Hat Fitz & Cara Robinson – Check it out! Amped up old time blues with a Celtic twist…

Already firmly established on the Australian festival circuit, Hat Fitz and Cara Robinsonhave arrived in the UK and Europe to entertain audiences with their foot stomping blend of hill country and delta blues that is given a startling and exciting new direction with Cara’s Irish roots. As well as showcasing songs from their critically acclaimed album ‘Beauty and the Beast’ the charismatic duo will be performing a wealth of new material enhancing their reputation as one of the best live blues acts around. Both artists live their music, giving it a gritty and genuine warmth. Continue reading Hat Fitz & Cara Robinson – Check it out! Amped up old time blues with a Celtic twist…

ROY HARPER – ‘SONGS OF LOVE AND LOSS’

Few survivors from the golden age of British folk-rock have kept their reputations intact. Of the generation of troubadours who came of age in the folk clubs of Londonin the mid-1960s, there is one figure whose body of work, comprising 23 studio LPs and almost as many live and compilation releases, has come to stand for a particularly single-minded form of integrity. That man is Roy Harper.

On September 19th Union Square Music/Salvo Records releases the physical version of the 2CD set ‘Songs of Love and Loss’ Volumes 1 & 2 – 23 songs of raw, uncompromising honesty and emotion spanning Harper’s work from 1966 to 1992. One of the most innovative song writers to come out of the mid 60’s folk boom, ‘Songs of Love and Loss’ displays his remarkable array of styles, from the early folk finger pickings of Black Clouds and mysterious All You Need Is, to the bluesy ‘Little Lady’, the resonating ‘Frozen Moment’ and the lamenting ‘Another Day’.

Now officially ‘retired’, and living in a secluded corner of Ireland, Harper has recently been hailed as a key influence by a much younger generation of devoted starsailors who instinctively recognise his innovations, his refusal to compromise and his visionary world view. The likes of Fleet Foxes, Joanna Newsom and Jim O’Rourke are avowed fans; and in previous decades he has enjoyed public endorsements and tributes from the likes of Led Zeppelin, Kate Bush, Pink Floyd’s Dave Gilmour and many more.

Born in 1941 near Manchester, he was raised by a father and Jehovah’s Witness stepmother (his mother died when he was a baby) and developed an early aversion to dogma and organized religion. Running away he joined the Royal Air Force as a teenager, but didn’t take too well to their rules and regulations. Leaving wasn’t so easy as running away from home, however, and Harper opted to plead insanity to get his release. Part of the discharge deal meant he had to undergo unpleasant ECT treatment at a mental hospital. Harper later drifted throughout Europe, and by 1965 was a mainstay of London’s Les Cousins folk club, performing alongside the likes of Paul Simon, Joni Mitchell, and Nick Drake.

In 1966 the tiny indie label Strike issued Harper’s debut LP, The Sophisticated Beggar; the record brought him to the attention of Columbia, which released his sophomore effort, Come Out Fighting Genghis Smith, the following year. In 1968, Harper mounted a series of free concerts in London’s Hyde Park, which greatly expanded his fan base in preparation for the release of 1969’s Folkjokeopus, which included “McGoohan’s Blues,” the first of his many extended compositions.

After meeting Pink Floyd manager Peter Jenner, Harper was signed to EMI’s Harvest subsidiary, and in 1970 he issued Flat Baroque and Berserk, recorded with contributions from members of the Nice; that same year marked the appearance of Led Zeppelin III and its track “Hats Off to Harper,” a tribute penned by longtime friend Jimmy Page. Upon relocating to the Big Sur area of California, Harper began writing 1971’s Stormcock, regarded by many as his finest record; the following year he starred in the film Made, releasing the music he composed for the picture’s soundtrack in 1973 under the title Lifemask.

Valentine, a collection of love songs, appeared in 1974, and was quickly followed by the live album Flashes from the Archives of Oblivion, featuring appearances by Page, Keith Moon, Ronnie Lane, and Ian Anderson. In 1975, Harper formed Trigger, a backing group including guitarist Chris Spedding and drummer Bill Bruford; however, after releasing just one LP, HQ, the unit disbanded. In 1975 Harper also took lead vocals on “Have a Cigar,” a track on Pink Floyd’s Wish You Were Here.

Harper rode the unsteady waves of the music industry during the 1980s but kept up a productive output and in 1994, he set up his own record label, Science Friction, to curate and re-release his entire back catalogue, along with a clutch of CDs of live and unreleased material covering his entire career. In his book, The Passions Of Great Fortune (2003), he published his complete lyrics together with photos, annotations and re-evaluations of every one of his songs. In 2005, old pal Jimmy Page presented him with the prestigious Mojo magazine Hero Award.

2011 will see a great deal of Roy Harper activity; Roy celebrates his 70th birthday, ITV Home Studios are to release a live concert DVD newly recorded at Metropolis studios and Roy will also play a sell-out gig at the Royal Festival Hall. Along with the reissue of a number of his original albums in digital form, Roy Harper’s incredible, visionary catalogue of work enters the digital domain in time for his music to take on a new, urgent and timely appeal, in an age in which the hypocrisies and injustices he railed against are more present than ever before. It’s been a damned good innings and he’s still not out.

Track listing sequence:

Volume 1

1.Black Clouds
2. Girlie
3. All You Need Is
4. Francesca
5. East Of The Sun
6. Little Lady
7. North Country
8. I’ll See You Again
9. Naked Flame
10. Commune
11. Frozen Moment

Volume 2

1. Davey
2. Another Day
3. South Africa
4. Hallucinating Light
5. Sleeping At The Wheel
6. Waiting For Godot
7. The Flycatcher
8. On Summer Day
9. Cherishing The Lonesome
10. My Friend
11. One More Tomorrow
12. Forever

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Artist Web Link: http://www.royharper.co.uk/

Katriona Gilmore & Jamie Roberts

BBC Radio 2 Horizon Award nominees Katriona Gilmore & Jamie Roberts combine relentless rhythmic guitar, driving mandolin and trademark harmonies on their new single ‘No Rest For The Wicked’. A standout track from the duo’s second album Up From The Deep (2010), ‘No Rest For The Wicked’ has been remixed by top international mix engineer Ruadhri Cushnan (Mumford & Sons, KT Tunstall, Ed Sheeran) for release in July 2011. Continue reading Katriona Gilmore & Jamie Roberts

A Crooked Mile – by Society

Following on from their hugely successful release SONGS FROM THE BRICKHOUSE, Society are back in 2011 with A CROOKED MILE. This stunning new release is guaranteed to bring the trio even more praise from media and audiences alike. For those that don’t know Society are a three piece country rock band from West Sussex who specialise in gorgeous three part harmonies that set them apart from the current crop of Americana or country rock wanabees in the UK. The band comprise guitarist Matt Wise, bassist Ben Lancaster and holding down the beat, F.Scott Kenny on drums. Their recorded and live sound has echoes of C.S.N.Y, The BandThe Heartbreakers, The Jayhawks and the late great Ronnie Lane and Slim Chance. Matt Wise composes most if not all of their material and when all three sing in harmony the result is simply stunning, this shown perfectly at the 2011 Maverick Festival where they had the audience spellbound listening to their live performance.

Since forming in 2004 Society have supported many great artistes including Eve Selis, Deadstring Brothers, Corb Lund, Luke Doucet and The Wailin’ Jennys. Apart from their own UK headline shows, Society have completed two tours of Canada along with a string of dates in the American mid-west gaining a whole new legion of fans in the USA.

This constant touring has honed both their musical and vocal chops and in the summer of 2011 Society returned to the studio to produce A CROOKED MILE, recorded both at the Brickhouse Studios near Brighton and the bands own Downland Studios located near Gatwick. Matt Wise was in the producers’ chair, ably assisted by engineer James Gasson.

The album is once again a collection of eleven original songs from the pen of Matt Wise and arranged by all three band members. Guest musicians featured on the album include Spencer Cullum who is one of the foremost young pedal steel players around today, Ben Davies and James Batchelar on keyboards, Pat Kenneally on melodica/piano and added pedal steel is supplied by Chris Pritchard.

The songs on A CROOKED MILE once again echo their love and passion for all things West Coast USA, Laurel Canyon and the great country rock music produced in the late 1960s/early 70s, yet their sound is brought into the 21st century with a distinctly indie feel. Stand out tracks include 40 Days, a stunning and anthemic crowd pleaser, Blues Flag, reminiscent of The Band at their finest, the bluegrass influenced Davey and the perfect opening track Wheels A’ Turning, country rock at its very best.

2011/2012 will see Society touring the UK to support the release of A CROOKED MILE and already the band are confirmed for several festival appearances in 2012.

If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the banner link below to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.

Ady Johnson – TELL THE WORRY DOLLS

Having fronted Colchester’s organ driven rock ‘n’ roll band FuzzFace for some years, Ady Johnson now embarks on a solo acoustic project with the launch of his debut album TELL THE WORRY DOLLS. This self-released album has already been recognised as a possible “first contender for album of the year… deserves to be massive” in a glowing 9/10 review by James Robinson for the Press Association: “This low-key, no-label release by Colchester singer-songwriter Ady Johnson might well be the first contender for album of the year. Johnson’s voice and face are both similar to Harry Nilsson’s, while the sound, an acoustic guitar-led barroom skiffle, is resonant of Badly Drawn Boy’s first record – plus, he has fantastic tunes to match. It’s refreshing to hear music in the folk genre being so dynamic and upbeat. Tell The Worry Dolls deserves to be massive. An excellent start to 2011”

Continue reading Ady Johnson – TELL THE WORRY DOLLS

PEATBOG FAERIES – “DUST”

Label: Peatbog Records

Format: 6 page Digipak & Download
Catalogue number: CDBOG006
Bar code: 5060131890296
Distribution: Proper Music Distribution & Highlander Music
Date Released: 8th August, 2011

With their unique approach to the Scottish tradition, Peatbog Faeries play to audiences all over the world. This album takes them in a new direction and could be long time producer Calum McLean’s finest hour.  As McLean said himself ‘this album has been the best musical experience of my life’.  New members have provided fresh impetus to the direction and creativity of the band: Continue reading PEATBOG FAERIES – “DUST”