Eliza Carthy releases ‘Monkey’ 7th November…

Eliza Carthy will release her new single ‘Monkey’ through HemHem Records on 7th November. The single is taken from her current album ‘Neptune’, which was recorded at Castle Studios, Edinburgh and co-produced by Dave Wah and Eliza Carthy, ‘Neptune’ is the solo follow up to 2008’s ‘Dreams of Breathing Underwater’ and the first record to be released through her own label, HemHem Records.

Her bravest, most original work to date” 4/5 The Guardian
“A second coming for the saviour of British folk” The Independent
“A cracker” 4/5 MOJO
“One of our most cherished artists” 4/5 Record Collector
“The best original album of her career” 4/5 The Mirror
“A warm, quirky cocoon of sound” Mail on Sunday
“Impressive” Independent On Sunday
“Fearless and uproarious” The Observer

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist Web link: www.eliza-carthy.com

Graham Robins – THE SHIPPING NEWS

THE SHIPPING NEWS is the brand new album release on The Global Sessions Label by singer songwriter Graham Robins emphasising his love of soul, blues, country and Gospel music along with the occasional dip into Celtic and Folk; all delivered in his signature rich deep voice. The album takes the listener on a journey into the heart and soul of a singer songwriter who has composed a well crafted collection of songs that underpins an experience and love of roots music in all its many forms.

Stand out cuts include the stunning title track The Shipping News, where Graham’s vocal delivery teases every emotion, guaranteed to move the listener, the pedal steel led Now All Of The Heartache’s Gone, the soulful Snow Blindand emotionally charged Roll Back The Years, but special mention must be made of the stunning Drown In Your Eyes which really shows a songwriter at the top of his game. This is an album of twelve killer songs, no fillers here. Continue reading Graham Robins – THE SHIPPING NEWS

The Sunshine Delay – KEEP IT TOGETHER

Since 2001, The Sunshine Delay have been winning admirers throughout the UK and the USA for their classy original songs, cohesive musicianship and a style that blends the best elements of Country, Roots and Power Pop.

KEEP IT TOGETHER is their superb second album, destined to gain the band even more success and a legion of new fans. The new release is a collection of eleven original songs where all band members have an input to song writing and musical arrangement. Continue reading The Sunshine Delay – KEEP IT TOGETHER

Bert Jansch…R.I.P

I was very sad to learn today that Bert Jansch  has died of lung cancer. I was lucky enough to catch the man back-stage at the London Fleadh in 2000 which I will always remember as we shared a banana in his caravan prior to the interview.

Bert was a virtuoso guitarist, hailed by the likes of Jimmy Page,  Neil Young and Johnny Marr of the Smiths as a force to be reckoned with -and learned from, and was  recognized by Rolling Stone magazine as one of the top 100 guitarists of all time. He was also a prolific songwriter. The man was at the very center of the British folk revival of the late 1960s and early 1970s . He was a founder member of Pentangle, who were unique, with their slightly different, visionary mix of folk and jazz music that found a huge audience for its complex arrangements and stunning musicianship.  Continue reading Bert Jansch…R.I.P

Kevin Henderson – “Fin Da Laand Ageen”

Kevin Henderson comes from the Shetland Islands, an island with one of the richest fiddle traditions in the world. He is in hot demand as he performs around the globe with four high-profile musical groups. He is a founding member of award winning Shetland group, Fiddlers’ Bid, formed in 1991, has been a member of folk music legends, Boys of the Lough, since 2002, a member of Scottish super group, Session A9, since 2004 and recently helped to co-found the Nordic trio, The Nordic Fiddlers BlocContinue reading Kevin Henderson – “Fin Da Laand Ageen”

THEA GILMORE – Don’t Stop Singing

THEA GILMORE - Don’t Stop SingingThe prolific and ever-talented Thea Gilmore has announced details of a unique new collaborative album, ‘Don’t Stop Singing’Released on November 7 via Island Records & Mighty Village, the record brings together Gilmore’s songwriting and arrangements with previously un-scored lyrics penned by folk legend Sandy Denny. The seeds for this extraordinary project were planted, albeit somewhat inadvertently, twelve years ago, when a Denny biographer unearthed a collection of unscored lyric manuscripts amongst Denny’s personal effects (held in Australia by the Fairport Convention singer’s widower, Trevor Lucas). These ‘lost’ manuscripts continued to lie essentially dormant until late 2007, when Denny’s home label – Island Records – and the custodians of her estate began combing through her correspondence, as part of a BBC project. In doing so, they found the lyrics to twenty brand new and never-heard-before songs. Denny’s estate, willing them to reach a public audience, set about the unenviable task of trying to find the right artist to flesh out these words with music.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Perhaps unsurprisingly, a name which frequently came up in discussions was that of Thea Gilmore. Beyond the frequent and favourable comparisons that have been made between the crystalline vocals of Gilmore and her predecessor, there seemed to be a strong resonance of Denny’s legacy in Thea’s work. Bizarrely, it was as an intern at Fairport Convention’s Oxfordshire studios that a young Gilmore’s burgeoning career began. Here has followed a vehemently independent and prolific output, which has thus far seen Thea release ten critically-acclaimed studio albums in as many years (she is barely 30), and acquire fans such as Bruce Springsteen and Joan Baez. Gilmore, though understandably daunted by the task of agreeing to make an album that was in some senses already written, agreed to take up the challenge.

‘Don’t Stop Singing’ is no mere exercise in hero-worship on Gilmore’s part. Thea has crafted an elegant, emotional score to accompany Denny’s unfinished songs, which effortlessly reflects the content of Sandy’s words, and shines new light on both artists involved. This is perhaps best demonstrated on the gorgeous, string-led opener, ‘Glistening Bay’, where the wistful wish to return to a far-off city acquires an emotional new resonance. And though this is a fundamentally tender record, it is not without colour: see the upbeat folk-pop of ‘London’, which features the accordion playing of John Kirkpatrick (a contributor on original Denny recordings).

Whilst the record certainly has Thea’s stamp on it, there is no mistaking the talent and unflinchingly personal narrative of Denny. This is a collection sewn together in equal parts by Denny’s awe of the natural world, the experiences of her marriage to Lucas and her well-documented personal battles. ‘Pain in My Heart’, for instance, details a conflict of love and fidelity, and even references occasions of stage fright. One of the album’s most poignant moments, ‘Long Time Gone’, portrays an artist ill at ease with travel, separation, and herself: “I’m in such a terrible state, and my city’s just like me / I can’t afford to live in this place / And I can’t afford to leave.”

And yet despite Denny’s lyrical demons, the title track of ‘Don’t Stop Singing’ proves to be prophetic: this is a record that points to the enduring value of artistry, made – in extraordinary circumstances – by two extreme talents. Says Thea-

“I can’t remember a time in my life where I didn’t know at least one Sandy Denny song. Growing up the 80s, in an impossibly rural corner of Oxfordshire, she was one of the voices who filtered through from my father’s record collection, and ‘Late November’, ‘Fotheringay’ and ‘Next Time Around’ were as embedded in my psyche as surely as the delights of Bros and New Kids On The Block were thrilling my alleged peers…

As I moved further away from my beginnings and as the world moved further away from 1978, Sandy began to assume the proportions of a reference point, a fountainhead even, for any girl who wanted to sing and write and who didn’t wish they’d been born American.

Who knows how she would have developed these fragments, poems, words without tunes, had she lived longer? I was pleased to be asked, by those who survived her and those who continue to curate her work, to develop them, pleased when the words began to carry me somewhere and to suggest places that they and I could go together, and pleased when musicians who knew her and worked with her gave me encouragement, urged me to make this record.

Would Sandy have liked to see these songs being finished by me and released to the world? I hope so, but I will never know and neither will you. I see some of her contemporaries receiving posthumous garlands, being lauded by new generations of listeners, and I wish the same on Sandy’s beautiful timeless music. If you are reading this and don’t own a Sandy Denny album, consider yourself urged to go buy one.

And hey, in the end, who cares where the time goes, the music stays.”

Artist Web Link: http://www.theagilmore.net/