’Nashville Sessions : The Duets’ is a new collection that presents the best duets from the recording sessions at John McBride’s famed Blackbird Studio in Nashville that resulted in the album trilogy of ‘The Blackbird Diaries’, ‘The Ringmaster General’ and ‘Lucky Numbers’ released by Dave Stewart between 2011 and 2013. ‘Nashville Sessions : The Duets’ features striking vocal performances by Stevie Nicks, Alison Krauss, Colbie Caillat, Joss Stone, Martina McBride and more.
‘God Only Knows You Now’ (with Jessie Baylin)
Dave Stewart played two UK shows in September 2017 with his Nashville All Star Players to celebrate his 65th birthday, folking.com was there at the London gig and the other was in his birthplace of Sunderland.
Here are the photo’s from the O2 Shepherds Bush Empire London show… click on the photo below to view the full set.
Support came from the London Gospel Community Choir and guests included:
– Bob Harris
– Holly Quin-Ankrah
– Martin Chambers (a founding member and drummer for the Pretenders)
– Candy Dulfer
– Diane Birch
– The other Doom Brother, Bob Geldof
– Jon Stevens (from Noiseworks)
– So Long Ago.
– Beast Called Fame.
– Magic in the Blues.
– (Eurythmics) – Here Comes the Rain Again (with Holly Quin-Ankrah)
– Lily Was Here (with Candy Dulfer).
– Soul Years + This Little Town (with Martin Chambers).
– Heart of Stone.
– All Messed Up – (with Diane Birch) from Dave’s latest Nashville Sessions: The Duets project – http://wp.me/p5SuEn-9Ul
– (Eurythmics) – There Must Be An Angel (Playing With My Heart) – (with Diane Birch).
– This Is The World Calling (with Bob Geldof).
– Don’t Come Around Here No More (the song Dave wrote for Tom Petty) – (with Bob Geldof).
– Starlight – from the 2016 project with Jon Stevens (with Jon Stevens).
– (Eurythmics) – Missionary Man (with Jon Stevens and Holly Quin-Ankrah).
– (Eurythmics) – Thorn in My Side
– When the Day Goes Down (with London Gospel Community Choir).
– (Shakespears Sister) – Stay.
– (Eurythmics) – Would I Lie to You?
– (Eurythmics) – Sweet Dreams (Are Made of This).
Nashville Sessions : The Duets – Track-listing:
1 Drowning In The Blues (with Alison Krauss)
2 All Messed Up (with Martina McBride)
3 Just Another Fall (with Diane Birch)
4 God Only Knows You Now (with Jesse Baylin)
5 Bulletproof Vest (with Colbie Caillat)
6 Cheaper Than Free (with Stevie Nicks)
7 Picnic For Two (with Joss Stone)
8 One Way Ticket To The Moon (with The Secret Sisters)
9 Nashville Snow (with Karen Elson)
10 Every Single Night (with Martina McBride)
11 You And I (with Laura Michelle Kelly)
If you would like to order a copy of the album (in CD or Vinyl), download it or just listen to snippets of selected tracks (track previews are usually on the download page) then click on the DAVE STEWART Nashville Sessions link to be taken to our associated partner Amazon’s website. Buying through Amazon on folking.com helps us to recover a small part of our running costs, so please order anything you need as every little purchase helps us.
ORDER – [CD]
‘One Way Ticket To The Moon’ (with Secret Sisters)
Last year I was a Cropredy virgin, but this year on THAT field in August, I knew what the score was. Well, until I tried to do the camping and putting up the tent thing! Every year will bring new things I guess!
Arriving at the Folkmaster’s abode on Wednesday 9th August, things were in full swing for the journey to meet the other Folkingdotcommers in Tesco car park, on the outskirts of Banbury, early the following morning. The kitchen sink was being loaded into the Folkmaster’s car in an orderly fashion, and it was suggested that if I hadn’t bought wellies with me, that I should go out and buy some. Talk about the 11th hour, I found a store and paid for them at 5.29pm when the store closed at 5.30! I was a bit anxious at this point as surely it wasn’t going to rain? I don’t do wet camping, I don’t do camping generally!
Sparrow spit early Thursday morning came, and off we went to Banbury. Not a bad journey, although I slept most of it! (NO – I wasn’t driving)! We all arrived at mostly the same time, Paul, Jonny Mac, No Chance and ourselves were too early for breakfast, so spent some money in Tesco, before we had breakfast. Full English were ordered by all but 2 of us, and then off we set, into the midst of Cropredy bound Festival goers. All wanting to get the best fields and parking. Last year I remember the queues, but this year was plain sailing. We soon found out why, because loads of others had started out before us, so we should have forgone breakfast! We were shepherded in to Field 7B, ended up right in the middle of the field, miles away from the few loos and the even fewer showers. I was panicking already!
Tent time. Paul was in his van, so all he had to do was connect his awning. Few minutes and he was ready. No Chance had a smaller tent and he knew what he was doing, Folkmaster had a new tent which was an air based one, so he got his instructions out and sorted his out, Johnny Mac was ably putting his tent up, and there was little old me, with a new tent. Poles and all.
I tried, dear readers, I really did. The lads were brilliant though, and thank them all for it. It was suggested I wore my new wellies, as mud could well be present, due to the onslaught of rain in the days leading up to the Festival. Visions of Glastonbury encroached in my mind……
We were a bit early when finished, as we couldn’t get into the arena field until 2pm, so were twiddling our thumbs for a while. The usual banter flowed. We were expecting another member of the Folking team – Paul Johnson – but he was nowhere to be seen or heard, so we did the Chariots Of Fire walk with our chairs and bags and waited for the gates to open. On the way there, we were serenaded by medieval musicians, Myal Pyper, who were a delight to listen to.
We finally got in, and headed for our usual spot. Looking at the Stage we headed left, near Leon’s food stall, always a lovely experience to savour their food. The queue for Fairport merchandise was already growing rapidly and that did not stop all day and evening. The staff in that tent were heroes! It was the same the following day!
4pm finally arrived and Fairport Acoustic opened the Festival. Riotous applause from the crowd, a full packed arena, for the Thursday is not what usually happens apparently. A mostly cracking line up and one that I didn’t want to miss. Feast Of Fiddles came next featuring an array of the best fiddle musicians this country has produced, such as Peter Knight of Gigspanner, Hugh Crabtree – melodeon player with attitude, Garry Blakeley, Tom Leary, Ian Cutler, Brian O’Neill and Fairport’s own superb fiddler – Chris Leslie. Phil Beer, Marion Fleetwood and Sophie Crabtree came on later on in the set to enhance the line-up, totalling nine fiddle players! Legendary drummer Dave Mattocks was over from America, Martin Vincent and Dave Harding on guitars and Alan Whetton on sax and keyboards. Awesome!
Show of Hands next – favourites of mine, they played an absolutely blinding set. Highlight was their rendition of Don Henley’s classic – ‘Boys Of Summer’. The whole field was talking about how fab it was.
Chris While guested for ‘Dark Fields’ and it was indeed a lovely occasion to witness her singing on this again. Phil told us that he will be virtually taking next summer off to revive his Folkboat activities, which is why this year they have so many festivals booked and Steve will be doing solo work next summer. Really enjoyed the whole set.
Eventually we met up with our lost team mate – Paul Johnson – who had had a nightmare putting up his tent apparently, and his mobility scooter had a flat battery. Could only happen to Paul!
Next up – The Trevor Horn Band – consisting of three producers – Trevor Horn, Steve Lipson and Lol Crème (of Godley & Crème) who had played and or produced songs for other artists. A kind of covers set but all perfectly connected to these three fine producers. They sounded good too. They got the crowd going and singing along to numbers we all knew, such as ‘Two Tribes’, ‘Relax,’ ‘Video Killed The Radio Star’, ‘Rubber Bullets’ etc. They have over 200 hit singles and albums to choose from and it was very pleasant and lively set. Nice mix.
Headliners for Thursday evening were The Divine Comedy. Frontman Neil Hannon came on and his first sentence had the ‘f’ word in it. He seemed star struck initially about the big crowd and following Trevor Horn and Lol Crème. He didn’t do it for me but I hear that they went down well with some people.
Friday came and rain was forecast. Oh no!! Kick off was at midday after the gates being opened at 11am for the festival goers.
Paul Johnson tests the folking digital interview recorder on Paul Miles, the original co-founder of folking.com – its quite funny so we have kept it in…
Josie Duncan & Pablo LaFuente (2017 BBC Radio 2 Young Folk Award Winners) opened up the proceedings and I could see why they had won this accolade. Scottish traditional, Gaelic, and other influences, songs from the mines and cotton mills. They have played some well-known festivals including Cambridge and in their short time together, are certainly making a mark for themselves.
Another favourite of mine – Gerry Colvin Band – delighted the crowd, for those that were aware of his music and for those that didn’t. A cracking set from Gerry and the Band. Gerry is a delight to watch and although is so hyper, can sing, play and write a fab song. Particularly ‘Watching Feathers Fall’ from his Colvin/Quarmby days. Nick Quarmby, Gerry’s sidekick who left us last year, would have been so proud of Gerry taking centre stage at Cropredy. Gerry gained a lot of fans during that set.
A Cropredy moment for me was asking Gerry later, as I came across him backstage, how he felt and could obviously tell he was ecstatically happy, he said he had met Pet Clark. She spoke to him and said get out of her dressing room. I’m sure he was joking, he usually is!!
Quill were a new name to me. Quite Gothic and I thought the lead singer Joy had a little Kate Bush about her. They have been going since the 70’s, have loyal audiences, and are amazing story-tellers. Really enjoyed them.
Darren Beech and Paul Johnson caught up with Joy from Quill shortly after the set. The Elephant in the Room EP that Joy discusses in the interview will be released on the 23rd of August.
Next up Gigspanner, who a lot of folks were waiting to see (especially the folkmaster, the editor Dai Jeffries and Paul Johnson who are huge fans). While I admire their immense talent, I am not a huge fan myself, but respect that Peter Knight and the Big Band are all superb musicians. They are a little too trad for me.
CC Smugglers were another new one on me, and were superb, in my eyes. The effervescence of the lead singer was palpable and infectious. His shirt was wet through by the time he finished. The rain had arrived by this time but didn’t dampen theirs or the audience’s spirits. CC Smugglers are a band of buskers, who had come together, to form this band. They have even performed at Glastonbury! Definitely ones to watch.
Darren Beech and Paul Johnson caught up with Chris on the Friday.
The annual Chris Leslie Cropredy interview has become a bit of a tradition for us at folking.com and Chris tells us that he looks forward to it as much as we do.
Click the play button below to take a listen.
The absolutely brilliant Pierce Brothers twins came on to a stunning welcome. They were so happy to be there and in tears of happiness! Great guys, great musicians, great energy and great stage presence. So glad the organisers brought them back after last year’s success. Something that is rarely done two years on the trot. I hope they make it third time lucky.
The amazing event of having Petula Clark attend her first festival ever at Cropredy was certainly a scoop. A favourite of my mothers, she would have loved it. Pet at 84 years of age looked and danced as though she was in her 50’s. She sounded great. She performed her hits pitch perfect and aired some numbers from her new album – From Now On, Awesome. She had the crowd eating out of her hand, and they all sang along. A very special moment. Pet did say at the end of her set that she had enjoyed it immensely, and she certainly seemed to have done so, from the audience’s point of view.
Headliner for Friday evening was the Folk Rock Legend Richard Thompson OBE. A co-founder of Fairport in the 60’s he helped pioneer British Folk Rock. He is known as one of the world’s most critically acclaimed and prolific songwriters. He didn’t disappoint. Just amazing. You would have thought four guitarists were on the stage and it was only him, doing it all. His fingers were a blur as he worked so fast. I had the pleasure of meeting Richard at the signing his new album – Acoustic Classic 2, and he was very quiet and unassuming, and lovely to talk to. No ego at all.
I will say at this point that compere for the weekend was Anthony John Clarke, who did a marvellous job of introducing artists and keeping dedications flowing and read them out to the audience. Excellent choice for an MC.
Richard Digance was missed from his usual spot on kicking off proceedings on the Saturday, but he sent a message to say he was busy touring and not to forget his album and books in the merchandise tent. When he came on to the big screens, the audience applauded him, even though it was a pre-recorded message. Lovely.
Richard’s slot was taken by the Ashley Hutchings Morris On Band, who did a marvellous job of performing some classics from the Morris On album, and we had Morris Dancers dancing on stage to complete the scene. Hankies were at the ready and the audience took part in what is usually Richard Digance’s attempt at getting the whole crowd to wave hankies Morris style! A superb sight to see.
Next up ex-Fairport member Judy Dyble and the Band Of Perfect Strangers who took us on a musical journey, ending with her promoting her autobiography – An Accidental Musician – published last year.
Plainsong included another ex-Fairport Member – Iain Matthews and was formed 45 years ago. A very pleasant set, and Iain obviously has his fans.
I then went to try and find a shower, hopefully no queues at this time, so sadly I missed most of the Cats In Space set. I could hear them from afar, but they were visual, and glad I could see even a short bit. Surprisingly only formed last year, they were a tight knit of pop rock genre. All six of them. I enjoyed what I saw. Blew a few cobwebs away!
Marillion followed. Not my cup of tea, but they clearly had their fans there, and were enjoyed by them.
Scottish multi award winning singer-songwriter Dougie McLean OBE followed. He has a global following. I hadn’t seen him before, and certainly did enjoy his set. Full of stories and song, and lots of audience participation. Particularly on his ‘Caledonia’, which has a high regard in Scotland. He also has a Lifetime Achievement Award from the BBC Radio 2 Folk Awards. Superb.
Now was the time for the BIG set!!! Three hours of Fairport and friends. And what a gift to us!!
Difficult to put this all into words as to how the atmosphere of what it was. You just had to be there. Fairport’s Golden Anniversary and an extremely emotional crowd.
Their guests came on during the course of the evening. The wonderful Chris While who picked up the vocal batton for Come All Ye, The Deserter, Tam Lin and Who Knows Where the Time Goes. Richard Thompson came back into the set after the early years stint for Walk Awhile, Poor Will and the Jolly Hangman, Sloth, Now Be Thankful and Sir Patrick Spens. As did Judy Dyble for I Don’t Know Where I Stand andIain Matthews for Time Will Show The Wiser, Reno Nevada and Suzanne in the early years opening piece. Ralph McTell sang us a version of ‘White Dress’ which was the song Dave Swarbrick wrote for Sandy Denny. That was Ralph’s only contribution, which was a shame as he is a great favourite of the Cropredy crowd. All the Folking Team gave a big cheer and Paul Miles kept saying I love him, I love him I don’t know how many times, bless him! Don’t we all!
Former Fairport member Maartin Allcock dazzled us with A Surfeit of Lampreys and Jewel in the Crown with his playing and that electric blue suit . He looked very dapper. We had Sally Barker who also sang ‘Rising For The Moon’, Ashley Hutchings, Dave Mattacks joining Gerry Conway on drums and percussion. Such a wealth of talent, emotion and music was enjoyed by all. The finale of ‘Meet On The Ledge’ had the audience spilling tears all over the now dry grass.
You came, we saw, and you conquered Fairport and all. Congratulations on your Golden Anniversary can’t wait for next year for the start of a new decade.
All Jean Camp’s Cropredy 2017 photos can be viewed HERE
If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.
Squelch… Wickham Festival finally kicked off to a great start with sets from Low, Barker, Morris & Tunstall which sounds like a firm of solicitors instead of musical, dance and poetry partners in festival law; Andy Fairweather Low, Les Barker, the Wickham Morris Sides and KT Tunstall.
Now tell me… where are you going to get a “bend me, shake me, a sermon from the church of the holy undecided, a strip the willow and a black horse and a cherry tree all the the same place!
Here is the moment when the sun came out and everyone forgot about the thirteen days of rain that fell on the site the day before it opened which caused the “elf and safety” three hours delayed start.
The main Thursday night event on the All Time Grates Stage was 10CC, who played all their hits, which they performed as a masterclass in song-writing. They even offered us the following words of wisdom from their extensive mantra…
Life is a minestrone
Served up with parmesan cheese
Death is a cold Lasagne
Suspended in deep freeze …
Friday afternoon had a definite garden party feel that went off with a Wizz, bang and Spooky side-splitting Tickell. It all started with the legendary Wizz Jones who rolled out all his hits including ‘When I Leave Berlin’ which Bruce Springsteen covered.
TheSpooky Men’s Chorale followed, the Antipodean Blue Mountain settlers, that worry local livestock to such a degree that the local farmers club together to pay for their international tours (so long as they agree to do reworked Abba and Bee Gees choral arrangements). Luckily, Kathryn Tickell was there to restore order, Northumbrian Pipe Style, who together with The Side brought Wickham back into the hear and now with evocative slow airs that could break your heart one minute and then fling you seamlessly into life-affirming jigs and reels the next.
In between Tickell and the Spookies (great idea for a band name!) I managed to dash across to the Hapi Stage to catch a bit of the fab Portsmouth based band Bemis. I also managed to grab a copy of their excellent new album A World of Difference that I encourage you all to go and check out for free here
There was barely enough time for a quick change over before it was pedal to metal down the West Country highway in search of Fishy Friends, Seth Lakeman and Show of Hands. All three did the West Country proud and I think its was a great bit of programming to put Port Isaac’s Fisherman’s Friends, Seth Lakeman and Show of Hands all on the same stage and evening bill.
Here is my favourite moment of Friday night, when Show of Hands treated us to a slowed down version of the Don Henley classic “Boys of Summer” . Hope you enjoy it as much as I did.
Saturday opened with more Wickham Festival goodies… Alas, Tim Brooke-Taylor, Graeme Garden, and Bill Oddie didn’t make it for the reunion but folk legends, Steve Tilston & Jez Lowe turned up on the All Time Grates Stage in the afternoon. Then it was a quick hop and skip across to the Hapi Stage for a blistering set from Gilmore & Roberts with festival energy in a bakers bun-dance. Then back again to the All Time Grates Stage as master Dhol drummer, Johnny Kalsi fired up the furnaces of the drums of the mighty Dhol Foundation to create a high-energy, pulsating folking brilliant musical soundscape of Punjabi beat, rhythm and intensity.
If that was not enough excitement for one day, there was a just enough time to sponge down before the main evening event of the big punk-folk-rock 3. I’m sure you will all know who they all are, as the Saturday evening, three in a row line-up, for many, was one of the dream festival programming highlights of this year (dreamt up by the mind of that festival organising genius, Mr Peter Chegwyn) which even included a returning Chopper as part of the Oysterband mix. For those who have not worked it out, it was of course The Men They Couldn’t Hang, Oysterband and The Levellers. I also legged it across to the Hapi Stage to see some of my old matesChris Sherburn & Denny Bartley set with the lovely Emily.
Time had flown by and before anyone knew it, it was “Sunday folk fun-day” and the fourth day of Wickham.
I’ll start with Ray “Chopper” Cooper who opened on the Hapi stage…
Fay Hield then blew in with the Hurricane Party on the All Time Grates Stage and Glasgow boys Imar followed and got the main stage dancing. Wickham festival favourite Duncan Chisholmfollowed with his Gathering before the afternoon slot was brought to a riotous close with Tankus The Henge (a great festival band).
LAU opened the Sunday evening slot which felt like a kaleidoscope of colour washing over the All Time Grates Stage. The power went off at one point so we even got a couple of un-amped numbers.
The finale for me was the crowned Queen of the Wickham Festival crowd, Eliza Carthy with Sam Sweeney & the rest of her merry Wayward Band. Unfortunately, I had to leave early so missed the Peatbog Faeries set but Eliza said that they tore the place apart, so I have been lamenting the early departure ever since.
I was bitten by a Ferocious Dog on the way out and am looking forward to repeating the experience at one of their other gigs soon.
Festival-goers attending Fairport’s Cropredy Convention in Oxfordshire enjoyed three days of diverse music in fine weather when the event took place on 10-12 August.
“We had a really great three days,” said Festival Director Gareth Williams. “The music was terrific and our crowd loved the variety of the line-up.”
“During the run-up we were a bit worried about the weather,” Mr Williams continues. But luckily the rain held off for the festival and the ground had dried out by the time we opened. Everybody was in great spirits, everything ran smoothly and there were no incidents to report. We heard a lot of great comments from people telling us how much they were enjoying themselves.”
‘Suzanne’ – Fairport Convention live at Cropredy:
Fairport is celebrating its golden anniversary this year and their marathon three-hour-plus show on the Saturday night reflected this landmark. Their Cropredy finale featured the current five-piece line-up, six former band members and four other guests from Fairport’s musical family.
This year’s festival completely sold out; in fact, it reached its capacity of 20,000 back in June. “Quite a few of people turned up on spec but, sadly, we had to turn them away,” said Mr Williams.
‘Reno Nevada’ – Fairport Convention live at Cropredy:
Next year, Fairport’s Cropredy Convention takes place on Thursday 9, Friday 10, and Saturday 11 August 2018.
Staged in a corn field and with three stages linked by alleyways of food and crafts stalls, Wickham proved to be a good nursery slope for my family of first-time festival goers: no intimidating vast crowds and a relaxed atmosphere which built steadily through what turned out to be some swelteringly hot days.
Musically, in the main All Time Grates big top stage it was folk with a twist of vintage pop and rock: from crowd-pleasing sets by folk stars such as Seth Lakeman, Show of Hands, Eliza Carthy, Lisbee Stainton and Martin Carthy to The South – Beautiful South survivors Dave Hemmingway and Alison Wheeler – 10CC, Billy Bragg, Cockney Rebel, Wilko Johnson and The Proclaimers.
The crowd was an eclectic mix of folk devotees and commuter belt families, but overall the demographic was mature and knowledgeable so that at times the main stage had the contented air of a cricket match, with festival goers seated sensibly underneath sun-hats on folding chairs, sipping real ale and completing sudokus to the sound of music.
I soon found out that for a parent festivals have to be enjoyed in the round. My children weren’t there for the music, but found instead joy in the laser quest – a shoot-‘em-up inside a series of sweaty, dark inflatable tunnels – the solar-powered Groovy Movie cinema and the digital funfair, a quirky installation where gamers played Space Invaders while sitting on a stationary bike or racked up high scores by slapping two headless mannequins on their plastic buttocks in time to music.
After a while it became possible to enjoy the music while waiting for them to complete their activities or resisting their pleas to spend the GDP of a small country in the various food and craft stalls, simply via the proximity to the three stages, especially the acoustic stage, where a varied line-up of young up-and-comers and older veterans strummed, picked and twanged their way skilfully through a mixture of their own material and interpretations of popular classics, finding favour with a sprinkling of punters lounging back on the straw-coated ground.
At the top of the festival was the sweatier and rockier Bowman Ales Stage 2 tent – which hosted performances from Edward II, headlining prog rockers Stone Cold and Damn Beats – but I confess that, as a first-timer wanting to immerse myself in folk my visits there were fleeting so I concentrated on the main stage, where a succession of acts filled the afternoons and evenings with musical stories from every corner of Britain and beyond.
From the lilting Northumberland romance of Kathryn Tickell and the Side, to the seasoned yarns of Huw Williams and Maartin Allcock and the acapella oddness of the Spooky Men’s Chorale, it is fair to say there was something for everyone’s tastes, but the big top came into its own later on as the sun dipped behind the food stalls and the headliners took to the stage.
Among the highlights was the life-affirming return to action of Wilko Johnson, the welcome familiarity of The (Beautiful) South’s hits and the appearance of Billy Bragg, whose wit and political zeal brought Friday night to a close. The next night, Seth Lakeman gave a rollicking masterclass of modern folk rock, sweeping the audience along and raising the temperature in the big top.
Despite the passing of years, festival headliners The Proclaimers hadn’t seemingly aged that much and their set was a polished resounding collection of love songs, devoted to Scotland as much as to the objects of their desire. The large TV screens showed that the Reid twins had their committed fans who knew all of the words, but as the night continued, you did get the feeling that most people in the tent were waiting for their signature tune – I Would Walk 500 Mile – like a seashore full of surfers all readying themselves for the big wave that would take them right to shore.
And, duly, at about five to 11, it arrived: cueing a joyous outburst of jigs and a singalong in affected Scottish accents. This provided the most exuberant moment of the weekend, before it drew to a close with a thank you and good night, and the boys left the stage.
The third night was over, but the next day the sun again rose hot and strong. Family holiday commitments meant I had to slip away early, but in my absence the crowds returned with their chairs and sun hats, eager for more.
These pictures have been taken from many sources. The majority were taken by our photographer, Clicker and myself back in 2000 & 2001. Thanks must also go out to Patricia and Caroline for all their efforts when we originally put the photo gallery together. If you have any pictures of Celtus that you would like featured on this page just e-mail me here along with a brief description.
Click on the photo below to view the full Celtus gallery…
If you would like to order a copy of an album (in CD or Vinyl format), download one or just listen to snippets of selected tracks (track previews are usually on the download page) then click below to be taken to our associated partner Amazon’s website.