Kaia Kater announces new album Plus Tour Dates

Kaia Kater 2
Photograph by Polina Mourzina

The new album from young African-Canadian roots phenom Kaia Kater couldn’t come at a better time. As a new generation takes the reins, American roots music is needed more than ever to remind us of the troubled pathways of our own history. Born of Afro-Caribbean descent in Québec, Kaia Kater grew up between two worlds: one her family’s deep ties to Canadian folk music in her Toronto home; the other the years she spent learning and studying Appalachian music in West Virginia. Her acclaimed debut album touched on this divide, but her new album, Nine Pin (set for release on September 2nd on Proper Records) delves even further, and casts an unflinching eye at the realities faced by people of colour in North America every day.

Her songs on the new album are fuelled by her rich low tenor vocals, jazz-influenced instrumentation, and beautifully understated banjo, and they’ve got as much in common with Kendrick Lamar right now as they do with Pete Seeger. True to her roots in Appalachia, the title of the album comes from a traditional square dance formation in which a woman stands alone in the middle of a circle of people turning around her. As a double meaning, it’s also one of the pins in bowling that keeps getting knocked down. Surrounded yet alone, constantly in the line of fire, this album speaks beautifully to the seasons of a young woman’s life.

As a new generation of artists like Rhiannon Giddens, Leyla McCalla, and Dom Flemons are reclaiming the black roots of North American music, Kaia Kater steps into this dialogue with Nine Pin, bringing a powerful new voice to the conversation.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Kaia Kater link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

KAIA KATER REMAINING MAY UK TOUR DATES:
Saturday 20th May – The Met, Bury
Sunday 21st May – The Greystones, Sheffield
Tuesday 23rd May – Green Note, London

Artist’s website: http://www.kaiakater.com/

‘Saint Elizabeth’ live:

Fraser Shaw – posthumous tune book and CD

Fraser Shaw
The Islay Sessioners

Fraser Shaw was a wonderful piper, whistle player and composer from Glasgow who resided on the Isle of Islay. After his passing in May 2015, a group of friends and family started a Trust in his honour. The foremost aim of the Fraser Shaw Trust is to raise money for the relief of multiple sclerosis, particularly in Argyll, Scotland, through a series of projects and events celebrating Fraser and his music.

A few years before Fraser’s passing, he had it in mind to release a book of his own compositions, the proceeds of which would go towards the MS Care Centre in Lochilphead, Scotland. Unfortunately, due to his illness, this never came to fruition.

Over the last year and a half, the Trust have been working hard to bring this idea to life and release this much anticipated book, along with an album comprised of Fraser’s tunes. In November 2015 a group of musicians gathered on Islay, to play a special memorial concert at Fraser’s festival, The Islay Sessions, thus laying the groundwork for this album. In January 2016 at Celtic Connections this same group of musicians, “The Islay Sessioners”, as they called themselves, performed this music as part of Islay Night, a concert that both celebrated the music and culture of Islay, and the music of Fraser Shaw.

In September 2016, recording began for the album in Castlesound and Carrier Waves Studios. Many of the arrangements heard at Islay Night have been recorded, along with a few additional tracks. Playing on the album are; Adam Sutherland, Eilidh Shaw, Gráinne Brady, Lori Watson, Innes Watson, Angus MacKenzie, Calum MacCrimmon, Kevin O’Neill, John Somerville, Laura-Beth Salter, Jenn Butterworth, Ross Martin, Tina Jordan Rees, Duncan Lyall, with very special guests; Kathleen Graham, Mhairi Hall and Ross Couper.

The Fraser Shaw Trust is delighted to announce the release of the book and CD on Tuesday June 27th 2017, with a big launch on the Isle of Islay to mark the occasion. The event will take plce in Bruichladdich Hall, with a concert featuring the musicians on the album. A second launch in Glasgow is set for Monday August 7th in St Luke’s Church as part of Piping Live!

Hard copies of Fraser’s CD will be available exclusively at the pre-launch party which will take place in The Sparkle Horse, Glasgow on Tuesday May 16th. Tickets for launch concerts and pre-orders will be for sale online from May 16th through the website – www.FraserShawTrust.com.

Proceeds of the tunebook will go directly towards the MS Care Centre in Lochilphead. Proceeds of the album and further donations will be used for the advancement of education, arts and culture and for the relief of those living with multiple sclerosis in Scotland, particularly on the Isle of Islay.

Lifetime Achievement Award for Sarah McQuaid at Ards International Guitar Festival

Sarah McQuaid

At the Ards International Guitar Festival, Sarah McQuaid was presented with the festival’s annual Lifetime Achievement Award. Previous recipients over the festival’s 20-year history include legendary guitarists Davey Graham, John Renbourn, John Martyn, Arty McGlynn, Martin Simpson, Gordon Giltrap, Pierre Bensusan and Martin Carthy.

Sarah recalls her initially annoyed reaction when compere Ralph McLean of BBC Radio Ulster and festival director Ernie McMillen of Avalon Guitars came out to present the award:

“I’d just finished my set and left the stage, and the crowd was calling for an encore, but before I could come back out from the wings, Ralph McLean and Ernie McMillen walked onstage and started talking about the Lifetime Achievement Award.

I just thought, ‘Oh, rats, now they’ll bring out some big-name guitarist to accept this bloody award and I won’t get to do my encore!’ Never in a million years did I think it would go to me. I was totally and completely floored. It’s a very, very big deal to be placed on a level with so many of my musical heroes.”

And she did get to do an encore after all, performing a cover of Ewan MacColl’s ‘The First Time Ever I Saw Your Face’, which she also recorded on her fourth solo album Walking Into White (Waterbug, 2015).

“Every year since 1999, Ards International Guitar Festival has awarded a Lifetime Achievement Award to an artist performing at the Festival,” explains the Ards Arts Centre’s Emily Crawford, co-director of the festival along with Ernie McMillen and Darren Porter. “There has never been a female recipient of the award, and with an artist of the calibre of Sarah McQuaid on our bill, it was an easy decision to make in 2017! The Newtownard’s Guitar Festival features guitar styles from classical to blues, folk to jazz and bluegrass to rock.

“A favourite of local audiences in Ards, Sarah has a true gift and captivates the audience with seamless playing and an effortlessly enchanting voice,” Crawford continues. “She and her guitar become one beautiful sound, and her goosebump-inducing rendition of ‘The First Time Ever I Saw Your Face’ was the perfect end to an outstanding performance.”

Ernie McMillen agrees: “It is rare in the guitar world to find a player who displays genius without arrogance, and who shares their hard-won skill and knowledge so selflessly,” he says. “I get to see many specialist guitarists up close, and many over-perform. It’s honey for the soul to witness Sarah McQuaid perform.”

Sarah McQuaid is currently hard at work writing songs for her fifth solo album, to be produced by folk icon Michael Chapman and released in 2018 (once again on the US-based Waterbug label) with album launch tours in the UK, Ireland, Continental Europe and the USA.

She also hopes to pen a sequel to The Irish DADGAD Guitar Book, the popular tutor she authored on the alternative guitar tuning she uses exclusively – originally published in 1995 and still the standard reference on the subject, selling worldwide through Novello & Co. /The Music Sales Group and Hal Leonard Corp.

Artist’s website: www.sarahmcquaid.com

‘The First Time Ever I Saw Your Face’ live:

Calum Alex Macmillan releases second solo album

Calum Alex Macmillan

The latest in a venerable family line of Gaelic singers and bards, Calum Alex Macmillan ranks squarely at the forefront of his culture’s contemporary renaissance. With his second solo album Till (a long-awaited successor to 2005’s highly-praised Taladh Nan Cuantan), the Isle of Lewis native and ex-Dàimh vocalist resoundingly reaffirms that status, in material retracing his deepest traditional roots, while simultaneously embracing the present.

Till means ‘return’ in Gaelic, denoting the frequent visits back to his family home in Point, a tradition-rich peninsula off Lewis’s east coast, during which Macmillan – currently based in Inverness – gradually gathered songs and tunes for the album. His primary source was numerous kitchen-table sessions with his father, Harris Tweed weaver John “Seonaidh Beag” Macmillan, himself a celebrated singer, and co-founder of pioneering Gaelic group The Lochies.

“Besides sharing his own songs,” Calum Alex explains, “Dad played me loads of his reel-to-reel tapes from years ago, of other folk singing, old BBC programmes and suchlike. I also discovered that my great-auntie, in the next village, had tapes that her late auntie had made, of singers she knew in the area. I have a lot of singers going back on both sides of my family, and there were a good many others, really quite widely-known singers, living nearby when I was growing up, who sang songs by local bards – some of them written by my ancestors. The ones on the album have so many interconnections for me: with my childhood, my family’s history, with that particular place and that community.”

The album title also resonates aptly in English, with its dual sense of cultivation – tilling the land – and of looking forward (until), reflecting both Macmillan’s heartfelt fealty to centuries-old tradition, and his skill at bringing it to timeless yet modern-day life. Produced by Donald Shaw – of Capercaillie/Celtic Connections fame – Till’s sensitively spacious, freshly imaginative arrangements feature such fellow contemporary folk luminaries as Julie Fowlis, Greg Lawson (GRIT), Ross Martin (Dàimh), James Mackintosh (Shooglenifty), James D. Mackenzie (Breabach) and Manus Lunny (Capercaillie).

As alluded to above, Macmillan has been singing nigh-on since he could talk, developing his talents and repertoire at both local ceilidhs and the annual Mòd network of competitive Gaelic festivals. Winner of the coveted National Mòd Gold Medal at only 18 – he triumphed again in the Traditional contest two years later. His parallel prowess on the bagpipes (as featured in Till’s two instrumental sets), resonates clearly through his vocal phrasing and ornamentation, while a potent expressive blend of gravitas and passion, buoyancy and weight, also reveals the uniquely elemental influence of Gaelic psalm-singing, a tradition still widespread during his childhood. Following Taladh Nan Cuantan’s release, Macmillan’s six years with award-winning Highland band Dàimh further honed this exquisitely distinctive artistry, not least in his masterly handling of accompaniment – artistry that now, on Till, attains marvellously mature, transcendently eloquent fruition.

If you would like to order a copy of the one of the albums (in CD or Vinyl), download them or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the Calum Alex Macmillan – Till link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

ORDER – [CD]

Artist’s website: www.calumalexmacmillan.co.uk   

Folk stars heading to Jinney Ring Festival

Jinney Ring Festival

Some of the UK’s best folk acts will be heading to Hanbury for the Jinney Ring Craft Centre’s annual festival.

Headlining the festival programme on Saturday, June 24 will be celebrated songwriters Kathryn Roberts and Sean Lakeman – twice winners of the BBC Radio 2 folk award for best duo and acclaimed for their wide-ranging acoustic repertoire.

The event will also feature powerful Celtic-inspired folk provided by Roving Crows, a quartet well-known for their energetic live performances and a strong connection with their audiences.

The eight acts on the Marquee Stage also include quirky singer-songwriter Ruth Theodore, eclectic bluesy trio Mumbo Jumbo and The Haunted Souls, a foot-stomping folk and country foursome.

“This will be our fourth folk festival and once again, we’ve put together a great line up. It’s a fantastic opportunity for people to see these acts on their doorstep and away from the bigger festivals,” said Jinney Ring owner, Amanda Sunter.

The festival also includes an intimate gig on Friday, June 23 by traditional folk singer and multi-instrumentalist Steve Turner which will be followed by an open mic session. The performances the following day run from midday until 11pm.

Tickets are priced from £22 in advance from the festival website with camping packages also available.

Festival website: www.jinneyring.co.uk

Bob Fox – The Warhorse Songman – May dates

LIVE & LOCAL CONCERTS

“Evening with the Warhorse Songman”


Saturday 20th  The Peel Centre, High Street, Dronfield,Derbys S18  
tickets/info: 07860 752471


Thursday 25th  Hallgate Gallery Vault, 22-24 Hallgate, Hexham, Northumberland NE46 1XD
tickets/info: 01434 603884


Friday 26th       BollyFolk, The Dog and Partridge, Palmerston Street, Bollington, Cheshire SK10 5JX
tickets/info: 01625 573255


Saturday 27th  Chester Folk Festival (Kelsall nr Chester)
tickets/info: 07005 977045


Artist’s website: www.bobfoxmusic.com