The Seventh Wave is the seventh album to be released by Skipinnish and it is possibly one of the most enjoyable albums that I have recently been given the opportunity to review. When I agreed to take on the suicidal responsibility of reviewing new releases I was, unbelievably, excited about it. However, I have been disappointed with many of the albums I have been given, but not so this one. I am not sure if Skipinnish have been taking notes from my reviews but they seem to have “taken some of my advice”.
My Concern No 1 – If you only have 9 tracks to record then you are not ready to release an album Skipinnish – No problem. The Seventh Wave has 14 tracks. My Concern No 2 – Vocals are pushed back and over-powered by aggressive instrumentalisation. Skipinnish – No problem. They include twelve vocal tracks and the voice is always at the front supported by excellent musicianship.
My Concern No 3 – Lack of clarity in the vocals. Skipinnish – No problem. You can easily make out every word of every song. Superb clarity. My Concern No 4 – Groups issuing all of their vocal tracks entirely in Gaelic, a language few of their fans can understand. Skipinnish – No problem. The majority of their vocals are in English with the inclusion of their native Gaelic in acceptable levels.
My Concern No 5 – “Traditional” bands thinking that they are rock bands. Skipinnish – No problem. They are undoubtedly targeting an audience beyond the folk audience but with a professional awareness of the roots they came from. My Concern No 6 – Poor quality sleeves with not enough information about the album. Skipinnish – They provide a booklet with all the words of songs.
I will not go through the album track by track because that is the responsibility of the listener. I will tell you that most of them are simply excellent with two or three excelling even themselves. Skipinnish have included several “choral” backings to tracks and they are beautiful, especially on ‘The Iolaire’ and ‘Walking On The Waves’.
No album will be reviewed by me without some criticism and on this album, it relates to tracks 2, 7 and 13. I cannot stand the sound created by the introduction of “screeching” bagpipes played at an excessive speed supported by simplistic, heavy rock drummers. It is great fun for young, festival fans when played live. It gives them a chance to dance. Personally, I would not have included track 2, ‘The Hag’, as it is difficult to identify Skipinnish from any other folk band using the same instruments. Keep it in for live gigs but it is not great on an album. Strangely, on the final track the pipes are very much part of the effect but played sensitively and beautifully.
I am sure everybody who buys this album will love it and it is easy to fast forward track 2. It is unlikely you will fast forward any of the other tracks, maybe track 13. It is a great CD, so nip out and buy it.
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Artists’ website: www.skipinnish.com
‘The Island’ – official video: