Born in Derby and now living in Stourbridge, Sunjay Brayne has apparently been playing guitar since he was four. Still only 20, this is his second studio album (there’s also a live one) and he’s a regular on the folk and acoustic circuit. Having caught one of his sets, I can testify to his accomplished playing and warm, singing style and can well understand the comparisons to a young Ralph McTell. Indeed, Brayne’s influences are very much rooted in the late 60s and early 70s folk scenes of the UK and America, something evident from the choice of covers that comprise the bulk of his album.
Here you’ll find faithful readings of James Taylor’s ‘Close Your Eyes’, Jim Croce’s uptempo blues swing ‘You Don’t Mess Around With Jim’, a fiddle, cello, banjo and mandolin arrangement ‘Going Down The Road’ by folk cult figure Mary McCaslin and Tom Rush classic ‘No Regrets’ (with some nicely understated fiddle from Katriona Gilmore) as well as the slightly more recent ‘Memphis In The Meantime’ by John Hiatt (though it could do with more grit) and Mark Knopfler’s ‘Sailing To Philadelphia’ with its cello contribution from Sarah Smout. He also offers his own arrangement of traditional blues rag ‘Drop Down Mama’, though, as with the a capella handclap and stomp reading of Buskin and Batteau’s ‘A Folk Singer Earns Every Dime’, his voice and delivery simply lack the experience and depth to give them real conviction.
The two remaining numbers are originals, the album opening with ‘London Road’, a song about homelessness written by producer, manager, label owner and erstwhile Bushbury Mountain Daredevils frontman, Eddy Morton, and featuring Dan Walsh on banjo while ‘Sittin’ On Top Of The World’ is a wistful self-penned acoustic end of relationship folk blues ballad. Accompanied by Gilmore, it’s a lovely number, beautifully delivered, that makes you wish there were more of his own songs rather than relying on familiar tunes that may earn gig rapport, but which don’t really work in his favour on disc in terms of reaching a wider market. Hopefully, next time round, there’ll be more of his own material and although he could perhaps do with a little more seasoning to his voice to add a little occasional edge, he’s an accomplished player with a relaxed engaging style and I look forward to seeing him develop.
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Artist’s website: www.sunjay.tv
Sunjay sings John Martyn: