hutchings brought together two other previous Albion Band members to create an autonomous band to present a guided tour through the Christmas customs of Britain. Joining Care and Hutchings are Simon Nicol (founder member of Fairport Convention) on acoustic guitar and vocals, and Kellie While (Albion Band), acoustic guitar, vocals and percussion.

Full tour details can be found online at http://www.albionchristmas.co.uk

‘Mad World’ live at Under The Apple Tree:

CROPREDY 2017 – Campie’s Highlights Of An Amazing Few Days

Cropredy 2017
All photographs by Jean Camp

Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!

Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!

Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!

Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.

I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……

We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.

We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!

4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!

Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.

Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.

Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!

Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.

Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.

Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.

Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…

Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.

Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.

A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!

Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.

Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.

To order the EP or to find out more details about Quill visit: http://www.quilluk.com/

Click the play button below to listen…

Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.

CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.

Darren Beech and Paul Johnson caught up with Chris on the Friday. 

The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.

Click the play button below to take a listen.

The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.

The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.

Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.

I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.

Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.

Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.

Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.

Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.

I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!

Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.

Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.

Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!

Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.

Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand and Iain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!

Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.

You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.

Jean Camp

Festival website: http://www.fairportconvention.com/

All Jean Camp’s Cropredy 2017 photos can be viewed HERE

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Fairport Convention – 50th anniversary box set

Fairport Convention

July 28th sees the release of this lavish Fairport Convention CD box set, Come All Ye – The First 10 Years. Compiled by Andrew Batt, the curator of the very successful show, The Lady – A Tribute To Sandy Denny, which toured the UK in 2012, this collection celebrates Fairport’s first 10 years, beginning with their eponymous debut for Polydor in 1968, through all of their seminal albums for Island Records and finishing with tracks from their two albums for Vertigo, The Bonny Bunch of Roses and Tipplers Tales.

Of the 121 tracks featured here, fifty-five are previously unreleased. Highlights include key tracks from all of their classic albums, single B-sides, BBC Radio Sessions, five songs from the French TV programme, Pop 2 (December 1970), five songs from the television show, The Man They Couldn’t Hang (1971) and the audio for an entire concert at The Fairfield Halls, Croydon (December 16th 1973) plus two songs recorded live for the Scottish Television programme, Anne Lorne Gillies – The World of Music (1976). The set comes complete with liner notes by respected English writer, Patrick Humphries, author of many highly regarded books including,  ‘Nick Drake – The Biography’ (Bloomsbury 1998 ), ‘Richard Thompson – The Biography’  ( Music Sales Ltd 1997 ) and ‘The Many Lives of Tom Waits’ (Omnibus Press 1989).

Since 1979 the band have been hosting their very own yearly festival, Cropredy, the annual highlight of which is the Saturday night headlining performance by the current incarnation of Fairport Convention plus past members and guests. This year’s festival promises to be very special as it marks the band 50th anniversary.
http://www.efestivals.co.uk/festivals/cropredy/2017/

Formed in London in 1967, Fairport Convention are the hardy perennials of the British Folk scene and are credited with inventing the genre known as folk rock on the release of their influential album Liege And Lief in 1969. Over the years they have enjoyed a shifting line-up, which has helped to launch the successful solo careers of founder members Richard Thompson, Judy Dyble, Ashley Hutchings and Simon Nicol and subsequently the careers of Sandy Denny, Dave Swarbrick and Dave Pegg.

If you would like to order a copy of an album (CD or Vinyl format), download a copy or just listen to snippets of selected tracks then click below to be taken to our associated partner Amazon’s website (use the left and right arrows below to scroll along or back to see the full selection).

Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artists’ website: http://www.fairportconvention.com/

Not the best quality but a real piece of Fairport Convention history – rehearsing at The Angel and live on stage in 1970: